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	<title>Comments on: FAREWELL, TOWER RECORDS</title>
	<link>http://blog.mixonline.com/audiobites/2006/10/16/farewell-tower-records/</link>
	<description>Mix magazine's George Petersen's rants, musings and general commentary about recording, live sound and professional audio in general</description>
	<pubDate>Thu, 28 Aug 2008 10:47:08 +0000</pubDate>
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		<title>by: Brian McDonald</title>
		<link>http://blog.mixonline.com/audiobites/2006/10/16/farewell-tower-records/#comment-59</link>
		<pubDate>Tue, 17 Oct 2006 21:20:51 +0000</pubDate>
		<guid>http://blog.mixonline.com/audiobites/2006/10/16/farewell-tower-records/#comment-59</guid>
					<description>I remember the first time visiting Tower in NYC back in the 1980's. The A&amp;#38;R guy I was working with at CBS brought me in to give me a gift for a job well done after some album work.  It was quite a treat; I felt like the entire universe of music recordings existed in a single place and I was a kid again looking at the amazing amount of recordings that existed on earth. &lt;br&gt;
&lt;br&gt;
The demise of Tower tells us those times have passed and we have arrived in a place where the carrier media of the music (vinyl and plastic) is truly on its way to becoming transparent.   &lt;br&gt;
&lt;br&gt;
Like most of the people I talk to about this, I hold this as a historical marker; an event that was inevitable and is now set as part of our recording industry heritage.</description>
		<content:encoded><![CDATA[	<p>I remember the first time visiting Tower in NYC back in the 1980&#8217;s. The A&amp;R guy I was working with at CBS brought me in to give me a gift for a job well done after some album work.  It was quite a treat; I felt like the entire universe of music recordings existed in a single place and I was a kid again looking at the amazing amount of recordings that existed on earth. </p>
	<p>The demise of Tower tells us those times have passed and we have arrived in a place where the carrier media of the music (vinyl and plastic) is truly on its way to becoming transparent.   </p>
	<p>Like most of the people I talk to about this, I hold this as a historical marker; an event that was inevitable and is now set as part of our recording industry heritage.
</p>
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		<title>by: Chadley</title>
		<link>http://blog.mixonline.com/audiobites/2006/10/16/farewell-tower-records/#comment-51</link>
		<pubDate>Tue, 17 Oct 2006 02:49:54 +0000</pubDate>
		<guid>http://blog.mixonline.com/audiobites/2006/10/16/farewell-tower-records/#comment-51</guid>
					<description>There were times I would walk into a Tower Records and be a little dis-heartened that an album I wanted was considerably more expensive there then in several other stores. Part of me always had difficulty walking in there and buying the album I wanted, without thinking I might be able to get a better deal. I think, in part, this was Tower Records un-doing.&lt;br&gt;
&lt;br&gt;
Despite those facts, there were still my favorite store to shop at. I almost never bought something that wasn't on-sale, but I always looked at everything anyway. They carried everything I could have wanted, and albums I never knew existed. This is an unfortunate blow to the Indie music community.</description>
		<content:encoded><![CDATA[	<p>There were times I would walk into a Tower Records and be a little dis-heartened that an album I wanted was considerably more expensive there then in several other stores. Part of me always had difficulty walking in there and buying the album I wanted, without thinking I might be able to get a better deal. I think, in part, this was Tower Records un-doing.</p>
	<p>Despite those facts, there were still my favorite store to shop at. I almost never bought something that wasn&#8217;t on-sale, but I always looked at everything anyway. They carried everything I could have wanted, and albums I never knew existed. This is an unfortunate blow to the Indie music community.
</p>
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