Archive for April, 2007

PRE-PRODUCTION–OLD-STYLE

Filed under: — Gpetersen@mixonline.com @ 9:44 pm

By George Petersen

PRE-PRODUCTION IS ONE OF THOSE ESSENTIAL PARTS of making the recording process more efficient. These days, that usually entails selecting the patches, samples and loops you’re planning to use and may be edit some MIDI sketchpad sequences to get them just right. But when you’re working with a solo singer/guitarist/songwriter, the “pre-production” stage is probably a little different.

Such was the case when my studio/label partner JJ Jenkins and I discovered RJ Hutchinson. Actually, we didn’t really “discover” him–any more than Christopher Columbus discovered America, as RJ existed well before we ever heard him. But heard him we did–in of all places, at one of those “open mic” nights at a local bar. There were a lot of people signed up to perform–some admittedly more talented than others–but RJ had something that was magic and writes amazing songs on the level of a James Taylor or Gordon Lightfoot. You don’t run across people like this everyday, so after hearing him perform at some other venues, we decided to do his album on my Jenpet Records label (www.jenpet.com).

RJ doesn’t have a band–no problem–in fact, sometimes that’s even better, because he has the flexibility to perform with other players or do amazing one-man shows. He can play solo to support the album, which is a lot easier than maintaining and touring four or five other players—and he sounds great either way. But before cutting any tracks, RJ brought in his friend and sometime songwriting collaborator, pianist David Kaff (probably best known as the keyboardist in SPINAL TAP) and we assembled a studio band, with RJ on guitar, myself on drums, Jenkins on organ and Walter Bush on bass.

So for the past few weeks, we’ve actually been REHEARSING (yeah, I know that’s something people rarely do before recording) and working out arrangements, carefully adding to the tunes without changing their character. The cool part of this is actually working the songs out in a collaborative environment with everybody contributing to the whole. I think too often, people go the “auteur” route in recording, but the whole process is a lot more fun when you’re on a team.

Besides working with RJ, one of the real delights is Kaff, who’s a brilliant player in his own right and keeps us entertained between tunes with a million stories about his life on the road with a zillion Brit bands during the late ’60s and ’70s. I’ll have to sit him down one of these days and get some of these (at least the printable ones) on tape for blog or podcast…

Rehearsing–what a concept!

SPEAKING OF SPINAL TAP…

It seems the boys are back together for a reunion set at London’s Wembley Stadium during the “Live Earth: The Concerts for a Climate in Crisis” 24-hour worldwide music event slated for 7/7/07. To help promote the event, Rob Reiner and the Tapsters put together a very funny 14-minute mockumentary clip, at www.liveearth.msn.com. Check it out!

When not working on Mix stuff, George Petersen records and performs with the SF Bay Area-based rock band ARIEL. Check ‘em out at www.jenpet.com.

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WIRELESS: TROUBLE AHEAD?

Filed under: — Gpetersen@mixonline.com @ 1:36 pm

By George Petersen

YOU’VE HEARD THAT OLD ADAGE “WRITE YOUR CONGRESSMAN” a million times, but you probably never did. But maybe this time you should, especially if you’re a user of pro audio wireless systems, whether for mics, guitars, IFB, radio intercoms or in-ear monitoring. You see, with the upcoming shift to DTV broadcasting less than two years away, analog TV over the airwaves is gonna disappear. So who cares, anyway? I get cable at home… Well, you better care, because, some very large, well-financed players are looking at picking up a lot of soon-to-be unused frequencies for new uses, such as portable Internet devices.

So what does any of this have to do with audio? Plenty. Because unlike CB radio and maritime navigation, pro audio never had any official allotment of frequencies from the FCC for wireless use. We rode on the coattails of broadcasters, first using unused VHF TV frequencies and later mainly moving to the middle and upper UHF bands. Now here’s the rub: DTV operates with more precision than analog TV channels, which require large areas of “white space” padding around each frequency to avoid interference from adjacent channels. And that white space offered a mostly safe haven for wireless audio users. So with no white space requirement, DTV’s arrival leaves a whole lot of ex-analog TV spectra, which a cash-strapped FCC is more than willing to reallocate to deep-pocketed companies such as Sprint Nextel, Verizon, ATT/Cingular and others who see boon times ahead for wireless Internet.

Meanwhile, Senators John Kerry and John Sununu are offering separate bills mandating the FCC allocate the vacant spaces for wireless broadband. Wireless Internet is a wonderful advancement in technology and good for the nation as a whole. However, some key issues must be resolved. Firstly, portable wireless products are two-way devices, operating as both receivers for downloading data, as well as transmitting e-mails, text messaging, baby pictures, etc. As the market expands, ensuring adequate testing so these devices don’t interfere with existing products operating in the white spaces–such as wireless mics.

With that in mind, Illinois Congressman Bobby Rush introduced H.R. 1320, “The Interference Protection for Existing Television Band Devices Act of 2007.” Rush’s bill doesn’t seek to negate the Kerry and Sununu proposals, but would allow some white space use for gear such as wireless mics, while asking the FCC to require interference testing of portable broadband devices.

The long-term effect of any frequency reallocation remains unsure. Will your wireless gear work after the changeover? Maybe, maybe not. It may come down to losing certain frequencies or having a shorter operating range, but at least the Rush bill gives our industry and the general public the best shot at maintaining high-quality wireless communications in the years to come.

But’s it’s not quite law yet. Currently being examined by the House Subcommittee on Telecommunications and the Internet, H.R. 1320 is a balanced approach and audio pros should encourage their local representatives to support this bill.

WHAT YOU CAN DO

Get involved. Just go to www.house.gov/writerep, enter your state and zip code and an e-mail form pops up with your representative’s name. It couldn’t be easier. As the bill is in committee right now, the people to contact are the subcommittee members, listed below by state. Let them know how important wireless audio products are in both your day-to-day work as well as the industry as a whole. It doesn’t require an essay, just a quick note, like an e-mail. The best part? It won’t cost you a stamp. It’s even fun, and while you’re at it, encourage your colleagues to do the same, particularly if any subcommittee members represent your districts.

CALIFORNIA: Mary Bono, Lois Capps, Anna Eshoo, Jane Harman, George Radanovich, Hilda L. Solis

FLORIDA: Cliff Stearns

GEORGIA: Nathan Deal

ILLINOIS: Bobby Rush, J. Dennis Hastert, John Shimkus

INDIANA: Baron P. Hill

MASSACHUSETTS: Edward J. Markey

MICHIGAN: John D. Dingell, Fred Upton, Bart Stupak

MISSISSIPPI: Charles “Chip” Pickering

NEBRASKA: Lee Terry

NEW JERSEY: Mike Ferguson, Frank Pallone, Jr.

NEW MEXICO: Heather Wilson

NEW YORK: Eliot L. Engel, Vito Fossella, Edolphus Towns

OREGON: Greg Walden

PENNSYLVANIA: Mike Doyle

TENNESSEE: Bart Gordon

TEXAS: Joe Barton, Charles A. Gonzalez, Gene Green

VIRGINIA: Rick Boucher

WASHINGTON: Jay Inslee

WYOMING: Barbara Cubin


When not working on Mix stuff, George Petersen records and performs with the SF Bay Area-based rock band ARIEL. Check ‘em out at www.jenpet.com.

__________________________

What do YOU think?

CLICK ON THE COMMENTS LINK BELOW AND SPEAK OUT!


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