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Archive for August, 2007

TALE OF TWO—ER, THREE—TRADESHOWS

Filed under: — Gpetersen@mixonline.com @ 5:40 pm

By George Petersen

THERE OUTTA BE A TRADESHOW FOR TRADESHOWS, where all these organizers can all meet and coordinate their dates for the upcoming year. Just about anybody who goes to a lot of audio tradeshows can remember those years when Musikmesse overlapped NAB, etc. And it never seems to end—next month’s IBC (the big European broadcasting show) overlaps PLASA (the big U.K. live sound show). Whether you’re attending or exhibiting, such intertwined schedules can really complicate your life.

But sometimes, there is some good news. Over the weekend, InfoComm and NSCA announced that they would combine their expos into a single event next year (June 18-20) in Las Vegas. Both organizations should be applauded for this move, which should really reinforce (no pun intended) and help build show attendance and the depth of the workshops/ancillary activities surrounding the expo itself. Faced with two similar (but certainly NOT identical) events, many showgoers–and many exhibitors as well–simply selected one or the other each year, leading to two competing events just a few months apart. After years of complaints about the situation from exhibitors and visitors, both organizations decided to take action and work together for a common good. Bravo!

And after a three-year absence, Summer NAMM is returning to Nashville in 2008. Indianapolis and Austin are great towns, but the only place where Summer NAMM seems to work these days is Nashville. As with other cities where Summer NAMM has been held—such as Austin, New Orleans, Chicago, Atlanta, Atlantic City—Nashville is also a great music town. But Nashville is a major recording center—another plus, with a great downtown convention center with affordable nearby lodging and is in the center of a huge population circle within a one-day’s driving radius, making it convenient as well. So far, so good. Unfortunately, Summer NAMM 2008 is June 20-22, and this timing overlap with the new, powerful, merged NSCA/InfoComm will create some tough decisions for a fair number of pro audio exhibitors in picking which show to attend/support.

The very real issue of overlapping tradeshows actually hurts everyone in the industry, especially in today’s tough business climate. So far, we have two steps forward, and one step behind. Maybe someday, in that perfect world where all these organizations do a little more coordination, this wouldn’t happen. The solution could be that “tradeshow for tradeshows” where all this occurs, but until that day…

When not working on Mix stuff, George Petersen records and performs with the SF Bay Area-based rock band ARIEL. Click here www.jenpet.com and check ‘em out.

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FAREWELL TO AN AUDIO INNOVATOR

Filed under: — Gpetersen@mixonline.com @ 2:08 pm

By George Petersen

THE AUDIO COMMUNITY IS A NOW SADDER PLACE. Today I heard that John Stephens, founder of Stephens Electronics, passed away after a long illness. In an era when the analog recorder business was dominated by larger companies, such as Studer, MCI, Ampex and Otari and 3M, John Stephens was an individual that took them all on and in the opinion of many, created the best sounding recorders of all.

Although he didn’t make a lot of machines, he surely left his mark in terms of innovative design. Besides paying particular attention to the design of the record electronics and head manufacturing, one of the secrets to all Stephens transports was a unique capstanless/pinchrollerless design that was extremely gentle on tape. He also pioneered the 2-inch, 40-track format, which didn’t take off, but saw use on projects like Roy Thomas Baker’s albums for The Cars. The Stephens 40-track could also be quickly changed over to other 2-inch formats, such as 16- or 24-track, and he also sold machines that were pre-wired for other formats, such as 16-track decks with 24 channels of electronics, allowing users to easily upgrade as their needs or budgets allowed.

Another great idea from Stephens was an option for building his machines for remote recording, breaking up the transports and electronics into separate roadcases that were more easily transportable and could be used on location. Additionally the decks could be powered by two car batteries for use in remote areas where dependable AC (or no AC at all) was unavailable.

In a world where true audio innovations are few and far between, John Stephens was a pioneer and real audio innovator. He will be missed but his spirit lives on.

UPDATE: For a more detailed look at the life of John Stephens, click here.

When not working on Mix stuff, George Petersen records and performs with the SF Bay Area-based rock band ARIEL. Check ‘em out at www.jenpet.com.

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