Archive for January, 2008

THERE’S NO PLACE LIKE NAMM

Filed under: — Gpetersen@mixonline.com @ 8:57 am

By George Petersen

IF YOU’VE NEVER BEEN TO A NAMM SHOW, you should know that it’s a scene like no other. I mean, it’s really a whipped frappe mixture of high-tech, low-tech, things that amaze, things that amuse, the expected and the un-expected. And LOTS of people, especially on Saturday (the weekend), when the floodgates open, the dam bursts and the joint is packed with ten times as many people as were there just the day before. Now this is a trade-only event–it’s not open to the public–but the weekend brings an unending throng of fans who sill stand in line for an hour or more to get a signed poster or 8×10 of their fave rock idols (yeah, it’s mostly rock stars) who make personal appearances at whatever booth they’re endorsing this week. It’s a celebrity fest, to be sure…

That morning I ran across a few old friends–Al Schmitt and Elliot Scheiner, and walked the show floor with them for a while. NAMM conversations always start with the classic opener “What have you seen that’s interesting?” and they had just arrived and I was bogged down in meetings up until then and hadn’t had a chance to REALLY do some digging on my “find the cool gear” treasure hunt. So we exchanged a few gems–mine was the very cool anodized aluminum, tube shaped case with threaded caps (it looks sort of like a MagLite flashlight) that will go with RODE’s new high-end shotgun mic. Sorry it’s not exactly a glitzy rock-star item, but it sure beats seeing your shotgun mic crushed, folded in half, or mired in gunk while on a location shoot.

But back to the story… What suddenly struck me was the fact that here I was walking around with two certified legends–real superstars in OUR industry, but these guys were completely invisible to the mobs of autograph seekers fighting over a scrawled publicity shot by some ephemeral rock star. The same reaction came later, while I spent some time talking with Chuck Ainlay. Here I am hanging with some of the great artists of our day, but not even a second look. Just another day at NAMM…
When not working on MIX stuff, George Petersen records and performs with the SF Bay Area-based rock band ARIEL. Click here www.jenpet.com/ariel.html and check ‘em out.
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LOST SOUNDS

Filed under: — Gpetersen@mixonline.com @ 8:44 pm

By George Petersen

I’VE SPENT A LOT OF TIME RESEARCHING PAST AUDIO technologies, and I’m frequently amazed at the speed by which history can be discarded. Even a remarkable product such as Sony’s PCM-F1—a revolution in its day—is virtually unknown some 25 years after its debut. So I’m hardly surprised (although truly saddened) by the near-complete lack of documentation on recording by early black artists who were pioneers of the record industry. And when I first heard about Tim Brooks book on the subject Lost Sounds—Blacks and the Birth of the Recording Industry, 1890-1919, I was delighted to uncover this absolute treasure chronicling these forgotten heroes.

In this exhaustive 656-page book, with some 60 pages of footnotes and cross references, Brooks and co-researcher Dick Spottswood have spotlighted a epochal time in the recording industry, and done so in a highly readable, fascinating style that brings history to life.

One particular highlight is a section on the life and career of George W. Johnson—believed to be the first black artist on commercial recordings. Almost forgotten today, Johnson recorded two of the best selling recordings of the 1890s and achieved such popularity that some of his records were pirated and bootlegged—more than 100 years ago!

In all, the book covers the works of some 40 artists such as Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W.C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington and boxing champ Jack Johnson—all who faced enormous hurdles in an era of racist attitudes and blackfaced white performers lampooning black music and musicians.

Lost Sounds—Blacks and the Birth of the Recording Industry, 1890-1919 is a must-read for anyone interested in exploring the roots of recorded music. It’s available in cloth and paperback editions from the University of Illinois Press: Just click here…


When not working on Mix stuff, George Petersen records and performs with the SF Bay Area-based rock band ARIEL. Click here www.jenpet.com and check ‘em out.

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