Archive for November 7th, 2012
Point Source Audio’s President James Lamb (L) and Otaritec’s Managing Director Satoshi Nishihara (R) forge new partnership
Novato, CA – Point Source Audio, leading manufacturer of earworn and miniature lavalier microphones announced a distribution partnership with Otaritec Corporation, a distributor of high-tech products serving a broad spectrum of professional A/V integrators and broadcast customers.
In October, Satoshi Nishihara, Managing Director of Otaritec, welcomed Point Source Audio executives at their headquarters in Tokyo for the official contract signing. The visit included a tour of their extensive quality control facilities and demonstration room that showcased a complete line-up of Otaritec’s distributed products. The Point Source Audio earworn and miniature lavalier microphones will make an initial debut at Inter BEE, International Broadcast Equipment Exhibition in Tokyo Mid-November. “Our team is very excited to introduce the Point Source Audio products to the Japanese market. We see great opportunity for this line of very unique microphones for our broadcast and pro-audio customers,” stated Nishihara. Otaritec has dedicated three fulltime staff members to service Point Source Audio clients.
Otaritec Corporation is a respected industry leader with a 30-year track record of delivering the very best products, services and solutions for advanced technical areas. Not only does OTARITEC provide broadcast engineers and audio visual integrators with new and innovative products from manufacturers around the world, they also have a robust engineering and technical support staff.
“We were extremely impressed with Otaritec’s facilities and professional staff,” said James Lamb, President of Point Source Audio. “Their expertise and knowledge of recording studios, live venues and broadcasting will be an excellent benefit to the Point Source brand in Japan,” Lamb added.
About Point Source Audio
Point Source Audio manufactures and distributes worldwide a unique line of lightweight bendable boom earworn microphones—known as the “toughest” earworn microphones in the industry. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Novato, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com
About Otaritec Corporation
Otaritec Corporation is a trading subsidiary of Otari, Inc., one of Japan’s leading manufacturers of high-technology products covering advanced technical areas catering specifically to recording studios, live performance venues and broadcasting Stations. To learn more about Point Source Audio at Otaritec, visit http://www.otaritec.co.jp/products/psa/index.html
For press inquiries, please contact:
Point Source Audio
(415) 226-1122 x107
NEW YORK: The Audio Engineering Society (AES) and the OCA Alliance have jointly announced that an AES standards project has been founded to consider OCA, the Open Control Architecture, for a public standard for control and monitoring of professional media networks.
The goal of this project, identified as: AES-X210, “Open Control Architecture (OCA),” is to produce a public, open, and royalty-free communications protocol standard for reliable and secure control and monitoring of interconnected audio devices in networks of 2 to 10,000 elements.
When the standard is complete, it is hoped that OCA will find broad acceptance in the media systems industry, and open a new era in standardized, interoperable control of devices from diverse manufacturers.
OCA will be a control and monitoring standard, not a media transport standard. It is intended to operate seamlessly with a wide range of media transport standards such as AES-X192, “High-performance streaming audio-over-IP interoperability” – currently in development – and IEEE AVB. Together, these standards will offer a path to complete network application solutions for future media networks that include both media transport and system control functionality.
OCA is substantially based on work done in the early 1990′s by the AES24 project, a pioneering effort in network system control. Although AES24 never reached full standards status, it offered a number of advanced concepts, which have found their way into various developments over the years.
In the coming months, the AES-X210 task group, part of AES working group SC-02-12 on Audio Applications of Networks, will be meeting to render the current OCA 1.1 specification into standards form and to shepherd its processing through the AES’s open standards process. Interested individuals are encouraged to participate. The full standards participation policy is available from the AES Standards website. During this period, the OCA Alliance will undertake various initiatives to support the work of AES-X210, and to define proposals for future extensions to the standard.
Crystallizing the focus of the new alliance, AES Standards Committee Chair, Bruce C. Olson remarked, “AES Standards has been deeply involved with standards for digital audio since starting work in 1977. The AES-X210 project to standardize OCA takes us to the next important milestone by integrating control with transport of audio over a variety of networks. Combined with a number of other projects in this exciting area of audio the AES continues to lead the world in audio standards, which enable a thriving marketplace for compatible products from competing manufacturers. We are very pleased to collaborate with the leading manufacturers in the OCA Alliance on this standards project.”
Photo: AES Standards Committee Chair, Bruce C. Olson
AES Standards website: http://www.aes.org/standards/
AES Standards participation policy www.aes.org/standards/development/membership.cfm
OCA Alliance website: http://www.oca-alliance.com/
About the AES
The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org
About the OCA Alliance
OCA Alliance is a non-profit corporation formed to secure the standardization of the Open Control Architecture (OCA) as a media networking system control standard for professional applications. The OCA Alliance’s purpose is to actively promote the adoption and standardization of Open Control Architecture (OCA) as a media networking system control standard through marketing, education and training and to develop future standards and other documents that augment, enhance or extend the primary OCA standard for the purposes of enabling and promoting increased interoperability and reliability for a variety of transport standards.
Spark Digital is the first true studio condenser microphone made for both iPad and USB, bringing professional recording capabilities to the iPad mobile platform
(Westlake Village, CA – November 8, 2012) – Blue Microphones, a leading innovator in microphone technology and design, announces the availability of Spark Digital (www.bluemic.com/sparkdigital), the world’s first studio condenser microphone to offer both USB and iPad connectivity. The digital version of Blue’s renowned analog Spark microphone, Spark Digital delivers professional-quality audio to any iPad or any computer, laptop or tablet with USB input. Spark Digital, MSRP $199.99, is now available in-store and online at Apple and Best Buy, and arriving soon at Guitar Center, Amazon and other authorized retailers.
“We are excited to release the first studio microphone for the iPad. With both USB and iPad connections and a wide range of available recording apps like GarageBand, Spark Digital is the missing link for achieving truly professional results on the mobile platform,” said Brian Biggott, CTO of Blue Microphones. “Bridging the gap between analog quality and digital portability, Spark Digital completes the true mobile studio.”
Taking mobile recording to the professional level, Spark Digital features the same studio-grade condenser capsule and hand-selected components as the original, analog Spark, for high-fidelity recording and consistent performance in any situation. Spark Digital also delivers the same detailed audio found in the original Spark, making it ideal for a wide range of situations: vocals, guitar, drums, podcasts, piano, location recording and more. Spark Digital also features studio controls directly on the microphone including volume and gain control, and instant mute. In addition, Spark Digital is the only iPad microphone to offer a zero-latency headphone out for direct monitoring, critical for eliminating distracting delay or for creating professional multi-track recordings where new tracks need to be synced with existing tracks.
Spark Digital also employs a feature found only on the original Spark: the Focus control, providing two different sonic options in one mic. ‘Focus Off’ captures crisp, powerful audio with enhanced low frequency sensitivity for recordings with greater impact and definition, and ‘Focus On’ captures greater clarity and detail for a tighter, more focused sound. For the recording novice, the Focus control provides the freedom to experiment with different sonic signatures in one mic, while providing the experienced recordist with versatile options.
Spark Digital comes with a custom angle-adjustable desk stand with built-in shockmount that protects against disruptive rumblings and vibrations from a desktop surface and allows users to quickly position the microphone. For each platform connection (USB and iPad), Spark Digital includes a y-cable with an attached, extended female headphone jack for zero-latency direct monitoring. Spark Digital is compatible with iPad (3rd generation), iPad 2, iPad, iPhone 4, iPhone 4S and is instantly recognized for use with any recording app, in addition to driverless connection via USB on both PC and Mac.
For storing and sharing, Spark Digital also includes an exclusive Cloud Production Bundle with free access to production tools for easy organizing, storing and streaming of audio content across the web. Spark Digital includes a 25 GB storage and transfer account for six months from Gobbler, a leader in music backup and organization, along with a six month Pro Account from SoundCloud, the leading social sound platform that lets anyone create, record, promote and share their sounds on the web, a $125 total value. From recording high-quality audio with Spark Digital to easily storing and sharing in seconds, this free access to SoundCloud and Gobbler gives musicians, podcasters and more the valuable tools they need to create and promote, wherever they go.
Spark Digital, MSRP $199.99, is now available in-store and online at Apple and Best Buy, and arriving soon to Guitar Center, Amazon and additional consumer electronics and pro audio retailers worldwide. For more information visit www.bluemic.com/SparkDigital.
About Blue Microphones
Blue Microphones designs and produces an extensive line of award-winning microphones and recording tools for audio professionals, musicians and consumers. Founded in 1995, and headquartered in Southern California, Blue continues a lengthy tradition of innovative, cutting-edge design and astounding performance. Named one of the fastest-growing companies by Inc. Magazine in 2012, 2011 and 2010, Blue continues to offer a range of recording tools for almost any application in both professional and consumer markets. From Blue’s flagship recording tool, the Bottle, to the enCORE line of professional live mics, to Mikey iPhone mic, Blue has just the tool to capture your creativity. Check out the complete range of Blue products at www.bluemic.com.
Versatile Gear Holds Up to the Rigors of STARZ Series’ Busy Production Schedule
CHICAGO, IL, NOVEMBER 7, 2012 — When Riordan Sound Services President and Production Sound Mixer Alex Riordan was called upon to record sound for the second season of Boss, a STARZ original television series, he turned to Sound Devices for his audio needs. Relying primarily on the Sound Devices 788T digital recorder and CL-8 controller, Riordan and his crew captured the dynamic sound for the hit show.
An American political drama series, Boss stars Kelsey Grammer as Tom Kane, the mayor of Chicago, who has recently been diagnosed with dementia with Lewy bodies, a degenerative neurological disorder. Determined to remain in charge, Kane conceals the disease from everyone around him except his own physician. The first season premiered in October 2011, with the second season debuting in August.
For his work on Boss, Riordan built a new sound cart featuring Sound Devices gear. “I used a 788T as my main recorder and had the CL-8 connected to it,” he says. “I would move the 788T and CL-8 off the cart and into a bag for some of our more mobile locations. After a while, production was moving so quickly that after a month into the show I bought a second 788T and incorporated it into a dedicated bag rig, with all the wireless gear. This way, it was ready to go at all times. It got to the point where I actually had that bag rig live on the bottom shelf of my mixer cart, so all I had to do was reach down, throw a battery in it, turn it on, grab my CompactFlash card out of the cart 788T, throw it in the bag 788T, set up my folders, jam my time code and check scene and track names, and I was off.”
In terms of tracks, Riordan sent a mix to channel one. His main boom was iso’d on track two, and he used the remainder of the tracks for isos of the wireless lavs, second boom and plant mics. Boss was the first show Riordan recorded completely with wireless booms. As a result, he didn’t need to run any audio cable, saving considerable time in the show’s fast-moving production environment. Just before production started, Riordan also purchased a Sound Devices CL-WIFI and an iPod Touch that he put on the cart for displaying meters and track names. “The CL-WIFI and iPod were a last minute addition to the cart and I quickly became reliant on the display to help me keep the ever changing track names straight. Not to mention everyone on set would ask me about it and say how cool it was,” adds Riordon.
In addition to the 788T, CL-8 and CL-WIFI systems, Riordan also employed a Sound Devices 442 field mixer and 744T portable four-track audio recorder on the Boss set, for times when he didn’t need as many tracks. This way, he could easily place the rig in the trunk of a car. “For most of the car scenes, we used wireless plant mics in the cars, so we had a few options in case a seatbelt rubbed up against the lav or something,” he says. “As we moved so fast and didn’t get a rehearsal, I put a lot of mics out there, just to give us more options. Since we didn’t get another take for sound, we tried to get a lot of things recorded and then see what worked.”
In addition to his work on Boss, Riordan and his crew use his large inventory of Sound Devices gear for various film projects, television shows and commercials produced in the Chicago area and beyond. Since Boss Riordan has mixed the Chicago portion for season 3 of Shameless and mixed some additional unit sound on the new TV show, Mob Doctor.
“Sound Devices gear has always provided me the functionality, reliability and portability, I need to be able to pack and go with confidence,” concludes Riordan. “I can’t wait to see what Sound Devices comes out with next!”
The Sound Devices 788T boasts eight full-featured inputs and records up to 12 tracks. It accepts either microphone or line-level signals, provides 48-V phantom power for condenser microphones, offers peak limiters for microphone inputs and features fully adjustable high-pass filters—all in a compact package. Based on the 788T, the Sound Devices 788T-SSD includes a factory-supplied 256-GB solid-state hard drive, allowing for superior performance in the field.
Sound Devices CL-8 is a portable mixing control surface for its 788T recorder. Its large rotary faders and push buttons bring extensive mixer-type control to 788T inputs. The lightweight CL-8 can be used either mounted or remote from the 788T. The Sound Devices CL-WIFI allows users to control the already powerful 788T from anywhere on set. CL-WIFI works together with its companion iOS software app to allow iPads, iPhones and iPod Touches to control a connected 788T. The CL-WIFI turns an iOS device into a simple, portable control surface, enabling a sound mixer to move around on set, away from the sound cart, while still retaining extensive control and monitoring of the 788T recording system.
Sound Devices, LLC designs and manufactures portable audio mixers, digital recorders and related audio equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year-old company designs and manufactures from its Reedsburg, Wisconsin, headquarters with additional offices in Madison, WI, and Highland Park, IL. For more information, visit the Sound Devices website www.sounddevices.com.
Today, Moog Music announced the release of the limited edition 10th Anniversary Minimoog Voyager. Moog created this 24 Karat gold Voyager with the finest materials, as a testament to American craftsmanship. The company is handcrafting 31 of these analog works of art, but only 30 are available for purchase worldwide. As a thank you to its customers for making the Minimoog Voyager the best selling analog synthesizer of the last decade, Moog has set aside one of these rare and valuable instruments for one very lucky person to win- details for entry to be announced November 16th. As a specific thank you to Voyager owners, Moog will send ALL registered owners a small gift of gratitude for their amazing support.
The 10th Anniversary Minimoog Voyager made it’s unofficial debut at Moogfest, Moog’s 2 day festival in Asheville, NC where the international electro-pop group, Miike Snow, played it during their headlining set.
“We are so thankful to the thousands of Minimoog Voyager customers for making the Minimoog the best selling analog synth of the last decade. Without them, we may not have been able to continue hand building instruments in downtown Asheville, North Carolina,” said Mike Adams, CEO Moog Music. “Sending each and every one of them a small gift is a small gesture of our immense gratitude,” continued Adams.
The 10th Anniversary Minimoog Voyager has been carefully dipped in a 24-karat gold finish. The classic wood housing has been neatly dressed in a custom, high gloss, black piano lacquer chosen specifically to accentuate the Japanese Awabi pearl adornment on the sidepieces. Moog has created a short video documenting the build process of this precious synthesizer, which can be seen on their website. Additional features of the 10th Anniversary Minimoog Voyager include custom translucent knobs, a glowing Moog logo with indigo illumination, gold headphone jack, all black switches, a personalized engraved gold plate, a letter pressed certificate of authenticity, and a hand bound user’s manual. Only 5 units are available for sale in the United States, with the remaining 25 units spread out across countries around the world. See the list of our participating retailers here: www.moogmusic.com/10thanniversary
Moog is asking all Minimoog Voyager owners to update their registration information at www.moogmusic.com/register so that they may successfully receive a small gift in the mail. On November 16th, Moog will announce details on how to enter the 10th Anniversary Minimoog Voyager Giveaway.
As part of the celebration of the 10th Anniversary of the Minimoog Voyager, Moog has also created an interactive timeline where fans can learn about the 10-year history of this instrument and the artists who used it to define the sound of the last decade.
Making the 10th Anniversary Minimoog Voyager Video: http://www.youtube.com/watch?v=oR75HPWEIok
Minimoog Voyager Interactive Timeline: www.moogmusic.com/content/voyager-timeline
Moog Music Website: http://www.moogmusic.com
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