Archive for January 25th, 2013

LIGHTNING-STRUCK MONASTERY BLESSED BY ASHLY AMPLIFIERS

ERIE, PENNSYLVANIA: Mount Saint Benedict Monastery in Erie, Pennsylvania is the spiritual center of the Benedictine Sisters of Erie and a nursing facility for elderly women. Its main chapel seats approximately one hundred individuals, and the sisters hold two well-attended services a day. Recently, the chapel was struck by lightning, which damaged all of the electronics in its sound reinforcement system beyond repair. The company that had installed that system, Fact AV Technologies of North East, Pennsylvania, quickly stepped in with a loaner system. In only a month’s time, Fact AV had designed and installed a new system based on Ashly ne Series amplifiers. All of the sisters and nursing home residents noticed the new system’s improved intelligibility and clarity.

“Almost all of the sisters can hear way better than I can,” laughed Eric Johnson, owner of Fact AV Technologies. “When we were commissioning the original system, they complained of a high-pitched hum. I couldn’t hear it, and only one of the three guys on my crew could hear it… barely. But they were right. I tracked down the problem and removed the hum.” In addition, everyone who attends services at Mount Saint Benedict Monastery regularly calibrates their ears to acoustic music. The services are frequently supported by woodwind ensembles, acoustic guitar, piano, bell choir, an a cappella choir, and myriad guest musicians.

Johnson duplicated the original system’s processing and user control, with a few minor updates. Ten wired and six wireless microphones, and a CD player provide input to a Lectrosonics processor. An AMX user-control system provides customized control of input selection and output volume. None of the building’s twelve-inch coaxial loudspeakers were damaged by the lightning strike. In contrast, Johnson took the amplification in a new direction in the new system. An eight-channel Ashly ne8250 powers the main speakers for the sanctuary. A two-channel Ashly ne800 powers the stage monitors, and a two-channel Ashly ne800.70 powers the 70-volt systems on the building’s first and second floors.

“Ashly’s feature set per cost is unsurpassed,” said Johnson. “Ashly offers a range of configurations that are very useful to me as I design optimal systems in different scenarios. Ashly amplifiers, and the ne Series in particular, are lightweight and compact. The units are always reliable. I’ve almost never had service issues, but when I have, Ashly’s support staff turns the repairs around right away or sends advance replacements. Either way, they take care of me.”

He continued, “In addition, they sound great. As you might imagine, the monastery is very quiet, and the amps are perfectly silent. And their fidelity is excellent.” Despite all of the similarities between the old system and the new system, the sisters and the nursing home residents have noticed an obviously discernable increase in the system’s intelligibility and clarity. “The new Ashly amplifiers have played a huge role in that improvement,” concluded Johnson.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

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DANLEY SOUND LABS HIRES JONATHAN PARKER AS NATIONAL SALES MANAGER

GAINESVILLE, GEORGIA: Danley Sound Labs announces that it has hired pro audio manufacturing veteran Jonathan “JP” Parker to the role of National Sales Manager. Parker brings to the position over 25 years of sales and marketing experience working with industry powerhouses such as Bose, Crown, TOA, and Martin Audio. Although he will focus on the domestic market with Danley, Parker’s background provides him with a global perspective. Reporting to company president Mike Hedden, Parker will be responsible for growing domestic sales of Danley’s unique loudspeakers, subwoofers, and supporting processors and amplifiers.

“JP’s qualifications and industry experience perfectly position him to elevate Danley’s domestic sales at a time when our products are gaining critical momentum in multiple segments of the installed sound market,” said Hedden. “Beyond his obvious talents, JP is a great guy. As an active member of his church’s praise team – JP plays keyboards and bass and also runs the sound – he’s in touch with the end user’s needs.”

“Danley is one of the few pro audio companies that not only offers unique solutions to longstanding problems,” said Parker, “but also commits itself to providing an ethical and healthy environment for all of its employees. Danley has a great product and a great story to tell. I’m excited to be part of the team and to help spread the word!” Parker will focus the Danley sales team’s efforts where they can have the most impact, and he will support those efforts with effective sales and marketing tools.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

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SYMETRIX INTRODUCES COST-EFFECTIVE AUDIO INPUT/OUTPUT EXPANSION DEVICES FOR USE WITH SYMNET EDGE AND RADIUS DANTE NETWORK AUDIO DSP

SEATTLE, WASHINGTON – JANUARY 2013: Symetrix announces today the release of the cost-effective SymNet xIn 12 and xOut 12. These products increase a system’s analog input or output channel capacity resulting in a reduction in overall price per channel.

Designed exclusively for use with SymNet Edge and Radius DSP units, each of the twelve studio-grade analog inputs’ and each of the twelve studio-grade outputs, along with bus assignments, are configured using SymNet Composer open architecture software. The xIn 12 and xOut 12 set-up is logical and fast with no requirement to use third party software. There are no mechanical switches or circuit board jumpers to set. Systems are simpler, cost less, and have fewer potential points of failure.

Noted CEO, Paul Roberts, “Whether you are scaling up a SymNet Edge system, a SymNet Radius system, or one that combines the two, the xIn 12 and xOut 12 create larger systems with smaller price tags.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

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DANLEY LOUDSPEAKERS REMEDY NEIGHBORHOOD NOISE COMPLAINTS AT ATLANTA’S 24/7 IHOP CHURCH

ATLANTA, GEORGIA – JANUARY 2013: IHOP Atlanta is a 24/7 church that spans the time between its frequent services with continuous prayer meetings, a fact that lends sincerity to its full name: International House of Prayer Atlanta. In the year that followed after its October 2004 founding, IHOP rapidly transitioned to the 24/7 cycle, and the prayer meeting that convened on February 12, 2006 is still going without interruption! However, noise complaints from neighbors, engendered primarily by the high-energy rock bands that play a few times a week, threatened the church’s M.O. To correct the problem, IHOP Atlanta hired Pensacola-based A/V integration firm Soundscapes. Now, Danley Sound Labs loudspeakers, which have tremendous pattern control even at low frequencies, focus energy on the congregants and away from the walls. As a result, the “listen-to-leak” ratio is greatly improved, and the church is enjoying Danley’s clean, transparent sound as a bonus.

“Danley’s pattern control is the key to this installation,” said Langston Holland, owner and chief designer with Soundscapes. “I flew three rows of three Danley SH-100s. The patterns hit the sidewalls at about four feet, which puts church members in the coverage as they walk the aisles praying, but deflects excess energy down to the carpeted floor. Moreover, the coverage patterns from each row just kiss the patterns of the rows before or after, so you primarily hear sound from a single loudspeaker, no matter where you are.” To make that work, the first row is facing almost straight down, the last row is at 45 degrees, and the middle row is intermediate. Holland hung them as low as possible without threatening sight lines, thereby increasing perceived SPLs according to the inverse square law.

Because music is such an important component of IHOP Atlanta’s services and prayer meetings, Holland avoided “over-delaying” the middle and rear speakers, a trick that helps locate sounds to the stage via the precedence effect but that also tends to smear them out, which is most noticeable on staccato elements like rim shots. Instead, each row of Danley SH-100s is delayed per its actual distance from the stage. A Peavey Media Matrix delivers the processing, including a 95Hz crossover for the church’s existing subwoofer array. Three new QSC amplifiers join three existing QSC amplifiers to power the system.

To add excitement and dimension to their mixes, Holland installed the new Danley SH-100s with stereo output. But to avoid unintended consequences of operator error, he blended the center loudspeaker so that everybody gets at least some left and right coverage. “They’re grinning ear to ear,” he reported. “They’ve never actually heard their stereo effects before, and now they’re hearing delays ping back and forth and the subtle tails of reverbs. With the old system, their console was a total mess of radical EQ adjustments, but with the Danley speakers, everything is basically flat. The few minor adjustments are for aesthetics and impact, not to fix problems.”

The new Danley system also gives IHOP Atlanta more clean headroom than it had previously. “That was initially a problem,” Holland said. “It sounded so good that they didn’t realize they were pushing louder than ever!” He inserted some limiting to curb their exuberance. Measurements taken at the neighbor’s house before and after the new Danley system was installed demonstrate that everything above the subwoofers is completely fixed and there is no perceptible or measureable energy there. “The band runs 104dB SPL C-Slow for their Thursday night youth services, and it’s pristine in the auditorium,” said Holland. “Inside the neighbor’s house it measures 50dB SPL unweighted at about 60Hz for about four minutes before and after the preaching, which is the loudest portion of their set.”

ABOUT DANLEY SOUND LABS
Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

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SAN ANTONIO’S FAMOUS HILTON PALACIO DEL RIO SIMPLIFIES MEETING ROOM FUNCTIONALITY VIA SYMNET SOLUS 8 STANDALONE FIXED I/O DSP

SAN ANTONIO, TEXAS – JANUARY 2013: With San Antonio’s gorgeous downtown River Walk just steps to the west, the city’s well-booked convention center across the street to the east, and the Alamo historic site a block away to the north, the Hilton Palacio del Rio is at the center of a fabulous Texas experience. It delivers the perfect mix of luxury, location, and event support and wins over first-time visitors, earning their repeat business. The hotel possesses over 27,000 square-feet of flexible meeting space split between the 4th floor and the 22nd floor. Recently, the hotel gutted those areas to modernize both their aesthetic and their functionality. Audio/video integrator Good Thunder Provisioning of Montgomery, Texas designed and installed the new system, centering it on four Symetrix SymNet Solus 8 open-architecture DSP units.

“The renovation of the 4th & 22nd floor Meeting Rooms & Ballrooms was undertaken on very fast track – you might call it a hyper track,” said Robert Slaughter, proprietor of Good Thunder Provisioning. “The start date for the demolition of the existing building interior & audio system was July 15, and the first use of the new system was September 27th.” The incredibly short timeframe required advanced planning on the part of everyone involved and tight coordination with the general contractor, the architect, the in-house audio/visual provider (Swank Audio Visual), and the hotel. Slaughter’s sound reinforcement design focused on reproducing high-quality, intelligible speech and engaging foreground music.

Importantly, he kept the interests of the in-house A/V provider in mind. “Too many times we see very high-end, super-technical systems installed in hotels that end up limiting the revenue of the in-house A/V provider,” said Slaughter. “That ultimately limits the commissions paid to the hotel.” The new system exceeds the standards of the International Association of Conference Centers.

With potentially dozens of subdivided rooms, the Hilton Palacio del Rio can take on serious overflow from the nearby conference center or can host sizable conferences or other events all on its own. Input plates in each divisible space provide an XLR input for line-level signals, a CAT6 connection that links to a projector and the rack locations, and HDMI & VGA for connection to a projector or wall-mounted LED monitors. Wireless microphone systems provide the principle audio input for conferences. House music, which is processed by an Aphex Aural Exciter, provides an additional input option. TOA DA-250DH multi-channel digital amplifiers power scores of TOA F-122CU2 full-range ceiling speakers.

Four Symetrix SymNet Solus 8 standalone fixed I/O DSP, each with eight inputs and eight outputs, handle all of the input conditioning, routing logic, and loudspeaker conditioning for the system. As one might imagine, the routing is complex, with numerous zones adding or subtracting speakers in different locations. “Our staff has had a very long and positive history with Symetrix, starting with the Express Cobra series,” said Slaughter. “The Solus is a great product. It’s flexible, easy to program, and great sounding. Adding the Symetrix ARC-2e and the Axiomtek Touch Panel for user control makes the choice of Symetrix a no-brainier. Cost was also a factor, and by using these products we were able to come out better than we had budgeted.”

The user control is made available in two layers. First, twenty Symetrix ARC-2e remote wall panels allow for the line level control of each room section, music level control of each room section, and selection of optional high-pass filtering for improved voice intelligibility. Second, a pair of Axiomtek GOT-5100T-830 touch panels at each rack location duplicate those controls and add room combining, auxiliary input/output routing, and selection of additional music sources. Lighting control will be included in the near future. “The Symetrix ARCs offer a wide range of control features and functions that are flexible and easy to install,” said Slaughter. “They are an excellent choice. Axiomtek Touch Panels are rugged and always work right out of the box. Their reputation is great.”

Once Hotel management heard and controlled the new system, they asked Good Thunder Provisioning to provide new sound reinforcement systems for the hotel’s restaurant and bar areas in the near term and for the lobby next year. The new restaurant/bar system will use a single Symetrix SymNet Solus 8 DSP to deliver two zones with multiple music, cable TV, and iPod inputs. Four Symetrix ARC-2e remote wall panels provide source selection and level control for both zones. Slaughter will use the same TOA loudspeakers and amplifiers to maintain consistency.

Robert Slaughter is the senior project manager for Hairel Enterprises in Conroe, Texas and owns Good Thunder Provisioning.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

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HIGH-FIDELITY RECORD LABEL, SONO LUMINUS, GARNERS SEVEN GRAMMY NOMINATIONS – ALL RECORDED AND MIXED WITH METRIC HALO’S ULN-8

SAFETY HARBOR, FLORIDA: Sono Luminus, a Virginia-based record label dedicated to ultra-high-fidelity recordings of acoustic, classical, and early music, recently earned seven Grammy nominations. The Los Angeles Percussion Quartet’s R?pa-khandha is nominated for “Best Surround Sound Album” and Modern Mandolin Quartet’s Americana is nominated for “Best Engineered Classical Album.” R?pa-khandha and Americana were both engineered by Sono Luminus’ Managing Director and Head Engineer, Daniel Shores. The label’s in-house producer Dan Merceruio is nominated for “Classical Producer of the Year.” Jory Vinikour’s The Complete Harpsichord Works of Rameau is contending for “Best Classical Instrumental Solo.” Finally, Americana, R?pa-khandha, and ZOFO Duet’s Mind Meld: Works for One Piano, Four Hands are all nominated for “Best Chamber Music/Small Ensemble.” All the work represented by these seven nominations was recorded and mixed using the ULN-8, Metric Halo’s flagship eight-channel combination preamp, converter, and DSP.

“We bring a very minimal philosophy to our recording process,” explained Shores. “While some engineers build fabulous recordings using a lot of excellent gear – much like a painter creates with a palette of vibrant colors, I prefer to track everything in a nearly complete form on the front end. I work hard to get the right setting and the correct microphone placement – much as a photographer sets the scene and gets the right lighting to faithfully capture a moment in time.”

Shores first heard the Metric Halo ULN-8 when a friend was serving as a ULN-8 beta-tester. “I immediately noticed a transparency that’s lacking in other preamps and converters,” he said. “What goes in is what comes out – without any color or degradation. Often, we record very fine instruments played by master musicians in gorgeous acoustical spaces. I don’t want to hear the microphones or the preamp or the converters in the recording. I want to hear what my ears heard when I was standing next to the microphones. The Metric Halo ULN-8 has that level of clarity and transparency.”

Shores typically uses some combination of Schoeps and DPA microphones at the front end of a Metric Halo ULN-8. Sono Luminus’ recording room, mixing room, and mastering room all possess dedicated ULN-8s, and Shores travels with an additional pair for remote recordings. He typically records to Pro Tools HD at 24-bit, 192kHz and mixes using Pro Tools and Metric Halo’s MIO Console. He also uses Metric Halo’s +DSP resources judiciously. “We sometimes have to record in rooms with slight acoustical oddities,” he said. “I’ve found that Metric Halo’s preamp modeling software, Character, can often compensate on the back end to restore the recording.” Continuing Shores’ photography analogy, the Character effectively corrects for imperfect “lighting” at the time of recording, much like a darkroom adjustment.

Ironically, Americana, R?pa-khandha, and Mind Meld: Works for One Piano, Four Hands were all recorded within six days of each other at a remote session at Skywalker Studios. The marathon engagement flip-flopped between night and day shifts, with each group coming in for a few days. Shores, of course, worked from beginning to end, and if seven Grammy nominations is any indication, somehow managed to keep his focus throughout!

Tune in to the 55th Grammy Awards ceremony, which will take place on February 10, 2013, to see the results.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

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Buckcherry Rocks with The RapcoHorizon Company

As Devoted RoadHog Cable and Custom Splitter Snake Users, Buckcherry will Greet Fans at the Company’s Booth during NAMM

ANAHEIM, CA, JANUARY 25, 2012 – Hard rock group Buckcherry can jam out more than ever thanks to The RapcoHorizon Company, a leading manufacturer of audio/video interfacing and cable equipment. Whether they’re on tour or at an individual performance, Buckcherry’s band members and techs all rely on the quality of RapcoHorizon’s custom splitter snakes and RoadHog cables. The band will also be signing autographs at the company’s booth during the 2013 NAMM Show (Hall C, Booth 4558) on Sunday, January 27 at 12 p.m.

Designed for the working musician, the RoadHog cables are road ready and tour tough, employing the most rugged constructions without sacrificing sound quality. Buckcherry used the RoadHog cables most recently on its 15-stop UK tour from northern Scotland to southern England, where the cables stood up to all the abuses typical of a hard rock tour.

“Out of all the shows we played in Europe, we didn’t have one audio incident,” says Buckcherry Tour Manager, Production Manager and Front-of-House Engineer Stephen Shaw. “When it comes to the RoadHog cables, I never have a problem with something coming up. If that does happen, it’s usually the microphone, not the RapcoHorizon stuff. It just takes another potential mishap out of the equation.”

RoadHog cables are built with PVC outer jackets that are durable and thick, yet flexible, and pure copper conductors and shields. This design ensures that the RoadHog cables provide an advanced sound and reliable operation for Buckcherry and other touring bands.

“I started using RapcoHorizon cables during my previous roles with Foreigner and Selena Gomez,” says A.J. “Jukebox” Srybnik, Buckcherry guitar tech. “I had such a good experience—they were reliable, clear and had an impressive single response and durability—the best I’d seen. So, when I started with Buckcherry in 2011 and saw they were using various cabling, I knew it was time to make the call to RapcoHorizon.”

RapcoHorizon cut and labeled every cable to the band’s desired method of organization,, making for easier setup and use. This way, whether it’s running the microphone and instrument cables to the main RapcoHorizon snake behind the drums, or running the vocals to another RapcoHorizon snake down stage, the cable setup saves the band’s crew members from wasting time figuring out what goes where.

“RapcoHorizon has beyond amazing customer service,” adds Shaw. “I can’t imagine working with anyone else. They are just fantastic, going over and above the call of duty. As for the cables, they are well built and do exactly what they are supposed to do. My confidence level is so high with these products that if something goes wrong they are usually the last thing I check.”

RapcoHorizon RoadHog cables are designed to work perfectly no matter how often they are put to use. Srybnik says that employing them every night to run audio to his panel board and effects pedals has been a great improvement from the previous setup. Another benefit of the RapcoHorizon cables is their ability to coil nicely. The quality of the cables and flexible jacket ensure that they not only lay flat on stage, but also roll up easily without causing bends.

“The guys can stomp on the RoadHog cables all night with their boots, and no matter what they seem to do to the cables, I know I can always count on them to work,” concludes Srybnik. “With other brands, the connectors often have a tendency to come apart during wear-and-tear, but not the RapcoHorizon ones. They have great strain relief and are very durable. The way these cables are manufactured is just exceptional. Using an all-RapcoHorizon rig, I can hear and feel the difference in my cable response compared to the original assorted cables.”

Srybnik says that the guitar and bass players have also noticed a difference in their sound since the RapcoHorizon cables became a Buckcherry standard. He has even been able to get a little more gain and EQ from his gear now that he’s all RoadHog.

Shaw has been with Buckcherry for more than eight years. Prior to joining the group, he worked for such performers as Kid Rock, Chevelle, Drowning Pool and System of a Down, and also toured with the comedian Dane Cook. Srybnik began working with Buckcherry in late 2011. Since then, he has introduced RapcoHorizon into the audio arsenal for the rapper Jay-Z.

Buckcherry is currently promoting its new album, Confessions, set for release on February 19, 2013. Having spent the holidays at home, the band recently took off for a U.S. and Canadian tour.

The RapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications cable in both bulk wire and assemblies. Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizon Company’s products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need. For more information, please visit The RapcoHorizon Company’s Web site at www.rapcohorizon.com.

ASHLY PROCESSING AND AMPLIFIERS JOIN DANLEY LOUDSPEAKERS AND SUBWOOFERS AT HOPE UNITED METHODIST

TRINITY, FLORIDA – JANUARY 2013: Like many churches, Hope United Methodist Church in Trinity, Florida limped along for many years with an aging sound reinforcement system. As components died, well-intentioned church members replaced them with purchases from the music shop, and things slowly drifted toward poor intelligibility and dissatisfying musical impact. The straw that broke the camel’s back was a series of channel failures on the old analog FOH mixer. They could no longer deal with all of their inputs, never mind the quality of everything downstream from the mixer! Hope United hired Christian Sound Installations (CSI) to start from scratch, and the integrator designed and installed a first-rate sound system that includes Ashly Audio processing and amplification and Danley Sound Labs loudspeakers, subwoofers, and stage monitors.

“Like most mid-sized churches in the current economic climate, Hope United needed to stick to a strict budget,” said Paul Garner, CSI’s owner and chief designer. “Of course, it’s my job to bring the system in at or under budget, but I’m not willing to do that by sacrificing quality, performance, or reliability. Because ultimately, the work reflects on CSI, and no one makes allowances for the budgetary constraints we were working under. They either hear a good system, or they hear a bad system.” Part of CSI’s cost-saving plan for the 450-seat sanctuary was to forgo the acoustical treatments that the church thought was necessary to increase intelligibility. With conventional loudspeakers, they would have been correct, but by using the exceptionally tight pattern control of Danley loudspeakers, Garner was able to keep energy off the walls.

Everything in Hope United’s sound reinforcement system is new. The stage has six Sennheiser G3 wireless microphone systems, a ClearSonic drum shield, and an Aviom personal monitoring system for the drummer. A cutting edge Allen & Heath GLD-series digital console gives the operator the flexibility of a modern digital system with the intuitive feel of a classic analog console. CSI recessed the equipment rack into the wall adjacent to the mixer, and the back of the rack is accessible from a nearby closet. A Tascam hard drive recorder lets the church easily record all of the sermons for easy uploading to the church website.

An Ashly Protea 3.6SP processor provides all input and output conditioning for the new sound system. “I’ve had great success with the entire Ashly processor line,” said Garner. “The bang for the buck I get with the 3.6SP and 4.8SP can’t be beat. For a straightforward installation, they have everything I need, without heaps of stuff I don’t need. Importantly, the audio path and algorithms are clean and natural sounding.” In addition to providing crossovers, limiting, and overall EQ, Garner used the Ashly 3.6SP to signal align the house system with the stage monitors.

Two Danley SH-100s are arrayed roughly twelve feet off the center of the church angled slightly down and out, with a single Danley TH-212 subwoofer covering all of the seats. Two Danley SM-100M low-profile loudspeakers serve as ultra-high-fidelity stage monitors. With an EASE model, Garner determined that the Danley pattern control would yield the most even coverage of all the viable alternatives, but hearing a Danley system sealed the deal. “I brought the client down to my church, where we run a Danley system,” said Garner. “The clarity and impact is so obviously beyond what a conventional system can deliver. They were convinced.”

Three Ashly KLR-2000 amplifiers power the Danley boxes. “The Ashly KLR-Series sounds excellent and has proven to be perfectly reliable,” said Garner. “We’ve put a lot of them in and had zero failures, zero callbacks, and no issues whatsoever. That means a lot in today’s market. It’s nice to deal with companies like Ashly and Danley that recognize that there’s still something to be said for quality while still working hard to keep costs in line.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

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API 1608 PURCHASED FOR RECORDING SCHOOL IN MEXICO CITY

MEXICO CITY, MEXICO – JANUARY 2013: A 48-channel 1608 console with API’s proprietary P-Mix automation has been purchased and installed at the prestigious G Martell College of Music Technology and Audio in Mexico City. The school has been teaching music-focused courses for over 130 years, and has recently expanded into music technology.

The college’s 1608 was purchased from Vari Internacional, API’s exclusive dealer in Mexico City. The console will be used to teach the art of tracking and mixing to students who are enrolled in the Audio Engineering and Production Program. The installation of this 1608 aligns with API’s dedication and support of music education through its products.

The response from G Martell College has been very positive. “They are so happy with the console,” says Vari Internacional’s Gustavo Martinez. “It has been a complete success for them.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

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JDK EXPANDS DEALER NETWORK

JESSUP, MARYLAND – JANUARY 2013: JDK Audio is expanding their dealer network to include Zen Pro Audio of South Carolina and Parsons Audio of Massachusetts and Florida. These dealers will provide JDK products to customers in their regions, as well as online, increasing the ever-growing JDK customer-base.

Zen Pro Audio, which joined as a dealer in November, is a boutique-style dealer owned by Warren Dent. Located in Orangeburg, South Carolina, with select products and a large portion of them online, their site proudly touts, “We serve the world, and if you’re in it we can help.” Zen Pro also features an in-house studio and the ability to listen to any piece of equipment on their web-tool, the “Clipalator.”

Also joining JDK in November as an authorized dealer is Parsons Audio. Parsons has two locations, Florida and Massachusetts and specializes in mid- to high-end product lines, as well as new, used and rented equipment.

“All of us at Parsons audio are very excited about our new relationship as a dealer for JDK Audio. The high quality and the sound of this gear is second to none and since it comes from a company who is legendary for standing behind everything they build, we couldn’t possibly be happier to offer these components to our clients,” says Vice President of Sales, Dave McLaughlin.

ABOUT JDK JDK Audio is a brand developed and engineered by API (Automated Processes, Inc.), a company that was established in the late 1960′s and is a leader in analog recording gear.

www.jdkaudio.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. For more information on this virtual press conference, please contact MixEditorial.

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Mix Briefing Room, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the Briefing Room for the latest press postings.