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Bose® Expands RoomMatch™ Array Module Loudspeakers with Five New Coverage Patterns

Framingham, Massachusetts, July 5, 2012 – Bose® Professional Systems Division has expanded the range of available coverage patterns for the RoomMatch™ array module loudspeakers with five new patterns. Building upon the innovative designs launched in May of 2011, the RoomMatch series now includes 20 unique coverage patterns, which provide system designers with unprecedented coverage control and scalability for venues including houses of worship, auditoriums, performing arts centers and sports arenas.

The five new coverage patterns include 120°x5°, 120°x10°, 90°x 5°, 55°x 40°, and 55°x 60° (horizontal x vertical) and are fully compatible with the complete line of installation accessories for the RoomMatch series. Additionally, Bose Modeler® and ControlSpace® Designer™ software have been updated to include directivity and EQ settings for the new modules.

“The RoomMatch series of loudspeakers represented a new approach for the industry that let sound system designers meet the acoustic challenges of any fixed-installation sound system without compromising audio performance. When we launched these products we were dedicated to providing our customers with products that provide consistent response regardless of the room configuration.

The addition of these new patterns one year later represents our commitment to the industry and provides our customers with even more flexibility,” said Akira Mochimaru, General Manager, Bose Professional Systems Division.

Availability
The new RoomMatch modules and Modeler and ControlSpace Designer software updates will be available through authorized Bose dealers beginning July 2012. For more information please visit http://pro.Bose.com .

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Zeehi Declares Independence for Digital Mixing Console Users, Announcing July Fourth as the Go-Live Date of CueCast Console File Conversion Service

— Mixing console users enjoy a new independence with revolutionary online service that converts show files between mixing console formats —

BOULDER, COLORADO, July 2, 2012 — Zeehi, an entertainment technology company dedicated to developing solutions to improve the workflow of global entertainment production professionals everywhere, announces that July Fourth is the Go-Live date for their CueCast Digital Mixing Console User File Conversion Service. The announcement was made by Danny Abelson, Zeehi Co-Founder. CueCast provides front-of-house and monitor engineers, sound reinforcement companies, broadcasters, performing arts facilities and production managers the ability to quickly and easily convert “show files” that contain user settings between different digital audio mixing console formats.

“We’re calling this Fourth of July ‘Show File Independence Day,’” noted Abelson. “For the first time ever, operators of digital audio mixing consoles can transfer their user settings between mixing consoles, offering a degree of independence never before available but always desired by the community. We just couldn’t resist using the holiday as the official launch date. We’re passionate about providing solutions to the user community, and our team has toiled for over a year to develop a service intended to help mixers everywhere enjoy more flexibility and independence.”

This initial release of CueCast converts the most commonly used features and functions stored in show files, including bussing, sub-group assigns, control group assigns, routing, labeling, mutes and mute groups, EQ and dynamic in/out settings, aux. send on/off/and assigns, and effects and matrix on/off and assigns. The current iteration of CueCast supports file conversion between the Avid Venue, DiGiCo SD8 and SD10 and Yamaha PM5D platforms. Future releases will support additional console formats, and will provide conversion of variable settings, snapshots, and many other features.

The web-based service solves a fundamental challenge: how to take user settings from one mixing console to another without the time-consuming headache of entering those settings manually, according to Abelson, a thirty year veteran of the pro audio community. “We first announced CueCast at the InfoComm show in Las Vegas last month. Everyone we demoed for lauded our innovation.” Abelson noted. “We promised a release date in early July, and we’re meeting that commitment. We have been extensive in our pre-release testing, with additional Beta testing performed by a number of experienced outside engineers. Fortunately that process has been going well, to the point where we feel we are ready to offer CueCast to the user community.”

New customers will be provided with a 30-day no-risk free trial opportunity to try out the new service. Users will be credited with two free conversions when they sign up, valid for 30 days from sign up. Abelson continued, “We want everyone to feel comfortable with file conversion. CueCast is breaking new ground, and engineers will not believe how cool it is until they try it. Seeing their settings instantly load on a different desk, and the time it saves them compared to manual entry, is going to makes us a lot of friends. We anticipate that there will be a few bugs along the way. This is a very complicated process. As in all new software applications, the users will need a bit of patience, and we will need them to tell us if we have something wrong. By providing our initial users with two free conversions, we feel we can give our customers the opportunity to try us out, with no risk, and feel confident in the conversions before committing to purchases. We’re confident the flexibility and independence CueCast provides engineers will become a welcome and relied-upon solution.”

“Thanks to the console expertise and software savvy of our development team, converting the user data is reliable and takes just three easy steps,” notes Abelson. “Simply upload your file to our secure site – www.cuecast.com – specify the format you need, and download the converted file for installation in the new console. If you like, we’ll store your files on our secure cloud for safekeeping. CueCast technology supports files from 24 to 96 inputs, and the Beta release supports file conversion between the Avid Venue, DiGiCo SD8 and SD10 and Yamaha PM5D platforms. Soon you can expect us to add many other formats and features to the service.”

Information on CueCast can be found at cuecast.com.

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GC Pro Again Helps Outfit the “Hay Bale Studio” at Bonnaroo 2012

WESTLAKE VILLAGE, CA, July 2, 2012 — For the eleventh year in a row, tens of thousands of excited music fans descended upon Manchester, Tennessee, for the Bonnaroo Music and Arts festival, held June 7-10, 2012. Bonnaroo 2012 was filled with memorable moments from its dozens of performing acts, including Radiohead, Red Hot Chili Peppers, Phish, Skrillex, Dispatch, The Roots and many more. Backstage, several of the festival’s acts were asked to lay down tracks in a purpose-built recording studio, outfitted with the help of Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users. The recorded tracks were mixed and mastered immediately and transferred to the radio tent next door for broadcast on radio stations nationwide.

The studio, appropriately dubbed “Hay Bale Studio” after the dozens of hay bales positioned on the exterior for sound rejection, was again operated by Nashville’s The Toy Box Studio, and Toy Box’s producer/recording engineer Lij was at the helm for the sessions. The whole backstage studio/radio area was overseen by Asheville, North Carolina-based Music Allies. In the weeks leading up to the festival, the studio’s gear equipment list was compiled by Lij, his assistant engineers, and GC Pro’s Nashville-based Senior Account Manager Chad Evans, who was also on site along with other GC Pro personnel.

Among the gear supplied by GC Pro were Burl converters, Slate Pro Audio Dragon compressors and Fox Mic Pre’s, an Avid HD Native system and microphones from Royer, Mojave and Shure, among other equipment. All in all, 40 of the festival’s artists recorded nearly 100 tracks in the studio, including The Alabama Shakes, Feist, Young the Giant, Umphrey’s McGee, Two Door Cinema Club and many more. The schedule for each session was fast-paced, leaving room for a quick setup and soundcheck leading up to first-take recordings of three songs, before each act was guided to the interview booth, also in the “Hay Bale Studio” trailer, to make room for the next act in the tracking room. Within an hour, the performances had been mixed down to two tracks and prepped for broadcast from the radio tent next door. Approximately 45 radio stations nationwide featured these “Bonnaroo sessions” over the weekend. The multi-tracked sessions were also preserved and archived, as in past years.

“We had a fantastic session this year!” notes Lij. “40 bands and 94 songs recorded, mixed, mastered, and already aired on the radio thanks to GC Pro. We had such great support from Chad, and are eternally grateful!”

Evans stated, “This is our fourth year helping sponsor the studio at Bonnaroo. The festivals just keep getting better. We have developed a great partnership with Lij and crew, and we’re proud to contribute. We are eager for next year and beyond, because Bonnaroo is so vital for the music industry and emerging acts.”

For more information, please visit www.gcpro.com.

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Auralex® Displays UtiliTek™ Sound Absorbent Panels

— Based on Auralex®’s popular ProPanel series, UtiliTek™ panels offer contractors and system integrators a cost-effective solution in acoustical control —

INDIANAPOLIS, IN, July 2, 2012 – Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments and soon to celebrate its 35th anniversary, unveils its UtiliTek™ sound absorbers. Designed based on input from leading contractors and system integrators, the UtiliTek panels are similar in function, performance and design to Auralex’s acclaimed ProPanel series, but at an even more attractive price point that still yields top-notch aesthetics and performance. UtiliTek panels are fabric covered, acoustically absorptive panels designed to reduce unwanted room reflections and reverberation, providing a more accurate and articulate listening experience. UtiliTek panels are highly effective and lightweight, are composed of Class A fire-rated materials and feature a recycled absorbent core.

UtiliTek is available in four thicknesses and two edge profiles. The beveled-edge style is available in 2′x2′x1″, 2′x4′x1″ and 2′x4′x2″ sizes. The square-edge style is available in a 2′x4′x3″ size that is perfect for corner mounting between two walls or across wall/ceiling junctures for moderate low-frequency control.

“As part of our ongoing commitment to the sound contracting/fixed installation market sectors, we wanted to offer solutions for contractors working with the tighter budgets that are common in today’s economy,” stated Eric Smith, Auralex Founder and President. “UtiliTek panels can be employed in a wide variety of installations, including clubs, live performance venues, restaurants/bars, houses of worship, corporate, municipal and residential installations.”

UtiliTek will be available July 2012. For more information, please visit www.auralex.com.

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Audio-Technica Offers “Get Your Own Mic” Rebates

— Rebates on select A-T’s professional handheld vocal microphones run from July 1 through December 31, 2012 —

STOW, OH, July 2, 2012 — Audio-Technica, a leading innovator in transducer technology currently celebrating “50 Years of Passionate Listening,” is offering rebates on select Artist Elite, Artist Series and 20 Series handheld vocal microphones from July 1 through December 31, 2012. Launched as part of its “Get Your Own Mic” campaign, the rebates will further empower singers to embrace Audio-Technica quality (and hygiene) with new microphones. All customers who purchase any of these handheld vocal microphones from an authorized U.S. A-T dealer during the rebate period will be eligible for either a $10, $20 or $30 rebate.

As A-T points out with their “Get Your Own Mic” videos, grunge is more than just a genre. Any singer knows, grunge (along with dirt, grime and sludge) is what happens to a vocal microphone, especially when it’s shared among different performers. With these new rebates and the clever, humorous “Get Your Own Mic” videos available at A-T’s YouTube channel, the company urges singers to “share music, not microbes.”

The promotions include a $10 rebate on A-T’s ATM510 and ATM410 Cardioid Dynamic Handheld Microphones and the AT2010 Cardioid Condenser Handheld Microphone; a $20 rebate on AE6100, ATM610 and ATM610a Hypercardioid Dynamic Handheld Microphones, the AE4100 Cardioid Dynamic Handheld Microphone and the ATM710 Cardioid Condenser Handheld Microphone; and a $30 rebate on AE5400 and AE3300 Cardioid Condenser Handheld Microphones.

Visit Audio-Technica.com or “Get Your Own Mic” page for more detailed rebate information.

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Audio-Technica Names Ark Productions & Marketing as Its Rep of the Year

STOW, OH, June 28, 2012 — Audio-Technica, a leading manufacturer of wired and wireless microphones, headphones and accessory products, has recognized Pine City, New York-based Ark Productions & Marketing as its Rep of the Year for the 2011/2012 fiscal year. The award was presented to Ark principal Tim Chamberlain by Philip Cajka, Audio-Technica U.S. President and CEO, and Michael Edwards, A-T V.P. Professional Products. Also in attendance were John Cheese, A-T Territory Manager, Professional Products; Doug Swan, A-T Director of Sales & Marketing, MI/PRO Audio; and David Marsh, A-T Director of Sales & Marketing, Installed Sound & Broadcast. Ark Productions & Marketing sells Audio-Technica’s complete line of professional audio products in upstate New York.

Audio-Technica held the awards ceremony to honor its dedicated force of manufacturer’s representatives during the InfoComm Expo on June 13, 2012, at the prestigious Wynn Las Vegas. The A-T Rep of the Year recipient was congratulated for outstanding sales performance and bestowed with Audio-Technica’s beloved Samurai doll award. Ark Productions & Marketing was acknowledged for its consistent success in the areas of sales, marketing and customer service.

Michael Edwards said, “Ark Productions & Marketing is keenly dedicated to their customers and the brands they represent, which are among the best in the marketplace. We are extremely proud to have them take the top award in the fiscal year of 2012, and we look forward to their continued service to the A-T brand.”

For more information, please visit www.audio-technica.com.

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Auralex® Introduces SheetBlok-AF™ Sound Isolation Barrier Material

— Designed with contractors and system integrators in mind, SheetBlok-AF™ is a finish-grade isolation product more effective than solid lead at stopping the transmission of sound —

INDIANAPOLIS, IN, JUNE 28, 2012 – Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments and soon to celebrate its 35th anniversary, introduces its new SheetBlok-AF™ Sound Isolation Barrier material. Based on the company’s popular SheetBlok™ construction-grade sound barrier product, SheetBlok-AF is a thin, dense isolator with a Class A fire-rated PVC laminate on its surface for a finished look. It is intended as a solution for improved sound isolation between adjacent spaces in the retrofit market where aesthetic appearance is important, but invasive construction and demolition are impossible. With an STC rating of 27 or greater, SheetBlok-AF is at least 6dB more effective than solid lead at stopping the transmission of sound. It acts as a thin, dense sound barrier layer in wall, ceiling and floor systems and is most effective when used as one component of a multi-layered construction scheme, as described in Auralex’s widely respected Acoustics101™ publication.

SheetBlok-AF has been designed with consideration for the contractor/system integrator who is doing either retrofit or new construction. SheetBlok-AF can be implemented in offices, apartments, studios, home theaters and anywhere an increase in sound isolation is desired. No wall construction (or reconstruction) is necessary, and SheetBlok-AF is fully paintable to coordinate with any decor.

SheetBlok-AF will be supplied in 4’x10’ sheets that can be trimmed to fit with a utility knife or metal shears. It is affixed with trowel-applied adhesive, which allows proper positioning and alignment during installation. With careful installation techniques, a virtually seamless appearance will result.

SheetBlok-AF will be available July 2012. For more information, please visit www.auralex.com.

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GUITAR CENTER OPENS NEW DANBURY, CONNECTICUT STORE

— 229th Guitar Center location features on-site lessons and repair services, along with
GC’s vast inventory selection —

Westlake Village, CA (June 27, 2012) – On the evening of Thursday, June 14, 2012, Guitar Center held the grand opening of its new location in Danbury, Connecticut, located at 15 Backus Avenue, Danbury, CT 06810. Guitar Center Danbury is Guitar Center’s 229th retail location.

Guitar Center Danbury’s grand opening introduced customers to a vast selection of products and a dedicated staff with unparalleled musical knowledge and experience. To celebrate the store opening, Guitar Center hosted a Grand Opening Weekend celebration featuring exclusive savings, gear giveaways and free events catered to local musicians. The grand opening events will also include workshops throughout the first two months of the store’s operation.

Guitar Center’s newest Danbury location features showrooms for customers equipped with the latest products for musicians – from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment. The new store features Guitar Center Studios, an in-house, state-of-the-art lesson facility, which is creating unrivalled opportunities for Danbury musicians of all ages and skill levels. Guitar Center Studios provides music lessons from beginner to advanced featuring certified instructors teaching world-class curriculum as well as one-on-one courses on Pro Tools, Logic Pro and GarageBand. Guitar Center Studios is now the most modern and affordable lessons facility in the area. Guitar Center Danbury also features GC Garage, Guitar Center’s on site guitar repair service.

As part of Guitar Center’s initiatives designed to educate and inspire artists nationwide, Guitar Center Danbury is offering unique opportunities for musicians to craft their skills, maintain their instruments and experience many other aspects of the music industry first-hand. Musicians interested in learning about the industry are able to come to the store to interact with and pick the brains of several industry leaders.

Danbury shoppers are also able to enjoy Guitar Center’s new multi-channel “endless aisle,” which includes multiple combinations of product options to conveniently choose from. Not only does the “endless aisle” include Danbury inventory, but it also provides easy access to $400 million in new and used inventory located in hundreds of stores and warehouses across the nation. Customers have the ability to combine a myriad of in-store, online and phone options to purchase music equipment from anywhere they may be, allowing for a personalized and convenient shopping experience.

Free Recording Made Easy classes are conducted every Saturday from 10:00 to 11:00 am for anyone who wants to make the exciting journey into recording their music.

In addition to special programs at the new Danbury store, Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. Danbury residents will now be able to participate in these ongoing national events from their hometown:

• Guitar Center On-Stage is an annual competition that provides unsigned artists the chance to open for established artists such as Motley Crue, KISS and Jane’s Addiction.

• Guitar Center Singer-Songwriter is an artist discovery program which aims to find the nation’s best unsigned singer-songwriter. The winner receives a career-altering prize package including recording 3 songs with accomplished GRAMMY® Award-winning Producer John Shanks, recording time at Converse Rubber Tracks studio and $10,000 cash.

• Guitar Center’s Battle of the Blues is a nationwide amateur guitar skills competition with the goal of finding the next great undiscovered blues guitar player. This year’s winner, Jonathon “Boogie” Long, performed alongside GRAMMY-winning guitarist Warren Haynes at the Grand Finals in LA, and won an incredible prize package valued at over $50,000.

• Guitar Center’s Drum-Off, entering its 24th year, is the nationwide search for the next great undiscovered drummer. Drummers from across the nation compete in the world’s largest drum competition, vying for thousands of dollars in prizes and the coveted title of Guitar Center’s Drum-Off Champion. The grand prize package is valued at nearly $50,000.

Guitar Center Danbury is open seven days a week. Store hours are 10:00 a.m. – 9:00 p.m. Monday-Friday; 10:00 a.m. – 8:00 p.m. Saturday; and 12:00 p.m. – 6:00 p.m. Sunday.

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Eastern Acoustic Works® Debuts Next-Generation SUB.two Subwoofer System

SUB.two to Offer New Subwoofer Technology Platform

Whitinsville, MA, USA, June 27, 2012 – EAW®, a world-renowned loudspeaker designer and manufacturer, recently introduced its new SUB.two at InfoComm 2012. SUB.two is the first subwoofer system in the all-new, next-generation Avalon by EAW line of dance club loudspeaker systems. SUB.two represents a completely new technology platform for the subwoofer genre in a generation: Hybrid Subwoofer Technology™. By combining a dual 12-inch bass horn-loaded with a single 21-inch direct radiating cone speaker, SUB.two produces crisp, powerful concursion at 80 Hz and deep, warm lows down to 20 Hz. The announcement was made by EAW President Jeff Rocha and further emphasizes ongoing innovations in sound reinforcement technology. SUB.two complements the already-released CLUB.two and CLUB.three three-way, main channel systems.

“Like every product in the Avalon by EAW line, SUB.two is a radical departure from existing systems, and will totally transform the discussion of what a subwoofer can be,” said Rocha.

In March, EAW debuted the CLUB.two and CLUB.three systems simultaneously at Prolight + Sound in Frankfurt, Germany and at Winter Music Conference in Miami, FL, USA. At Winter Music Conference, an Avalon by EAW system powered both the main dance floor and the DJ booth at the world-famous Delano Hotel pool parties. Performers included Luciano, Pete Tong, Miike Snow, Benny Benassi, Sultan + Ned Shepard and Groove Armada. The Delano Hotel’s week-long series of events also included the official record release party for Madonna’s new album, MDNA.

The Avalon by EAW line was co-designed by legendary dance club designer/owner John Lyons, whose Avalon Hollywood club is a favorite performance venue for world-class DJs. Lyons worked with EAW in the late 1990s to produce the original line of Avalon loudspeakers. The original Avalon line sold worldwide and came to represent the state-of-the-art in dance club sound. Lyons initiated the renewal of the line in 2011 and played an active role throughout.

According to the company, Lyons demands an extraordinarily high level of performance from loudspeaker systems, repeatedly asking for revisions and improvements. “Working with John Lyons takes us to a new level,” continued Rocha, “He’s never satisfied and always tries to take that next step. It puts our ingenuity to the test, but when we dig down for that ‘something extra’, it’s always there.”

For more information, please visit www.eaw.com.

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A Brief History of Lowell Manufacturing

— A retrospective look at Lowell Manufacturing’s 65 years of innovation —

PACIFIC, MO, June 26, 2012 — Lowell Manufacturing Company was founded in 1947 by Ben and Dorothy Lowell at a time of flourishing entrepreneurship in the post-war United States. The idea of sound from the ceiling was a novel idea then, and Mr. Lowell was awarded the first design patents for spun aluminum baffles that formed the nucleus of his product line. In the early years, Lowell Manufacturing occupied the second floor of a modest two story brick building in the city of St. Louis. The company remained in this location until 1954 when a move was made to a new facility in Maplewood, Missouri, providing the additional room to expand the manufacturing area and to house a growing product line. The 1950s saw many new design patents awarded to the company, and the introduction in 1958 of a new line of electronic equipment cabinets under the brand name Lowell Metal Works.

In 1960 the company expanded again, adding a new building to manufacture prototypes and custom metal products. In January of 1961, Lowell introduced the world’s first plastic molded speaker grille to supplement its line of metal baffles and enclosures. Two additional design patents for speaker baffles were also awarded during the decade of the 1960s.

During the 1970s and 1980s the company further expanded the audio product line, increasing its offering of backboxes for example, to include large cubic volume enclosures for use in convention centers, airports and performing arts centers. During this time, and in response to the growing popularity of sound masking systems in open office environments, Lowell was in a unique position as a manufacturer of backboxes and grilles to package these components into sound masking speakers for ceiling plenum areas. In August of 1977, John Lowell, current President and CEO, joined the company in the sales and marketing department, eventually becoming sales manager in 1985. In May of 1980, Wilhelm R. Lowell joined the company in sales, eventually moving into operations and new product development.

In 1992, Lowell again expanded its manufacturing facility into a new state-of-the-art building in Pacific, Missouri, 40 miles southwest of St. Louis, housing advanced fabrication and powder coat painting equipment capable of producing a level of quality never before seen in the industry, which is the hallmark of the company today. These advances led to the introduction of a new line of equipment racks, cabinets and rack accessories that continues to expand into new market opportunities. A design patent for a key-actuated volume control was awarded in October of 1991.

In the first decade of the new millennium, Lowell engineers designed a wide array of AC products ranging from advanced surge suppression and remote power control to power sequencing, along with its latest creation of Powerstac, a modular power product with a vast library of power modules designed and built to consultant or customer specifications. In October 2006, Lowell was granted a design patent, one of three it would eventually earn, for its Lay-In Tile Speaker System. In September of 2008, Tom Lowell joined his other two brothers in the company, bringing with him a background in distribution sales. In November of 2010, Lowell was awarded a patent for its Universal Horn Speaker.

For 65 years Lowell Manufacturing Company has gained a reputation for premium quality products that offer labor saving solutions for their customers. The three Lowell brothers continue to add their mark to the rich history and legacy of the company founded by their parents, manufacturing products in the USA, and supporting the American worker.

For more information, please visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com.

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