Archive by Clyne Media, Inc.
Company continues to expand its Application Support Group with additional personnel
Whitinsville, MA, USA, May 10, 2012 – EAW®, a world leader in audio system solutions, announces the expansion of its Application Support Group (ASG) with the appointment of Adam Shulman to the position of Installed Systems Support Manager, effective immediately. The announcement was made by Jeff Rocha, EAW President, and further underscores EAW’s dedication to customer support and the ongoing development of market-driven products.
In this newly-created role, Shulman will manage ASG support for all permanently installed sound systems, while longtime ASG resource Joe Fustolo will focus on mobile production customers. Rocha states, “Expanding ASG and bringing in a world-class resource like Adam, who is dedicated exclusively to the installation markets, further demonstrates our commitment to supporting our customers and partners. “Increasing global demand for ASG service, particularly in overseas markets, necessitated the expansion. Jerrold Stevens, Director, EAW Application Support Group, adds, “Adam’s experience in system design, project management, acoustics, education and publishing all further enhance the team’s capabilities, helping us meet the growing demand for our services.”
Prior to joining EAW, Adam has served as a Senior Consultant and Project Manager for SIA Acoustics (New York, Los Angeles and India) since 2003. He has provided acoustical and technical system design for a variety of projects including performing arts spaces, recording facilities, sports venues and houses of worship. Projects of note include a production facility and 3,500-seat arena for Healing Place Church in Baton Rouge, LA, Oriole Park at Camden Yards, and The Pearl at the Palms Concert Hall in Las Vegas. In a production context, Adam has also designed and operated sound systems for live events, including Central Park SummerStage, the Madison Square Park Music series and various special events domestically and internationally. As an educator, Adam has authored numerous articles for various trade publications, and presented at Broadway Sound Master Classes, Palme Asia, ShowWay Italy and Audio Engineering Society conventions.
Shulman notes, “I feel that I can bring my past experience as a consultant to bear on the varied types of design projects ASG handles, applying my technical knowledge combined with a practical understanding of how installation projects actually work.”
Members of the EAW Application Support Group, including Stevens, Shulman and Fustolo, will be on hand at InfoComm 2012 at the EAW booth (C10139) where they will reprise their popular ASGenius Bar – a coffee bar where designers, contractors and integrators can ask questions and review plans.
For more information, please visit www.eaw.com.
— Chief engineer and co-partner Marc Nelson keeps the overhead low in small-city Indiana, offering great value to acts from nearby Chicago and elsewhere —
WESTLAKE VILLAGE, CA, May 3, 2012 — The Alley Recording Company, located in the arts-friendly city of Valparaiso, Indiana, is the brainchild of co-partner and chief engineer Marc Nelson. After a stint at the Chicago Recording Company and time spent as a protégée of producer legend Bill Schnee (Carly Simon, Whitney Houston, Steely Dan), Nelson decided to open his own studio in 2008 in his hometown of Valparaiso, despite a shaky economy and an even shakier studio industry, an atmosphere in which far more studios were shutting down than opening successfully. Nelson and co-partner Chad Clifford saw the opportunity to keep the overhead low in the small yet arts-rich Valparaiso, and offer a friendly, thrifty alternative to the studios in nearby Chicago. “We initially thought about opening a facility in Chicago, but competition kept me out – there are about 425 studios there alone,” Nelson recalls. “And out here there is zero overhead. Our rent is very low and I would say we are the nicest studio between here and Indianapolis.” The business model is paying off so far, with The Alley bringing a new level of studio professionalism to the area. The studio has an impressive arsenal of gear, much of which was sourced through Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, and with whom Nelson has a longstanding relationship. “If I ever need something, GC Pro is always there,” notes Nelson. “I can’t stress enough how important they have been to my studio, simply because they always deliver.”
The two-suite facility certainly does not disappoint in terms of size, aesthetics and gear. The large live room measures 28 feet by 20 feet with 14-foot ceilings, with two isolation booths adjacent. Instruments include a Yamaha C3 grand piano, a Wurlitzer spinet, a vintage set of Ludwig drums, a Hammond A100 organ, various mallet percussion instruments, and guitars from such manufacturers as Gibson, Taylor and Rickenbacker, among other instruments. Nelson selected Focal Twin6 Be three-way monitors with matching subwoofer for his control room. “These are the only monitors I use and for my size, they are perfect. The top end is never shrill and they have plenty of power,” he states. His main console is a 36-channel MCI-Sony MXP-3000, which he runs with his Avid Pro Tools|HD2 system. The console also features eight integrated preamplifiers customized by Greg Norman from Electrical Audio. Outboard amplifiers include models from Daking, Great River, Chandler, Universal Audio, Vintech, Avalon and others. Other gear includes limiters and compressors from Summit, API, Empirical Labs and Chandler. And of course the microphone closet is fully stocked, with units from Audio-Technica, Blue, AKG, Flea (Flea 47 and Flea C12), Royer, Shure, Schoeps and others, which Nelson has mostly bought in pairs.
Valparaiso is known for its great music community, and Nelson spearheaded a 13-episode PBS series, “Live at the Alley,” filmed entirely at the studio. PBS has since asked the studio to do a second season. Nelson notes, “The main thing for the PBS series was for us to host high quality live performances – it wasn’t about money or even advertising the studio.” But the show has indeed raised the studio’s profile, and more and more acts from the Chicago area are turning to The Alley. “We got many of the large Chicago groups and a handful of others from Boston to Los Angeles involved with what we’re doing here. Let’s hope our good luck continues!”
For more information, please visit www.gcpro.com .
— Nine scholarships/donations honor A-T’s 50th anniversary —
Audio-Technica, a leading innovator in transducer technology, officially kicked off its 50th Anniversary Year in the U.S. with a special gala event held January 19, 2012, during the Winter NAMM Show in Anaheim, California. The event featured an all-star music revue produced by legendary GRAMMY® Award-winning producer Phil Ramone. Among the featured all-star cast of performers were saxophonist and longtime Audio-Technica endorser Mindi Abair, R&B/jazz vocalist Patti Austin, new age/adult-contemporary superstar and Audio-Technica endorser Jim Brickman, smooth jazz saxophonist Dave Koz, vocalist Monica Mancini, legendary trumpeter/pianist/composer Arturo Sandoval, gospel/R&B music legend BeBe Winans and Canadian jazz-pop vocalist Nikki Yanofsky. In commemoration of the event, all eight performers have decided to donate their performance honoraria to different music education programs and institutions, helping promote the importance of music education and assisting students in their pursuits.
Greg Pinto, Audio-Technica U.S. Vice President of Marketing and Consumer Sales, stated, “It was thrilling to have Phil Ramone produce the concert, and to have these eight world-class artists perform at our anniversary celebration in Anaheim marking ‘50 Years of Passionate Listening,’ and it is a special honor that they are donating these funds toward music education, a cause that is very near to the hearts of the A-T family.”
Phil Ramone donated his honorarium to The Salvation Army’s Phil Ramone Orchestra for Children. Abair has decided to donate to the Berklee College of Music Five-Week Summer Performance Program, creating the Mindi Abair/Audio-Technica Berklee Five-Week Summer Performance Scholarship. Austin is also donating her honorarium to the Berklee College of Music. Brickman is giving to his alma mater Cleveland Institute of Music (CIM), creating the Jim Brickman/Audio-Technica Scholarship. Koz is proud to donate to the GRAMMY Camp® (held at and in partnership with the USC Thornton School of Music), creating the Dave Koz/Audio-Technica GRAMMY Camp Scholarship. Mancini selected The Mr. Holland’s Opus Foundation, thereby creating the Monica Mancini/Audio-Technica Donation for Music Education. Sandoval chose the Young Musicians’ Camp at the University of Miami Frost School of Music, creating the Arturo Sandoval/Audio-Technica Scholarship for the Young Musicians’ Camp. Winans is donating to Juilliard’s Summer Jazz Workshops, creating the BeBe Winans/Audio-Technica Scholarship. Yanofsky has selected the Schulich School of Music and its Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) at McGill University, creating the Nikki Yanofsky/Audio-Technica Scholarship.
Audio-Technica endorser Abair stated, “Audio-Technica has been helping me achieve my sound for more than 18 years on the road and in the studio. I was honored to play for their 50th Anniversary and even more honored to give back with a scholarship to Berklee’s five-week program. I grew up musically and personally while getting my degree at Berklee. I was encouraged to be an individual there and create my own musical vision. That’s priceless. I couldn’t be happier to pass that gift along to another individual.”
Beverly Tryon, Director, Corporate and Foundation Relations, Berklee College of Music, remarks, “We are very grateful to Mindi Abair for selecting her alma mater to receive this generous scholarship support, and to Audio-Technica for making it possible. This scholarship will allow a deserving young person to participate in this life-changing summer experience at Berklee.”
Fellow A-T endorser Brickman stated, “I want to express my thanks to Audio-Technica for the opportunity to create the Jim Brickman/Audio-Technica Scholarship at the Cleveland Institute of Music. CIM is the school where I found my sound. I think it’s important to cultivate musicianship, and their teachers do just that. My hope is that through scholarship efforts like this one, it will open doors and further the music education of another aspiring pianist.”
“It is particularly gratifying that Jim has chosen the Cleveland Institute of Music as the beneficiary of this wonderful gift, since he is one of our own, having studied here with Marshall Griffith and Olga Radosavljevich. It was their teaching that helped transform Jim’s future life, and through this gift, CIM will be able to continue our goal of transforming lives for their future, through all that we do,” said Conservatory Dean Adrian Daly. “In consultation with the piano faculty, the scholarship will be awarded to a student who ‘reminds us of Jim,’ with the special qualities he has and has developed to be the wonderful musician, artist and entertainer that he has become. We are also extremely grateful to Audio-Technica for their connections with Jim Brickman, and for their ongoing support of our institutional mission of providing a world-class educational and transformative experience for our students, and for those with whom we interact.”
For more information, please visit www.audio-technica.com.
— Available on Apple’s App Store, Mashup serves as a complete mobile DJ booth —
KNOXVILLE, TN, April 19, 2012 — Waves Audio, the industry-leading developer of professional audio digital signal processing technologies and the recipient of a Technical GRAMMY® Award, joins forces with Musicsoft Arts to introduce Mashup, the first DJ app to bring Waves studio-quality processing to the iPad®. Featuring an advanced playback engine and effects controlled by an intuitive interface, Mashup lets users play and mix directly from their iPad music library – plus download exclusive tracks from leading DJs like Junior Sanchez and Kris Menace. With full support for iPad 2 and up, Mashup is a complete mobile DJ booth, replacing complex, expensive and cumbersome DJ gear like turntables, CDJs, mixers and PCs. Mashup features studio-quality EQ and analog-style resonant filters, Vinyl Touch glitch-free scratching, and independent time-stretch and pitch-shift for each of its two stereo decks, effectively saving users thousands of dollars in gear.
Users can also take Mashup’s performance to the next level using Waves MaxxAudio enhancement, available at an additional charge. MaxxAudio for Mashup includes MaxxVolume all-in-one dynamics control, which dramatically increases the output levels of headphones and external speakers; MaxxBass psycho-acoustic bass enhancement, which delivers deep, rich lows listeners can really feel; and preset sound modes for earbuds, headphones, docking stations, home stereos and club systems.
Dual stereo decks with studio-quality EQ and effects
Tempo change sliders with independent time-stretch and pitch-shift for each deck
Analog-style resonant high pass/low pass filters with exclusive touch ribbon control
Free downloadable music from top DJs
Vinyl Touch glitch-free scratching
Record stereo mixers, then drag and drop into a computer
Play back any track in a user’s library
Headphone monitoring to cue up tracks via additional iPhone® ,iPod Touch, or iPad® over WiFi or Bluetooth
iPhone and iPod Touch support in remote headphones mode
Fully optimized for the new iPad with Retina screen
Waves MaxxVolume and MaxxBass provide loud, steady output and enhanced bass response (Premium Feature)
Aviv Eyal, CEO, Musicsoft Arts, stated, “In our efforts to offer DJs worldwide the highest quality audio in our applications, we decided to collaborate with Waves on Mashup. Their leading DSP technology was a perfect fit for this app, and it really helped enhance the audio quality, something that DJs will surely appreciate.”
“Waves partnered with Musicsoft Arts on the Mashup app to bring DJs the maximum audio quality available,” stated Gilad Keren, CEO and co-founder of Waves Audio. “Mashup is not only easy to use, it has a wide array of features, and DJs will be able to hear the difference in audio quality right away.”
The Mashup app from Waves Audio and Musicsoft Arts is now available from the App store for an introductory U.S. MSRP of $39.99.
For more information, please visit www.waves.com.
Audio-Technica Positioned for Strong 2012 NAB Convention
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — In the midst of its yearlong 50th anniversary celebration, Audio-Technica is poised for an eventful NAB convention.
On Monday, Tuesday and Wednesday (April 16-18, 2012), A-T’s booth (C3010) will host audio instructional sessions by Dr. Fred Ginsburg, renowned industry veteran and specialist in production sound recording for motion pictures and video; Robert Bigelow, audio engineer for HBO’s Tremé; and Steve Savanyu, Audio-Technica Director, Educational Services. More…
Audio-Technica Holds Presentations by Industry Veterans at NAB
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — This year at NAB, on Monday, Tuesday and Wednesday (April 16-18, 2012), A-T’s booth C3010 will host five 30-minute audio instructional sessions throughout the day.
Dr. Fred Ginsburg, renowned industry veteran and specialist in production sound recording for motion pictures and video, will conduct two sessions each day. The first session will focus on microphone techniques and applications used for episodic television with a focus on multi-track recording, and the second session will be about techniques for rigging and attaching lavalier microphones to actors for film and video production. More…
Audio-Technica Offers AT2005USB Cardioid Dynamic USB/XLR Microphone
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — Audio-Technica (booth C3010), a leading innovator in transducer technology currently celebrating “50 Years of Passionate Listening,” is displaying the AT2005USB Cardioid Dynamic USB/XLR Microphone at NAB 2012. Ideal for recording instruments and vocals, this handheld dynamic microphone has both USB and XLR connections, enabling its use either with a computer or with a P.A. system. Its durable metal construction provides long-lasting performance. Its low-mass diaphragm and smooth, extended frequency response make the microphone ideally suited for podcasting, home studio recording, field recording, voiceover and live performance use. More…
Audio-Technica Marks “50 Years of Passionate Listening”
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — Audio-Technica (booth C3010), a leading innovator in transducer technology, is marking “50 Years of Passionate Listening” with its yearlong 50th Anniversary Celebration in 2012, including several limited edition commemorative products, special events and promotions for customers. From its early beginnings as a manufacturer of phonograph cartridges, Audio-Technica has expanded over the years to become a leading innovator in the design of microphones, wireless microphone systems, headphones, turntables, phono cartridges and more. A-T continues to advance the art and technology of electro-acoustic design with the manufacture of products for the professional recording, M.I., live sound, broadcast, fixed installation and consumer audio markets. On this historic occasion, Audio-Technica is taking the opportunity to look back, with a view toward the future. More…
Audio-Technica Introduces Limited Edition Products Celebrating Its 50th Anniversary
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — Audio-Technica (booth C3010), a leading innovator in transducer technology currently celebrating “50 Years of Passionate Listening,” has introduced a number of limited edition products, all featuring a distinct Audio-Technica 50th Anniversary design and color scheme. The products include ATH-M50s/LE Professional Studio Monitor Headphones, ATM25/LE Hypercardioid Dynamic Instrument Microphone, AE4100/LE Cardioid Dynamic Handheld Microphone, AE5400/LE Cardioid Condenser Handheld Microphone, AE6100/LE Hypercardioid Dynamic Handheld Microphone, AT4050/LE Multi-pattern Condenser Microphone and AT4050URUSHI Multi-pattern Condenser Microphone. Representing just some of Audio-Technica’s offerings in their product line, these products are limited-edition versions of A-T’s ATH-M50s, AE4100, AE5400, AE6100, AT4050 and the legacy product ATM25. More…
Audio-Technica Shows BPHS1-XF4 Communications Headset
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — Audio-Technica (booth C3010), a leading innovator in transducer technology currently celebrating “50 Years of Passionate Listening,” is showing its BPHS1-XF4 Communications Headset at NAB 2012. Based on Audio-Technica’s popular BPHS1 Broadcast Stereo Headset, the BPHS1-XF4 is designed for use with intercom systems for broadcast, theaters, sports, live events or anywhere a high-quality communications headset is required. More…
Remote Digital Media Chooses Audio-Technica Microphones and Wireless Systems to Capture theAudio on Food Network® Programs and Beyond
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — If high-definition broadcast video has made the offerings on The Food Network® look good enough to reach in and sample, Remote Digital Media (RDM) makes certain that the sound is equally enticing. RDM is an EMMY Award®- and Telly Award®-winning audio and video remote company based in Woodstock, New York, that handles audio for several of the network’s most popular programs, including Next Great Baker and Rachael Ray. More…
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Genelec Exhibits Its BroadcastPak, Featuring Five 8030A Active Monitors and 7050B Active Subwoofer
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (booth C1332), the world’s longstanding pioneer in active monitoring, is displaying its BroadcastPak at NAB 2012. Composed of five 8030A Bi-Amplified Monitors and a 7050B Active Subwoofer, the BroadcastPak offers a space-saving 5.1 monitoring solution, ideal for multi-channel editing rooms, mobile recording trucks and other mixing environments where space may be at a premium. More…
Genelec Exhibits Its 8260A Tri-Amplified DSP Monitoring System with Minimum Diffraction Coaxial (MDC™) Technology
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (booth C1332), the world’s longstanding pioneer in active monitoring, is exhibiting its 8260A Tri-Amplified DSP Monitoring System. The 8260A breaks new ground in electro-acoustic design, as mechanical, acoustical and signal-processing designs are linked closely together. The 8260A features major advances in audio driver technology, integrated with a sophisticated enclosure design, and Genelec’s proprietary Minimum Diffraction Coaxial (MDC™) Mid/High driver technology takes a big step in perfecting audio quality in professional active studio monitors. More…
Genelec Displays Its 1238CF Tri-Amplified DSP Monitoring System
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (booth C1332), the world’s longstanding pioneer in active monitoring, is displaying its 1238CF Tri-Amplified DSP Monitoring System at NAB 2012. The 1238CF is a compact three-way DSP monitoring loudspeaker including a slim speaker enclosure, two eight-inch (210-mm) long-throw bass drivers, a five-inch (130-mm) proprietary Genelec midrange driver and a one-inch (25-mm) metal dome tweeter, multiple power amplifiers, digital signal processing (DSP) circuitry and active, low-level crossovers. More…
Genelec Offers 8240A Bi-Amplified DSP Monitoring System
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (Booth C1332), the world’s longstanding leader in active monitoring, is exhibiting its 8240A Bi-Amplified DSP Monitoring System. Boasting performance comparable to much larger systems, the compact and powerful 8240A package is optimized for applications where a wide frequency response is needed but space is limited. The 8240A is the ideal monitoring tool for recording studios, post-production houses, broadcast installations, digital edit suites, home studios and mobile production vehicles. More…
Genelec Offers 6010A Bi-Amplified Monitor and 5040A Active Subwoofer in Dark “Mystic” Black
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (Booth C1332), the world’s longstanding leader in active monitoring, is displaying its 6010A Bi-Amplified Monitoring System and matching 5040A Active Subwoofer in a striking new finish, dark “Mystic” black. The 6010A is Genelec’s smallest monitor system to date, measuring 7 1/8″ x 4 3/4″ x 4 1/2″ (height with Iso-Pod™ 7 11/16″). The system has been designed for computer sound systems, workstations, Master Control Rooms, and other close proximity listening applications requiring a low-profile monitoring solution. More…
Genelec Appoints Image Marketing West as New Sales Reps for Northern California Region
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (booth C1332), the world’s longstanding pioneer in active monitoring, announces the appointment of California-based firm Image Marketing West to the position of Sales Representative for the Northern California region. John Conard, Genelec USA National Sales Manager, Professional Products, made the announcement. Image Marketing West principals Chuck Rufkahr and Chris Miller will lead the rest of their sales team in their efforts. More…
Beau Raymond Chooses Genelec Active Monitoring for His New Studio Facility
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Beau Raymond knows sound. Having served as the engineer or producer for a wide range of artists (Joss Stone, Motley Crüe, Weapons of Mass Destruction, Devendra Banhart, Little Joy, members of the Black Crowes, Bert Jansch, the Neptunes), and working alongside production legends (Joe Chiccarelli, Rick Rubin, Rich Costey, Pat Leonard, Bob Rock), he’s now taken his substantial experience in Los Angeles studios and migrated it to indie music hub Portland, Oregon. There he opened his 2,500-square-foot Family Farm studio in 2011. More…
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— Pacific Northwest’s Only Avid Pro School Training Center, GO Media, Upgrades to the Latest PhantomFocus™ System Technology in their Carl Tatz Design (CTD) Studio —
Nashville, TN: “Any professional educational facility should take serious notice of the PhantomFocus™ System (PFS),” instructs Glenn Martucci, CEO of Olympia, Washington’s GO Media. “We strive to offer our students the best possible learning environment and feel that it would be a disservice to our students not provide them with the tools required to hear the truly accurate and sonically enveloping monitoring that only the PFS delivers.”
“We were immediately transported inside the recording,” recalls Martucci about the GO Media staff members’ first PhantomFocus System experience when they visited one of Carl Tatz Design LLC’s studios in Nashville. He goes on to talk about his new PFS at GO Media: “Hearing is everything, and with the PFS you save so much time not having to constantly second guess the accuracy of your mix – no more running out to the car or needing to listen on another set of speakers.”
GO Media is another recent example of a custom application of the new Carl Tatz Design Signature Series by Auralex acoustic treatment for control rooms (soon to be available) that emulates the company’s award-winning acoustic designs. GO Media offers on-site as well as on-line Pro Tools certification by uniquely qualified instructors who have been teaching since its conception in the ‘90s. Their new Carl Tatz Design LLC studio is a testament to their passion and commitment to continuing to be Avid’s premiere Pacific Northwest Pro School Training Center.
Martucci points out, “A student could take a whole course in audio production and never hear what a good mix sounds like. Our students know they are hearing what some of the industry’s top engineers and producers are hearing. The CTD PFS renders the accuracy and confidence to inspire our students creatively.”
Video URL: http://youtu.be/IZ9QWbDa7ko
Video Caption: GO Media Owner/CEO Glenn Martucci discusses his Carl Tatz Design and PhantomFocus™ System experience.
Powercubes™ are optimized for use with EAW® Line Array Systems, and customers who purchase are eligible for EAW‘s Red Certification® Training Program
Whitinsville, MA, USA, April 18, 2012 –EAW® recently announced the release of their Powercube™ amplifier racks. Designed to maximize the capabilities of EAW’s Line Arrays, each Powercube amplifier rack includes electrical power distribution, 12 channels of amplifier power with integrated digital signal processing and 12-channel input and output.
Powercubes support either three Lab.gruppen® PLM20000Q/SP amplifiers or six Powersoft® K10 DSP+AESOP amplifiers. Amplifiers are shipped separately from the respective manufacturers for user installation on delivery. Powercubes come in 115 volt and 230 volt options, making four options in total. Electrical power distribution panels are separately configured for each of the four possible options.
Powercubes are optimized for use with EAW KF740 line array systems and the largest of the EAW subwoofer systems, but Powercubes can also power and control KF760 or KF730 line array systems.
Also, Powercube purchases entitle the customer to sign up for EAW’s Red Certification® training program. Red Certification status is awarded after a two-day training seminar led by EAW’s Technical Training Manager Bernie Broderick and held at the customer’s offices. Red Certification ensures that all Powercube owners and their staffs are fully trained on all aspects of using the power and processing available through the Powercube.
“With Powercubes and Red Certification, EAW KF740 owners can assure their customers of absolutely consistent performance night after night, in venue after venue,” EAW President Jeff Rocha said. “With a network of Red Certified KF740 rental companies, owners that cross rent and tours that contract PA vendors in different cities or different countries can get this same level of consistency anywhere on the planet.”
Powercubes feature a 24U rack in a shock-absorbing cage to house the power distribution, amplifiers and input and output panels. Electrical power distribution panels include standard, three-phase input connectors and circuit breaker protected outputs configured to support each amplifier compliment.
The ingenious input panels allow for maximum flexibility without switching the connectors. The input panels provide analog connections with loop through, AES connections with parallel loop through and dual Ethernet ports for loop through the amplifier’s digital network. Selectable ground lifts located on each analog input allow it to be linked to the next successive input in series, allowing a single input to drive multiple channels of a multi-amp system.
Likewise, Powercube output panels feature both Neutrik® NL4 connectors and NL8 connectors that combine amplifier outputs. This allows for Powercube to drive KF760s, KF740s or KF730s without ever rewiring the amp rack.
Powercubes include amenities that make them easy to work with under difficult conditions. All models feature a Littlite® gooseneck lamp on the back of each rack for easy patching and configuration in dark areas. They include easily accessible courtesy power outlets appropriate to their voltage to power personal electronics or charge wireless devices. Finally, all models except the Powersoft 230V version include a locking storage drawer.
For more information, please visit www.eaw.com.
— Highland Park, Illinois, and Tucson, Arizona, are the latest Guitar Center stores to expand operations with embedded lessons facilities —
Westlake Village, CA (April 18, 2012) – In the first quarter of 2012, Guitar Center expanded operations at two of its stores – Highland Park, Illinois, and Tucson, Arizona – by adding Guitar Center Studios, an in-house, state-of-the-art lesson facility, which will create unrivaled opportunities for area musicians of all ages and skill levels. Guitar Center Studios provides music lessons from beginner to advanced featuring certified instructors teaching world-class curriculum as well as one-on-one courses on Pro Tools, Logic Pro and GarageBand. Guitar Center Studios is now the most modern and affordable lessons facility in the area.
“The opening of our new GC Studios at our Highland Park and Tucson stores is an important moment for musicians in these areas,” commented Gene Joly, Guitar Center Executive VP of Stores. “As arts programs are consistently being downsized at schools across the country, we feel it’s important to create these opportunities for the next generation of musicians. Many of our recent store openings over the last year-plus have featured GC Studios, and those facilities have been a huge success across the board. We look forward to serving the music communities of these areas in this increased capacity.”
Guitar Center Highland Park is open seven days a week. Store hours are 11 a.m. to 9 p.m. Monday through Thursday, 10 a.m. to 9 p.m. Friday, 10 a.m. to 8 p.m. Saturday and 11 a.m. to 6 p.m. Sunday. Guitar Center Tucson is open seven days a week. Store hours are 10 a.m. to 8 p.m. Monday through Friday, 10 a.m. to 7 p.m. Saturday and 11 a.m. to 6 p.m. Sunday. Guitar Center Studios hours at both locations follow the same schedule as their respective stores.
Las Vegas-based H.A.S. Productions outfits the stage at Mandalay Bay with their newly-acquired EAW® KF740 inventory
Whitinsville, MA, USA, April 17, 2012 – In the several days leading up to the 47th annual Academy of Country Music (ACM) Awards, which took place on Sunday, April 1, 2012, at the MGM Grand in Las Vegas, the city was host to dozens of other events held in conjunction with the Awards. Outside the Mandalay Bay resort, thousands of eager country fans (up to 10,000 at any given time) gathered on Friday, March 30, up through the start of the awards on Sunday, to witness “The ACM Experience,” a stage of performances and other special events. Outfitting this stage was Vegas-based H.A.S. Productions, Inc., an independently-owned and -operated full-service production company. For the gig, H.A.S. selected a system including KF740 Line Array Modules and SB2001 Large Format Subwoofers from loudspeaker manufacturer Eastern Acoustic Works® (EAW®). H.A.S. chose the KF740 rig for its power and versatility, things that cannot be taken for granted at a live event of this magnitude.
Over the event’s three days, such talent graced the stage as J.T. Hodges, Craig Morgan, Eli Young Band, ACM Duo of the Year winners Thompson Square, John Rich and Steel Magnolia. The system for the event consisted of 24 KF740s and 12 SB2001s, powered by Powersoft K20, K10 and K6 power amplifiers. Front fill was augmented by two EAW KF200NT Small Format Array Loudspeakers. Processing was handled by EAW’s UX8800 Digital Signal Processor connected to the proprietary U-Net network, allowing for very simple system configuration with other U-Net enabled products.
The KF740/SB2001 rig is a relatively new acquisition for H.A.S. Productions, and it has already been put to great use elsewhere besides the ACM Experiences; recent jobs include concerts for Dwight Yoakam and Big & Rich, as well as the National Finals Rodeo at Las Vegas’ Cox Pavilion. Company principal Larry Hall stated, “Once we heard the KF740 system, we realized that it was the perfect rig to go along with our business model. We took initial delivery in November 2011 of 24 KF740 and 12 SB2001s, and we’re planning to augment that with an additional 16 KF740’s and eight SB2001 subs in the near future. As soon as we made the move to EAW, we began liquidating our other inventory to become primarily an EAW house.”
Hall sums up why he and the team at H.A.S. are impressed by the KF740: “It provides the sound of a full-size P.A. with the physical dimensions of a mid-sized system. The fact that we can put an arena system on a 24-foot truck and still meet weight at a weigh station was a pretty big deal for us. At 105 pounds per module, the KF740 offers audio quality that surpasses anything else in its class. It’s convenient to rig, convenient to transport, and the bottom line is, it sounds incredibly stellar, with an amazing full-range punch. This is the system for us, and as we expand our inventory, we are excited about the prospect of using these modules for years to come.”
For more information, please visit www.eaw.com.
Fairlight Xynergi Media Production Centre
Mix Briefing Room, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the Briefing Room for the latest press postings.