Archive by Rob Petrillo

Stanton Artist DJ Young 1 to Perform at 136th Annual White House Easter Egg Roll

WASHINGTON D.C., APRIL 17, 2014Stanton, part of Gibson Brands, Inc., is excited to announce that DJ Young 1 will perform during the 136th Annual White House Easter Egg Roll on Monday, April 21. This year’s theme, “Hop Into Healthy, Swing Into Shape,” promotes the education of families on smart ways to incorporate healthy eating and exercise choices into their daily routine. For her part, 11-year-old DJ sensation, DJ Young 1, will spin two 20-minute sessions, using Stanton’s STR8.150 turntable and M.203 Mixer, with a mixture of classic and modern hits to get attendees and TV viewers “hopping” from their seats.

More than 30,000 people will assemble on the South Lawn of the White House to join in the fun. The event will feature live music, sports, cooking stations, storytelling and, of course, Easter egg rolling. A traditional turntabilist who is inspired by many genres, including old school hip-hop, top 40 pop, reggae, electro/club and house music, DJ Young 1 is sure to put on quite a show and is calling on fans of all ages to join her in supporting First Lady Michelle Obama’s Let’s Move! initiative.

“I’m so glad that Mrs. Obama has invited me to join her for this famous and prestigious event!,” says DJ Young 1, the youngest-ever graduate of Jam Master Jay’s Scratch DJ Academy in Los Angeles. “With all of this great Stanton gear at my fingertips, my mom and I always have impromptu dance sessions, whether we’re at home or on the road. We’re excited to show other families that there’s no better way to exercise than to get off the couch and party with family and friends. It’s great for you, and you won’t even realize you’re exercising!”

A Stanton endorsed artist, DJ Young 1’s musical influence dates back to her mom, Ellen, playing jazz and old school hip-hop throughout her pregnancy. Music continues to be not only a great source of energy, but also a relaxing ritual for the duo. DJ Young 1 credits Charlie Parker, The Ohio Players, Grandmaster Flash, Jam Master Jay and Run D.M.C. for her talent an inspiration.

“With a musical style that’s reminiscent of my own childhood, I know that DJ Young 1 will definitely be a hit at the White House Easter Egg Roll,” says friend, mentor and fellow Stanton endorsed artist, DJ Spark. “It’s really awesome to see her talents getting recognition on such a national level. We couldn’t be more proud of DJ Young 1 for this event and all of her accomplishments!”

DJ Young 1 is quickly becoming a rising star and has already made several high-profile appearances, including the San Francisco Supper Club; Pride Celebrations in Los Angeles and Oakland, California; the Washington D.C. and Los Angeles Human Rights Campaign Galas; The Grammy® Awards Gifting Suite; and a spotlight on the Queen Latifah Show. She’s also made cameo appearances in music videos, Tonight by Jessica Sanchez featuring Ne-Yo and Cravin by MC Lyte, and competed on the NBC reality competition America’s Got Talent. Despite all of her early fame, DJ Young 1’s mom continues to be in awe of each of her daughter’s accomplishments.

“What are the odds of this?!,” exclaims Ellen, an elementary school principal and avid supporter of the First Lady’s Let’s Move! initiative, regarding the White House Easter Egg Roll. “She’s excited and I’m just so speechless! I couldn’t be more proud of her! We’re very keen on eating healthy and staying fit, so we’re glad we can help share our favorite way of exercising with the Obamas and other families around the country.”

As a token of thanks from the First Lady, DJ Young 1 will take home a Souvenir White House Easter egg. An annual keepsake since 1981, when President and Mrs. Ronald Reagan hosted a hunt for wooden eggs that bore the signatures of famous people, the Souvenir egg tradition continues this year with four colorful eggs and the official First Dog’s egg, which features First Dog’s Bo and Sunny. These collector’s eggs are available to view or purchase at easter.nationalparks.org.

About the White House Easter Egg Roll
To learn more about the Easter Egg Roll visit www.WhiteHouse.gov/EasterEggRoll. Tune in for live streams from the South Lawn on April 21, 2014 on WhiteHouse.gov/live. You can also join the conversation online using the hashtag #EasterEggRoll and get the latest updates by visiting Let’s Move! on Twitter and Facebook.

About Stanton
Stanton, part of the Gibson Pro Audio division, is an industry leader in the design and manufacture of professional audio products for DJs. Founded in 1946 by Walter O. Stanton, the inventor of an easily replaceable phonograph stylus, Stanton has grown from being one of the first American companies to make and sell magnetic cartridges to offering a complete line of DJ products, which include turntables, high-performance cartridges, CD players, DJ mixers, accessories and digital controllers. With over 50 years of innovation, Stanton is the name DJs trust. For additional information, visit the company online at www.stantondj.com.

About Gibson Brands
Gibson Brands Inc. is known worldwide for producing classic models in every major style of fretted instrument, including acoustic and electric guitars, mandolins, and banjos. The Gibson Les Paul Guitar is the bestselling guitar of all time and is a tribute to the late, famed musician of the same name. Collectively, the Gibson Robot Guitar, Gibson Dark Fire, Gibson Dusk Tiger and the Gibson Firebird X represent the biggest advances in electric guitar design in more than 75 years. Through the Gibson Foundation, Gibson Guitar Corp. has become equally known for its philanthropic efforts on behalf of music, education, health, and human services. Founded in 1894 in Kalamazoo, MI, and headquartered in Nashville, TN, since 1984, Gibson Brands Inc’s family of brands includes Epiphone, Dobro, Kramer, Steinberger, Tobias, Echoplex, Electar, Flatiron, Slingerland, Valley Arts, Maestro, Oberheim, Baldwin, Sunshine Piano, Take Anywhere Technology, J&C Fischer, Chickering, Hamilton, Wurlitzer, Cakewalk and Gibson Pro Audio. Visit Gibson’s website at www.gibson.com. Follow Gibson Guitar at www.twitter.com/gibsonguitar and www.facebook.com/gibsonguitar.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Legendary Guitarist Johnny A. Creates Musical Magic with SSL AWS 948 Hybrid Console/Controller

“The clarity and detail was excellent, the depth and width amazing and the bass was tight, punchy and round”

BOSTON – Johnny A., winner of the Boston Music Award’s Blues Artist of the Year 2010 and a Gibson Guitar Signature Artist, has installed a Solid State Logic AWS 948 Hybrid Console/Controller to complete his high-end home studio. Johnny A. has lent his talents over the years to projects with leading musicians, including vocalist Peter Wolf (J. Geils Band), percussionist Mingo Lewis (Santana), drummer Doug Clifford (Creedence Clearwater Revival) and keyboardist Bobby Whitlock (Derek and the Dominos), before releasing his first solo album in 2001. The AWS 948 gives Johnny A. the ability to capture and mix his upcoming projects with the same sonic purity and punch as the large, professional studios, but in a convenient and comfortable creative setting.

“I was first exposed to the AWS at an Art Institute program attended by my daughter, where I had the chance to work with some Live at Daryl’s House audio stems that were lent to the program,” says Johnny A. speaking about the popular program produced and hosted by Daryl Hall of Hall & Oates fame. “The stems were also recorded on an AWS, so basically I had the chance to just play around with the high-quality audio. It is difficult for me to explain what I was feeling and hearing, but it was almost like the tracks had a comfortable ‘this sounds right’ glow about them. The clarity and detail was excellent, the depth and width amazing and the bass was tight, punchy and round. This led to developing a relationship with SSL, and from there the purchase of the AWS 948 for my studio.”

Once the console was integrated into Johnny A.’s control room, he immediately started to run some raw, unmixed stereo stems from his current recording project Driven to get a feel for using the AWS with his Mac/Logic DAW rig. The difference in audio quality became immediately apparent.

“When I ran some previously recorded tracks through the AWS, I was completely amazed by the results,” states Johnny A. “That same audio glow I experienced earlier was right there in my monitors. When I started to break out the tracks and play with a mix, the sound was big and warm. Another thing I noticed was the spot-on phase coherency. I am getting the same level of sound quality now that I experienced in multi-million dollar studios, but in my home.”

Johnny A. is no stranger to SSL, as over the years the projects he has been involved with were mixed on SSL consoles. When it came time to build a home-based creative haven, he brought in the highest level outboard gear to accomplish tracking to Logic, but the mixing element was missing. The AWS 948 was purchased to pull everything together into a cohesive personal working space.

“When I record my guitar, I always go direct through analogue gear to whatever the recording media is,” continues Johnny A. “The AWS not only makes all my gear work together for mixing, it allows me to track as well. I have never put on the engineer hat before, and the AWS experience, while initially daunting for me, has been extremely rewarding. I also put in an SSL XLogic X-Rack filled with dynamics modules to add SSL compression to all of my drum tracks. I am very excited to be creating new projects with the AWS 948.”

Hear the AWS 948 in action on Johnny A.’s new release Driven, available at www.JohnnyA.com

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, News, Recording |

Masque Sound Takes Lincoln Center Theater Audiences on a Sonic Tour of New York City in Moss Hart’s Autobiographical Play, Act One

NEW YORK, APRIL 16, 2014 – Masque Sound, a leading theatrical sound reinforcement, installation and design company, returned to the Vivian Beaumont Theater at Lincoln Center to support Sound Designer Dan Moses Schreier with a dynamic custom audio equipment package for Lincoln Center Theater’s newest production, Act One.

In Act One, James Lapine directs his own adaptation of Moss Hart’s classic autobiography, which chronicles the legendary playwright and theater director’s struggle to escape poverty and forge a career in theater. This led to his collaboration with George S. Kaufman, and culminated in his first great success, Once in a Lifetime.

Schreier’s biggest challenge in designing the sound was dealing with the acoustics of the theater itself. “The Vivian Beaumont Theater is notorious for requiring special acoustic systems, since there is no natural reverb in the room,” says Schreier. “When the theater was constructed it was built with traps all the way around the back wall of the auditorium, which gives the effect of an acoustically dead space. Technologies have evolved so much since the theater opened in 1965, however, that it is now possible to make the room feel alive.”

Part of the aesthetic of Act One is driven by the set design, as it features a three-story structure built on an 80-foot revolving turntable. Each part of the turntable highlights a different New York City locale throughout the play. “It’s very monumental, it’s very theatrical and it’s a very beautiful structure,” adds Schreier. “All of the sound effects were driven by the look and the movement of this turntable, which signifies that specific time period of Moss Hart’s life. In addition, every time it spins, you get a different sonic picture of New York City — sometimes it’s the subway, other times the street or a playground. The idea behind the sound design was to create a sonic version of New York City. With Masque Sound’s help, I think we did a wonderful job.”

Another key component of the sound design was the use of Yamaha’s DME 64 Programmable DSP Engine. “I worked very closely with my Associate Sound Designer Joshua Reid to create nine different zones that all have different timings to help with the architecture of the space,” says Schreier. “Because of the theater’s shape, a third of the audience is always looking at the back of an actor. A big part of the sound design was to compensate for this, which is why we created these different time zones based on the actor’s locations on the set.”

In order to achieve the sound he was looking for, Schreier chose the Yamaha CL-5 digital mixing console. With a three-section fader layout for efficient hands-on control, the CL-5 is an ideal choice for a diverse spectrum of live sound systems, giving Schreier exactly what he needed. He utilized 12 discreet outputs of the console going to various areas of the theater in order to provide real sound effects, such as the sound of the subway moving across the back wall of the theater at the same time as dogs barking upstage. This added real depth and three dimensions to the design.

For his PA, Schreier thought a lot about what speakers would be right for the space. “The Vivian Beaumont Theater seats like a coliseum with a three-quarter fan shape,” he continues. “There was one speaker in particular, the d&b audiotechnik E12-D, that I thought would solve the problem of the theater very elegantly, and it did. The coverage is smooth and it’s amazing how well the speakers work. I think the sound reinforcement part of the design sounds quite fantastic and I really have to thank Masque Sound for that, because they had to purchase this particular model for this production.”

Schreier chose the d&b E12-D for its rotatable horn, as it provides a very wide dispersion. By rotating the horns up and down, he was able to cover the theater almost entirely with one cabinet, thus eliminating the need for an array. Masque Sound also provided d&b Q-subs as well as Meyer Sound M1Ds for the rear orchestra fill and balcony delay ring. In addition, Schreier also utilized the Beaumont Theater’s Qin-house PA system for some of the sound effects when he wanted to envelop the audience.

Act One opened on Thursday, April 17 at the Vivian Beaumont Theater. The show features a cast of 22 including Tony nominees Tony Shalhoub and Santino Fontana and Tony Award-winner Andrea Martin. The limited engagement is currently scheduled to run through June 15, 2014.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, Live Sound, News |

Leading Italian Hire Company AGORA Adds SSL Live to its Console Portfolio

“The sound quality reminded me of the high level analogue sound that I was used to”

ROME – AGORA, the leading Italian rental company, has purchased an SSL Live console to support the local and international music, sports and corporate events that it serves. In the nearly 25 years that it has been in business, AGORA has become the standard for the tours of top Italian artists, such as Andrea Bocelli, Laura Pausini, Ligabue and Tiziano Ferro, as well as high-profile international events, such as Carlos Santana, Red Hot Chilli Peppers and Elton John, the Live 8 concert and the opening and closing ceremonies of the 2006 and 2014 Winter Games in Turin and Sochi.

AGORA’s Live console has already hit the road with one major client, Italian blues singer Mario Biondi, whose front of house engineer, Piefrancesco “Hugo” Tempesta, has been using it on tour for almost two months and has been extremely happy with the results. “Before I decided to use the SSL Live on tour, I did a simple but efficient test,” says Tempesta. “I used one channel and carefully listened to the performance of the mic pre, summing and overall sound quality, which reminded me of the high level analogue sound that I was used to. I had no doubt in my mind that this was the console for me, and I feel very confident in my choice.”

It wasn’t just the sound quality that drew Tempesta to the SSL Live, but also the user-friendly interface, which he says is well-designed and intuitive. Another key feature for him is SSL’s Blacklight II high bandwidth multiplexed MADI, which transports several MADI ports on a single fibre connection.

Wolfgango and Vittorio De Amicis, brothers and co-owners of AGORA added their own comment regarding their addition of SSL Live to their hire portfolio. “AGORA usually invests with major players in the industry and of course SSL is one of them, even if it has just joined the live touring market. We expect that SSL’s reputation will follow the company into the live space and make Live a leading contender in the market.”

www.solidstatelogic.com/live
www.agoraaq.it

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, Live Sound, New Products, News |

SSL Live Console on the Road with Flogging Molly’s GREEN 17 TOUR

“Bar none, it’s the best digital console on the market”

LOS ANGELES - When an analogue stalwart front-of-house engineer who’s known to eschew digital consoles finally finds one that meets his standards it’s a milestone. Flogging Molly is named for their inauspicious start playing Molly Malone’s Pub in Los Angeles Monday nights in the Nineties. The seven-piece Irish/American, punk/folk ensemble is a rock band with traditional Irish instruments, fronted by Dave King on acoustic guitar and Bridget Regan on fiddle, with electric guitar, bass drums, accordion and banjo. An SSL Live console, supplied by VER Tour Sound, the latest addition to SSL’s Live partner network, was deployed at front of house for the group’s 10th Annual GREEN 17 TOUR, the band’s countdown to St. Patrick’s Day. Stopping at 27 cities, the tour started at Atlanta’s Tabernacle and ended five weeks later at New Orleans’ House of Blues.

FOH engineer Kevin Lemoine describes the touras “theaters and larger clubs, like the House of Blues, with loudspeakers ranging from a very nice d&b J-series outside where everything is pristine and clean, all the way down to 15-year-old EV boxes.”

Lemoine has mixed Green Day for 13 years and is known for carrying an analogue console during most of his tours. He has mixed a number of other well-known acts, including Sugar Ray, Buck Owens, the Luna Chicks, Iggy Pop, Ice-T, Jane’s Addiction, The Black Crowes and The Reverend Horton Heat, among others.

VER’s Jason Vrobel has worked Green Day shows with Lemoine since 2004 as crew chief and system engineer. “I’ve known Kevin for a very long time,” Vrobel states. “He’s always been anti-digital. Always uses analogue as much as he possibly can. Anytime there’s analogue/digital situation, it wasn’t his choice. This was the first time he was extremely happy.”

“I didn’t have any time on the SSL Live before we went out on tour,” says Lemoine. “Back at VER, Jason programmed the inputs, effects sends and returns, groups, basically assigning the whole console before the tour. So no training, a little bit of YouTube searching about how things work, how it was set up, how it operated, but the rest of it was hands-on right there. It’s not a very difficult console to get around on.”

SSL Live is designed to provide a flexible workflow with several operational approaches, combining a large multi-touch daylight screen, with a second channel control screen surrounded by dedicated encoders, and up to three five-layered, 12-channel fader tiles plus, under the hood, there’s abundant, adaptable bus architecture. “The first day, was a little nerve-wracking because I was just learning the console,” says Lemoine. “Second day, I got a little deeper into what was available on each input; compressors, limiters, gates and how things worked. For the stuff that you use every day, it’s laid out pretty well. The sound was great on the first day and throughout the tour, I just refined the great sound.

“There are two schools of thought from a FOH perspective,” continues Lemoine. “Pretty much, it boils down to digital versus analogue consoles. To my ear, and to most of my friends’ ears, analogue consoles sound the best, but the one negative factor is transport, size, weight and all that stuff. On the other hand, you have the digital realm where the console is small, light and easy to pack around, but their sound is usually kind of inept, I think. The features are there, but in the end, the sound isn’t really what you’re looking for. So now, you have this SSL Live, which seems to be in its own realm. It’s a small digital console, easy to pack around and fits into any venue, but it doesn’t sound like a digital console, it sounds like an analogue console. It’s very pleasing to the ear.

“It’s a very wide sound stage,” adds Lemoine. “A lot of consoles don’t go that wide. It’s nice to hear your drummer’s toms go from left to right and hear a true stereo image on your cymbals. It’s definitely a wide sound stage. Bar none, it’s the best digital console on the market. I have no doubt in my mind. I really like Live’s mic pres, they’re pretty amazing.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, Live Sound, News, Recording |

Barry Manilow and Bruce Sussman’s Harmony – A New Musical Captivates Los Angeles Audiences with Stellar Sound System from Masque Sound

Custom Audio Equipment Package Includes New Sennheiser Digital 9000 Wireless System

LOS ANGELES, APRIL 9, 2014 — When Sound Designers David Patridge and John Shivers returned for the second run of Barry Manilow and Bruce Sussman’s Harmony – A New Musical, they once again turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a new custom audio equipment package. The show’s Los Angeles production at the Center Theatre Group’s Ahmanson Theatre marks the second time the duo was personally chosen by Manilow and Sussman to create the sound design — and while the story remains the same, the sound design was completely different.

Harmony recounts the true story of the Comedian Harmonists, six talented young men who in 1920s Germany took the world by storm with their signature blend of sophisticated close harmonies and uproarious stage antics. The Comedian Harmonists sold millions of records, starred in dozens of films and packed the most prestigious concert halls around the globe until the world they knew forever changed with the commencement of World War II.

“After the Atlanta run [of Harmony] came to an end, the equipment we used went back into Masque Sound’s shop and we rebuilt the entire show for this second run in Los Angeles,” says Patridge. “Every theatre and venue is a challenge of its own. One of the obstacles was the theatre’s size, as the Ahmanson is a much bigger theatre than Atlanta. You can’t cookie cutter these things and they have to be morphed into whatever works for the architecture. Masque Sound did an excellent job accommodating our needs.”

Masque Sound provided the designers with a DiGiCo SD10T digital console, which not only provides the flexibility they were looking for but also comes complete with a software package that is designed specifically for the theatrical market. In addition, the show has a completely new PA design featuring L-Acoustics dv-DOSC speaker arrays built from scratch via Masque Sound’s inventory. The dv-DOSC delivers powerful, cost-effective coverage in a compact profile making it ideal for the designers’ needs.

Masque Sound also supplied a demo system of the Sennheiser Digital 9000 Wireless System featuring eight 9000 series radios. The Sennheiser Digital 9000 system was developed for all professional users who are unwilling to compromise on sound. Its unique uncompressed digital audio transmission offers artifact-free sound with great dynamics. The Sennheiser Digital 9000 wireless system not only delivers a unique sound quality but also lets its professional users experience a whole new kind of flexibility.

“With the Sennheiser 9000 series you can use a built-in software feature in the receiver rack, which will scan and allocate available frequencies,” adds Patridge. “Theoretically, you should no longer need the extra steps of doing an RF scan of the venue in advance or an intermodulation study. The 9000 series takes the hit or miss of pre-programming completely out of the equation. Masque Sound not only provided us with this impressive demo equipment, but they also set up an on-site visit with a Sennheiser tech who demonstrated the use and features of the new system. There is no question that the 9000 series will prove very valuable with a more and more crowded RF spectrum and sonically, they are great.”

Directed by Drama Desk Award-nominee Tony Speciale (Classic Stage Company’s Unnatural Acts, A Midsummer Night’s Dream), Harmony officially opened at the Center Theatre Group’s Ahmanson Theatre in Los Angeles on March 4 and is slated to run through April 13, 2014.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry Events, Industry News, News |

TSL Products Previews PAM PiCo Matrix Software at NAB 2014

New Software Delivers Online Management and Configuration Capabilities

LAS VEGAS, APRIL 9, 2014TSL Products, manufacturer of audio monitoring solutions, surround sound microphones and processors, broadcast control systems and power management tools, is pleased to announce the unveiling of the new PAM PiCo PC Matrix Configuration software application at NAB 2014 (Booth N1123). In combination with the loudness logging, screen grab and system update software application, the matrix configuration program completes a suite of tools designed to make the PAM PiCo the most comprehensive compact, all-in-one loudness measurement and level metering solution on the market.

Offered as free download available to all PAM PiCo users, the matrix application enables complete online management and configuration of meter setups, full audio signal routing capability for simple to complex monitoring modes and the ability to save and recall user presets to a central database.

“We are very pleased to debut the powerful PAM PiCo PC Matrix software package for the popular PAM PiCo line of handheld loudness and level meters,” says Martin Dyster, Head of Audio for TSL Products. “TSL Products is dedicated to bringing the very best tools to the broadcast industry and the new Matrix software looks to help our users streamline the management of their PAM PiCo meters, further helping them to attain consistency throughout their audio chain.”

The new software will be available for download after the 2014 NAB Show.

About PAM PiCo:

The PAM PiCo Series is available in three versions:
PAM PiCo Five Master 5.1 Surround Meter features a 16-channel bargraph display, 3G HD-SDI (auto-sensing with loop through), 16 channel audio de-embedder, three AES inputs (six audio channels) plus one analog pair and USB power (PSU and universal mounting bracket supplied).

PAM PiCo Two Master 5.1 Surround Meter offers an 8-channel bargraph display, three AES inputs (six audio channels) plus one analog pair and USB power (PSU and universal mounting bracket supplied).

PAM PiCo One Master Stereo Meter offers 4-channel bargraph display, two AES inputs (four audio channels) plus one analog pair and USB power (PSU and universal mounting bracket supplied).

All three feature landscape mode, FFT spectrum analyzer, SMPTE Timecode, Screen Grabber and Loudness Logging, with PAM PiCo Five additionally offering Video Preview.

Please visit us @ NAB Booth N1123 or visit www.tslproducts.com for more information.

About TSL Products
TSL Products designs, manufactures and markets a range of hardware and software solutions that serve to simplify operations within the television broadcast, cable, satellite, IPTV and IT industries. Specializing in audio monitoring, surround microphones and processors, broadcast control systems and power management tools, TSL Products’ solutions satisfy and exceed the commercial, technical and operational requirements that exist in IT-based and traditional workflows, helping its customers to lower costs, generate revenue and streamline operations. For more information, please visit www.tslproducts.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

DPA Microphones Presents Live Solutions at the 2014 NAB Show


Company to Show updates for its d:dicate™ Recording and Podium Microphone solutions as well as gold and nickel grids for its d:facto™ Vocal Microphone

LAS VEGAS, APRIL 8, 2014DPA Microphones will showcase updates to its range of high-quality live microphone options at the 2014 NAB Show (Booth C3333). Among the updates on display are enhancements to its superior d:dicate™ Recording Microphone range, which delivers high-quality audio across many applications, including live broadcast presentations, speeches and press conferences. The company is also presenting the gold and nickel grids for its award-winning d:facto™ Vocal Microphone, which is ideal for live concert broadcasts and singing competition programs.

Now incorporating the new modular MMC4018 Supercardioid Capsule and the modular 4000 and 2000 microphones, the d:dicate Recording Microphone range allows users to combine various capsules with DPA’s state-of-the-art preamps for extra versatility. These preamps include the A, which is a Class-A transformer-less design; the B, a low-cut and high-boost filter version; the compact C option for visually unobtrusive miking and the new modular MMP-E active cable preamp for hanging or table applications.

Ideal accessories for vocalists who want to add more sparkle to their onstage performances, the new grids for the d:facto Vocal Microphone are available as accessories to existing solutions and are delivered as metal grids with foam and pop screen. Additionally, the nickel option matches the finish available on the Sennheiser 2000, 5200 and 9000 wireless mic systems, and comes complete with capsule and corresponding adapters.

“We saw a demand in the market to attain the d:facto sound with more than just the traditional black grids,” says Christian Poulsen, CEO of DPA Microphones. “These grids are just the solution, as they bring an exciting new visual dimension to a microphone that is already internationally acclaimed for its great transparent sound.”

With a true studio sound for the live stage, the d:facto offers an extraordinarily natural sound with high separation and extreme SPL handling, giving users unlimited possibilities for their performances. In addition to use with the wired DPA handle, the d:facto provides singers and engineers the added benefit of a state-of-the-art adapter system, which allows for seamless integration with many professional wireless systems.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound. For more information on DPA Microphones, please visit www.dpamicrophones.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Professional Wireless Systems (PWS) Names Evan Hall Project Manager

ORLANDO, FL, APRIL 7, 2014 — Professional Wireless Systems (PWS), a Masque Sound Company and experts in supplying and supporting wireless systems for live and broadcast events, is pleased to announce that Evan Hall has been hired as project manager. Hall will oversee and coordinate frequencies for a variety of PWS events that require the expert frequency coordination and management needed in today’s congested RF landscape. He will be an integral part of the development of future plans focusing on all PWS’ business divisions: Live Events, Broadcast, Music Festivals, Design Services, Product Manufacturing and Business Development.

“Evan’s wealth of industry knowledge and experience in managing audio and wireless for large events will be a great asset to PWS,” says PWS General Manager Jim Van Winkle. “Evan will be called upon to make a positive impact on our business, as well as help grow and maintain PWS’ standing as an industry leader. We are pleased to welcome him to the team.”

Hall brings more than 20 years of industry experience to PWS, having most recently worked for Funa International, Inc., while holding the position of Principle Park-Wide Audio Designer for a newly constructed theme park, Chimelong’s Ocean Kingdom, located on Henquin Island, China. Prior to that, Hall spent nine years at LMG, Inc. as Audio Manager, Mixing Engineer and Touring Audio Crew Chief for various recording artists including Avril Lavigne, Rob Thomas, Jonas Brothers, Taylor Swift, One Republic and countless corporate events for Fortune 500 companies. Earlier in his career, Hall spent five years as an Audio Engineer and Designer with Walt Disney World Entertainment.

“I am excited to be joining the PWS team, and I look forward to working with the company on the upcoming line-up of high-profile summer events and design projects,” says Hall. “To play a role in PWS, a dynamic company immersed in such a diverse range of live events, design projects and product development, gives me the opportunity to continue working in an industry that I know and enjoy.”

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “MAMMA MIA!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry Events, Industry News, News |

DPA Microphones Unveils Latest d:screet Miniature Necklace and d:fine Headset Microphones at the 2014 NAB Show

Company also introduces heavy-duty and reinforced cable relief solutions for its d:screet Omnidirectional Miniature Microphones

LAS VEGAS, APRIL 7, 2014 – DPA Microphones introduces its very latest in headset and miniature microphone technology at the 2014 NAB Show (Booth C3333). Included in the introductions are the new d:screet™ Omnidirectional Miniature Necklace Microphone, the heavy-duty d:screet™ 4060 and 4061 Omnidirectional Miniature Microphones, and the classic d:screet Omnidirectional Miniature Mics with reinforced cable relief. Also on display will be DPA’s new d:fine™ 66 and 88 Headset Microphones, which are ideal for broadcast productions with vocal performers who need to move freely without obstructions from a handheld mic or one on a stand.

Perfect for reality show settings, the new d:screet Necklace Microphone is currently being used in the Danish adaptation of Big Brother. With this mic, audio techs don’t have to worry about how to attach it to clothing—even beach scenes aren’t a problem. Featuring DPA’s legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace, the d:screet Necklace Mic is especially convenient for instances when mounting and consistent audio output are the primary requirements. The mic offers fast, repeatable, “do-it-yourself” mounting and is designed specifically for use by non-technicians. The d:screet Necklace Mic comes in black, white and brown and in lengths of either 18.3 or 20.9 inches.

“The expansion of the d:screet Miniature Microphone Series is important in order for us to meet increasing market demands for a large variety of solid workhorses that deliver superb sound under challenging conditions,” says Christian Poulsen, CEO of DPA Microphones. “The new d:screet Necklace Microphone is clearly meeting a need that we identified for a mic that can be mounted and removed quickly, and several times, by untrained talent without a sound expert nearby. With the updated solutions for our d:screet Omnidirectional Miniature Microphones, we’re fulfilling requests from users a for high-quality sound with a highly-durable housing and cable.”

During the show, the company is presenting two options that accomplish these needs. Incorporated on all d:screet Miniature Microphones, the robust strain relief version ensures that people who are not used to handling miniatures can feel reassured by the increased reliability. The heavy-duty 4060 and 4061 microphones, which are ideal for people who require even more enhanced security and for whom the visual appeal is of less importance, are perfect for placement in rigorous filming situations, such as incorporated into a combat suit for a fight scene or under a horse saddle in a period piece. It features a stainless steel housing, sturdy cable relief and a thicker .08-inch cable. Both enhanced versions are exceptionally durable and ideally suited to the rigors of broadcasts.

Combining the flexible mechanics of DPA’s modern d:fine ear mount solution with the sound qualities of the legendary 4066 Omni and 4088 Cardioid headsets, the new d:fine™ 66 and 88 Headset Microphones are ideal for broadcast productions with vocal performers who need to move freely without obstructions from a handheld mic or mic stand and address every need that actors, musicians and singers may face on live television. These new products join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine family, giving fans the choice between a variety of sound handling and size options, depending on the intended application.

“We have seen a growing need for durable body worn microphone solutions with excellent sound reproduction and an even sturdier casing for stringent use in live environments and similar settings,” adds Poulsen. “So, we launched the d:fine Headset Microphones with the belief that it would define a new generation of headsets. It certainly did meet our expectations, so we have now decided to expand the d:fine Headset series with this brilliant solution to give users a broad assortment of styles and features.”

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. For more information on this virtual press conference, please contact MixEditorial.

Calendar

April 2014
M T W T F S S
« Mar    
 123456
78910111213
14151617181920
21222324252627
282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication

Fairlight Xynergi Media Production Centre


Mix Briefing Room, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the Briefing Room for the latest press postings.