Briefingroom

Mixonline Briefing Room

Archive by Sue Sillitoe

Fairlight Unveils the Next Generation of Audio Post Production

CC-2 w Optional MADI Expansion Cards HR Smaller

Internationally acclaimed as the first company in the world to introduce FPGA technology to the audio post production business, Fairlight has now consolidate its position as an innovator with the launch of its second generation Crystal Core (CC-2) technology.

Hailed as the most powerful post production audio engine ever created, CC-2 incorporates an impressive 1000 playback channels, 100+ output buses and 100 live inputs. When teamed with Fairlight’s new V5 operating software, it offers the ultimate professional solution for the demanding delivery requirements of today’s broadcast industry.

In keeping with Fairlight’s long tradition of seamless upgrade paths, CC-2 is entirely compatible with the audio hardware currently operating with the company’s established CC-1 engine.

Tino Fibaek, Fairlight’s Chief Technical Officer, says: “Future proofing our technology has always been at the heart of our business philosophy. With the launch of CC-2, we have ensured that existing Fairlight customers can easily upgrade without having to replace their current audio interfaces or control surfaces. This means they can extend the life of their original hardware investment, whilst benefiting from the increased capacity that CC-2 brings.”

Fairlight’s CC-2 engine features a processor chip that is five times more powerful than the chip in its CC-1 engine. It also has four times the PCIe bandwidth, new dual channel memory architecture, an on-board expansion slot and almost twice the MADI connectivity.

Augmenting Fairlight’s renowned editing model, V5 sees the addition of Clipbender, an enhanced time compression and expansion feature allowing audio within a single clip to be aligned to picture, with multiple bend points and real time non-destructive processing.

Fairlight’s V5 software has advanced to a full 64-bit application, allowing unrestricted access to the full power of Intel’s latest processors. The associated increase in memory and speed delivers more simultaneous plug-ins, more video formats and larger media files. When used in combination with CC-2, this platform delivers faster than real-time, offline mixdown.

Also developed a part of the new 64-bit architecture is a brand new video engine, leveraging GPU acceleration for real-time video processing, offering support 4K video resolution, and features built-in HEVC decoding.

For more information about Fairlight’s new CC-2 audio engine and V5 software, please visit www.fairlight.com.au

-ends-

About Fairlight:

Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.

www.fairlight.com.au

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Related Topics: News |

DK-Technologies Appoints Anders Kjempff As New Sales and Marketing Director

Anders Kjempff

DK-Technologies has announced the appointment of Anders Kjempff to the position of Sales and Marketing Director, with responsibility for promoting the company’s range of audio and video metering products including the award winning DK Meter. He will be based at DK-Technologies’ head office in Herlev, Denmark.

Kjempff brings extensive management experience to the role having previously run his own IT sales company, which he sold earlier this year. Prior to that he spent nine years with broadcast transmission company ProTeleVision Technologies (PTV) where he was Sales and Strategy Director.

Karsten Hansen, CEO of DK-Technologies, says: “There is a real sense of ‘Sliding Doors’ about Anders’ appointment because, in a parallel dimension, he should have joined the company in 2001 when DK bought the Studio Products Division of PTV. At that stage he was working for the part of the company that we didn’t buy, and that’s why he didn’t come across then. I am really delighted that our paths have finally come together. Anders has so much industry experience and is such a consummate sales and marketing professional that this is really great news for the future of DK-Technologies.”

Commenting on his appointment, Anders Kjempff adds: “I have known about DK-Technologies for many years and have always admired its approach to product design and development. DK products are conceived from a blank sheet of paper – there are no third party algorithms or components because everything is designed from scratch with no compromise. That is why the company has such a strong international reputation for quality. I am delighted that I am now part of this because I share the same values. Coming to DK really does feel like coming home.”

Under Kjempff’s guidance, DK-Technologies will be looking to promote its world class products and expand its sales network on a global scale.

-ends-

About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Related Topics: Industry News, News |

Prism Sound’s Audio Test Equipment Plays a Pivotal Role at BW Broadcast

Scott Incz BW Broadcast

Croydon-based BW Broadcast has increased its stock of Prism Sound audio test equipment by investing in two more dScope Series III Digital Audio Analysers, bringing the total number of units it owns to nine.

Founded in 1997 by Scott Incz and Roger Howe, BW Broadcast designs and manufactures cutting edge but affordable broadcast equipment for FM, AM, HD Radio and Internet broadcasting. Known for its innovations in low-power FM transmission, RDS encoders and processors, BW Broadcast has undergone rapid growth in recent years thanks to the development of a successful range of DSP products including its V2 FM transmitters and the DSPX range of audio processors.

“To support our growth, we have recently taken on new staff in all departments,” Scott Incz says. “We have also increased production to meet demand and this has resulted in an expansion of our product test facilities so that we can maintain high standards of quality control.”

Incz says that Prism Sound’s dScope Series III has played a pivotal role at BW Broadcast since the company acquired its first analyser 10 years ago.

“When we first decided to buy an audio analyser we looked at products from a couple of different companies and eventually chose Prism Sound’s unit because it offered more functionality,” he says. “Obviously, price was a consideration but I don’t like the way that some companies sell you a basic product and then charge you more for plug-ins or additional features. In Prism Sound’s case, the dScope Series III was a single box that did everything I needed it to do – and, of course, it was British-made, which was also a bonus.”

Prism Sound’s dScope Series III audio analyser is a powerful audio test solution that leads the way in advanced generation and analysis tools. Used in both R&D labs and production lines around the world, dScope Series III includes precision analogue and highly-optimised digital outputs and inputs. Precise and automatic gain-ranging allows high resolution measurements over a massive range, from a few micro-volts to more than 150 volts RMS, and from less than 1 Hz to over 90kHz. Its interface processor uses dedicated DSP to provide a wide range of real time measurements, while its software uses the host PC for almost unlimited number crunching and analysis options such as Fast Fourier Transforms, unique ‘FFT Detectors’, swept sine and multi-tone testing. Designed to be highly programmable, the dScope Series III can be automated from a wide range of third-party software using Active X controls, or internally using VBScript.

BW Broadcast is using its latest Prism Sound dScope units in two new, state of the art Automated Test Equipment (ATE) systems, which are quality checking its range of transmitters, receivers and digital audio processors.

“Our new ATE systems incorporate various manufacturers’ products including Prism Sound’s dScope,” Scott Incz says. “The system is incredibly fast and each system can test up to 40 products a day. It is also very easy for our staff to use – they just load up the unit being tested, select the model on the computer programme, enter the serial number and press go. 15 minutes later they have 200 test results, all of which are stored to a central database. This means that if a customer has a problem with one of our units – even if it is years later – we can access all the original data to help resolve the issue.

“Prior to installing our new ATE systems, we spent hours checking every piece of equipment and inevitably mistakes would occur. The two identical ATE systems have made a huge difference to our productivity and we are now looking to add a third one.”

Scott Incz added that dScope Series III is a central piece of the jigsaw. “We couldn’t operate our ATE without it,” he says. “We use dScope to test every aspect of our products’ audio performance, including measuring the performance of our DSP code. dScope allows us to carry out numerous audio-related tests and always gives accurate results. We particularly like the FFT multitone testing feature because it allows us to take multiple measurements at the same time, which really speeds up the testing process.”

Although Prism Sound can offer computer scripts for production line testing, BW Broadcast decided to commission its own script for its ATE.

“We went the custom script route because we wanted our ATE to work with lots of different test products,” he says. “It took over a year to develop our custom script and we soon discovered that the parameters were moving as the development went along. This is inevitable with computer scripting – the system you end up with is not necessarily the one you thought you would get. Since our ATE went live just over a year ago we’ve done a number of re-writes and tweaks, which have improved it even further.”

BW Broadcast sells its products to radio broadcasters all over the world, as well as to movie theatres and sports stadiums. The company’s Award-winning technology has recently been used in both the Soccer and Rugby world cups and the Olympics.

The company also works with major car manufacturers, supplying high performance testing for their in-car entertainment development and production lines. Its engineering department also routinely works on custom and ‘special’ transmission projects for non-profits, charities, governmental and military organisations.

For more information about BW Broadcast, please visit www.bwbroadcast.com

-ends-

About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Related Topics: Industry News, News |

Fairlight Showcases 3D Audio Workspace at IBC 2014

Fairlight AirPan

At IBC 2014, Fairlight will showcase 3D Audio Workspace (3DAW), a new platform for immersive and object oriented 3D Sound Production.

Aimed at the film and television post production market, 3D Audio Workspace reinforces the industry’s drive for the ultimate in cinematic and immersive sound delivery by providing a comprehensive and diverse environment for 3D audio production.

“Fairlight has always had a reputation for pushing the boundaries of technology, but even by our high standards 3DAW is one of the most exciting products we have launched in many years,” says Tino Fibaek, Fairlight’s CTO.

One of the features that make 3DAW so unique is AirPan – a brand new concept that allows operators to use a Virtual Reality (VR) style input to position and control images in a 3D space.

“This feature is incredibly cool because you can literally reach out into the airspace monitored by the controller and by just moving your fingers in the air, you can pan, rotate, tilt and spread your sound in space,” Fibaek adds.

Fairlight’s 3DAW adds immersive sound capabilities to an existing digital audio workstation, whilst remaining fully compatible with an established workflow. This open platform configuration support VST® and RTAS® plugins, as well as ASIO® for I/O and sync sharing.

“The philosophy behind Fairlight’s 3DAW is to give sound mixers a post production solution that works with all platforms,” Tino Fibaek adds. “Different deliverables require different technologies, so Fairlight’s immersive platform provides the best of both worlds, supporting object orientated implementations such as Dolby’s Atmos and DTS’ MDA and fixed bus formats in 2D and 3D, from stereo through to 5.1 and all the way up to NHK’s impressive 22.2 format.”

Fairlight has ensured post production facilities can easily connect to their studio workspace. Integrated, user definable B-chain processing supports up to 34 discrete speaker outputs allowing sound mixers to switch instantly between different surround formats, different speaker sets, speaker muting and soloing and comprehensive metering.

For more information about Fairlight’s 3D Audio Workspace and other innovations in the Fairlight range, please visit us at IBC 2014 – Hall 7, Stand H17. Or visit the company’s website –www.fairlight.com.au

-ends-

About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlight.com.au

Fairlight Demonstrates Ongoing Innovation at IBC 2014


Fairlight’s international reputation for pushing the boundaries of technology will be reinforced at IBC 2014 (7.H17) when the company shows a range of innovative products.
Leading the parade is Fairlight’s Live console family, which includes the Award-winning EVO.Live digital audio mixing system – a dual function console that allows engineers to switch between live and post modes at the touch of a button. Designed for the most demanding on-air and live productions, Fairlight’s versatile Live family covers a wide range of consoles, processing and I/O solutions, giving users highly scalable audio processing capabilities. In addition, Fairlight is showing its expanded range of live production tools, which includes the highly acclaimed iCan customisation software.
At IBC 2014, Fairlight will also be reinforcing the industry’s drive towards the ultimate in cinematic and immersive sound delivery by launching a new platform for Object Oriented 3D Sound Production.
This new platform supports traditional standard and custom bussing in simultaneous 2D and 3D, along with NHK’s 22.2, Dolby Atmos (via RMU) and DTS MDA. It also supports third party client applications such as Avid Pro Tools 10.x and Nuendo 6.0.
IBC 2014 will give new and existing Fairlight users their first opportunity to see the company’s fifth major software release, based on the brand new second generation CC-2 FPGA audio engine. The CC-2 audio engine with V5 software is perfectly suited to the demanding delivery requirements of today’s broadcast industry. By providing over 1,000 playback channels, 100 live inputs and 100+ output buses, the system is the most powerful audio engine ever made.
Fairlight will complete its IBC 2014 unveiling by showing how to deliver complex multi-sourced workflows by combining its open platform Media GateWay with its unique iCan workflow automation tools. These Gateways offer a glimpse into the future of broadcast post production by embracing collaborative editing environments such as Quantel’s Qtube, with internet based video source reference, original source audio and faster-than-realtime layback.
To learn more about Fairlight, please visit IBC 2014 Booth 7.H17, or www.fairlight.com.au for English information and www.fairlighteu.com for German information.
-ends-
About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlightau.com

DPA Helps The Voice Australia Deliver a Great Live Experience


Thanks to DPA’s d:facto™ Vocal Microphone,  vocal deliveries for the live broadcast of Australia's The Voice were significantly improved, ensuring an even more enjoyable experience for TV viewers.

As with many TV singing/talent shows, the culmination of The Voice Australia relied on wireless microphone technology to ensure that the contestants could move freely about the stage. DPA's award winning d:facto Vocal Microphone fitted the bill perfectly thanks to its state of the art adapter system that allows the high quality condenser capsule to be seamlessly integrated with many professional wireless systems or used in conjunction with DPA's wired handle.

The decision to try DPA's d:facto Vocal Microphone on the show was taken by Australian rental company, JPJ Audio.

John Simpson, Senior Audio Director of The Voice, says: "JPJ’s Brad Adamson told me he had DPA's d:facto's and we were keen to try them on a couple of TV shows we were working on. DPA has a great reputation for high quality mics and this interested me because I hadn't been happy with any capsules on the RF systems we were using."

Simpson knew that, being DPA, their pedigree would shine through the moment he brought up the faders.

"I realised we wouldn't be needing that old EQ curve anymore," he says. "The sound was natural, present and uncoloured, like having a top notch studio condenser available as RF. We don't have to process anywhere near as much as we used to and everything sounds better; vocalists and presenters, male or female. The d:facto's make it much easier to sit voices in a mix."

Simpson adds that the Vocal Coach for the programme was also a fan. "He thinks they are a significant step up from anything he has heard and is very impressed, as are the operators at Monitors, FOH and Broadcast."

"Just keep making them," implores Simpson. "The capsules are the best thing we've heard for RF mics in a long time and have been an asset for us."

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound. 
For more information, please visit www.dpamicrophones.com

The Music Producers Guild Declares Nominations Open For Its 2015 Awards

The Music Producers Guild has announced that the nominations process for its 2015 Awards ceremony will officially open on September 1st 2014.
This prestigious event recognises the achievements of the UK’s top producers, engineers, remixers and mastering engineers and has rapidly established itself as a must attend event on the music industry calendar. Following a highly successful move to its new venue, the 2015 Awards will once again take place at the Park Park Plaza Riverbank Hotel in Vauxhall, London. The date has been set for Thursday February 12th, 2015.
“The enormous success of this year’s event has certainly set the bar high,” says MPG Chairman Steve Levine. “An exclusive performance by Trevor Horn’s band The Producers, which included a guest appearance from Seal, was really well received and we have every intention of repeating that success in 2015 with yet another exclusive performance from a ‘surprise’ band.
“But star performances aside, what really make the MPG Awards special are the people we celebrate. These are recording professionals who make a massive contribution to the success of the UK music industry but don’t always get their names in lights. On February 12th 2015 they will be firmly in the spotlight and we hope the industry will once again get behind these Awards and give our winners the recognition they deserve.”
Now in its seventh year, the MPG Awards count the likes of Alan Moulder & Flood, Paul Epworth, Brian Eno, Trevor Horn and Sir George Martin CBE amongst previous winners. There are 15 different award categories including UK Producer of the Year, the winner of which automatically wins a BRIT Award for Best Producer. Other categories include International Producer of the Year, Breakthrough Producer of the Year and Outstanding Contribution to UK Music.
The online nominations process runs until September 30th 2014 and is very straightforward. Anyone can nominate record professionals in 12 of the Award categories, while the remaining three are in the gift of the MPG. Nominations can be made via www.mpgawards.com with producers and engineers being actively encouraged to nominate themselves.
The MPG 2015 Awards categories open for public nomination are:
UK Producer of the Year
International Producer of the Year
Breakthrough Producer of the Year
Recording Engineer of the Year
Breakthrough Engineer of the Year
Mix Engineer of the Year
Mastering Engineer of the Year
Re-mixer of the Year
UK Album of the Year
UK Single Song Release of the Year
Studio of the Year
The A&R Award
The MPG 2015 Awards categories in the gift of the MPG are:
The MPG Innovation Award
The MPG Inspiration Award
Outstanding Contribution to UK Music
Tickets for the MPG Awards 2015 are now available to order through the website, including a limited number of ‘early bird’ discounted tickets. For full details of prices and offers please visit www.mpgawards.com/tickets.
Sponsorship opportunities are also available for the MPG Awards 2015 and any company that would like to be part of this exciting event should contact Joe Edwards at FM First Monday. Telephone: +44 (0) 7701 030 513 / Email: joe@fmfirstmonday.com.
-ends-
About Music Producers Guild (UK):
The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.
The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

DPA Microphones Capture The Kyteman Orchestra

Front of House engineer Sjoerd Terpstra used a selection of DPA microphones to capture the unique sound of the Kyteman Orchestra when they played six concerts at the Utrecht Tivoli in Holland recently.
The concerts, which took the form of elaborate jam sessions, were all multitrack recorded for subsequent mixing and broadcast on the internet.
“Our aim was to create a library of completely original Kyteman material,” Sjoerd Terpstra says. “None of the songs were written in advance – they were all improvised on the spot.”
Founded by Colin Benders (aka Kyteman), the Kyteman Orchestra plays a mixture of hip-hop, opera and jazz laced with melodies and raw beats. Its first album, The Hermit Sessions, was released in 2009 and was a great success in the Netherlands where it reached the top five of the Dutch Album Charts and sold over 75,000 copies.
Sjoerd Terpstra, who has been working with Kyteman for the last five years, says he chose DPA microphones for this project because he knew they were capable of delivering studio quality from the live stage. The microphones were supplied by Amptec, DPA’s distributor in the Netherlands.
“There are approximately 18 musicians in the orchestra,” Terpstra explains. “We used a lot of DPA d:vote 4099™ Instrument Microphones on strings and horns, a d:dicate 2011A on the drums and percussion and a set of d:screet 4061 Miniature Microphones on the upright piano because they sound amazing, especially at low noise levels. One of the snare drums initially gave me a lot of trouble because it was so low pitched and I just couldn’t get it to sound right, but eventually I used another d:vote 4099 and then it sounded great. The d:vote could handle the low pitch well and gave me enough ‘snap’ to make it cut in the mix.”
Terpstra adds that the d:vote 4099 Instrument Microphones were especially useful because they were able to deliver very isolated sound.
“We were recording on an exceptionally cramped stage so this was an important feature,” he says. “The isolation they achieved gave me tons of possibilities in both the FOH and studio mixes.”
With the latest Kyteman Orchestra project now completed, Sjoerd Terpstra is now working with a number of bands from the Middle East.
“I am hoping to use DPA microphones for some of those projects, too,” he says. “I am always happy with the results I get from DPA so have no hesitation in recommending them to all the bands I work with.”
-ends-
About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, Live Sound, News, Recording |

LIPA Graduate James Mellor Receives The 2014 MPG Prize

 

This year’s Music Producers Guild Prize has been awarded to James Mellor, confirming him as the most promising student to graduate from The Liverpool Institute for Performing Arts (LIPA) Sound Technology degree programme.

Launched in 2010, the MPG Prize gives winning students from LIPA an opportunity to work alongside some of the UK’s top recording professionals. Prominent MPG Awards winners continue to be very supportive of the initiative, which also brings sponsorship opportunities from companies such as Avid and a bursary to help with expenses from PPL.

MPG Chairman Steve Levine and MPG Education Representative Tony Platt presented James Mellor with his prize during LIPA’s annual graduation ceremony, which took place on July 31st, 2014. Also present was LIPA lead patron Sir Paul McCartney.

The aim of the Music Producers Guild Prize is to recognise the student who, in the opinion of his or her tutors, has shown the most exceptional talent, initiative, commitment and consideration to the art of music recording and production.

Jon Thornton, who heads LIPA’s three year BA (Hons) Sound Technology programme, says: “Throughout his time studying with us, but most especially during his final year, James has proven to have that ‘special sauce’ of attributes – technical skill, creative thinking, attention to detail, and an interest in pushing the boundaries of what is achievable. I’m sure that he will make the very most of the opportunities that this award will open up for him.”

James Mellor’s early interest in music led to him experimenting with many different instruments before he finally settled for the guitar and started playing in bands with friends. Studio experiences with these bands gave him a taste for technology and a desire to know how to operate the equipment he found there. He applied to study at LIPA and has since worked with many local bands including Go Fiasco, with whom he has engineered and produced an entire album, Meet My Mystery. This project took eight months to complete and involved recording, producing and mixing 10 tracks in both stereo and 5.1 surround sound.

Mellor has also been helping out at Liverpool-based studio The Motor Museum and was recently appointed house assistant/engineer.

“Over the next few months I hope to develop my skill set further and am honoured to have the opportunity do so by learning directly from industry professionals whom I greatly admire,” he says. “I am extremely grateful to both MPG and LIPA for everything they’ve done to help me grow as a professional and look forward to the next year with great anticipation.”

Commenting on the Prize, Tony Platt says: “Supporting, nurturing and encouraging young engineers and producers is a vital part of what MPG does and very important alongside the work we do under the auspices of JAMES. Gaining qualifications is only a small step on their journey and our aim is to enable standout students to be able to put their accomplishments to work as soon as possible so they can fully engage with the significant contribution that the UK makes to the global music industry.”

Winning the MPG Prize will give James Mellor the chance to develop and explore the recording techniques he has learned at LIPA and make valuable contacts within the professional sound industry. In addition to a one year associate membership to the MPG, Mellor will also have the opportunity to shadow this year’s MPG Producer of the Year winners Alan Moulder & Flood at Assault & Battery Studios. Mellor will also attend an orchestral recording session with Award-winning engineer Haydn Bendall and a mastering session with John Dent, winner of the MPG Mastering Engineer Award 2014. Added to this will be opportunities to shadow Guy Massey, MPG Engineer of the Year 2014, and Dan Cox, MPG Breakthrough Engineer of the Year 2014. Studio experience will be provided by RAK Studios, winner of the MPG Best Studio Award 2014, while Mellor’s technical expertise will be enhanced by a day at Avid’s UK headquarters where he will receive in-depth tuition on Avid’s flagship controller, the ProTools S6.

PPL has offered to contribute towards the cost of Mellor’s travel and accommodation expenses while he is taking up these opportunities, and throughout the year he will be mentored by various MPG members including Steve Levine, Nicky Graham, Tony Platt and Mick Glossop.

-ends-

 

About Music Producers Guild (UK)

 

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

 

About LIPA

LIPA is located in Sir Paul McCartney’s old school, the Liverpool Institute for Boys, which underwent a multi-million-pound renovation to turn it into a state-of-the-art performing arts higher education institution. It was founded by Sir Paul and Mark Featherstone-Witty and opened in 1995 with the aim of providing the best teaching and learning for people who want to pursue a lasting career in the arts and entertainment industry, whether as performers or those who make performance possible. www.lipa.ac.uk

 

Union Chapel Sounds Great With DPA Microphones

It’s official! London’s favourite live music venue is Union Chapel in Islington, which just happens to be equipped with a great selection of DPA microphones.
Union Chapel is a 900-capacity venue housed within a 136 year old Victorian Gothic Revival Church, which still functions as a chapel when it isn’t hosting big names from the world of music such as Adele, Bono and The Edge from U2 and Florence & the Machine.
A large proportion of the equipment that artists need to play at the Union Chapel is provided by the venue, which has invested heavily in high quality gear including a range of DPA microphones.
Sound engineer and producer Les Mommsen, of 4AM Productions, is head technician at Union Chapel. He says: We cover all genres of music, though due to the unique nature of the acoustics in the venue some artists choose to perform a special acoustic show.”
Mommsen adds that last year Union Chapel added three DPA d:facto™ Vocal Microphones to its equipment list and this has really improved the venue’s ability to deliver natural and detailed mixes to its audiences. The d:facto Vocal Microphone  has been used by a wide range of artists, including Mavis Staples, Scott Mathews and David McAlmont of McAlmont & Butler.
“They produce the best results where clarity and vocal intelligibility are essential and this is an area where we have to pay close attention to in our venue,” he says. “All DPA products excel in delivering a natural, uncoloured representation of acoustic instruments and these are the precise qualities that discerning musicians and technicians look for in their tools.”
Union Chapel also has a selection of DPA d:vote™ Instrument Microphones as well as d:dicate 4011A and 2011C recording microphones. “The versatility of the d:vote and d:dicate range of microphones is constantly surprising us,” Mommsen adds. “They just sound great on virtually any instrument from drums through to guitar amps and violins. We are currently looking to add some d:dicate™ 4006A Omnidirectional recording Microphones to capture the sound of our magnificent, unique and recently restored 130 year old Henry Willis hydraulic pipe organ.”
-ends-
Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, Live Sound, News |

Calendar

September 2014
M T W T F S S
« Aug    
1234567
891011121314
15161718192021
22232425262728
2930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication

Fairlight Xynergi Media Production Centre


Mix Briefing Room, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the Briefing Room for the latest press postings.