Archive of the Industry Events Category
Tune in to The Living Room with Frank McComb on www.acceleratedradio.net on March 8, 7 – 9 PM PST
Singer, songwriter and accomplished musician Frank McComb will talk to Gerald McCauley and Benjamin Bove in his radio show The Living Room about how the book Down the Rhodes came to be. Having interviewed more than 50 of the greatest musicians of our time, Gerald and Benjamin are experts when it comes to this fascinating instrument and its history. Find out more by tuning in on March 8 at 7 pm PST at www.acceleratedradio.net.
Down the Rhodes: The Fender Rhodes Story is the first and only book documenting how the Rhodes changed the sound of music and was part of the greatest hits and most influential music ever recorded. Through interviews with a remarkable cast of music notables, the book takes an insider’s look into how this electric piano has played an integral role in the creation of a wealth of music, from the 1960s through today. For the book, the authors Gerald McCauley and Benjamin Bove talked to over 50 prominent artists about their music and experiences with the Fender Rhodes: Michael Bearden, Chick Corea, D’Angelo, Eumir Deodato, George Duke, Larry Dunn, Donald Fagen, Robert Glasper, Herbie Hancock, Lalah Hathaway, Bob James, Ray Manzarek, David Paich, Greg Phillinganes, James Poyser, Patrice Rushen, Joe Sample, Vince Wilburn Jr. and many, many others.
Down the Rhodes: The Fender Rhodes Story – available now!
Inventory #HL 00119290
Width: 10.0″ Length: 10.0″ 288 pages
Blu-ray with documentary included!
More information at www.halleonardbooks.com
Partnering with The Continental Club, Nomad Sound, Jimmy Kimmel Live
TELEFUNKEN Elektroakustik of South Windsor, CT, will be showing its entire line of microphones again this year at Gear Expo, Booth #209, March 13 – 15 during South by Southwest in Austin, Texas.
TELEFUNKEN also has partnered with The Continental Club in Austin, which will have their entire main stage equipped with a variety of Tfunk mics, including the M80, M81 and M82 dynamics, in addition to DD5 Dynamic Drum sets. http://www.continentalclub.com/Austin.html
TELEFUNKEN also hosts their open SXSW party at the Gallery @ The Continental Club on Thursday, March 13th from 6pm to 8pm with performances by artist Gone By Daylight & others TBA.
In addition, TELEFUNKEN has partnered with Austin-based audio specialists Nomad Sound and will provide dynamic microphones for additional outdoor stages throughout the SXSW event.
The Continental Club’s production manager and Nomad Sound’s lead engineer Jamie Wellwarth, commented: “Telefunken has changed the whole sound of the Continental Club. Their M80 and M81 dynamic mics have brought out a clarity to the vocals that we just didn’t have before. We use the M82 on kick drum giving us solid boom and attack. It’s great working with Tfunk, because we are going for the same thing — great sound in a rockin’ nightclub.”
Lastly, TELEFUNKEN microphones will be used for the SXSW tapings of Jimmy Kimmel Live. Audio Engineer Bart Chiate remarked, “The TELEFUNKEN M80_s are my go-to mics for the live performances on JKL. But with the show happening in Austin it wasn’t logistically possible for us to bring our own mics, so we reached out to Tfunk and they fixed us up with all the mics we need for our crew at the festival. It’s gonna be a blast, especially since we know we have the sound totally nailed.”
TELEFUNKEN Elektroakustik strives for absolute perfection. By offering historic recreations of classic microphones alongside their own proprietary designs based around the distinctive tube mic sound, TELEFUNKEN has established a product line that expertly combines vintage style and sound with the reliability of a modern-day microphone design. TELEFUNKEN’s commitment to both the sonic excellence and quality of all of their products is rivaled only by their dedication to provide the best possible service to each and every one of their customers.
For more info, visit: http://www.telefunken-elektroakustik.com
Mobile interface for smartphones and tablets to be shown at the Broadcasting Show —
CEntrance 'MixerFace' mobile recording for iPhone/iPad
Chicago, IL – March 04, 2013 – Today CEntrance
, a leader in Digital Audio, announced that it will be participating at the 2014 National Association of Broadcasters (NAB
) Show in Las Vegas, NV. The CEntrance NAB exhibit will be located at booth 2453D. The show runs April 7-10, 2014 at the Las Vegas Convention Center.
CEntrance will showcase its full line of capture and playback products, including the new MixerFace(r) – a mobile recording interface for iPhones and computers. Combining battery-powered operation with boutique preamps and A/D converters, MixerFace is the perfect production tool for ENG, location recording, VO, guitarists and more.
Featuring two combo XLR and 1/4″ jacks, MixerFace connects professional equipment with smartphones, tablets and laptops. The hand-held device fits under an iPhone and features two studio-grade microphone preamps with line and Hi-Z inputs, studio limiters and rich digital connectivity options, enabling professional-quality location recording.
MixerFace integrates the smart phone into the audio production workflow, making mobile recording easy for the modern, on-the-go broadcaster, musician, or VO artist. The product was successfully funded via a crowd funding campaign, which allowed the user community to contribute suggestions for product design and important feature refinement. MixerFace comes on the heels of CEntrance’s successful “HiFi-M8″ (pronounced HiFi-Mate) portable DAC and headphone amp for the audiophile listening community, which will also be featured in the CEntrance NAB booth.
Michael Goodman, Managing Director of CEntrance, stated, “Our handheld recording products unlock the recording, editing and production power of the iPhone. Now you can capture, edit and upload the finished audio in minutes. This level of convenience in location recording was previously unavailable.”
“MixerFace shares battery-powered technology with the HiFi-M8 DAC and leverages our experience with small recording devices such as our popular MicPort Pro,” adds Goodman. “Today’s smart phones and tablets have become serious music production tools, and with Mixerface we are adding a professional, mobile audio capture solution.
With its two Neutrik(tm) combo jack inputs, MixerFace features boutique low-noise microphone preamps; independent gain controls with LED level monitoring, switchable 48V phantom power, limiters, and Hi-Z input for electric guitar and bass. MixerFace boasts sophisticated monitoring options, a powerful headphone amp and 24-bit/192kHz converters. Connecting to a laptop, a smart phone, or tablet for recording or playback is MixerFace’s key function. The attractive, handheld, battery-powered device is made from tough, road-worthy extruded aluminum and works for over 6 hours on a single charge.
MixerFace is set for release in May 2014 and will be priced at $599-US. Visit: http://centrance.com/products/mixerface/
About CEntrance, Inc.
Founded in 2000, CEntrance develops innovative audio products and licenses its technology to industry leading brands, such as McIntosh, Playback Designs, Bel Canto, Benchmark, PS Audio, and Lavry. The company’s portable recording and playback solutions have earned rave reviews, industry awards and enthusiastic endorsements from artists such as Harry Shearer, Nathan East and Will Lee, and mastering engineers Bob Katz, Brian Gardner, Tom Jung and sound designer Frank Serafine, among others. CEntrance is headquartered in Chicago and distributes its products worldwide.
CEntrance is expanding its dealer network. To inquire, please call +1 (847) 581-0500 or e-mail email@example.com.
All Trademarks are the property of their respective holders. MicPort(tm), AxePort(tm), DACport(tm), DACmini(tm), MasterClass(tm), Audiophile Desktop(tm), HiFi-M8(tm) and MixerFace(tm) are trademarks or registered trademarks of CEntrance, Inc. All Rights Reserved. Apple iPhone(r), iPad(r), and iPod(r) are registered trademarks of Apple, Inc.
How do the pros do it? What makes great gear great? How is that hit sound achieved? What does it take to become a successful and in demand audio engineer?
These are just some of the questions that Prism Sound will set out to answer when it takes its hugely popular Mic to Monitor series of free seminars and workshops to the USA for a five date tour.
Targeted at music production students, hobbyists and professionals, Mic to Monitor aims to dispel the many myths surrounding the recording process. In conjunction with SADiE and PMC, Prism Sound will be hosting events at SAE Atlanta (March 19th); Full Sail, Orlando (March 21st); the Winter Music Conference, Miami (two days on March 24th and 25th) and the University of Miami (March 26th).
Each seminar features presentations from recording professionals who will answer audience questions on recording techniques. There will also be the opportunity to demo equipment and win recording equipment. The Mic to Monitor event in Orlando will also be webcast live for those who want to be part of the experience but can’t get along in person. To register, please contact firstname.lastname@example.org
Chris Allen, Prism Sound’s SalesExecutive and Support Engineer, says: “Our Mic to Monitor tours are always well received because they give those attending the opportunity to learn tips, tricks and technical know-how directly from top producers and engineers. Our guest speakers are always willing to share their knowledge and to back up their examples with original material from their own studios and projects.”
Guest speakers for Mic to Monitor USA 2014 include Edward J “UK” Nixon of the Grammy Award winning J.U.S.T.I.C.E. League, and multi-Grammy Award winning producer Dwayne ‘Supa Dups’ Chin-Quee.
Edward J “UK” Nixon, who presents the seminars in Atlanta and Orlando, will give an insight into his unique story No Secrets, the rise of his career from early beginnings in the idyllic Lake District in the English countryside to becoming one of the most globally respected engineers of today. Edward will also demonstrate his approach to the workflow, mixing style and processes which earned him his title as Chief Engineer of the production super-group, The J.U.S.T.I.C.E. League (Sir Paul McCartney, Nas, Mary J. Blige, Rick Ross & Drake).
Multi-Grammy award winning Producer and DJ Dwayne ‘Supa Dups’ Chin-Quee, who presents the Miami sessions, will share his knowledge under the heading That Perfect Mix. His production experience is legendary and has resulted in over 25 million record sales to date for his work with Eminem, Drake, Bruno Mars, John Legend, Mary J Blige, Snoop Dogg (aka Snoop Lion), Akon, Rihanna and many more.
As well as guest presenters, Prism Sound’s Mic To Monitor sessions will also feature talks from top British pro audio equipment manufacturers Prism Sound, PMC and SADiE. These will cover hardware design and optimizing your studio setup, converter design and clocking, and speakers and acoustics. Professional mastering will also be discussed, with the chance to have questions answered first hand from leading designers and makers of high-end professional audio products.
Places on Prism Sound’s Mic To Monitor Tour USA are limited and are allocated on a first come, first served basis. Anyone registering and attending will have an opportunity to win prizes from Prism Sound, PMC and SADiE.
To register your interest, please visit the relevant link:
Mic to Monitor USA Tour 2014 ATLANTA
Mic to Monitor USA Tour 2014 UNIVERSITY OF MIAMI
Mic to Monitor USA Tour 2014 WMC MIAMI
Mic to Monitor USA Tour 2014 ORLANDO
About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.
For more information: www.prismsound.com
AAX64 Support, New Features and a 33% Promotion Discount
Audiotech Digital Ltd has announced the release of the new Penteo 4 Pro plug-in that discretely converts stereo to 5.1, offering exacting control over sound image placement to create high-quality, sonic-free and natural-sounding surround.
Penteo 4 Pro is 100-percent ITU down-mix compatible to the original stereo. The plug-in features an intuitive visual interface modeled after vintage gear, and offers six automated preset modes as well as advanced manual controls for fine-tuning.
Mike Minkler, multiple Oscar-winning re-recording mixer at TODD-SOUNDELUX, explained, “I’ve used Penteo on almost every project for five years now, such as Django Unchained, Twilight Saga, and Inglourious Basterds. The new plug-in really shines. With a flick of a switch I can take a two-channel mix and get a quality 5.1 mix, which is a huge asset in these budget-conscious times, especially when independent films just can’t afford more than a stereo source for me to work with.”
Native AAX64 Support
Penteo 4 Pro now natively supports Avid Audio eXtension (AAX) for true 64 bit processing. As a result, Penteo 4 Pro AAX64 uses 52% less CPU processing power thereby allowing a sound designer more flexibility to simultaneously use more tracks in a mix than ever before.
“Penteo produces such a warm surround mix, and we are thrilled that now Penteo supports Avid’s AAX64 format,” said Ed Gray, Director, Avid Partnering Programs. “Now sound designers will benefit by being able to run more instances and tap all the new features of ProTools 11.”
* Touch Screen Controls – In addition to mouse operated controls, Penteo 4 Pro is the first up-mixer to support multi-touch controls. Mixing is not a linear, sequential process — Penteo’s unique multi-touch interface allows a sound designer to control more than one Penteo feature at once, thereby creating a natural mixing experience through simple hand contact. Penteo 4 Pro is the world’s first multi-touch plug-in designed for use with the Raven MTX Surround console.
* Pro Tools Automation Keyboard Shortcuts for all parameters – Quickly add and select parameters for automation using standard control/alt/cmd shortcuts.
* Usage Preferences – With choice of circular or vertical knob drag usage options, a sound designer can select the most natural feeling knob movement for mouse or multi-touch.
* New bypass channel routing – Stereo bypass channels now routes to the ProTools channel output standard.
Special Promotion Pricing
To celebrate Penteo’s AAX release, from March 4 to April 16th, 2014, new purchases of any format of Penteo will receive 33% off the purchase price. Free trials are available here:
Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, is the exclusive U.S. distributor of this new plug-in. Penteo 4 Pro will be available beginning March 4, 2014 online at www.GuitarCenter.com, with demos available at multiple GC Pro locations.
About Audiotech Digital Limited (ADL)
Penteo transforms any stereo recording, soundtrack, DJ mix or live television broadcast into perfect 5.1 surround sound. Developed by ADL, Penteo 4 Pro is the warmest and best sounding stereo-to-surround up-mixer, because only Penteo remains faithful to the original stereo mix; no artificial sound manipulation is used. The result is that the Penteo 4 Pro plug-in creates a perfect surround experience for all stereo media with zero sonic artifacts, the most crisp and discrete center-channel available, and only Penteo is 100% ITU down-mix compatible to the original stereo. Through its comprehensive controls, automation settings and advanced low-frequency management, Penteo 4 Pro provides the ultimate mixer experience. Penteo has been used by major studios on hundreds of films, TV shows and music recordings and supports AAX64, RTAS, VST and AU formats. ADL specializes in the development and marketing of high-quality digital audio software applications.
Discover the world of Penteo at http://www.perfectsurround.com
Two-City National Debut at Vintage King a Huge Success
Pictured at the Avid S6 launch in LA are (L-R) Jeffrey Ehrenberg, Vintage King West Coast Sales Manager; Richard McKernan, Professional Console Sales Manager; Tom Graham, Avid Worldwide Marketing Mgr, Pro Audio; Ozzie Sutherland, Pro Audio Console Specialist; David Casey, Partner Account Manager; and Chris Bolitho, VK Post Sales Manager. Photo by David Goggin.
The simultaneous Los Angeles and Nashville Vintage King “Two-City” launch event for Avid’s highly anticipated all new Avid S6 console was a milestone success, with standing room only for attendees and a live webcast of the presentation.
Leveraging the best of the industry-leading ICON and System 5 product families in a revolutionary new modular design, Avid’s new S6 delivers superior ergonomics and intelligent studio control, providing an intuitive, immersive experience for the modern sound engineer.
Vintage King’s Avid launch events are a great opportunity for audio professionals to hear from Avid applications specialists about this revolutionary console. Built on proven technology and trusted by top audio professionals in the most demanding production environments, the S6 delivers the performance needed to complete projects faster and deliver optimum sounding mixes.
“Vintage King Audio became a full line Avid dealer and added its post division VK Post in 2012,” explained Chris Bolitho, Vintage King Post Sales Manager. “Just over one year later we are incredibly proud to have been awarded Avid’s Pro Audio America Dealer of the year award, and to be partnering with Avid on the first S6 launch event as a partner dealer here in Los Angeles. This product has great cross-discipline appeal, and Vintage King Audio is uniquely placed to provide systems incorporating S6, and all the equipment that will surround it in the studio. Our friends and clients from all walks of professional audio life are here, from Grammy-winning producers, and educators, to Emmy-winning sound designers. Vintage King will be leading the charge on the adoption of the S6.”
“We love the opportunity to get out and meet with mixing’s top pro’s and hear what their challenges are and the key workflows that they need,” added Tom Graham, Avid Worldwide Marketing Mgr, Pro Audio. “The S6 was born out of feedback from Pro’s and specifically designed to meet those needs. The VK events were really well attended and had a ton of excitement about S6. ”
Learn more about the S6 at Vintage King: http://vintageking.com/avid-s6
Watch the presentation here: http://youtu.be/v8a3p5FemD0
Check out photo’s from LA: http://goo.gl/8HI2jd
Check out photo’s from Nashville: http://goo.gl/6KXYNU
ABOUT VINTAGE KING AUDIO
Vintage King Audio is a global leader in professional audio sales, studio consulting, and comprehensive gear servicing. No matter the scope of a client’s needs or goals, from selecting a new microphone to designing a studio from the ground up, Vintage King distinguishes itself with standard-setting customer service, which begins with the company’s knowledgeable, industry-experienced staff. Far surpassing the basic functions of an audio dealer, however, Vintage King Audio values its long-standing partnerships with manufacturers and stays connected with the professional audio community through hosting frequent events, panel discussions, and product launches. For more information, visit: http://www.vintageking.com/about-us
MiniMain 12s for The Roost Plus MM27s for the Road
Pictured in his studio The Roost is producer/engineer Matt McClure and his new Barefoot Sound MM12 main monitors.
Top Nashville producer/engineer Matt McClure has installed Barefoot Sound’s flagship MiniMain12 monitors in his studio, The Roost. “The listening position is spot on and I just did a little bit of tweaking and man, the first listen would blow your mind,” McClure explains. “They’re ridiculous. I have worked in all of the big installs all over this town and my control room sounds as World Class as any of them.”
In the last few years, McClure has become one of the most in-demand mixing/tracking engineers in Nashville, working with some of Music City’s finest hit songwriters, including Tom Shapiro, Jim Collins, Tony Martin, Mark Nesler, Rodney Clawson, Wendell Mobley, Ashley Gorley, Shane McAnally, Wade Kirby, Jennifer Hanson, Doug Johnson, Kyle Jacobs, Lee Brice, Ben Glover, Terry McBride, and David Lee Murphy, whose combined success has resulted in over 150 #1 singles on the country and pop charts, a number of which were originally demoed, produced and mixed by McClure.
McClure’s experience with Barefoot Sound goes back eight years when he demoed a pair of the smaller MM27s through Vintage King Audio. “They brought them over and I stuck them up on the console and finished the mix and then gave it to the client and everybody passed it around. It translated perfectly. I got the biggest compliments I had gotten to date on any mix I’d done.”
Producers and record labels that have benefited from Matt’s work include Mark Bright (Carrie Underwood, Rascal Flatts), Doug Johnson (Doug Stone, Shenandoah, Ty Herndon, James Bonamy, Lee Brice), Phil O’Donnnell (Craig Morgan), Sony Music Group, UMG Records, Warner Brothers Nashville, Broken Bow Records, and Curb Records.
“I called Vintage King back and I told company co-founder Mike Nehra, ‘Man, I know these were demos, but I’m keeping them. I’ll pay you full price for them. I’m serious, you can’t have your demos back. I will not go another day without them.’ That’s how serious I was. And then later I got a second pair of 27s with cases so I could easily set up in tracking rooms and have the identical sound I had at my studio. And recently, I traded up from the 27s to the new MM12s in the studio.”
In 2008, McClure was asked to become a partner in a startup entertainment company, “The Fringe”, a joint venture between Matt and two hit songwriters, Kyle Jacobs and Ben Glover. Part publishing, part production, “The Fringe” became one of the fastest growing entertainment companies in Nashville.
Since August 2011, McClure and Jacobs have co-produced two #1 hit singles for Lee Brice, “Hard To Love” (penned by Glover), and “I Drive Your Truck” which became the 2013 CMA “Song Of The Year”, as well as earning two Grammy nominations in 2014, and 5 upcoming ACM nominations.
“The Vintage King crew, especially Jeff Leibovich in Chicago and Chad Evans here in Nashville, have made tremendous strides in taking care of us,” adds McClure. “Jeff understands that I’m doing this every single day of my life, 12-14 hours a day. Most of the time when I’m calling them, I already know pretty much what I want. I don’t need someone trying to steer me in a different direction because there’s a product that’s being pushed on the shelves and they’re going to get more commission. That doesn’t happen with Vintage King.”
Learn more at : http://vintageking.com/barefoot-sound-minimain12-pair
Barefoot Sound’s MiniMain12 is a 4-way active system with 7 drive units housed in sealed enclosures spanning 20Hz to 40kHz with vanishingly low distortion, exceptional dynamic range and ultra-fast transient response. Every driver has an under-hung voice coil moving inside an advanced geometry motor that enables it to make extremely long linear excursions. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The aluminum cone subwoofers, woofers and midranges radiate as perfect pistons to at least 2.5 octaves beyond their respective bandwidths.
Barefoot teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage of the MM12. Melding the system together is a groundbreaking DSP crossover that has taken Thomas Barefoot more than 4 years to develop. With beautifully designed high end converts and cutting edge proprietary filtering techniques the MiniMain12 produces a seamless and coherent wavefront that allows a listening distance of less that 3 feet with no sonic compromise, yet work perfectly at far field distances as well, producing SPLs equivalent to large monitoring systems.
ABOUT BAREFOOT SOUND
Barefoot Sound was founded by Thomas Barefoot with the goal of creating a new breed of studio monitor. While project studios were sprouting up all over the world, filled with outstanding gear, yet with limited space, Thomas Barefoot recognized the need for a speaker that could transcend the traditional distinctions between nearfield, main and mastering monitors. Translating effortlessly and never requiring second guessing , Barefoot Sound monitors are recognized throughout the music industry as multifunctional masterpieces. By creating one studio monitor that fits into a small physical space with leading edge technology and astounding clarity, Barefoot has set a new standard. Handcrafted in the USA.
For more info visit: http://www.barefootsound.com tel: 503.894.8602
Lightweight Camera-Side and Two 1RU Truck-Side Units Maximize Application Compatibility
LAS VEGAS, FEBRUARY 26, 2014—Studio Technologies, Inc., the manufacturer of tailored high-performance audio, video and fiber-optic products for the professional audio, installation and broadcast markets, is introducing the Live-Link Mini Remote Camera Interface System at the 2014 NAB Show (Booth C11149). Live-Link Mini is a highly-integrated and powerful camera extender system with a choice of two 1RU truck units and a compact camera unit that weights only 3.6 lbs (1.6 kg). Live-Link Mini addresses the desire for a cost-effective, compact system that still delivers the inherent power of the signature Live-Link products in which SDI, IFB, comms and program audio are present in an easy-to-deploy system.
“We are constantly listening to the industry to get feedback about what equipment engineers and camera operators really need. In this case the resources required for efficiently supporting single-camera live events.” says Gordon Kapes, president of Studio Technologies. “The Live-Link Mini was born from this industry input. The system is optimized for electronic news gathering (ENG), uplink truck and focused broadcast applications, and offers the quality build, excellent audio quality and reliable operation that are at the core of the Live-Link family of products.”
The Live-Link Mini Remote Camera Interface System offers one SDI path in each direction, supporting a wide range of SD-, HD-, and 3G video signals. The system features integrated party-line and 4-wire intercom support, line-level “dry” and powered “wet” talent cueing (IFB) and is fully compatible with SMPTE standards. The camera and truck units interconnect through one single-mode fiber for quick and reliable field deployment, and incorporate standard optical, video and audio connectors for maximum flexibility. The camera-end unit features an integrated battery mount, which allows for the use of a broadcast-standard rechargeable battery.
Unlike other systems from the Live-Link family, the Live-Link Mini’s camera-end unit does not provide microphone- or line-level inputs for supporting on-air audio signals. Instead, it relies on the associated camera or camcorder to embed on-air audio signals into audio group 1 of the source SDI. This minimizes the camera-end unit’s size, reduces cost and simplifies setup. The embedded audio signals are transported, along with picture data, to the associated Live-Link Mini truck-end unit.
The Live-Link Mini truck-end units come in two flavors to accommodate different missions. The standard version of the truck-end unit is powered by 12 volts DC and relies on the SDI output to provide the on-air audio to the connected equipment. This meets the need of “all embedded” applications in which the audio is always transported along with picture information. The advanced version of the truck-end unit offers flexibility in powering and adds analog audio de-embed outputs. A source of either AC mains voltage or 12 volts DC can provide power for the advanced version. If both AC and DC sources are connected, then the DC source will serve as a backup. Some applications may benefit from having analog outputs associated with the audio embedded by the connected camera or camcorder. The advanced version de-embeds the four channels associated with group 1, converts them to analog and presents them on four balanced line-level outputs.
The Live-Link Mini joins the growing family of Live-Link systems, which includes the original Live-Link, Live-Link Jr. and the ready for 4k Live-Link 07X systems.
About Studio Technologies, Inc.
Studio Technologies, Inc. provides tailored, high-performance video, audio and fiber optic products for the professional audio and broadcast markets. The company was founded in 1978 with a commitment to design and manufacture dependable, individualized solutions for broadcast studio, stadium and corporate environments. Known for “designing for the way professionals work,” the company is recognized as an industry leader that has never wavered from its individualized design pledge. Product categories include fiber-optic transport, broadcast support, mobile broadcast, intercom and IFB, announcer consoles, loudspeaker monitor control systems and sound pressure level monitor systems. For more information, please visit the Studio Technologies website at www.studio-tech.com or call 847.676.9177.
BUENA PARK, Calif.—Full Compass Systems will host a manufacturers’ Expo on Tuesday, March 25, 2014 from 5:00 pm – 7:00 pm. Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the company’s new NUAGE DAW System.
NUAGE is the first truly networkable recording system consisting of hardware work surface components, sleek interface, comprehensive visual feedback, networkable audio interface units, and a software-based digital audio workstation. The Yamaha control surface features a combination of fader and main control units allowing for various system configurations, and the core of NUAGE is Steinberg’s award winning Nuendo digital audio workstation software. Coupled with the power of Dante, this advanced production system provides mix engineers a truly synergistic studio solution.
After the expo, from 7:00 – 8:30 pm, there will be a presentation by Alex Buono, renowned Director of Photography for the Saturday Night Live Film Unit, who will demonstrate various products and share tips and tricks of the trade. The Full Compass Expo will be held at The Pilot House at Discovery World,
500 N. Harbor Drive, Milwaukee, WI.
To see all manufacturers exhibiting and to register visit www.fullcompass.com/alexbuono/#register. Seating is limited.
Bryan Barr of Pine Grove, PA Wins GAV19T — Guitar Player Editor’s Pick
Bryan Barr of Pine Grove, PA, is the winner of the Vintage King Chandler Giveaway. Barr is now the proud owner of the Chandler Limited GAV19T, recognized as one of the hottest guitar amps in current production.
Since its release, the Chandler Limited GAV19T has been winning fans around the globe. Recently named a Guitar Player Magazine Editor’s Pick, this unique tube amp continues to make best-of lists and score stellar reviews.
“The GAV19T is one wicked amp-delivering tons of classic tones, considerable flexibility, primo components, and superior build quality in a classy and relatively lightweight package.” — Guitar Player Editor’s Pick
The Chandler Limited GAV19T is an all-tube, 19-watt guitar amp in the vein of such vintage English classics as Selmer, Watkins, Marshall and Vox. While this amp borrows some tones from the classics, the heart of the GAV19T circuits are either new circuits developed by Chandler Limited or highly modified vintage circuits. The tube compliment is two EL84s, an ECC83, ECC803, and EZ81.
The control panel of this amp is non-typical when compared to vintage amps. The GAV19T controls allow you to change the bias of the gain stage for different character, as well as use the intensity switch to add sustain and grit. The drive controls function in the power amp section only and create distortion that never sounds weak or muddy. The tone control is a Baxandall-style EQ that functions like a treble booster pedal that can be used to add sustain and presence. This amp is similar to many Chandler Limited products – full of fat, vintage tone.
Learn more at: http://chandlerlimited.com/gav19t/
Check out Vintage King’s guitar gear at: http://vintageking.com/guitar
ABOUT VINTAGE KING AUDIO
Vintage King Audio is a global leader in professional audio sales, studio consulting, and comprehensive gear servicing. No matter the scope of a client’s needs or goals, from selecting a new microphone to designing a studio from the ground up, Vintage King distinguishes itself with standard-setting customer service, which begins with the company’s knowledgeable, industry-experienced staff. Far surpassing the basic functions of an audio dealer, however, Vintage King Audio values its long-standing partnerships with manufacturers and stays connected with the professional audio community through hosting frequent events, panel discussions, and product launches. For more information, visit:
Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. For more information on this virtual press conference, please contact MixEditorial
Fairlight Xynergi Media Production Centre
Mix Briefing Room, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the Briefing Room for the latest press postings.