Archive of the Industry News Category
Baton Rouge, Louisiana, July 2014…PreSonus is excited to announce the USB 2.0 bus-powered AudioBox™ iOne audio interface and AudioBox iTwo audio/MIDI interface for Mac®, Windows®, and Apple iPad®. These next-generation mobile interfaces include PreSonus’ easy-to-use Studio One® Artist DAW for Mac and Windows, new Capture™ Duo recording software for iPad, and a Nimbit® Free account for online direct-to-fan distribution of music, merchandise, and more. With Capture Duo or Capture for iPad and an AudioBox iOne or iTwo, you can record with an iPad, then wirelessly transfer your recordings directly to Studio One Artist. The result is an integrated, end-to-end, mobile solution that includes everything needed to record, edit, mix, and share music anytime and anywhere.
The AudioBox iOne sports one instrument input and one mic input, while AudioBox iTwo offers two combo mic and switchable line/instrument inputs. Both feature high-performance Class A mic preamplifiers with phantom power and 24-bit, up to 96 kHz converters with 105 dB of dynamic range. The DACs feed balanced ¼-inch, line-level outputs and a loud, clear headphone output with independent level control. The AudioBox iTwo also includes MIDI In and Out. Each interface has an internal analog mixer with zero-latency monitoring, enabling you to monitor recorded tracks and overdubs without audible delay.
Small, lightweight, and USB bus-powered, the AudioBox iOne and iTwo can sit on a tabletop or fit in the pocket of a backpack or laptop bag. They’re built to travel, with a metal chassis and knobs and jacks secured directly to the enclosure to reduce strain on the internal circuit board.
Both interfaces work with any recording software that supports Core Audio (Mac) or ASIO (Windows).
Introducing Capture Duo and Capture for iPad
Capture™ Duo two-track recording software for iPad, free from the Apple App Store, is based on PreSonus’ Capture live-recording software for StudioLive mixers. Capture Duo lets you record and play two tracks with 24-bit, 96 kHz fidelity and includes basic mixing and editing as well as an integrated metronome.
PreSonus also offers Capture for iPad, which can record up to 32 tracks with the same features and 24-bit, 96 kHz fidelity. Capture for iPad is available from the Apple App Store for an expected price of $9.99.
For more information please visit www.presonus.com/products/AudioBox-i-Series.
About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.
Rui Da Silva, writer of international number one single Touch Me amongst many other diverse projects, describes himself as a Producer, Engineer, Beatmaker, Remixer, Writer, DJ and Programmer. He can now add Lyra 2 owner to the list as well, having recently bought one of the audio interface units from Prism Sound.
“I first heard about Prism Sound’s Lyra 2 through a magazine article,” he says. “I’ve been a longtime user of the company’s Orpheus audio interface and have also used the Dream AD-2 converter in the past. The Lyra 2 integrates perfectly in my new setup. Studio space is at a premium and while I still use the Orpheus in my studio in Windsor, Lyra 2 is the right fit for my central London studio and for travelling work. It has sufficient inputs and outputs to be able to run most of my sessions and has a small enough footprint for me to just put it in my backpack.”
For Da Silva, this makes Lyra 2 a ubiquitous tool in his kitbag. He not only used the unit to write, record and mix all of the debut album from Lisbon Kid, but also to record Chloe Howl and much of his latest solo productions and remixes.
“In fact, you can hear it on every single release I have put out in this past year,” he says.
The Lyra family of audio interfaces is proving to be an extremely popular one for Prism Sound. Built from a design brief that demanded Prism Sound quality at an even more accessible price point, Lyra has the same no-compromise analogue front and back ends as its bigger brother Orpheus, with the same fully-balanced-throughout architecture and the same isolation barriers protecting the analogue from digital and computer interference. And it achieves all this in a 2.1kg, 2/3 width, 1U 19in rack mountable unit.
“It has also allowed me to not have a mixer in the studio as I use the Lyra Control Panel instead,” comments Da Silva. “And it allows me to give a separate headphone feed to the singers when we are doing vocals. The latency — even if it is not an absolute zero — is very workable for almost every scenario.”
Da Silva adds that Prism Sound support has been brilliant and staff are ‘a pleasure to deal with’. But it’s the Lyra 2′s portability along with that ‘Prism Sound’ that is the real advantage for him.
“I have to make a long trip to Portugal this year to record some new material for Lisbon Kid and, of course, the Lyra 2 will be in the bag with me,” he says.
About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.
For more information: www.prismsound.com
New TELEFUNKEN C12 Mic For Hit Parodies and New Originals
Pictured with a TELEFUNKEN C12 microphone at Bedrock.LA are (L-R) "Weird Al" Yankovic, Bedrock.LA partners KamranV and Phil Feinman, recording engineer Brian Warwick, and studio manager Eric Rennaker. Photo by David Goggin.
“Weird Al” Yankovic returns July 15 with “Mandatory Fun,” his 14th studio album and first since 2011′s “Alpocalypse.” The reigning King of Pop Parody chose to work at Bedrock.LA studios in Echo Park, the new creative heart of Los Angeles music, art and culture.
“This was my first visit to Bedrock,” Yankovic said. “I was impressed by how enormous it is — over a hundred rooms. It’s really a wonderful experience to be here where there’s so much art going on, so many musicians, so many people rehearsing, recording.”
Few would have guessed that “Weird Al” Yankovic, who as a shy, accordion-playing teenager got his start sending in homemade tapes to the Dr. Demento Radio Show, would go on to become the biggest-selling comedy recording artist in history with over 12 million album sales. Now in his fourth career decade, he has won 3 Grammys (with 14 nominations) and countless awards and accolades for Weird Al classics like “Eat It,” “Like a Surgeon,” “Fat,” “Smells Like Nirvana,” “Amish Paradise” and “The Saga Begins.” His 2011 album Alpocalypse (featuring the Lady Gaga parody “Perform This Way”) debuted in the Billboard Top 10, and was nominated for two Grammy Awards (Best Comedy Album and Best Short Form Video).
“Bedrock has been so accommodating,” commented Al’s recording engineer Brian Warwick. “It’s got a great vibe, like working in an old studio where you constantly have people around, where there’s always something happening. Al and I were walking around here late one night, just trying to find out who was playing the interesting music we were hearing. In a lot of the bigger studios these days, they shut down late at night, but here it’s still really, really active. And everything we’ve recorded sounds great. This room in particular is really well designed for doing vocals and overdubs.”
The “new Mandatory Fun” album features parodies of some of the biggest hits of the past year, including Pharrell Williams’ “Happy” (“Tacky”), Robin Thicke’s “Blurred Lines” (“Word Crimes”), Lorde’s “Royals” (“Foil”), Iggy Azalea’s “Fancy” (“Handy”) and Imagine Dragons’ “Radioactive” (“Inactive”). The album also features several inspired originals and pastiches (“Lame Claim to Fame,” “Sports Song,” “My Own Eyes,” “Mission Statement,” “First World Problems” and “Jackson Park Express”) along with Al’s latest accordion-fueled medley, “NOW That’s What I Call Polka!”
"Weird Al" Yankovic is seen outside Bedrock.LA's 12,000 square foot mural by the art duo Cyrcle with a TELEFUNKEN custom red, white and blue M80 dynamic microphone. "There is just nothing like the natural reverb in Echo Park," he quipped. Photo by David Goggin.
For the vocal sessions at Bedrock.LA, Yankovic chose a new TELEFUNKEN C12 large diaphragm condenser microphone. “This mic is great, with all the characteristics of the classic C12,” Warwick continued. “If anything, I feel a little more secure using this one versus a vintage C12, because you never quite know the age of the tube. You don’t know when the last time the capsule was redone or if you have the right power supply. With a beautiful new C12, it just gives you a little more confidence when you walk into the studio.”
Al added, “The equipment at Bedrock is state of the art, and the studio just feels like home. I’ve been in situations before where I felt like I was in the middle of nowhere and sequestered away. That’s another way to work, but I prefer to be around creative people and feel like I’m part of a community.”
Further in the spirit of Mandatory Fun’s bid for world domination, beginning July 14th Al began releasing 8 music videos in 8 days. Yankovic’s production partners for the world premiere videos include Nerdist Industries, College Humor, Yahoo, Funny or Die and TruScribe, as well as talented auteurs like Liam Lynch, Jarrett Heather and Tim Thompson.
Weird Al, along with his band of over three decades, has performed thousands of live rock and comedy multimedia shows throughout the world, and will be back on the road in 2015 for The Mandatory Tour.
Check out “Mandatory Fun”:
Learn more about TELEFUNKEN Elektroakustik at:
Learn more about Bedrock.LA: http://Bedrock.LA
Understanding the need for professional equipment when learning how to play and record musical instruments and vocals, CAD Audio recently donated a number of MH510 studio headphones to music students in Cincinnati, Ohio.
Aaron O’Keefe, a private music instructor and owner/co-owner of the Loveland, Maineville and Lebanon music academies, describes how his students got involved with CAD.
“Carmen Mark ‘Squiggy’ DiGiacomo of the MAD Consulting Group contacted us about the manufacturer’s tent at the Rock On The Range Festival in Columbus where music product and audio manufacturers demonstrate their products. CAD Audio was one of those companies and they were good enough to donate a number of their professional headphones to our music school programs.”
Aaron’s students typically range from age six to 16 and he personally teaches piano, guitar, voice, drums, bass, double bass, vibraphone, mandolin and ukulele, to name a few. “We’ll usually take a song like ‘Heart Shaped Box’ by Nirvana or ‘Sober’ by Tool,” he explains. “I’ll teach the song individually to my drum, guitar, bass player and voice students, we’ll put them together in a band, rehearse the song, then actually record and videotape the final performance.
“These CAD headphones are going to be used in countless studio recordings, Aaron continues, “because too often, the kids have cheap, walkman-style phones that don’t do the job. The Sessions MH510s are perfect for the studio because they have a closed-back design and there isn’t any bleed through into the microphones, which is really important. Plus the audio quality is exceptional. We’re using them extensively for tracking and overdubs, which is great because they’ll eventually appear in our videos. They’re the best headphones we’ve ever used.”
Knowing that his students’ version of Tool’s “46 and 2” bit.ly/1rbMKFv on YouTube has had well over six million, four hundred thousand views to this point, appearing in their videos has added significance for supporting manufacturers such as Zildjian, Jackson, ESP, Dunlop, Kramer and CAD Audio.
Describing the adventure of taking young music students to a night out at Rock on the Range, Aaron concludes, “Guns ‘N’ Roses was headlining and the kids got to meet members of Killswitch Engage, Asking Alexandria and Matt Pinfield of MTV.
“Taking eight kids to a Metal show was a little stressful because I had a nine, ten and a few fifteen year olds and I didn’t have any other chaperones which was crazy. But it worked out fine, the kids got equipment, met their heroes and the nine year old, Eva, called it ‘the best trip ever.’”
For more information about CAD Audio, please call 800.762.9266 or visit www.cadaudio.com.
New software enables engineers to pre-configure Showfiles offline and is a superb way for anyone to explore and learn the SSL Live console
OXFORD, ENGLAND – Solid State Logic is proud to announce that its Offline Setup software for the SSL Live console is now available for free download. The SSL OffLine Setup Application, or SOLSA, allows creation and editing of Live console Showfiles on a laptop or desktop PC. Almost anything that can be done on a Live console can now be manipulated and configured ‘offline’ when access to a console is not possible.
Software functionality includes console architecture configuration and setup of Fader Tile Layers and Banks. Stageboxes and I/O routing can be assigned along with the creation of scenes and other automation editing. SOLSA also allows you to add effects, manipulate channel processing settings, bus routing and VCA assignments. SOLSA includes the same Help System as the Live console software, offering a built-in user guide with tutorials and reference sections.
SOLSA is intended to enable engineers to configure Showfiles in preparation for shows but it is a fantastic way for anybody to explore and learn about the SSL Live console.
You can download the software at: www.solidstatelogic.com/live
Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.
Industry Veteran Returns to the Vintage King Family
Pictured is Alex Oana, newly appointed in the role of Community and Content Development at Vintage King's Los Angeles headquarters. Photo by Sascha Vaughn.
Vintage King Audio, leading international dealer of modern and classic pro audio equipment and top restorer of vintage recording gear is proud to welcome Alex Oana in the role of Community & Content Development.
Alex Oana has made significant contributions to the pro audio and music communities over a 25-year career as an award-winning recording engineer and producer, pro audio journalist, musician, live sound engineer, sales rep, and product designer involved in development, manufacturing, and marketing. His most recent success was as the co-creator of the Raven Multitouch Audio Production Console from Slate Pro Audio.
“Alex’s range of talents and rare combination of experience gives him a unique voice in the world of pro audio,” commented Jason Van Doorn, Vintage King Director of Marketing. “He did a great job in his former position as Vintage King sales rep before taking on the Raven project, which is a significant feather in his cap. We welcome him back in the newly created role of Community and Content Development and look forward to him developing the relationship with our customers by creating engaging media and new opportunities for interaction.”
“Our gear-filled showrooms are a place for hands-on demos and industry gatherings,” added Oana. “It’s a great place for the community to share knowledge, expertise, and for us to support our customers. Vintage King is where we connect people to the tools and techniques they use to enhance their expression through sound. Our success comes from listening to our customers. We totally get it because we are musicians and engineers.”
ABOUT VINTAGE KING AUDIO
Vintage King Audio is a leader in professional audio sales, studio consulting, and comprehensive gear servicing. No matter the scope of a client’s needs or goals – from selecting a new microphone to designing a studio from the ground up – Vintage King distinguishes itself with standard-setting customer service, which begins with the company’s knowledgeable, industry-experienced staff. For more information, visit: http://www.vintageking.com/about-us
Fairfield, NJ–– Middle Atlantic is expanding its Modular Power Raceway system to include surge protection capabilities with two exclusive benefits. The introduction of Series Protection™ modules for the MPR Series marks the industry’s first vertical power strip to offer series type non-degrading surge protection and its first fully configurable power solution to do the same.
The new Series Protection™ modules will also provide series type surge protection to all cascading modules in each circuit. A patent-pending technology, Series Protection™ is the fastest-responding series type surge suppression currently available.
The Modular Power Raceway system allows integrators to configure their own ETL-listed vertical power solution using off-the-shelf parts. Integrators now have the option of incorporating reliable surge protection into their custom power design. When installed as the first circuit within the power strip, these modules will extend that series type surge protection to all connected units that follow. In addition, the module sits on top of raceway channel, which allows circuit wiring between modules and unimpeded connection to the termination.
The new MPR modules join the Middle Atlantic family of rackmount and RackLink™ power products leveraging Series Protection™ technology. Modules are available in 15 or 20 amp configurations with outlet options being controlled or on when connected.
For technical specifications and in-depth information about Middle Atlantic Products, please see click to www.middleatlantic.com, or call 1.800.266.7225.
Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.
Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us
DPA Microphones has always been renowned for its ability to deliver superb audio, even in the most challenging conditions. Now, thanks to a new range of body worn microphones, the company has overcome the biggest challenge of all – how to give control of mic placement to non-technical actors or reality show contenstants without compromising sound quality.
DPA’s solution, which will be on show at IBC 2014, is the d:screet™ Omnidirectional Miniature Necklace Microphone – a cleverly designed mic that houses a legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace.
“These microphones are perfect for situations where fast costume changes are necessary – or for reality TV shows where the contestants have to place microphones without help from a trained audio engineer,” says DPA’s CEO Christian Poulsen. “The necklace design ensures that the microphone sits in exactly the same place on the body every time, so there is no need for EQ-ing between different recordings.”
The d:screet Necklace Mic is already being used in the Danish adaptation of Big Brother and DPA anticipates plenty of interest from other reality TV productions. The mic comes in black, white and brown and in lengths of 47 or 53 com (18.3 or 20.9 inches).
At IBC 2014, DPA is exhibiting alongside its Dutch distributor Amptec on booth 8.D70. At 5pm every evening it will be holding a prize draw, which will give one lucky show visitor the opportunity to win a DPA d:screet Miniature or d:fine™ Headset Microphone. At that same time, the company will challenge one of its mics to see exactly how much stress it can withstand. Could it be used as a drumstick, for example? IBC visitors need only come along to 8:D70 at 5 pm to find out.
While there, they can also see DPA’s new heavy-duty d:screet™ 4060 Omnidirectional Miniature Microphones and classic d:screet 4060 Omnidirectional Miniature Mics with reinforced cable relief, making them even more durable for demanding use. These microphones satisfy market demand for high-quality sound combined with a highly-durable housing and cable.
“Incorporated on all d:screet Miniature Microphones, our new robust strain relief version brings much needed reassurance to people who are not used to handling miniatures,” Christian Poulsen adds.
The heavy-duty 4060 microphone is ideal for people who require even more security and for whom the visual appeal is of less importance. It is perfect for placement in rigorous filming situations, such as incorporated into a combat suit for a fight scene or under a horse saddle in a period piece. Featuring a stainless steel housing, sturdy cable relief and a thicker 2.2 mm (.09-inch) cable, both enhanced versions are exceptionally durable and ideally suited to the rigors of broadcast productions.
DPA will complete its IBC 2014 line-up with its new d:fine™ 66 and 88 Headset Microphones, which are ideal for broadcast productions with vocal performers who need to move freely without obstructions from a handheld mic or one on a stand.
Combining the flexible mechanics of DPA’s modern d:fine ear mount solution with the sound qualities of the legendary 4066 Omni and 4088 Cardioid headworn mics, the new d:fine™ 66 and 88 Headset Microphones join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine family. With so many sound handling and size options to choose from, DPA’s d:fine family now addresses every need that actors, musicians and singers face when working in a live television environment.
“There is a growing need for durable body worn microphone solutions with excellent sound reproduction for stringent use in live environments and similar settings,” Poulsen adds. “When we launched the d:fine Headset Microphones we believed that they would define a new generation of headsets. They have certainly met our expectations, which is why we have decided to expand the d:fine Headset Microphone series with this brilliant solution to give users a broad assortment of styles and features.”
For more information please visit DPA at IBC 2014. Hall 8, Stand D70.
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com
Calibre LEDView scalers power big screens for Yorkshire’s fabulous ‘Grand Depart’
While more than 5 million fans lined the roads of Yorkshire for the opening weekend of the 2014 Tour de France, relatively few got close to the action itself. For those who could not, help was at hand in the form of large LED screens powered by LEDView image-scaling technology from Calibre UK.
The key screens were supplied by two companies – Lightmedia and Big TV – both of which specified Calibre’s LEDView530 as their large-display image scaler of choice for the Grand Depart.
Lightmedia supply screens from Leeds to Harrogate and from York to Sheffield
‘SkyFly’ mobile LED screen from Big TV at Tour de France © Big TV - York, Sunday, 6 July.
Lightmedia supplied 19 LED screens along the route of the two opening stages from Leeds to Harrogate and from York to Sheffield, with many of them acting as the visual centrepiece for official Tour de France fan parks.
Eddie Elliot-Smith, Managing Director at Lightmedia, comments: “We use the Calibre LEDView530s as a key part of our rental-and-staging operation, to scale live broadcast content from TV cameras around the course for display on each and every one of the LED screens we supplied.
“We use Calibre because, quite simply, they are the most reliable solution in the world. Not only have we used them for this year’s Grand Depart, we also relied on them for other high-profile international events such as the Queen’s Diamond Jubilee, the wedding of Charles and Camilla, the launch of Xbox ONE and, indeed, Calibre’s previous generation of product at the Tour de France the last time it came to Britain in 2007.”
LED screens from Big TV for Skipton, York and Leeds
Lightmedia. Harrogate, 5 July, © Photography by David Lindsey, www.photosbydavid.co.uk
Big TV head technician Simon Woodcock says: “We went down to Yorkshire fresh from Edinburgh Festival and provided LED screens to various areas on the opening weekend, including Skipton, York and Leeds. The new ‘SkyFly’ mobile LED screen wowed crowds and we also provided screens for a number of private events and parties in Yorkshire as well.
“Calibre quality is central to our LED fleet for managing live feeds. The LEDView530 can take anything you throw at it!”
A high-quality LED-optimised scaler-switcher and universal interface for LED screens, the LEDView530 provides best-in-class professional image processing in a compact, affordable 1U format. It features a jog-wheel and LCD display on its for front panel for fast and easy set-up in the field, and boasts a plethora of useful features including colour adjustment of all source types, powerful picture resizing with simple pixel-accurate edge drag-and-drop, and superior scaling, de-interlacing and noise reduction to reduce image flicker and artefacts.
For mixed rental fleet use the scaler also has a Projection mode in which it supports warp mapping and edge blending, as well as geometry correction and general projection scaling functionality as well as a Scaler-Switcher mode for general purpose scaling and scan conversion making it a truly universal device. The LEDView530 also boasts genlock and I/O lock, making it suitable for on-stage or in-camera use at live events.
Pauline Brooksbank, Managing Director, Calibre UK, comments: “As a Yorkshire company ourselves, we were delighted and extremely proud to have supplied LEDView530 units to power so many LED screens along the route of our county’s “Grand Depart”. This unforgettable weekend was not just a celebration of cycling but a unique opportunity for local people to experience a sporting event they had never come so close to before.
“The crowds who lined the route were 20-deep in places but, thanks to Calibre’s Yorkshire-manufactured technology’s ability to take live broadcast feeds and process them for large-screen display simply, reliably and with absolutely no sacrifice in quality, everybody felt that they were part of the action.”
Multi-award winning British company, Calibre has over the past 26 years achieved world recognition providing image scaling and processing technologies for use in broadcast/television, digital cinema, large venue projection, LED videowalls and surgical medical applications. Calibre manufactures products under its own brand-names as well as providing products and technology to several market leaders in the Pro-AV market worldwide. Calibre is a market leader in innovation, utilizing its own, UK & Germany-based in-house hardware and software design teams for all its product developments and its own UK manufacturing.
Some useful links:
Manufactured in Europe with Cryogenic Treatment in the USA
Pictured is the new TELEFUNKEN Black Diamond ECC83-TK tube, a modern version of the 12AX7, originally developed in 1947.
TELEFUNKEN Elektroakustik of South Windsor, CT, is debuting its new line of Black Diamond Vacuum Tubes at Summer NAMM in Nashville. Original German made TELEFUNKEN vacuum tubes have been the benchmark of excellence in all audio applications, both production and reproduction, for many decades. Today, this rich history continues with the introduction of the new Black Diamond series.
Manufactured in partnership with JJ Tubes in Slovakia, each Black Diamond tube is meticulously measured for all critical parameters of performance including transconductance, gain, noise, and microphonics.
In addition to rigorous testing procedures, all new production TELEFUNKEN tubes are cryogenically treated to ensure durability, and subjected to an extended burn-in period to ensure superior stability. The tubes are re-measured subsequent to burn-in, and again before final packaging, in order to guarantee that only the best, lowest noise tubes are offered.
The cryogenic treatment process is done for a number of benefits, both sonically and constructional. Cryogenically treated vacuum tubes have a lowered noise floor, less microphonics, expanded dynamic range with more tonal depth, and a more consistent tone over a longer lifespan. In guitar amps, Black Diamond Series vacuum tubes have more harmonic content and improved saturation, which result in a richer tonal quality and deeper overdrive character.
All TELEFUNKEN branded tubes are hand picked to be the best examples of Eastern European construction in the proud tradition with which the name TELEFUNKEN Elektroakustik has become synonymous. To learn more about the full line of new tubes in the Black Diamond series visit:
See the new Black Diamond Vacuum Tubes and the entire line of TELEFUNKEN microphones at Summer NAMM in Nashville, Music City Center, Booth #426.
TELEFUNKEN Elektroakustik strives for absolute perfection. By offering historic recreations of classic microphones alongside their own proprietary designs based around the distinctive tube mic sound, TELEFUNKEN has established a product line that expertly combines vintage style and sound with the reliability of a modern-day microphone design. TELEFUNKEN’s commitment to both the sonic excellence and quality of all of their products is rivaled only by their dedication to provide the best possible service to each and every one of their customers.
For more info, visit: http://www.telefunken-elektroakustik.com
Fairlight Xynergi Media Production Centre
Mix Briefing Room, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the Briefing Room for the latest press postings.