Archive of the Industry News Category

Carlene Carter Records New Album “Carter Girl” at Ocean Way

Produced by Don Was and Mixed by Bob Clearmountain

Pictured foreground (L-R) are Carlene Carter and producer/bassist Don Was; and rear (L-R) Greg Leisz, steel guitar; Wesley Seidman, assistant engineer; Rami Jaffee, accordion ; Tiffany Anastasia Lowe (Carlene's daughter); Jim Keltner, drums; Howard Willing, engineer; and Blake Mills, guitar. Photo by David Goggin.

Country music legend Carlene Carter has recorded her forthcoming album, “Carter Girl,” at Ocean Way in Hollywood, with additional sessions in Nashville. The album is an homage to her Carter Family legacy for which she is now the standard bearer after the passing of her grandmother Maybelle Carter and mother June Carter Cash. The album was produced by Don Was and mixed by Bob Clearmountain, for release on Rounder Records, Carter’s first for the label.

As the daughter of country music legends June Carter Cash and Carl Smith, and granddaughter of “Mother” Maybelle Carter of the original historic Carter Family, Carter says it has been her lifelong goal to make this record. “The songs on the album cover three generations of Carter Family music,” she explains. “The original Carter Family (A.P., Sara, and Maybelle); momma’s ‘Tall Lover Man’ and Helen’s ‘Poor Old Heartsick Me’; then two of mine: ‘Me and the Wildwood Rose’ and a new song about momma and John’s passing called ‘Lonesome Valley 2003.”

Carter shares writing credit on “Lonesome” with her great uncle A.P. Carter (recently in the Billboard Top 10 as cowriter of the pop phenomenon “Cups”), and the track features vocals by Vince Gill. Other guest artists on the album are Willie Nelson on “Troublesome Waters,” Kris Kristofferson on “Blackjack David,” and “Elizabeth Cook steps in as an honorary Carter Girl,” Carlene adds, “singing harmonies on six of the twelve songs.” Family is represented by cousin Lorrie Carter Bennett (daughter of Anita Carter), and Carlene’s husband Joe Breen, each heard on two songs.

The album was produced by Don Was and mixed by Bob Clearmountain, both on Carlene’s wish list for the project, and she says “Carter Girl” has “lots of fabulous musicians: Don on bass, Jim Keltner on drums, Rami Jaffee (from The Wallflowers and Foo Fighters) on keyboards. Greg Leisz plays steel guitar, acoustic, and electric too. Sam Bush is playing mandolin on three songs. Blake Mills plays most of the stringed instruments, electric guitars, and tiple, which is a kind of mandolin. I play piano, and acoustic guitars in the style of my grandma, but it’s different from the 1920s. I’m really glad I was able to pull together all of these perfect people.”

“Cowboy Jack Clement played acoustic guitar on ‘Ain’t Gonna Work Tomorrow,’” Carlene continues, “and we used an old track for that to have Helen, Anita, momma, and me, along with Big John, singing background on the chorus. We built a new track around our vocals from the Wildwood Flower album we did back in 1986. Kind of a cool thing to have the technology to bring it as a part of this project.”

Carter reflects on her producer for the album, Don Was, “I knew that he would bring the right people to play on it,” says Carlene. “I really believe in the power of the universe, and because this particular record had such ‘heart value’ in it for me in carrying on the Carter Family legacy, I needed it to be the best it could be. Don was the right man for the job.”

“Carter Girl” will be released on April 8 to be followed by performance dates in Nashville (Station Inn on release date) and Los Angeles (Grammy Museum, April 15; Amoeba Records, April 16; Hotel Cafe, April 17).

For information about Ocean Way, visit:
http://www.oceanwayrecording.com
Contact Robin Goodchild for all booking requests.
Email: rob@oceanwayrecording.com or call 323-467-9375.

Stanton SCS.4DJ USB Mix Station with Version 5.0 Software on Display at Musikmesse 2014

FRANKFURT, 13 MARCH, 2014 — Stanton®, part of Gibson Brands, Inc., is presenting Version 5.0 of the SCS.4DJ USB Mixstation at the Musikmesse 2014 (Hall 5.1, Stand A82). Launched recently at the 2014 NAMM Show, the latest version of the SC-IX operating system is now available online as a free download. SC-IX Version 5.0 brings several new features including enhanced analysis, time rift mode, new effects, FLAC support and a host of improvements from library size to looping functionality.

“As music technology further expands the possibilities for DJ’s and artists across the world, we are thrilled to deliver more features in this update for our popular SCS.4DJ Mixstation,” says Gus Jursch, Director of Operations for Gibson Pro Audio. “These new features and improvements demonstrate our commitment to our products and the growing user base, we are proud to share our latest offerings and innovations with the Musikmesse community.

Stanton’s SCS.4DJ continues to set standards as the first fully integrated solution capable of providing the functionality and performance demanded by today’s DJs and performers. The SCS.4DJ is a compact and professional USB MixStation powered by advanced processors, removing the need for an external computer when performing. This fresh approach means a DJ can simply plug in a storage device and start mixing using the built-in decks, mixer and high-resolution color display.

Features in the new software include an increased library size, which can now support up to 50,000 tracks can be loaded via an attached USB drive, and improved response times for large collections when navigating, browsing, searching and sorting. Version 5.0 users will also experience an enhanced browser window layout showing current song selection and the total size of the collection.

New synchronization options include Continuous Sync, Pitch and Beat Position while an improved looping performance provides tighter and longer synchronization. Additional effects include High-Pass Filter, Low-Pass Filter, Band-Pass Filter, Phaser and Tape Delay.

The now included Time Rift Mode is a new creative option that allows users to enter a mode where they can scratch, seek, use hot cues, loop and then resume playing in SYNC with another deck and never miss a beat. With the new Manual Loop In and Out button functionality, users can store loops with the tracks, which can then be recalled on reload. Version 5.0 offers expanded file compatibility with FLAC file support. It also provides updated analyzing code for more accurate beat grids and BPM values.

The new Stanton SCS4.DJ SC-IX Version 5.0 release, as well as the Mac and PC versions of the QuickGrid high-speed analyzer, are available online at www.stantondj.com.

About Stanton
Stanton, part of the Gibson Pro Audio division, is an industry leader in the design and manufacture of professional audio products for DJs. Founded in 1946 by Walter O. Stanton, the inventor of an easily replaceable phonograph stylus, Stanton has grown from being one of the first American companies to make and sell magnetic cartridges to offering a complete line of DJ products, which include turntables, high-performance cartridges, CD players, DJ mixers, accessories and digital controllers. With over 50 years of innovation, Stanton is the name DJs trust. For additional information, visit the company online at www.stantondj.com.

About Gibson Brands

Gibson Brands Inc. is known worldwide for producing classic models in every major style of fretted instrument, including acoustic and electric guitars, mandolins, and banjos. The Gibson Les Paul Guitar is the bestselling guitar of all time and is a tribute to the late, famed musician of the same name. Collectively, the Gibson Robot Guitar, Gibson Dark Fire, Gibson Dusk Tiger and the Gibson Firebird X represent the biggest advances in electric guitar design in more than 75 years. Through the Gibson Foundation, Gibson Guitar Corp. has become equally known for its philanthropic efforts on behalf of music, education, health, and human services. Founded in 1894 in Kalamazoo, MI, and headquartered in Nashville, TN, since 1984, Gibson Brands Inc’s family of brands includes Epiphone, Dobro, Kramer, Steinberger, Tobias, Echoplex, Electar, Flatiron, Slingerland, Valley Arts, Maestro, Oberheim, Baldwin, Sunshine Piano, Take Anywhere Technology, J&C Fischer, Chickering, Hamilton, Wurlitzer, Cakewalk and Gibson Pro Audio. Visit Gibson’s website at www.gibson.com . Follow Gibson Guitar at www.twitter.com/gibsonguitar
and www.facebook.com/gibsonguitar.

Vintage King Nashville Celebrates 2014 Studio Design TEC Award

Carl Tatz Design and Auralex Share in the Accolade

Pictured at the 2014 TEC Awards held during the NAMM Show in Anaheim is Tom Menrath, Vintage King's Head of Strategic Development.

Vintage King Nashville is hosting a grand celebration of their recent TEC Award win for outstanding creative achievement in the Studio Design Project category for their new Vintage King Nashville MixRoom.

See the Vintage King Nashville TEC Award-winning design here:
http://www.vintageking.com/nashville

Joining in the champagne toast festivities are Auralex Founder/President Eric Smith, and award-winning studio designer Carl Tatz, whose CTD MixRoom concept, which pairs the Carl Tatz Signature Series acoustic modules by Auralex with the unrivaled accuracy of the PhantomFocus System monitor tuning protocol, is fully employed at the Vintage King Nashville MixRoom.

“We are more than honored for being recognized by the TEC Awards for this achievement,” said Vintage King Audio’s Founder, Mike Nehra. “This no doubt was a team effort among Carl Tatz, Auralex, Sound Construction and Vintage King. Everyone’s collaborative vision is what makes the Vintage King Nashville Control Room so special and sound so good. We took great care in properly tuning the room to accommodate a wide range of monitors and gear. When you walk into the room you sometimes forget that you are actually standing in a retail location.”

The project was very much a team effort due to last year’s very tight time constraints at the newly opened Nashville headquarters and its unique application of being a MixRoom as well as a retail show room. All involved, from Vintage King personnel to Sound Construction and Supply for the custom designed desk, SkinnyFish Studio Services for the wiring, all the gear manufacturers and the Carl Tatz Design craftsmen, helped to facilitate its completion.

“The Vintage King Nashville CTD MixRoom has been an absolute success with our customers since day one,” commented Chad Evans, Vintage King Nashville national sales rep. “With the TEC award, it gives us great satisfaction to see that our peers recognize it as well. Hats off to Carl Tatz Design for making it a reality.”

TEC Award Toast: March 20th, 2014, 7pm, Vintage King Nashville
Join Vintage King Nashville, Carl Tatz, Auralex & Sound Construction for a champagne toast celebrating the 29th annual TEC Award for Outstanding Creative Achievement in the Studio Design Project category.

http://vintageking.com/blog/2014/03/namm-tec-award-toast

Learn more at:
http://www.carltatzdesign.com
http://www.auralex.com
http://www.custom-consoles.com

ABOUT VINTAGE KING AUDIO
Vintage King Audio is a global leader in professional audio sales, studio consulting, and comprehensive gear servicing. No matter the scope of a client’s needs or goals, from selecting a new microphone to designing a studio from the ground up, Vintage King distinguishes itself with standard-setting customer service, which begins with the company’s knowledgeable, industry-experienced staff. Far surpassing the basic functions of an audio dealer, however, Vintage King Audio values its long-standing partnerships with manufacturers and stays connected with the professional audio community through hosting frequent events, panel discussions, and product launches. For more information, visit: http://www.vintageking.com/about-us

RTW Previews New Metering Solution at Musikmesse 2014

First Time Exhibitor to Demo Its Portfolio of Leading Loudness Solutions

FRANKFURT, 12 MARCH, 2014 – RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is proud to be exhibiting at Musikmesse/Prolight + Sound 2014 (Hall 5.1, Stand A28) for the first time this year. Executives from the company will be on-hand to preview new professional hardware, as well as exciting new software tools, all of which broaden the company’s product reach and range of applications.

In addition to the new product launch, RTW will also have its entire series of TouchMonitor audio meters on display: TM7, TM9, TMR7, TM3 and TM3-3G. Launched in 2010, the TouchMonitor series of cutting-edge metering and monitoring solutions was created to help adhere to all major industry loudness standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85 and ARIB. It continues to be a coveted choice among professional audio engineers working in various applications across multiple industries including music, broadcast, radio, production and post production.

The series is based on the flagship TM7 and TM9 TouchMonitors, which feature a 7- and 9-inch touch-sensitive display, respectively, and provide unparalleled flexibility and modularity, combined with intuitive control. The software visualizes multiple sources simultaneously. Both support displaying the same signal on multiple instruments in parallel, each with dedicated defaults and both horizontal and vertical operation. TM7 visualizes up to 40 sources at the same time, while the TM9 visualizes up to 48 and the TMR7, specifically designed for radio broadcasting, visualizes up to four. Various audio interfaces and combinations are available i.e. analog, AES3, AES3id or 3G-SDI. The entire range also features the Magic LRA mode, specifically designed by RTW, for intuitive visualization of the loudness range and integrated-loudness parameters.

RTW’s TM3 and TM3-3G audio meters are a compact yet versatile solution for metering, with the TM3-3G capable of de-embedding and monitoring 3G SDI audio. Both feature a 4.3-inch touchscreen for horizontal as well as vertical orientation, which can display any of the eight audio channels contained in a 3G-SDI stream. For that purpose, it includes a large number of graphical and numerical instruments showing single-channel and summing loudness bargraphs, PPM, true peak, SPL, loudness range (LRA), dialnorm and correlation.

Finally, the company will also be demoing its LQL – Loudness Quality Logger software, which is now shipping worldwide. Developed for logging, true-peak data analysis and reporting, the LQL is compatible with the TM7, TMR7 and TM9 TouchMonitor line of products running with Logging Data Server license (SW20014). The LQL is a natural extension of RTW’s range of innovative software options for the 7- and 9-inch line of TouchMonitor audio meters.

Once activated, LQL enables measured Loudness and TruePeak data to be derived directly via an IP-connection from a capable TouchMonitor audio meter, as well as from external storage media such as a USB stick. The software also includes dual limit weighting, status information, marker and various other reporting features. The new PC software is free of charge to users; however the SW20014 Logging Data Server license is required to enable a TM7, TMR7 or TM9 series meter to be compatible with data export and additional display functions.

About RTW
RTW, based in Cologne (Germany), has more than 45 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on professional audio signal metering tools that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio highlights the TouchMonitor range, a new series of tools for visual signal analysis and comprehensive loudness metering. The TouchMonitor combines the highest of flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. The high-end SurroundControl series of products with fully fledged loudness measuring combines the convenient metering options of the RTW surround display devices and the control functions of an eight-channel monitoring controller.

For more information, visit www.rtw.de, www.rtw.com, www.facebook.com/rtw.de, or call +49 (0) 221 709130.

Cerwin-Vega! Announces the P-Series P1000X Powered Loudspeaker at Musikmesse/Prolight + Sound 2014

Company Also Presenting its New XD Series Options

FRANKFURT, 12 MARCH, 2014 — Cerwin-Vega!, part of Gibson Brands Inc., is pleased to unveil its new P1000X 10-inch Powered Loudspeaker, the latest ¬ addition to its critically-acclaimed P-Series Line, at Musikmesse/Prolight + Sound 2014 (Hall 5.1, Stand A82). A more compact version of the original P1500X Loudspeaker, the P1000X is suited for a variety of sound reinforcement applications, from live concerts to public speaking. The company is also featuring the newest additions to its popular XD Powered Desktop Speaker Series, which comprises the XD4 and XD5 Speakers and accompanying XD8s Subwoofer.
Featuring many of the same controls as its predecessor, the P1000X Powered Loudspeaker is a two-way, bi-amped, full-range bass-reflex speaker that employs a 10-inch woofer and high-frequency compression driver. Powered by a custom 1000W Class-D amp, the P1000X has a proprietary hemi-conical horn that provides enhanced sound clarity over an even and wide coverage area. A built-in mixer with multiple channels and I/O connections allows for simple and fast setup, while enhanced EQ, VEGA BASS boost and high-pass filter controls enable exact tuning and exceptional performance for any event.
The P1000X is a versatile product that can be used as a single speaker for a small venue, set in pairs for a larger venue needing more coverage and SPL, or side mounted as a floor monitor. Its lightweight, robust polymer enclosure includes a¬ a self-tightening pole cup, as well as comfortable ergonomic handles. These features provide users with versatility, comfort and ease of setup. Built-in rigging points and a remote volume port make the P1000X ideal for suspended installation.
Extending the successful XD Desktop Powered Speaker Series are the new four-inch XD4 and five-inch XD5 ¬ desktop speakers and eight-inch XD8s powered subwoofer, which feature optimized frequency response, overall clarity, low distortion and the company’s trademark bass performance. Each XD Series member is matched with low distortion, high output amplifiers and soft-dome tweeters for the best possible sound.

Equipped with metal covers, the XD4 features a 3/4-inch tweeter while the XD5 utilizes a one-inch tweeter. Unlike other desktop speaker systems, the Cerwin-Vega! XD Series is built with solid MDF wood enclosures, allowing it to deliver the same sound quality as home speaker systems. All speakers in the series come equipped with Cerwin-Vega!’s signature Vega-Bass Boost Switch, which engages an enhanced bass EQ circuit.

The efficient XD8s offers an extended bass response, high SPL and an optimally designed port for proper low frequency phase alignment and minimal port turbulence. ¬The XD8 ships with a Remote Control, which includes a subwoofer mute button and adjusts the overall system volume when using the accompanying XD Series speakers. .

About Cerwin-Vega!
Cerwin-Vega!, part of the Gibson Pro Audio division, is a leader in the design, manufacture, and distribution of loudspeakers for the home and professional audio markets. Designed in the pursuit of dynamic, accurate sound reproduction since 1954, Cerwin-Vega! products are distributed throughout the world via a network of distributors and dealers in more than 75 countries. For additional information on all Cerwin-Vega! products, please visit us online at www.cerwin-vega.com.

About Gibson Brands
Gibson Brands Inc. is known worldwide for producing classic models in every major style of fretted instrument, including acoustic and electric guitars, mandolins, and banjos. The Gibson Les Paul Guitar is the bestselling guitar of all time and is a tribute to the late, famed musician of the same name. Collectively, the Gibson Robot Guitar, Gibson Dark Fire, Gibson Dusk Tiger and the Gibson Firebird X represent the biggest advances in electric guitar design in more than 75 years. Through the Gibson Foundation, Gibson Guitar Corp. has become equally known for its philanthropic efforts on behalf of music, education, health, and human services. Founded in 1894 in Kalamazoo, MI, and headquartered in Nashville, TN, since 1984, Gibson Brands Inc’s family of brands includes Epiphone, Dobro, Kramer, Steinberger, Tobias, Echoplex, Electar, Flatiron, Slingerland, Valley Arts, Maestro, Oberheim, Baldwin, Sunshine Piano, Take Anywhere Technology, J&C Fischer, Chickering, Hamilton, Wurlitzer, Cakewalk and Gibson Pro Audio. Visit Gibson’s website at www.gibson.com. Follow Gibson Guitar at www.twitter.com/gibsonguitar and www.facebook.com/gibsonguitar.

Yamaha Renowned Digital Console Legacy Continues With QL Series

BUENA PARK, Calif.—The Yamaha CL Series of digital consoles raised the bar in live digital mixing to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Today, Yamaha Commercial Audio Systems, Inc. announces the worldwide launch of the QL Series inheriting CL features such as all-in-one mixing, processing, and routing capability for small to medium scale live tour sound, house of worship installations, corporate A/V, and speech applications.

As with the CL Series, the Yamaha QL Series includes circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With a solid, sonic foundation it is possible to take full advantage of built-in premium internal processors such as legendary Yamaha VCM technology and the Portico 5033/5043 created in cooperation with Rupert Neve Designs to shape and create as required. For a wide range of speech applications, built-in Dan Dugan Sound Design automatic mixing provides optimum channel balance while allowing the mix engineer to concentrate fully on the overall sound.

“When Yamaha learned about my process, they thought it would be good for us to get together, states Dan Dugan. We collaborated on making a plug-in card that would go into Yamaha mixing boards, and it has been very successful. Then we decided to go one step further and build Dugan automatic mixing right into the new Yamaha QL. I am very excited about giving more Yamaha customers the opportunity to use my auto mixing.”

Significant features include port to port routing via built-in R Series input/outputs that can patch any input port to any output port so the QL console can function as a remote I/O device for any other QL or CL, touch and turn knob operation, and direct file compatibility between the new QL and CL Series Digital Consoles (no need for Console File Converter to exchange files). Yamaha QL consoles feature large touch-panel displays that make up a remarkably smooth, efficient control interface. In addition to ample analog input and output capacity, the QL Series features the same onboard Dante audio networking protocol that provides broad connectivity in CL consoles.

“The new QL Series brings the powerful features and quality of the CL Series to smaller applications along with additional enhancements not typically found in digital mixers in this price range,” states Marc Lopez, marketing manager, Yamaha Commercial Audio Systems, Inc. “These new enhancements will enable the engineer to use a sophisticated system that improves the overall operating experience.”

Remote control via an iPad with Yamaha StageMix as well as online/offline QL Editor Software for MAC and PC computers adds even more refinement to an already state-of-the-art operating environment. Yamaha QL 1 and QL5 consoles feature 16/32 built-in Mic/Line Analog Inputs, 18/34 faders, 8/16 built-in Analog Outputs, 32/64 + 8 Stereo input mixing channels capability, and 16 Mix + 8 Matrix (or 24 mix total) + Stereo + Mono Outputs. The built-in Dante interface (Daisy-chain or Redundant modes) provides a 64×64 matrix for the QL5 and 32×32 for the QL1. All consoles feature two MY Card Slots, 8-space Premium Rack, 8-space GEQ Rack, 8-space Effects Rack, and one license of Dante Virtual Soundcard is included.

Yamaha QL consoles are compatible with Nuendo Live (sold separately) and feature Nuendo Live Control, MIDI/GPI Control Ports, and two-track direct to USB and multi-track recording playback capabilities. The QL1 is also rack mountable (RK1 rack mount kit sold separately).

The Yamaha QL Series will be available in early April 2014 at an MSRP of $8,499 for the QL1 and $16,499 for the QL5.

For more information on the Yamaha QL Series, visit www.yamahaca.com.
To witness the new QL in action, visit Yamaha Commercial Audio Systems, Inc. at NAB 2014 in Las Vegas at booth #C2143.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Yamaha CL V2.0 Available in May

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced Version 2.0 of the Yamaha CL Series of digital audio consoles being introduced today at PL+S in Frankfurt. This major update includes enhancements for sound reinforcement applications as well as mix-minus capabilities for the broadcast market, broadening the range of applications where CL Series performance can be advantageous. Another significant enhancement in V2.0 is discovery and head amp control for the compact QL Series consoles, also launched today, that inherits CL Series features and performance. A QL console can function as both monitor mixer and I/O rack, for example, while a front-of-house CL console can remotely control the head amp gain of the QL console’s I/O.

New features in CL V2.0 include DCA Roll-Out: Channels assigned to DCA groups can be instantly called up to the console faders for enhanced operational flexibility; output DCA enables the Stereo/Mono bus masters, Mix bus masters, and Matrix bus masters to be assigned to DCA groups. Mix Minus, an important feature in broadcast applications is now provided; with one simple operation the signal from a particular channel can be removed from a specified bus.

“CL V2.0 not only adds features that are also included in new the QL Series launched today, but provides additional support for our core sound reinforcement customers with features that were only previously available on PM digital mixers,” states Marc Lopez, marketing manager, Yamaha Commercial Audio Systems, Inc. “Future plans include built-in Dugan automatic mixing similar to the new QL Series and additional support for broadcast applications in the CL Series. We will continue to keep a close eye on the market in order to provide features and performance that will maximize our customers’ investment in CL.”

With Read Only Scene Memory, it is now possible to create read-only scene memories. A new Daisy Chain Insert feature allows two devices to be inserted into one channel or bus for enhanced processing freedom. A GR Meter (dynamics meter) Option within the Channel Name Display will show the Dynamics 1 and Dynamics 2 gain reduction meters in the channel name display.

The CL V2.0 update will be available for download from the Yamaha Commercial Audio Systems web site in May and is free of charge. For more information on the Yamaha V2.0, visit www.yamahaca.com or stop by Yamaha Commercial Audio Systems at NAB 2014 in Las Vegas, booth #C2143.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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New Software Release For SSL Sigma Featured At Prolight + Sound 2014

Update adds Open Sound Control (OSC) to enhance iPad/iPhone controllability

Solid State Logic, the world’s leading manufacturer of digitally controlled analogue devices, are pleased to announce the first major update for Sigma at Prolight + Sound 2014 (Hall 8, L80). The new software will be a free upgrade for Sigma, SSL’s unique Remote Controlled Analogue Summing unit, and enables all features of Sigma to be controlled from an iPad or iPhone via Open Sound Control (OSC). OSC is a protocol that allows fast, accurate and flexible communication amongst devices, making it an ideal addition to Sigma’s already extensive feature set.

“We’re providing two Touch OSC templates (courtesy of the Hexler TouchOSC app) that allow the user to take complete control of their Sigma conveniently via their iPad/iPhone,” says Andy Jackson, Product Manager. “The TouchOSC templates are highly responsive and make remote control of Sigma a slick and enjoyable interaction. You can control anything from the monitor control, to channel set up and even the analogue ‘fader’ gains of Sigma over OSC. This opens up some really interesting possibilities, not least, using Sigma as a standalone analogue mixer. As a company, SSL has always supported the potential of open control standards that allow interoperability across products, something which is the very essence of OSC. As such, we’re publishing our OSC message specification, so that users can customize and make their own templates if they wish”.

The Sigma update is due for release in early April 2014 and will be a free download via the SSL website.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Solid State Logic Announces V2 Software with Powerful New Features for SSL Live Console

New release adds more than 25 new features, including Offline Setup, new Effects, Powerful Output Matrix Processing and so much more

FRANKFURT, GERMANY – Solid State Logic, the world’s leading manufacturer of tools for creative audio professionals, is proud to announce the imminent release of new V2 software for the SSL Live console at Prolight + Sound 2014 (Hall 8, Stand L80). The SSL Live, the company’s first-ever dedicated live sound console, has been extremely well received by the live sound production community since its announcement at last year’s Frankfurt show. Positive response has continued to grow as users report that sonic quality is inspiring, the creative user experience is excellent and reliability and stability is well beyond expectation. The release of new V2 software for the console introduces a substantial collection of significant new features. The release, coming a mere six months after the first units rolled off the production line, demonstrates the rapid pace of ongoing development at SSL and proves the company’s well-founded reputation for listening to customer feedback and developing new and exciting functionality that moves beyond industry expectations.

Within the Version 2 software release there are more than 25 new feature additions to the SSL Live console, covering enhancements to the Output Matrix, Effects Rack, User Interface, Routing, Solo System and Focus Channel as well as the introduction of a comprehensive Offline Setup application. The new software, due for public release in April 2014, will become standard on all new consoles and is available for free to all existing owners.

New feature highlights:
PC Offline Software
The SSL Live PC Offline Software allows engineers to create, setup and edit all aspects of a Live Showfile from the comfort of their own laptop, making creation or editing of Show and Preset files simple and efficient. The user is presented with the same menus, screens and options as the full console software, creating a familiar user environment, enabling them to configure a Showfile from scratch or load one of the SSL Template files and edit it to their own requirements. All aspects of the Console Configuration can be edited, giving the user full control over the power of the Live’s Tempest processing engine. Full access to stage box setup and routing is provided. Along with naming, colouring and the unique Eyeconix channel identification tools. The layout of Fader Tile layers and banks can also be configured and accessed from the software. As well as control over mix bus routing, pre/post feed point sourcing and all other audio related channel parameters. In addition, the Automation system is fully accessible so that scenes, automation filters and input/output actions can be created, edited and updated. This also includes Group modes, scene re-numbering, etc. Once a Show file has been created or edited, it can be saved and exported to a USB key and then imported into the Live console ready for use.

Effects
The Version 2 release brings a selection of new effects that introduce additional sonic options and ways to maximise the processing power of the Tempest platform. New effects include four EQ types (the super flexible G-Flex EQ; which comes in 8, 16, 24 and 32 filter versions, a new, smooth Contour EQ, 1 and 2 band Dynamic EQ and a 4+2 Band Parametric), four new Delay effects (Tape Echo, Ping Pong, a new Short Delay and new Multi-Tap delays), ‘Guitar Cabinet’ and ‘Bass Cabinet’ emulations and five Reverbs (Ambient, Cathedral, Stadium, Recording Room and Tight ER). These new reverbs increase usability and make reverb set up much easier whilst retaining the supreme audio quality of the ER Verb from Version 1 Live software. A new Phase Scope Tool has also been added. With All-Pass Filters available on all processed paths, the addition of a Phase Scope to the Effects Rack allows the operator to use them more effectively and speed up their setup. Version 2 also includes a number of enhancements to the SSL Effects Rack itself, to streamline effect browsing, naming and routing.

Matrix Outputs
Matrix Outputs now have EQ, All-pass filters and delay processing available. All 36 Matrix Output paths now have available High and Low Pass Filters, a 4-band parametric equaliser, two seconds of delay and our unique All Pass Filters. This is in addition to the two inserts that can be used with both the internal Effects Rack and external processing. As with all the other path types within the Tempest engine, the processing order can also be changed by the operator to customise the signal flow for their requirements on a Matrix-by-Matrix basis.

New Control Surface Functions
A ‘Swap Button’ has been enabled on the console’s Fader Tiles and allows the user to assign any bank of a Fader Tile to the Swap button. Once assigned, the operator uses the Swap function like a ‘Home’ button, letting them jump back to their preferred Fader Bank at any time with one button press. As with the console’s Flip Function, Swap can be used independently per tile or globally if Swap is pressed and held down. With up to 75 banks of faders available, this function adds flexibility and speeds up access no matter how many banks the user has available. A new ‘Focus Channel Lock’ function allows the user to assign a path permanently to the Focus Fader and the Channel Control Tile. Perfect for that important channel that you always need to have control of.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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DiGiCo Announces 2014 Masters Series Tour Dates

Digital console maker publicizes first five locations of this year’s hands-on training sessions

ATLANTA, Georgia — Having been the digital mixing console choice for many of the world’s top tours and festivals, DiGiCo is certainly no stranger to life on the road. Now, however, the manufacturer is once again poised to take the spotlight on a trek of its very own — the DiGiCo Masters Series Training Tour.

Presented in conjunction with Group One Limited, DiGiCo’s US distributor, the single-day course is designed to provide attendees with plenty of hands-on console time — including multi-track playback to the desk and the ability to mix down to headphones — allowing them to put into practice what they’ve learned throughout the day.

“The idea behind these one-day trainings is to not only give those that attend a great introduction into the DiGiCo mixing environment but also make sure they understand the ins and outs of system configuration and operation,” says Ryan Shelton, sales and support specialist and instructor for Group One. “This is a great opportunity for those interested in what DiGiCo has to offer as a mixing platform as well as those who are familiar with DiGiCo but may simply want to brush up on what’s new.”

DiGiCo’s first two training tour dates of 2014 will take place in Atlanta on March 19 and 20, followed over the next couple of months with stops in St. Louis (April 22, 23), Chicago (April 29, 30), Phoenix (May 13, 14) and Denver (May 20, 21). Additional cities and dates will be announced soon.

Although there is no cost to attend the DiGiCo Masters Series training sessions, reservations are limited to ensure that all attendees are able to spend sufficient time on the desks. Complimentary lunch will also be provided. For more information and to reserve a seat for one of the upcoming dates, please visit DiGiCo’s Masters Series Facebook page at: www.facebook.com/digicomastersseries

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