Archive of the Live Sound Category

Nouvelle Star’s Amel Bent Takes SSL Live on the Road for 2014 Instinct Tour

“This is the console I have been waiting for; it gives me the utmost in flexibility, ergonomics, sound and options”

PARIS – Pop star Amel Bent first took France by storm as a semi-finalist on the pop idol television show Nouvelle Star in 2004. Ten years later, she’s still going strong. Currently in the midst of her Instinct Tour, Bent is performing to enthusiastic audiences across France and Switzerland, where a pair of SSL Live consoles, supplied by SGroup’s Alès location, are handling FOH and monitors.

Having previously worked with Christophe Willem, Zazie and 1789 Les amants de la bastille as PA tech, FOH engineer Thibault Maestracci joined Bent in November 2013 at the start of the tour. For this production, he takes approximately 50 channels from the stage and handles FOH mixing with a system that incorporates two Pro Tools® HD rigs.

“The first Pro Tools system is used as a ‘toolbox,’ mainly for effects for ‘stem group’ processing,” he explains. “The second system functions primarily as a backup during the show, but I can also use it as a multi-track recorder/player for rehearsals. The microphone preamplifiers are located on stage and are connected to the FOH console using SSL’s Blacklight II audio transport on two optical fibre connections. Alex [Maggi, the monitor engineer] and I have independent control over preamp gain for each desk.”

Maestracci is very happy with the results he gets with the SSL Live. “The sound quality is excellent and preamplifiers have the headroom to accept high input levels,” he adds. “I don’t need an external preamplifier with this desk — even for the lead vocal! The fader and encoder layout is great, and the way you can deploy the channels on different banks is very useful. You can put what you want where you want it. Once you understand the logic behind the desk, it is very easy to customize, and the ability to use both screens simultaneously is a powerful feature.”

According to Maestracci, the Instinct tour began indoors with a PA system that was configured for audiences between 500 and 1200. “For the summer, we’ve switched to an outdoor configuration with a local ‘festival-style’ PA,” he continues. “With this setup, the main output of the SSL Live is sent at 96 kHz via the AES output to two system processors, then distributed via Dante to the power amps.”

Meanwhile, Maggi, whose credits include Lara Fabian, Nolwenn Leroy and the production of Les Victoires de la Musique, mans his SSL Live from stage left, feeding monitor mixes to wireless IEM transmitters and wired IEM amplifiers. He met the Parisian pop sensation in 2004 while working on Nouvelle Star and soon after began touring as her monitor engineer.

“I’ve been waiting for a new generation of digital mixing consoles that could provide a higher number of output buses and increased reliability over the older digital desks I had been using,” he says. “The SSL Live gives me all of that, plus more. A big strength of the desk is that I can operate it in any number of methods. I can use the large touch screen or the small touch screen with its associated knob controllers, to access parameters for any input or output channel — whatever way is best for me. I find that I mainly use the small touch screen and the Channel Control Tile, which gives me rotary controls for the parameters and dedicated buttons to quickly access EQ, dynamics, panning and inserts. This is the console I have been waiting for. It gives me the utmost in flexibility, ergonomics, sound and options.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, New Products, News |

Slamhammer & Martin Audio Step Up At All-Star Game Concert

Minneapolis, MN––The Target All-Star Concert was held at the TCF Bank Stadium on the University of Minnesota campus a few days before the 2014 Major League Baseball All-Star game.

Slamhammer Productions provided audio, staging and video for the sold-out show that featured Grammy Award winner Imagine Dragons and local hip-hop phenomenon Atmosphere playing to an enthusiastic crowd of over 30,000.

To get the depth and impact of coverage required, Slamhammer set up a Martin Audio loudspeaker system consisting of 16 W8LCs a side for the main hangs; 10 (stage right) and 14 W8LCs a side as outfill; a hang of 2 W8LMDs as center downfill; 4 W8LMs across the front lip of the stage for additional front fill, and 40 WSX subs ground-stacked in front of the stage. Two delay towers with 12 W8LM speakers each were set up 175 feet back in the audience.

Even though Slamhammer had done three smaller shows at TCF Bank Stadium, there were still particular challenges given the size and high profile nature of the event.

According to company President Peter Skujins, “We were faced with long throws of over 400 feet and were limited in terms of rigging capacity. The mobile stage we were using is a beautiful structure with a huge total capacity, but you eat that up pretty quick with multiple hangs weighing over 6400 lbs on the roof. We were also concerned about having a major sightline problem with the delay towers because it was a seated house.

“Fortunately, these all turned out to be non-issues because the W8LM is a very compact box and the Martin Audio system did what it’s supposed to do. It sounded great and everyone was really happy with the coverage and audio quality, including our client Major League Baseball who called the concert ‘a huge success.’”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, Live Sound, News |

Dreamsound Is Poland’s First Post-Production Studio to Adopt Dolby Atmos Powered By HARMAN’s JBL and Crown

WARSAW, Poland — Since 2007 Warsaw-based Dreamsound (www.dreamsound.pl) has been one of Poland’s top film post-production studios, offering a complete range of services from recording sound on set through sound editing, mixing and audio mastering. Since its inception Dreamsound has been committed to offering its clients the very latest in film sound technologies, as evidenced by the fact that it’s the first post-production house in Poland licensed to produce film soundtracks using the leading-edge Dolby Atmos surround-sound system, heard at its full potential thanks to a system based around HARMAN’s JBL ScreenArray™ loudspeakers and Crown DSi and XLS DriveCore Series amplifiers.

Dolby Atmos is a next-generation surround-sound technology that employs overhead speakers as well as traditional surround speakers to create a remarkably realistic and immersive sonic environment. Dolby Atmos employs up to 64 speakers to heighten the enveloping sonic atmosphere and impact of movie theater sound. The Dolby Atmos JBL and Crown system is installed in a new 280 square foot, 15-seat screening room that opened in January 2014. Dreamsound co-owner Kacper Habisiak worked closely with JBL and Crown brand manager Wojtek Kopytek at HARMAN Professional distributor ESS Audio and with Dolby personnel in designing and installing the screening room.

The installation employs a total of 32 JBL loudspeakers including ScreenArray 3731-T 3-way tri-amplified loudspeakers and 4642 dual-18-inch subwoofers arranged behind the 20-foot wide projection screen in a left-center-right configuration. JBL SCS 12 and SCS 8 Spatially Cued Surround 12-inch and 8-inch coaxial loudspeakers are mounted on the ceiling, side and rear walls, augmented by two JBL 4181 18-inch subwoofers. The loudspeakers are driven by a complement of Crown DSi 1000 and XLS 2500, XLS 2000, XLS 1500 and XLS 1000 amplifiers.

“JBL speakers are the standard in Polish cinemas, and they match perfectly with Crown amplifiers, so it was a logical move for us to implement these components in our Dolby Atmos screening room,” said Habisiak. “Equally important, the performance of the speakers and amplifiers meets Dolby’s licensing requirements, which are extremely stringent regarding specifications including sound pressure levels, frequency response, coverage relative to room size and other parameters.”

JBL’s ScreenArray 3731-T loudspeakers are designed for critical sound reproduction requirements in small to medium cinemas and studio production and post-production applications. The 3731-T incorporates a host of design and engineering advancements including Optimized Aperture Waveguide and Focused Coverage Technology for ultra-low distortion and extremely uniform frequency response over a precisely controlled coverage area. Crown’s DSi amplifiers are specifically designed for cinema applications with features including onboard DSP, EQ, delay, output limiting and presets for JBL loudspeaker systems. XLS Series amplifiers combine performance and flexibility featuring both Crown’s proprietary DriveCore™ Technology and PureBand™ Crossover System allowing users to select crossover points from 50 Hz to 3kHz.

“The JBL and Crown system far exceeds our expectations,” Habisiak noted. “It’s one thing to meet the Dolby Atmos specs, which are admittedly quite demanding – but it’s another thing to actually experience what this system can do. The combination of the clarity, dynamic power and seamless integration of the speakers and amplifiers with the three-dimensional width, depth and height localization of the Dolby Atmos process is truly remarkable to hear.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, News, Sound for Picture |

Crutchfield Designs Loud and Bulletproof Sound System for Trinity Irish Pub With HARMAN’s JBL Professional Loudspeakers

CHARLOTTESVILLE, Virginia – As a popular dance club near the campus of the University of Virginia, Trinity Irish Pub garnered a great amount of attention when word spread of its upgraded sound reinforcement system, featuring HARMAN’s JBL loudspeakers and Crown amplifiers. Systems integrator Crutchfield Corporation of Charlottesville, Virginia designed and installed the unique system.

Two design goals were set for the new system at the Trinity Irish Pub: the loudspeakers needed to produce twice the amount of output power than the old system while attaining proper coverage in the room. In addition the entire system needed to be bulletproof and able to withstand any amount of power surges as well as physical abuse. Hence, the team decided on four JBL PRX412M portable loudspeakers and one PRX418S subwoofer, powered by one Crown XTi4002 and one XTi2002 amplifier, with additional management from a dbx DriveRack PA+ system.

“We wanted to tailor the sound to the room, and with the HARMAN gear working so well together, we were able to do just that,” said Brian Madison, Pro Audio Buyer of Crutchfield Corporation. “The HARMAN brands are certainly known as industry leaders, and everyone here at Crutchfield appreciates their products’ build quality and performance. Thanks to the output and integration of HARMAN gear, we were able to suspend the loudspeakers above the crowd to get enough power and headroom for many years.”

Dallas Simon, an AV Design Specialist for Crutchfield, was one of the engineers on-site who assessed the installation. The team was forced to adjust for an asymmetrical layout, so in order to eliminate dead spots on the dance floor, a conventional rectangular pattern in loudspeaker alignment could not be used. With proper tweeter alignment to the dance floor, Simon inverted the loudspeakers so the horns were on the bottom, which produced the perfect angle.

“The owner wanted the loudspeakers as high as possible and as close to the wall as possible, which limited the degree of tilt we could accomplish,” said Simon. “We still wanted to hang the system so that the loudspeakers fired inward at the dance floor, without pushing excessive volume at the bar, for obvious reasons. For such a unique installation, the PA sounds fantastic and the owner as well as the house engineer are very pleased with the results.”

Now that the mission is accomplished, The Trinity Irish Pub has become an even more popular destination for the college crowd, having to often turn people away at the door. Each night the PRX loudspeakers rock the entire venue, and the system will last for years to come.

For more information on the installation, please visit http://www.crutchfield.com/trinitypub

Crutchfield Corporation, which celebrates its 40th anniversary in 2014, is one of the nation’s leading catalog and Internet retailers of consumer electronics products. Crutchfield brings a legacy of remarkable customer service to the pro audio marketplace. Last year, Crutchfield.com earned its 14th straight “Circle of Excellence” Platinum Award for website performance and customer service from Bizrate Research, a division of Shopzilla. Of the more than 5,100 online retailers in the Bizrate network, Crutchfield stands alone as the only one to win the “Circle of Excellence” Platinum Award for 14 consecutive years.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, New Products, News |

LECTROSONICS HELPS BRING THE HILLBARN THEATRE’S PRODUCTION OF “THE COLOR PURPLE” TO LIFE

** Photo: Alan Chang **

San Francisco, CA – July, 2014… The Color Purple is an inspiring family saga that tells the unforgettable story of Celie, a downtrodden woman who –through love – finds the strength to triumph over adversity and find her unique voice in the world. The musical adaptation of Alice Walker’s award winning novel and landmark film by director Steven Spielberg comes to vivid life on the stage. Set to a moving score featuring jazz, ragtime, gospel, and blues, The Color Purple is a story of hope, a tribute to the healing power of love, and a celebration of life. Helping to ensure the very best possible audio delivery, the technical crew behind the scenes deployed a combination of wireless microphone, DSP, and audio networking technology from Rio Rancho, NM-based Lectrosonics. more

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, News |

Montreal Jazz Festival Front Loaded With Yamaha Consoles

Guy Vincent

BUENA PARK, Calif.—From June 26-July 5 at venues across Montreal, the annual Montreal Jazz Festival featured a boat load of musical guests from Earth, Wind & Fire, B.B. King, Tony Bennett, and Diana Krall, to Aretha Franklin, Diana Ross, Terence Blanchard, and Nikki Yanofsky to name a few.

Solotech of Montreal provided the majority of the audio production for the 30 stages and stacked them with Yamaha digital audio consoles. Yamaha Commercial Audio Systems pitched in for five of the stages: Scene TD, the main outdoor stage, was outfitted with two Yamaha CL5 digital consoles and three Rio-3224D input/output boxes. Two CL5s and two Rio-3224Ds were in position at Theatre Maisonneuve, Lounge Heineken used a QL5 and one Rio-3224D, and Club Soda and Savoy both had new Yamaha QL5 digital audio consoles. The Savoy also used a Rio-3224D.

Front of House engineer, Guy Vincent, has been mixing sound for over 30 years and says he has worked with a lot of digital boards but his favorite is the Yamaha CL5. “The feature I like the most Is the Premium Rack. It is amazing how warm the sound is by activating any of the plug-ins. I also like the custom faders.” Vincent used a CL5 at the Maisonneuve Theater during the Festival mixing Terence Blanchard and others. He is currently on tour with Florence K using a CL5.

Front of house engineer, Richie Forte, used his own personal Yamaha LS9-32 console at the Metropolis during the Festival for artist Nikki Yanofsky. “According to my dear friends at Yamaha, my LS9 was one of the very first in eastern Canada, a fact I’m very proud of,” states Forte. “I’ve taken this little workhouse and pushed it beyond its limits. With the use of a fiber optic snake capable of transporting 32X8 of the LS9′s 32X16 i/o, plus one channel of bi-directional high speed EtherSound transport built in, I am able to use the two MY card slots on the LS9 to connect to my two Yamaha SB168-ES stage boxes for a total on stage analog i/o of 64X24.”

Richie Forte

Forte said that his current console as well as the two Yamaha digital consoles he previously owned, have preformed flawlessly and reliably. “It’s this ease of use, size, weight, flexibility, and “bang for buck” price point that has kept me a loyal Yamaha user and owner since 1997.” He’s now in Europe and using a Yamaha CL5 and says he’s “truly blown away by the sound of the console” and equally happy that its flexibility and workflow has been greatly refined and fulfills everything on his wish list. “I’m looking forward to upgrading to a QL5, my fourth Yamaha console very soon!”

Stephane Grimm

Stephane Grimm, who mixed The Jordan Officer Trio and Betty Bonifassi Chants on a new Yamaha QL console at both Club Soda and Club Savoy, said he’s really into the new QL and has used a Yamaha CL a number of times. “I was really impressed by the QL, and having the touch screen makes it totally easy to use, Grimm says. The four user layers is a wonderful feature especially now that you are able to color identify the faders, making it impossible to miss the channel you’re looking for. I also like the fact that it is fully compatible with the CL series, without even having to convert the file. WOW!” Grimm also said the new plug-ins is a great feature. “The 2-band Dynamic EQ, works very well especially on vocals and other instruments that change tones.”

For more information on Yamaha digital consoles, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, Live Sound, New Products, News |

Amadeus, Solid State Logic & Sonic Emotion Collaborate on ‘Palais en Jazz’ Live Music Event

Amadeus, Solid State Logic and Sonic Emotion offer listeners a Hi-Fi sound experience live outside in an historic square featuring international jazz greats Kelvin JONES, Thomas DUTRONC and Michel LEGRAND —

Amadeus, Solid State Logic and Sonic Emotion collaborated on the 2014 'Palais en Jazz' event in France

Paris, France – July 28, 2014 – Amadeus, based in France, one of the premiere manufacturers of high-end sound reinforcement systems and custom studio speakers, collaborated with Solid State Logic consoles and Sonic Emotion, with their ’3D sound’ Wave 1 processor, on an amazing outdoor event June 28 and 29, ‘Palais en Jazz‘ located at the Imperial Palace Compiègne, a royal residence built for Louis XV and restored by Napoleon located in northern France.

The event featured AmadeusPMX, DIVA and MAESTRO speaker systems, delivering a Hi-Fi sound to the outdoor audience who enjoyed internationally renowned jazz artists Kelvin JONES, Thomas DUTRONC and Michel LEGRAND. This is the third year for the Palais en Jazz event and the sold out crowd enjoyed every minute of the music performances, responding with enthusiastic applause throughout the evening. The event was co-sponsored by Amadeus, Solid State Logic and Sonic Emotion and produced by ROCKSQUARE, a French production company.

Philippe GUERINET, Director of International Sales for SSL and CEO of SSL France, said about the event, “True to the high quality standard of the ‘Palais en Jazz’ event, the synergy between high-end digital equipment worked to the fullest extent possible, whether it was the digital SSL, Sonic Emotion’s Wave 1 processor or Amadeus’s DIVA sound reinforcement system. The whole system was easily and quickly set up by the technical staff, in spite of very challenging weather conditions.”

“With partners of such quality as Amadeus and Sonic Emotion, and the support of excellent technicians, we knew that a exceptional technical event was to come, on top of an exceptional musical event. The performances by the musicians on stage allowed us to appreciate the musical excellence of the digital chain set up for the occasion, as well as its reliability, in view of the exacting operating conditions imposed by the weather,” explains Philippe GUERINET.

Offering some background on the new SSL Live console, Philippe GUERINET adds, “From the onset, the SSL Live L500 console caused an exceptional stir, whether in France or abroad. As soon as the system became available, it was adopted by major tours: Peter GABRIEL, Carlos SANTANA, and in France by Christophe MAÉ, Amel BENT and Chinese Man. In parallel to these achievements on the touring side, prominent fixed installations such as the Théâtre National du Quartz and INA, have also adopted the SSL L500.”

Live L500 console Solid State Logic

“The ‘Sonic Wave I 3D‘ sound processor maximizes the listening experience of a live show by creating spatial sound reinforcement to entertain the entire audience, no matter where they are positioned,” explains Etienne CORTEEL, Chief Science Officer at Sonic Emotion Labs. “This unique experience of producing a pure high definition 3D sound experience complemented by Amadeus loudspeakers is a simplified adaptation for any live venue transitioning from a stereo format with the ability to precisely position and move sound sources allowing even further control over the audio environment.”

“Based on sound field control with its foundation of wave field synthesis, the 3D sound created from Sonic Emotion’s technology allows the professional venue and sound designer the ability to create a natural 3D sound field using a limited number of loudspeakers, or as many as 64, to provide listeners with an experience of a ‘sweet spot’ that expands across the entire room, no matter where listeners are positioned,” adds Etienne CORTEEL.

One of the finest specimens of France’s architectural heritage and the former residence of the kings of France, and emperors Napoleon and Napoleon III, the Imperial Palace Compiègne hosts the ‘Palais en Jazz’ festival every year, on the last week-end of June. Initiated in 2012 by Emmanuel STARCKY, director of the national museums and the estates of the Compiègne and Blérancourt castles, along with and producers Hugo BRUGIERE and Gaetan BYK, from ROCKSQUARE, Palais en Jazz was born of a common ambition to blend times and cultures and eliminate the boundaries between them.

“Our goal was to create a popular event that would bring alive modern music in a historical setting ordinarily very removed from the genre,” says Emmanuel STARCKY, Director of the National Museums and the estates of the Compiègne and Blérancourt castles. Following in the footsteps of Manu KATCHÉ, China MOSES, Kyle EASTWOOD, Dee Dee BRIDGEWATER, Dominique FILLON and Peter CINCOTTTI, who performed in past year’s events, this year Palais en Jazz presented French singer and musician Thomas DUTRONC, and Michel LEGRAND, a pianist, singer, author, producer and famed composer of hundreds of film scores, songs, operas and cult jazz albums.

Michel Legrand on stage at 'Palais en Jazz'

“The success of Palais en Jazz rests, among other things, on the quality of the team of partners behind it and the support they provide. In addition to the festival’s established associates, public and private, several equipment manufacturers stepped in and acquired prominent roles in the event’s production,” explains Hugo BRUGIERE, co-producer of the festival. “The quality of the solutions and technologies implemented by Amadeus, Solid State Logic and Sonic Emotion, some of which were specially developed for the occasion, makes this great human, entrepreneurial and artistic adventure also a technological one!” adds Hugo BRUGIERE.

Describing his initial experience at the Palais en Jazz event, FOH engineer Emmanuel FEYRABEND (who has mixed Brad SCOTT, Veronique SANSON, Claude NOUGARO, Mylene FARMER, Johnny HALLYDAY, Florent PAGNY… and many others) recalls, “When I arrived on site, I was introduced to the WFS process by Arnault DAMIEN from Euphonia. He had been charged by the festival to implement this arrangement, in connection with the standard Amadeus-built system, designed by Michel DELUC. There was little time to do the Michel LEGRAND Trio sound-check. It was pouring rain, and the ‘horizontal’ system was shielded from the rain. Given the time constraints, I opted for safety and focused on the vertical DIVA XL system.”

“After the sound check, with engineers Arnault DAMIEN and Lucas HOURDIN from Juke Box Limited, we decided to feed the WFS system with post-fader stems from all instruments and voices. Arnault was able to deliver to each and every listener an identical spatial imaging of the show! It was just staggering. The FOH system simply disappeared in terms of where the sound sources originated. Of course, the very subtle characteristics and the natural color of the Amadeus system were essential that night in achieving this compelling sonic image. The combination of Amadeus, WFS and SSL Live was fantastic. My only desire would be to work with the same arrangement again, as soon as possible,” said Emmanuel FEYRABEND, obviously having enjoyed the working with the sound system. “It’s an experience that’s halfway between the power of a sound reinforcement system and the subtlety of the best Hi-Fi loudspeakers. Strange, and incredibly good at the same time.”

Emmanuel FEYRABEND is currently in residence as an engineer at Paris’ Studios de la Chine, which features acoustic design and custom mains speakers by Amadeus, and he equates his experiences both in the studio and live in a similar fashion which is quite unique in the sound reinforcement industry, “Color, perfect stereo imaging and low-end detail spring to mind when I’m lucky enough to work with Amadeus systems. The Studio de la Chine is an outstanding achievement in terms of acoustics. The marriage between Amadeus and acoustics, devised by Michel DELUC, is a noteworthy accomplishment.”

For more information on Amadeus please visit www.amadeusaudio.fr and Solid State Logic at www2.solidstatelogic.com and Sonic Emotion at www2.sonicemotion.com

About Amadeus
Amadeus develops, manufactures and sells a wide range of high-end sound reinforcement loudspeakers, studio monitors and various signal processing interfaces that combine its own custom innovative technology with stylish design, for the professional audio industry. Created in 1992 from the collaboration between the French designer Bernard BYK and the scientist and musician Michel DELUC, the Amadeus brand has grown to become a leading supplier of high-end audio solutions and services for theaters, opera houses, museums, recording studios, research centers and touring concert sound rental operations. All development and product manufacturing is centralized in Amadeus headquarters in France, with field offices and authorized distributors located in Europe, Asia and UAE.

Contact Amadeus at info@amadeusaudio.fr or visit http://www.amadeusaudio.fr

Amadeus is a registered trademark. All rights reserved. All other registered trademarks are property of their respective owners.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, Live Sound, News |

DANLEY EXPANDS LINE OF OS “OUTDOOR SERIES” FULLY-WEATHERIZED LOUDSPEAKERS

GAINESVILLE, GEORGIA: Danley Sound Labs, maker of innovative loudspeakers and subwoofers, announces the expansion of its OS “Outdoor Series” of fully-weatherized loudspeakers, including a new fully-weatherized subwoofer. Although all Danley products are optionally available with level-2 weatherization, which includes fiberglass seams, stainless steel hardware, and protective coatings over all wooden components, the fact remains that those wooden components will have a shorter life span in the elements than they would have had in an indoor installation. In contrast, Danley OS products are constructed of molded plastic with a custom injection molded shell rated to last fifty-years. The cabinet is sealed so the inner components are also protected from harsh outdoor elements. The materials are sourced from within a half-hour of Danley’s Gainesville, Georgia headquarters – a boon for large orders and/or short lead times.

“Like all of our Synergy Horn loudspeakers, the Danley OS-80 sounds fantastic,” said Mike Hedden, president of Danley Sound Labs. “Fidelity is excellent and distortion is remarkably low at all SPLs, and the OS-80 has the same highly-articulated coverage pattern and arrayability for which Danley is known. What sets the OS-80 apart is that its construction and materials make it impervious to the weather, for years and decades to come. Our local sources and molding machinery make it easy for us to turn over large Outdoor Series orders on short notice. Moreover, the molding process itself is very efficient, which allows us to sell the OS products at fiercely competitive prices.”

Soon, the OS-80′s versatile 80-degree conical coverage pattern will be joined by other OS models with a diversity of coverage patterns that will give designers greater flexibility to meet the needs of a range of outdoor situations. These will include the OS-90 and OS-100. In addition, the new Danley OS-115LF subwoofer will extend the bottom end of the OS line and the OS Nano will be the power of Danley in the palm of your hand.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, New Products, News |

HARMAN’s AKG WMS4500 Wireless Microphone System Delivers True Sounds to Danny Janklow’s Sound Barrier

LOS ANGELES, California – Dubbed the “Charlie Parker of the 21st Century” by Terell Stafford, Danny Janklow recently completed a multi-faceted project that represents the modernization of tap dancing and jazz music. While using HARMAN’s AKG WMS4500 wireless microphone system, he created Danny Janklow’s Sound Barrier to celebrate America’s musical roots while moving forward with an innovative sound, breaking genre boundaries with soulful and vibrant music.

Having used AKG equipment for his performances in the past, Janklow relied on the AKG WMS4500 wireless microphone system and the SR4500 stationary receiver to project clear and audible sounds from his saxophone. For this particular project, he performed at Herb Alpert’s Vibrato Jazz Grill, the premier jazz space in Los Angeles.

“The sound of AKG’s microphone system cuts through the entire venue, and everybody heard it clearly,” said Janklow. “Even during my past performance at the outdoor stage of the LACMA Museum, the sound was able to cut through an auditorium of 10,000 people. However, for this musical story to be told, we needed both the tap dancers and great music. Thanks to my AKG system, I was able to deliver the right sounds to accompany the dancers.”

The AKG WMS4500 system is known for its flexibility and liberates artists from burdening handheld microphones. For Janklow, this is an integral part of his show, as he needed the freedom to interact with onstage tap dancers, and with the audience.

“I played all sorts of music since the age of 11, including jazz, classical and R&B, and I have never had a microphone system that was so convenient. It was truly life-changing,” said Janklow. “Also, the clarity that I hear during shows and recordings is incomparable. It has a clear definition of the timbres, it cuts very nicely and best of all, it blends well with other musicians onstage.”

For more information on Danny Janklow, please visit www.dannyjanklow.com

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, New Products, News |

Thunder Audio Rolls and Roars with L-ACOUSTICS

Thunder Audio's Tony Villarreal (left) and Paul Owen with a few of their new L-ACOUSTICS K1 enclosures

Detroit/Nashville sound company purchases K1 system after taking K2 on Vampire Weekend tour

LIVONIA, Michigan — After putting a new K2 loudspeaker system through its paces – including a recent trek on Vampire Weekend’s North American tour leg – Thunder Audio, Inc. has expanded its inventory with a large-format K1 system from L-ACOUSTICS.

According to Thunder Audio Business Development Manager Greg Snyder, the company is currently taking delivery of 48 K1 enclosures, as well as bringing the rest of its total L-ACOUSTICS inventory up to 36 K2 and 24 KARA elements, 18 K1-SB and 34 SB28 subs, six ARCS II and 22 LA-RAK, each loaded with three LA8 amplified controllers. An additional 48 K2 are also on order for the first quarter of 2015.

“K1 has become the industry’s first choice for live audio reinforcement systems, but K2 is the reason we finally became a member of the L-ACOUSTICS family,” says Snyder. “It’s a stellar system for arena tours, like Vampire Weekend, as well as the perfect support box for K1 on larger stadium and festival shows. We are thrilled with the linearity in performance across L-ACOUSTICS’ entire product range and excited about the solutions that these systems will provide for our clients.”

Vampire Weekend performing on Thunder Audio's K2 system in Chicago

Client response has, indeed, been very favorable. Neil Heal, Vampire Weekend’s FOH engineer since late-2007, commented on his use of Thunder Audio’s K2 rig. “The typical configuration on our most recent American tour leg was left and right arrays of 14 K2, plus eight KARA outfills and four SB28 per side, all of which sounded fantastic. It seemed odd to be using so few subs, but more than that would have been overkill with K2, which is such a full range enclosure with a really nice usable low end. Vampire Weekend’s mix is all about vocal and instrumental clarity, and I could literally run the rig without subs in most arenas, but having just a few of them more than adequately filled out the low end.”

“We used K2 both indoors and outdoors, with arrays ranging between eight and 14 boxes per side, and I’m very impressed with the sonic consistency we got from night to night,” he continues. “K2′s ‘steerability’ with Panflex is also really nice in the event that Jonny [Winkler, Thunder Audio FOH systems engineer] had to hang the arrays near a glass wall or whatever; we could aim the top end away from it, which is great.”

Thunder Audio’s Winkler appreciates not only the fidelity of K2, but also the ease with which the system flies and strikes. “We flew the rig so fast each day that the lighting guys and carpenters were angry with me,” he laughs. “It takes longer to get the pins pre-set than it does to fly it, and that doesn’t even take that long. We have several other manufacturer’s boxes in our inventory here at Thunder Audio, and this is by far the fastest and easiest. I’ve flown an entire K2 rig totally by myself in less than four hours.”

Vampire Weekend heard via L-ACOUSTICS K2 at Chicago's UIC Pavilion

As for Heal, his only regret is that he didn’t have the system earlier. “The band was out on the road for 17 months and carried another PA for most of the tour because K2 simply didn’t exist when we started,” he says. “But I really prefer K2. It’s awesome. I’d love to have it every night, without a doubt. But it’ll be available on the next tour, and I’ll certainly take it out again. Plus, our festival stops this summer are on K1 mains with K2 outfills, which is just perfect.”

Thunder Audio Vice President Paul Owen sums up his investments by adding, “This was a huge undertaking by Tony [Villarreal, President] and I, and we had to take a lot into consideration before moving forward with K1 and K2: popularity, demand and, of course, availability. K1 is the first choice on the majority of riders that we handle and the predominant system when it comes to festivals. There’s no denying its sheer power and quality. We feel that K1 and K2 are our best venture to date for attracting new customers and facilitating old ones, and we’re very excited for what these systems can do for our clients and company’s future.”

For more info on Thunder Audio, visit www.thunderaudioinc.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for North America is handled by L-ACOUSTICS’ subsidiary in Oxnard, California.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, Live Sound, News |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. For more information on this virtual press conference, please contact MixEditorial.

Calendar

July 2014
M T W T F S S
« Jun    
 123456
78910111213
14151617181920
21222324252627
28293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication

Fairlight Xynergi Media Production Centre


Mix Briefing Room, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the Briefing Room for the latest press postings.