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Italian Superstar Pino Daniele Chooses DPA Microphones

Pino Daniele tour

Pino Daniele, one of Italy’s best known singer/songwriters and a man whose career spans both genres and decades, has recently started using a range of DPA microphones, including the company’s ground-breaking d:facto™ Vocal Microphone.

Fabrizio Facioni, Daniele’s sound engineer, jumped at the chance of using d:facto when the opportunity presented itself.

“I like its sound. It’s so ‘present’ and natural,” he says. “This microphone reproduces exactly what it is given in terms of the vocal, and that greatly simplifies my job.”

The d:facto Vocal Microphone joined a range of DPA mics that were used over the summer for the NERO A META’ tour, which reunited Daniele with band members from the 1980s alongside special guests. For his forthcoming theatre tour, the line-up is more intimate and includes Pino Daniele on vocals and acoustic guitar, a second acoustic guitar, an upright bass, piano and drums played by internationally acclaimed producer and arranger Alfredo Golino, who regularly works with artists such as Laura Pausini.

Facioni says: “The decision to use DPA microphones initially came about when I needed a microphone for Pino’s acoustic guitar. I spoke to Agora, our PA rental company, and they recommended DPA’s d:vote™ 4099 Instrument Microphones. After trying one, I knew it was perfect for the task. Both Pino and I were so impressed that we decided to use d:vote 4099s on his guitar and on the second acoustic guitar.”

Facioni adds that the improvement in sound made him question the microphones he was using on the other instruments in Daniele’s intimate line-up. It was at this point that Alfredo Golino suggested he got in touch with Salvatore Zocco from DPA’s Italian distributor M. Casale Bauer for more advice on the DPA range.

Salvatore Zocco says: “Alfredo is a great ambassador for DPA and has used the company’s microphones for a long time, so it was perfectly natural for him to put Fabrizio in touch with me. I was able to recommend the most appropriate microphones for Fabrizio’s requirements.”

The final choice came down to d:vote 4099 Instrument Microphones for the high hat, snare (top and bottom) and toms. DPA d:dicate™ ST4011C and ST4015C Recording Microphones were respectively chosen to handle overheads and percussion. The acoustic guitars and upright bass are also miked with d:vote 4099s, while Pino Daniele has two d:facto Vocal Microphones – one for when he’s standing and the other for when he performs with his acoustic guitar.

“I have been very satisfied with the results these microphones have delivered,” Facioni adds. These were exactly the mics I needed to give me a natural sound. I am a studio engineer as well, so I already knew DPA mics for piano and orchestra and I like them a lot. But this is the first time I have tried them for percussion and bass and I am definitely impressed.”

And perhaps more importantly, Pino Daniele himself has also been impressed with the performance of the d:facto Vocal Microphone which he used consistently during his summer tour of Italy’s sports arenas.

“We are now planning more dates in smaller theatre venues during November and December and the d:facto will once again be part of our microphone set up,” adds. “It has worked for Pino and he really like it. He says he now recognises his own voice!”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Masque Sound Custom Audio Equipment Package Helps Audiences Discover Charming New Musical, FOUND

NEW YORK, NY, OCTOBER 30, 2014 – When the ambitious and original new musical FOUND opened at the Atlantic Theater Company’s Linda Gross Theater on October 14, Sound Designer Ken Travis enlisted the services of Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a custom audio equipment package to help audiences discover this Off-Broadway gem. FOUND at Atlantic Theater Company. Photos by Kevin Thomas Garcia. Photo 1

FOUND isn’t just based on a true story; it’s based on hundreds of them. FOUND is an original musical featuring scores of surprising and eccentric discarded notes and letters that have been “found” in the real world by every-day people. Inspired by actual events, the show follows Davy who, along with his two best friends, is lost and broke. When he finds a strangely revealing note on his windshield meant for someone else, it sparks an outlandish idea that finds him and his companions on a wild, comedic journey. By bringing a host of real notes and letters from Davy Rothbart’s popular FOUND Magazine to irreverent theatrical life, this insightful new musical tells a story of ambition, betrayal and loyalty while celebrating the weirdness in us all.

Travis’ biggest challenge in designing the sound was adhering to the very quick amplification changes in the theater, which was previously an old church. “Because of its architectural design, you can’t really hit the walls and you can’t activate the room,” says Travis. “We needed to be able to go from really loud to super intimate within a second and allow the audience’s ears to settle into that adjustment. It took a little while to figure out how we would accomplish that without losing any energy and without having the audience members miss a single word.”
FOUND at Atlantic Theater Company. Photos by Kevin Thomas Garcia. Photo 2
For Travis, equipment selection proved essential to the show’s success. He found what he was looking for with a speaker system featuring d&b audiotechnik products. The sound system features a Q-Series rig, along with E3 loudspeakers for delays and B2 subwoofers. “In a matter of one minute, the actors can go through 10 songs, and, stylistically, each song is 100 percent different,” adds Travis. “It can range from something that pays homage to Queen and Bruce Springsteen, to 80s metal bands and country music. Dynamically, the shifts are huge, and the d&b system allowed us to really bring out the style of the various music genres in a rapid succession.”

Additionally, Travis wanted to ensure that no microphones were visible on the cast during the production, so he relied on Sennheiser MKE1 Professional Lavalier Microphones, along with one of Masque Sound’s pre-built Sennheiser 2000 Series wireless transmitter kits. Designed for quick and easy dispatch, Masque Sound’s pre-built kits provide 24 wireless channels and are targeted for the Off Broadway and regional markets. The orchestra was mic’ed with DPA 4011 Cardioid Microphones, DPA 4099 Instrument Microphones, Schoeps MK4 Cardioid Capsules and Beyerdynamic M 160 Hypercardioid Ribbon Microphones. Masque Sound also provided an Avid VENUE SC48 digital console.

Since the orchestra is present on stage, with musicians spread between a few small pods, Travis wanted the sound design to creatively capture and evoke a natural and intimate sound. To accomplish this, he utilized a Meyer Sound LCS LX-300 delay matrix. “We wanted the orchestra to be able to go from a chamber sounding musical, involving violin, cello, guitar, bass, drums and piano, to a heavy rock sound,” he says. “We used the delay matrix to time every single instrument on stage so that when we were amplifying it, it really sounded like it was coming from the specific instrument. We also divided the stage into zones, which ensures that the engineer has a lot of cues for the actors.”
FOUND at Atlantic Theater Company. Photos by Kevin Thomas Garcia. Photo 3
Furthermore, with regards to timing, this production requires that the audio is perfectly synched up to the show’s video images. Travis relied on MIDI to achieve this, using one big MIDI loop to ensure that the design teams could send information back and forth. This was an easy way to simplify a very technically challenging show on an Off-Broadway budget.

“This was a great team effort,” concludes Travis. “My associate, Justin Stasiw, A1 Jillian Walker and A2 Laura Brauner all did a wonderful job, and it was terrific that the whole design team was able to come together for this fun and original production. Masque Sound was once again great to work with and very accommodating in providing me with the equipment I wanted to use.”

FOUND began previews on September 18 and is slated to run through November 9 at The Atlantic Theater Company’s Linda Gross Theater, located at 336 West 20th Street in Manhattan. To learn more about FOUND, visit atlantictheater.org.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Harbinger Introduces New LvL Series Mixers

Compact, Cost-Effective, and Packed with Features

 Westlake Village, CA – October, 2014… Harbinger, a provider of powerful, affordable sound reinforcement solutions, introduces the new LvL Series of compact mixers. Available in multiple channel configurations, LvL Series mixers offer great sound and exceptional performance at an affordable price.

As with all Harbinger gear, LvL Series mixers are designed with quality and attention to detail. Offered in 12, 8, and 5-channel configurations, LvL Series mixers are loaded with features that will upgrade your sound and streamline your workflow.

Every LvL model is equipped with professional grade, studio quality preamps for ultra-clean, crystal clear sound and performance with headroom to spare. Standard features include integrated LvL Series EQ, Input/Peak indicator LEDs on every channel, and a 5-segment LED main mix meter. All models feature switchable phantom power for condenser mics, convenient headphone outputs, and RCA inputs for easy connection to computers or external recorders, as well as a robust AC power supply. Plus, all mixers are housed in a rugged, all-metal chassis.

LvL Series mixers are ideal for compact and portable applications, including rehearsals and small to mid-sized combos. Small broadcasters and podcasters will find the LvL Series a great fit for voiceovers, interviews, and webcasts. And LvL Series mixers are a great addition to the small songwriter’s setup or DAW-based project studio.

 LvL Series mixers include the 12-Channel L1202FX, 8-Channel L802, and 5-Channel L502 models. The most compact of the series, the L502, features five inputs including XLR imic preamp and dual 1/4-inch stereo inputs, along with 2-band LvL Series EQ and assignable Tape In routing. The mid-sized L802 offers dual XLR mic preamps and two dual 1/4-inch stereo inputs with +4/-10dB sensitivity selection, 3-Band LvL Series EQ, as well as unexpected features like assignable Tape In routing, separate Main and Control Room outputs, and a dedicated Aux Send/Return. The flagship L1202FX model packs even more features into its compact footprint, including four XLR mic preamps with 1/4-inch TRS balanced/unbalanced line inputs, four more 1/4-inch balanced/unbalanced stereo inputs with +4/-10dB sensitivity selection, four channels of 3-Band LvL Series EQ, 75Hz high-pass filters on each mic input, dedicated Aux Send/Return, on-board digital FX including tap tempo delay, and a full-sized master fader.

“Harbinger has long been a leader in live sound, with a complete line of powered mixers, portable PA systems, and powered monitors with integrated mixers,” stated Harbinger Product Merchandising Manager Greg Riggs. “The new LvL Series mixers continue the Harbinger legacy and once again offer a high-quality, affordable alternative in today’s competitive market.”

Harbinger LvL Micro Mixers are available now at Guitar Center stores, guitarcenter.com, and Musician’s Friend. Street pricing on the L502 is $44.99; the L802 sells for $64.99, and the L1202FX streets for just $109.99.

For more information, visit the all-new Harbinger website at www.harbingerproaudio.com.

 

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ABOUT HARBINGER PRO AUDIO - Harbinger Professional Audio brings together advanced engineering and manufacturing technology to deliver high quality sound reinforcement components that offer performance, power, and reliability in an affordable package. Harbinger products are built with rugged, professional components and construction for dependable, rock solid performance.  

For more information on the complete range of Harbinger Pro Audio products, contact Harbinger, P.O. Box 5111, Thousand Oaks, CA 91359.  

Website: www.harbingerproaudio.com

 

 

 

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Meyer Sound SB-3F Holds Key to Long-Distance Audio Clarity at Nebraska Memorial Stadium

nebraskaTo project utmost audio clarity to the furthest of its 87,000 fans, Memorial Stadium at the University of Nebraska-Lincoln has installed 16 SB-3F sound field synthesis loudspeakers, the Meyer Sound technology for projecting mid-high frequency energy over distances of up to 1 km.

The system was designed by Mark Graham of the consulting firm Wrightson, Johnson, Haddon, & Williams. “Having the SB-3Fs greatly boosts voice intelligibility in the far seats,” reports Graham. “During the first game, when the team made a big play, I could still hear the announcements over the noise of a sell-out crowd. The boost in top-end clarity maintains good intelligibility without having to push the overall system level until it’s too loud, which usually generates complaints.”

Sixteen SB-3F loudspeakers project audio to the far opposite end of the stadium over 244 m away, while 32 MILO® line array loudspeakers provide full-range coverage of the bowl and upper decks, with six MSL-4 loudspeakers covering the seating expanse under the scoreboard. A Galileo® loudspeaker management system with two Galileo 616 processors provides system drive and alignment. All Meyer Sound components were supplied by BNY Productions of Sioux City, Iowa, with installation by Lincoln-based Electronic Contracting Company.

“At the far end, the old system was rolling off pretty steeply—well below four kHz and probably closer to two kHz,” says Graham. “Now, with the SB-3Fs, the new system is holding to five or six kHz, with some seats showing response well above that.”

Graham also notes how the new Meyer Sound system has helped overcome the stadium’s acoustical irregularities. “The band sits by the field on the lower east side, and the sound drops off steeply behind them, in the upper east deck,” he explains. “We have a five-cabinet MILO array and two SB-3Fs aimed up there, and by routing a couple shotgun mics for the band into just those speakers, it really enhances the fan experience. The STI-PA readings are just amazing for a distance of 600 feet.”

The University of Nebraska Memorial Stadium boasts an ongoing NCAA record of over 330 consecutive sellout games, stretching back to 1962.

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HARMAN Soundcraft Vi3000 and JBL VERTEC® Line Arrays and Console Chosen for Prestigious Norwegian Academy of Music

HARMAN_NorwegianAcademyOSLO, Norway — Norwegian distributor, LydRommet, has had a busy summer, designing and setting up an extensively upgraded light, audio and AV system at The Norwegian Academy of Music in Oslo.

The Norwegian Academy of Music is one of Europe’s leading artistic and academic institutions. As well as a highly competent staff of 180 to cater for more than 600 students, the buildings and facilities provide among the best and most contemporary music education environments in Europe. The academy has custom designed rooms, excellent recording studios and concert halls, which facilitate over 300 concerts a year.

According to project engineer Stig Gunnar Ringen, high-quality, user-driven solutions for teaching and concerts were central goals for this project. “The installation has made the concert halls much more flexible and suited for the broad diversity of musical expressions we accommodate, without coming at the expense of the unique acoustics of the halls,” he said.

In Lindemannsalen, the main hall, eight JBL VERTEC® VT4886 subcompact line array loudspeakers and two VT4883 subwoofers are fitted on each side of the stage, as well as four VT4886 loudspeakers comprising a center cluster. A pair of JBL VTX F12 loudspeakers, along with four F18S subwoofers are used at the floor level, as well as monitors and multi-purpose loudspeakers from the JBL VP series.

Both of the concert halls have been equipped with the new Soundcraft Vi3000 console, each connected to a Soundcraft Vi stagebox, located in a central machine room.

The Vi3000 utilizes the new internal DSP SpiderCore based on the Studer Vista 1 engine, with Soundcraft’s Vi Version 4.8 operating software, adding a fourth 24-channel fader layer to improve access to the console’s 96 input channels. The surface operation and layout is similar to other Vi Series consoles, providing a familiar feel while offering expanded functionality. The Vi3000 features upgraded microphone preamps and 40-bit Floating Point DSP processing for superlative sound quality.

The system is powered by nine Crown I-Tech amplifiers, and monitored and processed by JBL HiQnet Performance Manager™ software.

LydRommet, founded in 1978, is one of Scandinavia’s leading distributors of professional audio products and systems. In the pro audio industry in Scandinavia LydRommet is known for their dedication to quality sound, high competence and level of service.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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HARMAN’s JBL Professional Unveils 5628 Cinema Subwoofer

JBL_5628 copyHOLLYWOOD, Florida — HARMAN’s JBL Professional is introducing the new 5628 dual 18-inch cinema subwoofer. The 5628 offers increased SPL and extended frequency response, delivering world-class audio quality to large-format auditoriums.

The high-power and lightweight 5628 is a front-loaded, vented subwoofer enclosure that houses two of JBL’s exclusive 2269H Ultra Long Excursion 18-inch Differential Drive® woofers. This woofer features neodymium magnet, dual voice coils and dual gaps, JBL’s exclusive Vented Gap Cooling™ and ultra-robust composite cone for high excursion and extra long life. The woofer is capable of a peak-to-peak maximum excursion of 89 mm (3.5 inches).

The 5628 offers 4,000 watts continuous pink noise and 16,000 watts peak power handling capacity. It features a large vent area for high output with low distortion, making it ideal for a variety of cinema applications as well as club environments.

“We have seen a demand for a high-output subwoofer with extended frequency response in large-format cinema environments,” said Charles Goodsell, Senior Manager, Cinema, JBL Professional. “The new 5628 meets these demands and more, providing an ideal solution that is easy to install while featuring JBL’s world-class performance.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Katowice’s Palace of Youth Finds New Life with HARMAN’s AKG Microphones, JBL Loudspeakers and Soundcraft Consoles

HARMAN_KatowiceKATOWICE, Poland – Described as a “Palace of Youth” when it was originally built in 1951, Katowice Palac Mlodziezky was set up to create favorable conditions for youth culture and sporting activities in Poland. A public institution (listed on the Register of Historical Monuments), and administered by the Silesian school board at Katowice, it has recently invested in a new HARMAN Professional sound system, masterminded by territorial distributor ESS Audio after the previous system reached end of life.

ESS Audio mounted its successful bid as part of a consortium, along with Przedsiębiorstwo Specjalistyczne Teatr, who was responsible for the stage lighting and mechanical installation. The audio element of the project was realized by independent consultants/integrators, Telos Wojciech Zieliński.

The new audio concept for the 450-seat multipurpose auditorium was designed to create greater flexibility, allowing it to present concerts, theatres and films. In order to achieve this, premium components from the HARMAN Professional catalogue were specified.

While the main sound system is based around a JBL VERTEC® system, the optional cinema surround system can be switched in as required and the loudspeakers behind the screen are mounted on trolleys.

Hangs of eight JBL VERTEC VT4887ADP elements per side form the main PA, underpinned by three VT4881ADP subwoofers on each side. This is bolstered by three further VERTEC VT4887 loudspeakers as front fills, while for stage monitoring ESS Audio specified eight VP7212MDP enclosures. The entire front of house system is controlled and optimized via dbx DriveRack 4820 processors.

In order to carry out mixing duties at front of house, ESS Audio specified a Soundcraft Vi4 console, with a Soundcraft Vi1 in monitor world—the engineers in both locations are provided with JBL LSR2328P for their own reference monitoring.

When the operating mode switches to cinema, the appropriate presets kick in and the mobile system, comprising three elements of JBL ScreenArray 4732, boosted by a pair of JBL4642C subs, takes over. Creating the surround sound are JBL’s 8340A, powered by Crown DSi amps.

ESS Audio has also upgraded the venue’s microphones, with an AKG DMS700 digital wireless system at the heart. ESS also supplied AKG C451B and C414B XLII, as well as AKG K271 headphones.

Stated ESS Audio’s Marek Korbecki, “This new installation provides the client with a lot of new possibilities—especially in terms of the concerts they can now present and movie presentations. A comment heard by one of the sound techs was that ‘at last we finally have the sound that we have been dreaming of.’”

The overall renovation project was prepared by the Biuro Architekt Kaczmarczyk architectural studio from Sucha Beskidzka, Poland, and the entire project cost PLN 42,2 million (€10 million).

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Edmonton Church Upgrades West Campus Sound System

Beulah Pastors Abbott and Jones

BUENA PARK, Calif.—Founded in 1887 by Albert Benjamin Simpson, a Canadian preacher, theologian, and author as part of the Christian and Missionary Alliance (C&MA), the Beulah Alliance Church recently upgraded its West Campus sanctuary sound system. The contemporary worship facility seats 1,440.

Alliance Design of Edmonton was responsible for the selection and installation of the sound system; the previous system was originally designed in 1990. The new system includes a Yamaha CL5 Digital Audio Console at front of house and a Yamaha CL3 used for broadcast recording, along with one RIO 3224-D input/output box, and three Rio 1608-D input/output boxes, complimenting the existing NEXO GEO S8 speaker system.

“The Yamaha CL consoles were chosen for ease of operation, small footprint, Yamaha legendary sonic clarity, and the built-in Dante networking software which is amazing, nailed our decision, states Dwayne Plishka, System Consultant, Alliance Design. The consoles have been received with hi-fives from the staff.”

Plishka said Beulah Alliance previously owned a Yamaha M7CL so it was a natural progression to move to the CL consoles. The staff are using the consoles’ built-in Nuendo Live and Nuendo 6 software, he said, to audio capture the sermon message, which is then redeployed along with video to facilitate multi-site delivery, multi-track recording for artist evaluation, and broadcast.

“The entire sound system has far exceeded all performance expectations with constant compliments from guest artists, says Plishka.” At any given time during services, musicians with strings, winds, drums, bass, electric guitar, and piano assist the guest artists and worship choir.

The NEXO GEO S8 speaker system layout consists of nine boxes per side left and right with six NEXO PS8s for side fills and eight PS 8s on stage for monitors powered by both Camco and NEXO 4×4 amplifiers. “The size, remarkable sound image, and audio amplification for the number of line array elements is surprising, Plishka adds. Even guest artists support techs are surprised at the efficiency of the system.”

“Dwayne is amazing and his choice of efficient, high-quality gear is impeccable, states Pastor Mike Jones. The first time I heard the system I was blown away at the power and clarity of the system; I continue to be amazed.”

Alliance Design also installed platform lighting that is a combination of VariLite, Martin, Chauvet fixtures, and ETC. The lighting console is a Martin Maxxyz, and dimming is ETC. Panasonic switching and Panasonic Cameras were also installed.

For more information on Beulah Alliance Church, visit www.beulah.ca.

For more information on Alliance Design, visit www.alliancedesign.ca.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

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PHOTO ID: L to R: Pastors Rob Abbott and Mike Jones

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

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Cignal Systems/Logic Systems to Host NEXO Speaker Tour

YCAS_NEXO Logo Panel

BUENA PARK—Cignal Systems/Logic Systems Sound and Lighting in Valley Park, MO will host a NEXO “Speaker Tour Stop” Open House this Wednesday, October 29, 2014 from 4:00 – 8:00 pm. Registration is not required. The event will take place at 255 Marshall Rd. Suite 160 in Valley Park, Missouri.

Products to be included in the demonstrations are NEXO STM Line Array (M46, M28, B112, S118B, NUAR Rack) and the new GEO M620/M6B Compact Loudspeaker Series.

Mike Eiseman, Steve Armstrong, Paul Furtkamp and others from Yamaha Commercial Audio Systems, Inc. will be on hand to answer questions.

For more information, contact 314-743-0100 or 888-968-4050; or visit
www.cignalsys.com or www.logicsound.com.

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Dolynchuk Named Senior Product Manager, Infrastructure

paul_dolynchuk

Fairfield, NJ––Middle Atlantic Products has appointed Paul Dolynchuk as Senior Product Manager, Infrastructure. In this new position, Dolynchuk will be responsible for the category’s long-term sales strategy and optimization of profitability and growth.

Prior to joining Middle Atlantic, Dolynchuk served as a Marketing Director at Pitney Bowes and has held marketing, sales and finance positions at OfficeMax and Boise Cascade. He has a BBA in Management/Pre-Law from Ohio University and an MBA in Marketing/Finance from the Kelley School of Business at Indiana University.

Commenting on Dolynchuk’s appointment, Tim Troast, Middle Atlantic Director of Product Management said, “Paul is an innovative business leader who has demonstrated his ability to deliver multimillion dollar growth strategies for respected brands through the introduction of innovative products and strategic marketing campaigns. His leadership, business analysis and passion for the customer make him a natural fit for the Middle Atlantic team.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

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