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Archive of the Live Sound Category

SSE Audio Group Adds HARMAN Soundcraft Vi3000 to Extensive Inventory

Chris Courtney mixing monitors for Travis at the Isle of Wight Festival with SSE’s new Soundcraft Vi3000.

POTTERS BAR, United Kingdom – HARMAN Professional has announced that SSE Audio Group has been appointed a Soundcraft Vi Select Dealer, and immediately purchased one of the first Soundcraft Vi3000 digital consoles off the production line, sold through HARMAN’s UK distributor Sound Technology.

SSE Sales Director, Alex Penn, confirmed, “We have a long history with Soundcraft’s Vi Series. We saw the Vi3000 for the first time at Frankfurt Prolight & Sound; it sits neatly between the Vi1 and Vi4 and offers many new features, which will secure the longevity of this series, which has always been popular with engineers.”

Marking a massive technological upgrade to the groundbreaking Vi Series, the Vi3000 offers many advantages, including the much-requested access to Universal Audio’s plug-ins via Soundcraft’s Realtime Rack plug-in engine—both points picked up on by Penn.

“The Realtime Rack can also be used with our existing Vi6 inventory,” Penn continued. “We have a pool of sound engineers who are existing Vi users and it will be useful to let these guys know about the new facilities on offer with Realtime Rack.”

“We also see a lot of potential in SSE sales and installations for the Vi3000, with its very competitive price point and new facilities,” Penn added. “This is the first time a large-format Vi control surface has been available to the market at this level and the Vi3000 will integrate very neatly and cost-effectively into venues with existing analogue infrastructure via the I/O on the back of the surface. Onboard MADI and Dante interfaces as standard are also a huge bonus as well as upgraded DSP and new graphics.”

SSE’s Vi3000 had had its first major outing at the recent Isle of Wight Festival where it was used by SSE regular Chris Courtney to mix monitors for Travis. Courtney had previously used a Vi6 for the band, but for this festival run, the reduced size and lack of rack requirements made the Vi3000 a more attractive proposition.

For more information on SSE, please visit www.sseaudiogroup.com

For more information on Sound Technology, please visit www.soundtech.co.uk

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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Point Source Audio SERIES8 Microphones Endorsed by Lou Mannarino

Lou Mannarino trusts Point Source Audio for his work with The New York Philharmonic.

Lou Mannarino

Point Source Audio (PSA), an innovator of the original and one-of-a-kind “Unbreakable Boom” miniature microphones, announced that its SERIES8 miniature microphones have been selected by famed musician, audio engineer and conductor Lou Mannarino for use in high profile performance applications including the New York Philharmonic Orchestra.

The SERIES8 microphones were specified by Mannarino’s distinguished New York production company L&M Sound & Light for applications in similarly prestigious institutions such as the Metropolitan Museum of Art, New York Historical Society and New York Public Library, to name a few. L&M Sound & Light’s team of engineers and sound technicians has over 30 years of experience creating audio designs for the most esteemed musical artists, concert halls, theaters, museums and event spaces.

“We are blown away by your mics,” said Mannarino.

“The SERIES8 mics stand alone thanks to excellent build quality, durability, and the X-connectors that offer easy wireless compatibility. In our world, people do not want to hear the amplification, they just want the natural sound of the speaker. The SERIES8 needs no improvement.”

The SERIES8 is available in three different styles: headset, earworn and lavalier. Created for use in broadcast, theater and live production, the miniature microphones have also been adopted by distinguished venues such as Universal Studios, the Kravis Center, and Shiki Theater Company Tokyo. The product line is similarly well suited to corporate applications and presentations, thanks to the sleek design and hands-free advantages.

“We’re delighted that the features of SERIES8 microphones have earned them a place in front of stage and screen icons at some of the finest concert and performance venues in the world,” said James Lamb, President for Point Source Audio. “From spoken word presentations to finely tuned falsettos, our microphones are ultra durable, wearable and most importantly enjoyable for people on both sides of the stage due in part to our rigorous testing and engineering standards.”

SERIES8 mics have set a new standard for performance and durability in a micro size capsule. While the mic elements measure a mere 2-4 mm in diameter, the mics’ robust features are unlike any others on the market today. The omnidirectional microphones feature 148dB max SPL with an “Unbreakable Boom” bendable to 360°. In addition, they are IP57 waterproof rated against water, sweat and makeup, and feature interchangeable X-connectors for wireless compatibility on the spot.

The SERIES8 cardioid microphones are an ideal solution for performers who require isolation from surrounding set noise or environmental acoustics. The cardioid mics perform best when placed just at the corner of the mouth, which also allows them to maintain an unobtrusive appearance when worn.
With an MSRP starting at $389, Point Source Audio’s SERIES8 miniature microphones are available for purchase at a number of resellers and distributors worldwide. More information about Point Source Audio’s various audio solutions can be found by visiting www.point-sourceaudio.com.

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com.

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DPA Microphones Capture The Kyteman Orchestra

Front of House engineer Sjoerd Terpstra used a selection of DPA microphones to capture the unique sound of the Kyteman Orchestra when they played six concerts at the Utrecht Tivoli in Holland recently.
The concerts, which took the form of elaborate jam sessions, were all multitrack recorded for subsequent mixing and broadcast on the internet.
“Our aim was to create a library of completely original Kyteman material,” Sjoerd Terpstra says. “None of the songs were written in advance – they were all improvised on the spot.”
Founded by Colin Benders (aka Kyteman), the Kyteman Orchestra plays a mixture of hip-hop, opera and jazz laced with melodies and raw beats. Its first album, The Hermit Sessions, was released in 2009 and was a great success in the Netherlands where it reached the top five of the Dutch Album Charts and sold over 75,000 copies.
Sjoerd Terpstra, who has been working with Kyteman for the last five years, says he chose DPA microphones for this project because he knew they were capable of delivering studio quality from the live stage. The microphones were supplied by Amptec, DPA’s distributor in the Netherlands.
“There are approximately 18 musicians in the orchestra,” Terpstra explains. “We used a lot of DPA d:vote 4099™ Instrument Microphones on strings and horns, a d:dicate 2011A on the drums and percussion and a set of d:screet 4061 Miniature Microphones on the upright piano because they sound amazing, especially at low noise levels. One of the snare drums initially gave me a lot of trouble because it was so low pitched and I just couldn’t get it to sound right, but eventually I used another d:vote 4099 and then it sounded great. The d:vote could handle the low pitch well and gave me enough ‘snap’ to make it cut in the mix.”
Terpstra adds that the d:vote 4099 Instrument Microphones were especially useful because they were able to deliver very isolated sound.
“We were recording on an exceptionally cramped stage so this was an important feature,” he says. “The isolation they achieved gave me tons of possibilities in both the FOH and studio mixes.”
With the latest Kyteman Orchestra project now completed, Sjoerd Terpstra is now working with a number of bands from the Middle East.
“I am hoping to use DPA microphones for some of those projects, too,” he says. “I am always happy with the results I get from DPA so have no hesitation in recommending them to all the bands I work with.”
-ends-
About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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Middle Atlantic Debuts Low Profile, Safety Certified Display Solutions

Fairfield, NJ––The new FlexView™ Series from Middle Atlantic provides AV integrators with display solutions that offer unmatched strength, mounting flexibility, aesthetics and user friendliness. A collection of display stands and carts ideal for corporate, hospitality and education environments, FlexView models feature a slim profile, contemporary design aesthetic and safety certification, offering hallmark Middle Atlantic strength and durability.

FlexView solutions feature the lowest profile display mount in the industry as well as a smaller base for unimpeded, up close display interaction. In addition, it enables mounting of larger displays than competitively-priced solutions currently available in the market, including most 90” screens with VESA 800 mounting or smaller.

Models are available with electric or manual display height adjustment for options in ergonomics and flexibility. FlexView solutions are also available in stationary or mobile configurations with rugged casters that provide long-lasting use and seamless maneuverability, even when wheeling over door thresholds.

FlexView options enable integrators to do more within a slim profile with features like the Lever Lock™ system for small component mounting and a locking easy-access door for quick maintenance. All carts and stands are integrator and end-user friendly with storage where it’s needed and useful options and accessories to provide more flexibility in customizing the solution to the application.

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

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Amadeus Installs Sound Reinforcement System for New Cultural Center in Le Mans, France

‘Les Quinconces’ in Le Mans, France houses major events including Theater, Opera, Music, and Ballet in two theater spaces

Les Quinconces in Le Mans, France, features Amadeus sound reinforcement in its two theaters

Paris, FranceAugust 4, 2014Amadeus, based in France, one of the premiere manufacturers of high-end sound reinforcement systems and custom studio speakers, announced their latest speaker system install for the newly opened Les Quinconces in Le Mans, France. The building houses two theaters, one 830-seats and the other 120-seats, and feature a full range of Amadeus speaker systems and subwoofers throughout the two concert halls. Amadeus speakers installed in the theaters include the DIVA XS, DIVA XS 15 line arrays, and the co-axial PMX 12, PMX 15, PMX 15 S plus paired subwoofers for each room: ML 15 and ML 18. All of the Amadeus speakers at Les Quinconces are powered by Lab.gruppen amplifiers, utilizing both the company’s ‘C Series’ and the newly released ‘IPD Series’.

Twelve years after planning began, and four years after the first brick was laid, Les Quinconces in Le Mans was inaugurated on April 26, 2014, in the presence of Stéphane LE FOLL, French Minister of Agriculture, Le Mans Mayor Jean-Claude BOULARD and Pascal LELARGE, Prefect of the Sarthe department. Also attending was Gérard BIENFAIT, President of Vinci Construction France.

Located close to the Cathedral of Saint Julian, the des Quinconces complex was mapped out following the classic, orthogonal attributes of the Parc des Quinconces. Designed by Babin-Renaud Architectes, the theatre is intended as a cultural showcase for the city of Le Mans hosting major events including Theater, Opera, Music, and Ballet. Its facade, a play on a theater stage curtain, is designed as a vast glass curtain made up of randomly alternating opalescent, transparent and translucent strips. Inside, the hall presents the attributes of a warm and surrounding cocoon made of ‘wooden scales’. A large cantilevered roof unifies the various units comprising the project.

Rémy DELAGE, scenographer and designer for Les Quinconces, reveals his insights during the project, “Equipment selection for the Theatre des Jacobins in Le Mans was part of the initial planning phase. By chance, desire, and a little bit of luck, I have become acquainted over the years with the most prestigious makers of audio equipment in general, and loudspeakers in particular, and became involved in the use, installation, and specification of their equipment. For the sake of interoperability with the other venue, a choice was made to use Amadeus systems. With the help of Michel DELUC – with whom I had previously collaborated, and Bernard BYK, whom I have known since starting out in the business – we launched into a designing phase based on the Amadeus line, with the constraint of staying within the initial budgetary limit. During that design phase I realized the expertise of the team at Amadeus! They put themselves at my disposal to care for all my needs.”

“I had the pleasure to again experience Michel’s knowledge and intuition, with a certain nostalgia for magical moments in the past when we had worked together,” added DELAGE.

“The Amadeus line array systems being defined and the peripherals chosen, all the equipment was installed in the theater. But Michel, true to his habits, kept tweaking the settings, even though I thought they were already perfect. Then came the time for the long-awaited listening phase: Everything was there, homogeneity, truthfulness and precision of timbres. Again, I couldn’t help but once more take notice that if technique cannot replace artistic quality, it can help enhance it. It turns out that technique and artistry are both in Amadeus products,” offered DELAGE.

As the theater design project in Le Mans finished, DELAGE, a respected master with a lifetime of major performance space designs in France and Europe, stated, “With this project coming to a close, I was glad to find out how, again, the dialogue between the team at Amadeus and the technicians in charge of installing the equipment at Les Jacobins could contribute to the ideal completion of a project. As for me, if I’m ever asked to specify a sound system, it will be… Amadeus.”

“Les Quinconces houses two 830-seat and 120-seat venues fitted with state-of-the-art technical equipment, offering a well-balanced combination able to host various types of performances (theater, opera, music, ballet, circus…) as well as amateur workshops, which attract a growing public. Furthermore, with its expanded audience capacity, the complex will help answer an increasing demand,” pointed out Jean-Claude BOULARD, Mayor of Le Mans, and President of Le Mans Metropole, in a recent Paris newspaper interview…

For more information on the theater at the Les Quinconces please visit their website at: http://www.theatre-espal.net/

About Remy DELAGE
Remy DELAGE, an electro-technical engineer by training, started out in the motion pictures industry, quickly joining in after graduating on the design of numerous movie post-production studios. Consultant to the Swiss composer, director and producer Rolf LIEBERMANN, Remy DELAGE collaborated with him on projects at the Vienna Opera, the Hamburg Opera and finally the Paris Opera. Remy DELAGE then worked on designing, building, restructuring and upgrading numerous theaters, operas and convention centers in France and Europe, among which the Comedie Francaise, Theatre National de Chaillot, Centre Georges Pompidou, Palais des Congrès de Nice (Acropolis). For over fifteen years, Remy DELAGE has been a consultant in technical scenography for electro-acoustics, stage lighting and video.

About Amadeus
Amadeus develops, manufactures and sells a wide range of high-end sound reinforcement loudspeakers, studio monitors and various signal processing interfaces that combine its own custom innovative technology with stylish design, for the professional audio industry. Created in 1992 from the collaboration between the French designer Bernard BYK and the scientist and musician Michel DELUC, the Amadeus brand has grown to become a leading supplier of high-end audio solutions and services for theaters, opera houses, museums, recording studios, research centers and touring concert sound rental operations. All development and product manufacturing is centralized in Amadeus headquarters in France, with field offices and authorized distributors located in Europe, Asia and UAE.

Contact Amadeus at info@amadeusaudio.fr or visit http://www.amadeusaudio.fr

Amadeus is a registered trademark. All rights reserved. All other registered trademarks are property of their respective owners.

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Masque Sound Returns to the Berkshire Mountains to Celebrate 60th Season of the Williamstown Theatre Festival

Efficient Custom Audio Package Features Dante-Enabled Equipment

WILLIAMSTOWN, MA, AUGUST 4, 2014 — When the Berkshire Mountains of western Massachusetts recently came alive for the 60th season of the Williamstown Theatre Festival, Masque Sound, a leading theatrical sound reinforcement, installation and design company, returned to celebrate its 11th season of providing audio equipment and services for the highly acclaimed summer theatre.

Since 1955, the Williamstown Theatre Festival has been bringing together America’s finest actors, directors, designers and playwrights as they present a unique opportunity for artists and audiences alike to revisit classic plays with innovative, new productions. This summer, two internationally renowned powerhouse performers—soprano Renée Fleming and multiple award-winning actress, dancer and singer Chita Rivera—will make their respective Williamstown Theatre Festival Main Stage debuts. The festival’s 2014 season kicked off with the opening of June Moon on the Main Stage and A Great Wilderness on the Nikos Stage. Now playing on the Main Stage are Living on Love and The Visit, while Fool for Love and The Old Man and the Old Moon will round out the Nikos Stage’s summer productions.

To ensure a successful season, Masque Sound provided a comprehensive custom audio equipment package for each of the two stages’ three summer shows. “Prior to the season opening, we start from scratch and work with Masque Sound’s talented crew to map out and create what we envision for the season’s equipment packages,” says Ben Truppin-Brown, sound supervisor, Williamstown Theatre Festival. “This year, we installed a fairly comprehensive, overarching audio system, designed to provide a front end PA that will work across the board, adequately addressing the audio requirements for each of the six shows between the two spaces, while also taking into account the particular needs of each individual show. The challenge is that when one production ends, we only have 24 hours to changeover for the next show. Masque Sound did a great job in helping us lay out the general infrastructure, so that we could very easily drop in the additional components that we needed for the next production.”

New to the Williamstown Theatre Festival this year is the addition of Dante-enabled equipment to Masque Sound’s custom package. “Masque Sound has always been incredibly accommodating to our needs, and when we asked about using the Dante™-enabled equipment for this season, they were happy to oblige,” adds Truppin-Brown. “Using the Dante network makes the distribution of the signal unbelievably simple and efficient. It’s an amazing addition and one that we are thankful Masque Sound made possible for us.”

In addition to the Dante-enabled custom audio equipment package, Masque Sound is also once again managing frequency coordination for the Williamstown Theatre Festival. The company’s expert wireless service team has been on-hand providing approximately 15 channels of wireless for the start of the summer and will be expanding to about 56 channels of wireless for the final two musicals.

The two main stages at the Williamstown Theatre Festival are equipped with an array of Meyer Sound and d&b audiotechnik speakers. The 511-seat Main Stage theatre features a Yamaha CL-5 Digital Mixing Console and the 173-seat Nikos Stage is equipped with a Yamaha CL1 console. All of the signal processing takes place digitally from the consoles to the Yamaha DME64 Digital Mixing Engine before breaking out to analog outputs. For wireless needs, Truppin-Brown utilized the Sennheiser 3000 series transmitters and receivers, supplementing it with Sennheiser SK 5012 and SK 5212 transmitters and EM 1046 receivers.

“One of the reasons why Masque Sound is such a reliable, well-respected company in the industry is because the crew offers a high-level of support to its customers, one that is unparalleled,” adds Truppin-Brown. “We produce shows of a high caliber, and we do it with a young, but talented, crew whose experience levels greatly vary. Equally as important as the production quality of the festival is the educational experience that we provide interns and staff. For most of the people on the Williamstown crew, this shop build was their very first. Masque Sound supports that educational mission through its staff’s willingness to teach and by allowing us to expose our crew to some of the best equipment available. It is an experience that I don’t think any other summer stock theatre can offer and that I don’t think any other shop can give. We could not be as successful as we are without Masque Sound, and we value our relationship with them.”

In addition to the two main stages, Masque Sound also provided custom audio equipment packages to the Goodrich Hall, for the festival’s cabaret performances; the Directing Studio’s workshop productions; and numerous rehearsal and performance spaces in and around the greater Williamstown area. To learn more about the Williamstown Theatre Festival, visit http://wtfestival.org/.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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Classic Art Deco Theater is Reborn with Renkus-Heinz

Riverhead, NY – August 2014… On December 30, 1933, more than 2000 people attended the Suffolk Theater’s grand opening. Local media declared it “The Radio City Music Hall of Long Island.” The last remaining movie house built by architect R. Thomas Short, and the last remaining large art deco theater on Long Island, the Suffolk Theater entertained generations of moviegoers until closing its doors in 1987.

The building sat empty until 2005, when Dianne and Bob Castaldi purchased it, with a vision of creating a modern performing arts center. Recently reopened after a lengthy renovation project, the venue retains much of its interior décor and charm, while now presenting as a multi-use, state-of-the-art dinner theater with flexible seating, digital projection, and a surround sound system featuring Renkus-Heinz PNX and TRX Series loudspeakers.

The theater’s original raked seating was removed and replaced with a multi-tiered design that allows for varied configurations of tables and chairs, accommodating everything from concerts and performances to dinner theater or movie screenings.

The venue’s audio, video, and lighting systems were designed with that versatility in mind, explains systems designer Stuart J. Allyn of Irvington, NY-based A.D.R. Studios, Inc. “The goal was to provide smooth, even coverage throughout the entire audience area, with proper time domains that would have the sound emanating from the stage, regardless of the seating configuration.”

Allyn chose a pair of PNX121 two-way 12-inch loudspeakers for the main system, with two CFX218 subwoofers for low frequency reinforcement. Ten TRX62 boxes comprise the secondary surround system, as well as providing coverage to the upper and under balcony areas. The boxes were custom painted to blend seamlessly with the venue’s walls. The system was installed by Young Equipment Sales of Hauppauge, under the supervision of Charles Stursberg, Director of Audiovisual Theatrical Lighting and Theatrical Rigging Sales.

Allyn points to pattern control as a major factor in selecting the Renkus-Heinz system. “The TRX62 is my favorite over- and under-balcony system,” he says. “Their dispersion is exceptionally wide, particularly for a box with such a small footprint. The documentation on their coverage patterns is exceptionally true and reliable. Their trapezoidal arrays really do array beautifully.”

Coverage is pointless without great sound, of course. “Renkus-Heinz voices their boxes with a real belief in the human voice,” says Allyn. “When I hear vocals coming out of these boxes, they sound like they should even before I touch an EQ. That’s very important to me. Intelligibility, warmth, depth, character — that’s what the human voice is all about, and it translates to the instruments in the orchestra. If you get human voices to just sound right, you have done your work. And the Renkus-Heinz boxes do that beautifully.“

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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HARMAN’s Studer, JBL and AKG to Showcase World-Leading Broadcast Audio Technology at TAB Convention & Trade Show

AUSTIN, Texas — At the Texas Association of Broadcasters (TAB) 61st Annual Convention & Trade Show, HARMAN Professional will be showcasing an extensive array of world-class audio products for the broadcast industry, including Studer digital consoles, AKG microphones and JBL studio monitors.

Taking place at the Renaissance Austin Hotel, the TAB Convention & Trade Show is the largest state broadcast meeting in the United States, featuring one-and-a-half days of management, engineering and sales programs, plus a 127-booth trade show with industry vendors from around the country.

Studer will be showcasing its Vista 1 all-in-one digital mixing console, with integrated control surface, I/O system, DSP and power supplies consoling one compact footprint. This makes it the ideal choice when space is restricted, such as in OB and small control rooms or ENG vans. The Studer Vista 1 also features a redundant PSU for peace of mind, and RELINK integration with other Studer Vista and OnAir consoles which means the Vista 1 can easily share signals across an entire console network. Two expansion slots for standard Studer D21m I/O cards may be used for interfaces connecting to popular formats, including CobraNet or Aviom A-Net, Ethersound, Dante, Dolby E and MADI I/O.

AKG will feature a variety of microphones and headphones for broadcast applications, including the C4500 BC. This large-diaphragm condenser microphone in front-addressed format is specially designed for on-air broadcast work. It provides a cardioid pickup with voice-friendly tuning and a low proximity effect, as well as high RF/EMI insensitivity.

In addition, JBL Professional will show off its award-winning 3 Series studio monitors, which are now available with the LSR310S powered studio subwoofer. Driven by an integrated 200 Watt Class D power amplifier, a new 10-inch high excursion woofer works in concert with JBL’s patented Slip Stream Port™, delivering impressive low-frequency response below 27 Hz, with peak output of 113 dB SPL.

For more information on the TAB Convention & Trade Show, please visit www.tab.org

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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Delicate Teams With Martin Audio MLA For Latin Radio Concert

Delicate Productions recently provided a Martin Audio MLA system for the Reventon Super Estrella 2014 concert at the Staples Arena in Los Angeles.

Put on by L.A.’s leading Latin FM radio station La Super Estrella 107.1, the show featured an impressive lineup of artists including La Santa Cecilia, La Union, Fobia, Roco Pachukote, Bunbury, La Ley, Caifanes and Victimas for a capacity crowd of over 18,000.

Asked about the show, Delicate Production Manager Meegan Holmes explained, “Our challenge with any concert style event in an arena is integrating our PA hangs with the lighting truss and the flown LED elements. We worked closely with the LED vendor Global Trends to ensure the best positioning of the PA versus the LED wall. The walls were all solid, so our concern was areas of the audience that would be affected in terms of being able to hear the audio. We took care to lay out our PA points so we could get past the LED but still not block the view of the screen.

“Staples Center is taller than the average arena,” Meegan continued. “The back wall has decorative metal above the top level of seating. The MLA’s versatility and output control enabled us to get to the last row without hitting that highly reflective metal.”

The system Delicate rigged for the show included 28 Martin Audio MLA and 4 MLD (downfill) for the main hangs; 16 MLA Compact for outer fills; 16 MLA Mini under 4 MSX power plant/subwoofers for sidefills, and 12 MLX subs. Other elements included Avid Profile consoles for Front of House, a DiGiCo SD11 as production console and a Yamaha DME matrix for system control.

In addition to Holmes, the Delicate crew was made up of Brennan Houser (System Engineer), Craig Robertson and Tony Luna (FOH Technicians), George Squiers and Mark Ramos (Monitor Technicians), and Russ Cunningham and Billy Flores (Stage Technicians).

Asked about reactions to the sound system, Meegan explained, “Each band in the show seemed a little louder than the previous and the PA kept up without issue. All eight engineers had fun mixing on the system, which resulted in great sounding shows. They all commented on how they were able to get so much power from so few MLX subs and how efficient they are.

“Our client came to me after the show amazed at how the rig sounded the same everywhere, how smooth and even the MLA sounds.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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A.Focx Productions Mixes New Night Ranger Album with HARMAN’s AKG Headphones and Microphones

NASHVILLE, Tennessee – With an audio engineering and FOH background dating back to his late teens, Anthony Focx is an experienced producer, heading up his company A.Focx Productions to provide artists and bands with the highest levels of audio services. He uses HARMAN’s AKG headphones and microphones to produce, record, engineer, edit, mix and master tracks from a wide range of musical genres, including the latest album by Night Ranger, called High Road.

While producing the album, Focx emphasized the importance of microphone quality and placement. Thus, he used AKG C414, C414 XLS, D112, C451, C4000 and C12 microphones as well as AKG K240 and AKG K271 MKII studio headphones to produce the tracks.

As with many other artists and producers that rely on the build quality and durability of AKG products, consistent audio is key to a reliable mix. Focx believes that, “the way these products are engineered is what led them to be a staple in music productions for decades. AKG microphones are used in all styles of music, and capture sound is such a natural way that it’s almost as if the human ear is trained to hear their sound.”

When asked what he has been impressed with the most, Focx replied, “It’s amazing how well constructed AKG products are and their ability to achieve inspiring levels of sound. My AKG headphones are very durable, lightweight, comfortable and boast excellent fidelity.”

Having a tremendous amount of experience under the belt, with close to 300 album credits, Focx is pleased with his wide array of AKG equipment and is set to enjoy them for many years to come. “It’s been a fantastic experience using AKG products,” he said. “We’ve had many successes in the past with their microphones and headphones and will continue using these products for all albums in the future. As they say, if it’s not broke, don’t fix it!”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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