Archive of the Live Sound Category
BUENA PARK, Calif.—Housed in the renovated, historic Fenway Theater in Boston, the Berklee Performance Center is the Berklee College of Music’s flagship performance space seating more then 1,200 and counted among Boston’s most prestigious concert halls. Parsons Audio (Wellesley, MA) recently added two new Yamaha CL5 Digital Audio Consoles in the performance center for use by student and faculty productions as well as national entertainment.
Berklee has had a long relationship with Yamaha Commercial Audio Systems consoles dating back to 1976 beginning with the Yamaha PM1000, 3K, PM4K, PM1D, PM5D, DM2K, and now the CL Series. A CL5 is positioned at front of house with a second based in Studio BPC located in an area above the theater.
“The BPC looked upon the new CL as the PM1D successor, states Rick Scott, Sales Director, Parsons Audio LLC. Among features that were appealing to the technical team were the networking capabilities of this generation of Yamaha consoles along with its Rupert Neve plug-ins within the Premium Rack and integration with Nuendo Live.” Parsons Audio has provided customer support of the school’s Yamaha consoles since the very beginning.
“We had the Yamaha PM1D for eight years, and wanted to make sure we could stay up-to-date with current, commercially available (and currently supported) technology, states Ed Libeartore, A1 at BPC. We also really wanted to have something with remote iPad control, so we could mix monitors on stage from the FOH console.”
Liberatore said he immediately loved the sound of the preamps and the processing, and quickly became accustomed to having the controls accessible from the touch screen. “Handing an iPad off to a student assistant has been working amazingly well. It lets me concentrate on the house mix and seems to make the performers more comfortable knowing that there is somebody who can listen to the same monitor speaker with them and build a custom mix right on the spot with exactly what they need without ever having to shout to me, standing 50 feet away.”
Studio BPC, which regularly multitrack records many of the performance center concerts, is a teaching lab for live performance location recording classes. The studio is fed from a separate split off the on-stage mic snake box, but also receives a feed from the house Dante network for additional options. “I am really happy with our decision on going with the CL5 console for our live recording studio, states Alejandro Rodriguez, Associate Professor, Music Production and Engineering, Berklee College of Music. The Dante Network is key in the success of our new BPC Studio, and we use Nuendo Live linked to the CL5 as one of our two multi-track systems capable of recording up to 64 channels, receiving independently the outputs of our 64 Grace mic preamps.”
For more information on the Berklee Performance Center, visit www.berklee.edu.
For more information on Parsons Audio, visit www.paudio.com.
For more information on the Yamaha CL Digital Console, visit www.yamahaca.com.
About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.
PULLMAN, WASHINGTON – JANUARY 2014: The Cougars football team of Washington State University plays all of their home games in 33,500-seat Martin Stadium. Although on the smaller side among its Pac-12 peers, the stadium has more than enough seats for every resident of Pullman, Washington (the university’s home), and loyal alumni and visiting fans easily make up the difference, filling the stands to near capacity on game day. Recent additions to the stadium necessitated relocating the scoreboard to the opposite end zone, and that in turn inspired a full upgrade to Martin Stadium’s sound reinforcement system. Three Danley Sound Labs J3-64 Jericho Horns, two J4-31 Jericho Horns, and four TH-812 “Rock Monster” subwoofers now fill Martin Stadium with glorious, high-fidelity sound.
Washington State University called in Anthony James Partners of Richmond, Virginia to design the sound system. “It was a pretty straightforward situation,” said Lee Vaught, senior audio engineer at AJP. “Martin Stadium is a bowl with almost no overhang. A distributed system wasn’t an option. We had to go with an end-fired system, and the new scoreboard was the obvious place to put it. The only question was exactly what boxes to use. This is my first full Danley installation, and the their design provided the necessary coverage with vastly fewer boxes than I would have used with conventional technology.”
Three Danley J3-64 Jericho Horns provide the majority of the full-range coverage at Martin Stadium. They split the stadium down the middle, with the odd J3-64 covering the additional asymmetrical seating below the press and suite box. Two Danley J4-31 Jericho Horns deliver high-frequency content to the far seats, where otherwise the high end would be diminished having traveled through so much air. A single Danley OS-80 weatherproof Synergy Horn loudspeaker fills in for the seats right below the scoreboard. Four Danley TH-812 “Rock Monster” subwoofers – two to a side – complement the fidelity of the full-frequency components with robust low end. A handful of JBL Control 28 loudspeakers provide coverage of the small shaded area underneath the press and suite box. A rack of Crown i-Tech HD-Series amplifiers powers the system, with processing from a BSS London backbone.
Danley Sound Labs, President Mike Hedden commented, “This was a short turnaround project and was one of the first using our SketchUp plugin module in DDT3D. This is a very powerful 3D coverage program we developed that enables accurate predictions of all frequencies from 20Hz and up. We’ve worked with virtually all the major modeling programs and DDT is simply the easiest yet powerful program out there. This enabled us to turn the entire design around in basically one day.”
“The coverage is great,” said Vaught. “The long throw across the field is impressive, and the high end from the J4s together with the low end from the 812s provides a full-frequency experience that stadiums with conventional systems would have a hard time replicating. Surprisingly, we actually received a request to turn the system down after the first few home games. That never happens! If anything, systems aren’t loud enough. But at Martin Stadium, we pulled it back a bit. There’s plenty of headroom, and it sounds clean and undistorted. Cougars fans will enjoy this sound system for a long time to come!”
ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
Photo Credit: Carol Rosegg
When Billy Crystal returned to Broadway to reprise his Tony® Award-winning play 700 Sundays, Masque Sound, a leading theatrical sound reinforcement, installation and design company, was on hand to support Sound Designer Steve Canyon Kennedy and Associate Sound Designer Walter Trarbach with a custom audio equipment package.
700 Sundays, an autobiographical journey, is an original two-act play centered on the legendary actor’s heartfelt and often hilarious story of growing up, growing old and the undeniable power of family. Crystal plays numerous characters that have influenced who he is today, taking audiences through his youth, growing up in the jazz world of Manhattan, his teenage years, and finally his adulthood. The title refers to the number of Sundays shared by Crystal and his father, Jack Crystal, who passed away when he was 15.
“Masque Sound has been the audio equipment rental provider since the show made its Broadway debut in 2004. They have been with us for two national tours as well as the show’s Australia run, so they were the obvious choice for this reprisal,” says Trarbach. “We have enjoyed our relationship with Masque Sound, and their equipment and support is always top notch.”
For 700 Sundays, Masque Sound provided a custom audio package that included an Avid VENUE Profile digital mixing console. L-Acoustics dv-DOSCs made up the line array elements for the main speaker system and a selection of speakers from Meyer Sound, EAW and d&b were utilized as fill speakers for the rest of the theater. An XTA Electronics DP428/448 Audio Management System and Meyer Sound Galileo 616 Loudspeaker Management System as well as a wireless microphone package from Sennheiser and an intercom system from Clear-Com were also included.
“In addition to the high quality gear provided by Masque Sound, the sound system worked well thanks to the hard work of our team,” says Trarbach. “Production Sound Engineer Andrew Keister and John Cooper, who handled the backstage audio, both did a wonderful job.”
700 Sundays won the 2005 Tony Award for Special Theatrical Event and the 2005 Drama Desk and Outer Critics Circle Awards for Outstanding Solo Performance. The limited nine-week engagement will continue through January 5, 2014 at the Imperial Theatre (249 West 45th Street). HBO will be filming the play for a special that is slated to air in 2014.
About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.
CCI Solutions retrofits newly remodeled sanctuary with full KARAi system
NAPERVILLE, Illinois – January 2014 — Calvary Church of Naperville, located in the western suburbs of Chicago, recently wrapped up a five-month sanctuary renovation that increased seating from 2500 to 3000 without moving any walls. As part of the project, the church also underwent a full AVL system retrofit, which was designed and integrated by CCI Solutions of Olympia, Washington. more
San Francisco, CA – January 2014…
** Photo: Anton Hedman **
Based on Stephen King’s best-selling novel, Carrie The Musical focuses on an awkward teenage girl with telekinetic powers whose lonely life is dominated by an oppressive religious fanatic mother. When she is humiliated by her classmates at the high school prom, she wreaks havoc on everyone and everything in her path. It’s a chilling tale that has enthralled audiences since 1988. Presented by Ray of Light Theatre from October 4th – November 2nd at The Victoria Theatre in San Francisco, Carrie The Musical kept its audiences on the edge of their seats—and to ensure the utmost clarity for both dialog and the musical performances, E6i Omnidirectional Earset microphones from Menlo Park, CA-based Countryman Associates were deployed. more
Park City, UT – January 2014…
** Photo: David Hallock **
Opened in 1998, The George S. and Dolores Doré Eccles Center is part of the Park City School District. The venue serves as the anchor facility of the renowned Sundance Film Festival and is host to a wide range of student and professional cultural events. With the facility’s diverse program schedule, wireless microphone technology is integral to many of the performances that take place here. In order to ensure the best possible wireless capabilities, the venue recently invested in Digital Hybrid Wireless® technology from Rio Rancho, NM-based Lectrosonics. more
Renowned producer, musician and songwriter Trevor Horn has revealed his plans to perform live at next month’s Music Producers Guild Awards in London – and that he will be joined on stage by some ‘special guests’.
Horn, who is attending the event to receive the Outstanding Contribution to UK Music Award, will perform as part of the supergroup Producers, the band he established in 2006 with former 10CC musician Lol Crème, award-winning engineer and producer Stephen Lipson and drummer Ash Soan. This exciting collection of extraordinarily highly regarded producers and artists have scored over 200 hit singles and albums, including their own debut album Made in Basing Street, which was released in 2012.
Music Producers Guild Chairman Steve Levine says: “A live performance by Producers is quite a coup for the MPG and we’re really thrilled that guests attending our 2014 Awards ceremony will have the opportunity to witness this unique performance. The MPG Awards are always a popular event on the music industry calendar because they are such a joyful celebration of the UK’s recording talent, but when you get the chance to see a supergroup play live as well, you just know it’s going to be a brilliant night.”
The MPG is presenting Trevor Horn with the PPL-sponsored Outstanding Contribution to UK Music Award in recognition of a remarkable career that has spanned more than three decades. The award he will receive from the MPG acknowledges those who have made a significant contribution over a long period of time to the success of the UK music recording industry.
Described variously as ‘unashamedly an exhibitionist’, an ‘architect of sound’ and a producer whose work is linked by a common theme of excellence, Horn has been responsible for numerous hits for artists such as ABC, Frankie Goes To Hollywood, Grace Jones and Robbie Williams. He first achieved success as an artist with The Buggles, Yes and Art of Noise, but eventually turned to production and song writing where he established a reputation for pushing the boundaries of music production. During the early 1980s he set up Sarm Studios in London and also ZTT Records and music publishing company Perfect Songs.
Trevor Horn will be presented with his award at the MPG’s 2014 Awards Ceremony, which takes place on February 13th at the Park Plaza Riverbank Hotel in London. Tickets for the event are available by emailing event organiser, Joe Edwards. Email: firstname.lastname@example.org
About Music Producers Guild (UK):
The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.
The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk or www.mpgawards.com
ANAHEIM, JANUARY 24, 2014 – RAT, an RHC Holdings Brand, is unveiling its new FAT RAT Guitar Pedal at the 2014 NAMM Show (Booth 4558). Building off the popularity and foundation of the original RAT Pedals, this new model is entirely built in the United States and features complete tonal flexibility through a choice of original or MOSFET clipping circuits.
The MOSFET clipping section in the new pedal provides a subtle smoothing in the upper mids and a more amp-like tone throughout the range of the RAT, without loss of the basic feel of the classic pedal. The new FAT RAT Pedal also features a bass enhancement that increases the bass response, which is perfect for bassists and guitar players who tune down their instruments. The new pedal will now run on nine- to 18-volts of DC power, for users looking for the best headroom and audio fidelity. Lastly, the FAT RAT also includes a socketed op-amp, which allows users to easily change between the stock OP07DP and other popular chips.
For more information on the RAT Pedal, please visit: www.ratdistortion.com.
RHC Holdings, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications interfacing products. Comprising RapcoHorizon, Momentum, Pro Co, Pro Co Data, RAT, RoadHog and StageMASTER, each RHC Holdings brand has developed a reputation in many industries for reliability, and superior sound performance. Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, the company’s products provide optimal flexibility and premium performance. RHC Holdings also has a state-of-the-art Custom Shop to modify existing products or build new devices to meet any need.
ANAHEIM, CALIFORNIA, JANUARY 23, 2014 — General Cable is pleased to showcase its Gepco® Brand solutions for live music venues including RunONE™ Powered Cables and the DLC Series DMX Lighting Control Cables among others at the 2014 NAMM Show (Booth #6983) January 23-26, 2014.
Gepco Brand RunONE™ Powered Cables combine audio and power, along with optional data, under a single durable, yet flexible jacket. Shielding around the power channels eliminates power noise from interrupting the audio/data signal, ensuring high-quality performance. With multiple uses for corporations, DJs, lighting rigs and tours, RunONE allows the user to pull a single cable in place of multiple cables, providing a portable and neat solution that saves time and hassle.
Especially relevant to live music venues, the RunONE Touring Line was designed with larger-gauge power conductors and an overall shield specifically for touring and production use. The 12 AWG power conductors of the Touring Line provide a lower voltage drop for long distance runs, while the overall shield reduces outside noise often encountered during those longer runs. At the NAMM Show, the Gepco booth will highlight the varied applications for RunONE, including self-powered speakers, stage boxes that combine audio and power, and lights using DMX signals.
Gepco® Brand DLC Series DMX Lighting Control Cables will also be displayed at NAMM, including the newest additions to the series, the DLC122 and DLC222. Ideal for heavy production use, rigging and touring conditions, the DLC122 and DLC222 feature larger 22 AWG conductors for use in extended distance runs without signal loss, as well as an extremely durable and abrasion-resistant, yet flexible, polyurethane jacket. The DLC series lighting control cable is a true DMX cable with 120 Ohm impedance, low capacitance, double (foil and braid) shield and color-coded conductors for easy identification. Unlike conventional cables that are not intended for data transmission, the DLC series offers reliable data transfer through its data-specific design. The single- and dual-pair designs of the DLC series accommodate multiple lighting manufacturers’ products, and the DLC222 and DLC224 meet the United States Institute for Theater Technology (USITT) standards for DMX512 cable specifications.
“General Cable is happy to provide Gepco products tailored to touring and live music venues,” said Joe Zajac, Sales and Applications Engineer for Gepco® Brand Products. “The newest additions to the Gepco Brand RunONE and DLC series will provide the best performance in tough, heavy-production and touring conditions.”
In addition to RunONE and the DLC Series, the Gepco booth will display microphone and instrument cables as well as heavy-duty tactical cat 5e and fiber cables with Neutrik® etherCON® or opticalCON® connectors for protocols such as CobraNet®, MADI, EtherSound™, A-Net®, LightViper & OPTOCORE®.
General Cable (NYSE:BGC), a Fortune 500 Company, is a global leader in the development, design, manufacture, marketing and distribution of copper, aluminum and fiber optic wire and cable products for the energy, industrial, and communications markets. In August 2009, Gepco International was acquired by General Cable. For more information about General Cable products, please contact your local sales representative or visit our Web site at www.gepco.com or www.generalcable.com.
Gepco® has been an industry-leading brand of studio, stage and broadcast AV cables and cable assemblies for 30 years. As a complete solutions-based supplier, Gepco also offers value-added service and distribution of connectors, cable management products, patch panels, and wire and cable accessories.
New mics join the original 4066/4088 and d:fine Headsets in the d:fine family to meet a variety of needs
ANAHEIM, JANUARY 23, 2014 – DPA Microphones is pleased to introduce its d:fine™ 66 and d:fine 88 Miniature Headset Microphones at the 2014 NAMM Show (Booth 7119). These new products join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine Headset Microphone family. With a contemporary look and feel, the new mics will carry on the sound capabilities of the microphone capsules from the classic 4066 and 4088, and the features of the modern d:fine mechanics, such as an advanced headset mount and flexible ear hooks.
When DPA Microphones launched its d:fine Headset Microphones a few years ago, the company met a market demand, which created a new niche of DPA headset users that did not affect the popularity of the original 4066 and 4088s. Thanks to the strong popularity of both microphone lines, DPA Microphones is now adding the d:fine 66/88 into the d:fine Headset Microphone family.
“We launched the d:fine Headset Microphones a few years ago and selected the name based on a belief that the microphone would define a new generation of headsets,” says Christian Poulsen, CEO of DPA Microphones. “The d:fine certainly did meet our expectations, so we have now decided to expand the d:fine Headset series to include this third solution to give users a broad assortment of headsets and features. Combining the flexibility of our modern d:fine ear mount solution with the sound qualities of the classic 4066/4088 Headsets, fans can choose between a variety of sound handling, size and cleaning options, depending on the intended application.”
Now featuring a total of four capsules, two omnis and two cardioids, and three headset mounts, single-ear, dual-ear and personalized mount, the d:fine Headset Microphones Series offers something for every user and environment.
The new DPA d:fine 88 Directional Headset Microphone and d:fine 66 Omnidirectional Headset Microphone, which is recognized by the rounded capsule/housing of the 4066/4088 predecessors, is intended for use by actors, musicians and singers who require optimal sound and grid cleaning/changing options. The d:fine Headsets that are recognized by their low-profile flat microphone head are perfect for presenters, speakers or hosts who require minimal visual impact. The classic 4066 and 4088 are for users who prefer a more personal fit to the headset mount.
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com.
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