Archive of the Live Sound Category
BATON ROUGE, Louisiana – As 51 contestants competed in one of the country’s most widely viewed beauty contests, Baton Rouge, Louisiana-based Premier Sound Services (PSS) provided the sound reinforcement for the Miss USA Pageant. The event is part of Miss Universe, which is owned by Donald Trump and was televised nationally live on NBC. As always, PSS stuck with its inventory of HARMAN’s JBL VTX line arrays to generate the best coverage and superior sound quality.
The main PA system consisted of 13 JBL VTX V25 line array loudspeakers per side in long-throw “X Mode” (35Hz high pass filter) and were powered with 24 Crown I-Tech 12000 HD and two Crown I-Tech 4×3500 HD amplifiers. The system also featured 45-degree outfill arrays, which featured nine VTX V20 loudspeakers in long-throw 60Hz mode that were powered by six Crown I-Tech 4×3500 HD amplifiers. On the floor, 16 bi-amped JBL SRX712M stage monitors were used with five Crown I-Tech 4×3500 HD amplifiers.
Two JBL VTX V20 loudspeakers were provided for the judges, with an additional two V20 loudspeakers per side for front fill, powered by two Crown I-Tech 4×3500 HD amplifiers. The downstage side-fill hangs featured six JBL VERTEC® VT4886 subcompact line array loudspeakers per side, powered by a single Crown I-Tech 4×3500 HD amplifier. The upstage side fill hangs also featured six VT4886 loudspeakers per side, powered with one Crown I-Tech 4×3500 HD amplifier.
“Keeping the loudspeakers hidden from the camera angles as much as possible was the main challenge of this event,” said Brian Gordon, Co-Owner and Head Audio Engineer of PSS. “Originally, we wanted to hang 14 units per side for the main PA, but thanks to the sheer power of the VTX Series we got the output we needed with fewer units, and we never hit the limit on any of the amplifiers.”
When asked why no subwoofers were used, Gordon replied, “We didn’t need any subwoofers for this show, because intelligibility and sound cohesiveness were the key objectives, and the VTX Series loudspeakers are superior in those areas over everything else. There was no interference and everything came out exactly as it should. I was especially impressed by the smoothness of the off-axis dispersion of the V20’s, which was just amazing.”
For more information on Premier Sound Services, please visit www.psssound.com
HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.
Los Angeles, CA – July 2014… Balancing the demands of being on the road with the need to stay creative is a challenge every touring musician faces. There’s often little time between tours to come up with new ideas for the next record, and the hustled pace of the road can make it hard to find time to tap into the creative muse.
For singer/songwriter Rome Ramirez, a busy touring schedule means grabbing inspiration when and where it appears. A professed “technology nerd,” Rome has long carried a mobile recording rig with him on the road. “I’ve tried pretty much every DAW program there is,” he says.
Recently, Rome switched from a well-known DAW to PreSonus® Studio One®, and he has made it clear there’s no going back. “I am a true Studio One convert, I really am,” he reports. “No other program comes close to Studio One for workflow and creativity. I can just open it up, and it’s a blank slate, waiting for me to lay my ideas down. It’s so immediate – it lets me focus on my music and be creative without getting bogged down by the technology.”
That said, Rome is hardly a stranger to technology. “I actually love being my own engineer,” he says. “Technology totally inspires me. I love getting into it and tweaking all my sounds, and I love all the old-school sounds I can get with Ampire and some of the other Studio One plug-ins.”
The band also carries a 16-channel StudioLive 16.4.2 mixer on the road. “We use the StudioLive in our rehearsal studio, and it also travels with us on tour,” explains Eric Freedman, the band’s long-time engineer. “It’s really warm and big sounding. I use pretty much all of the onboard effects, and I love the Fat Channel.”
Pairing the StudioLive mixer with Studio One enables Freedman to essentially always be in record mode, he observes. “I record all the shows, and any time they’re working on new material on the road, I’m able to set the whole thing up and be recording in Studio One with just a couple of clicks.”
For Rome, the ability to re-create a familiar workflow in Studio One was a big plus in switching from his previous DAW. “One thing that made it a smoother transition was the ability to map out all the keyboard shortcuts, meaning you can basically do a lot of things in Studio One the same way you’ve done them in any other program.”
“Workflow, to me, is everything, and I was completely blown away with the ease of using Studio One and how quickly I was able to get familiar with the program. The MIDI, the automation, the drag-and-drop — everything is just so easy. I always tell people, it’s the speed of thought. That is what Studio One is to me.”
As anyone who has spent time on tour will tell you, there’s plenty of down time between shows. For Rome, Studio One helps make good use of that time. “I guess it sounds kind of boring but I’m always working,” he says. “When I get off the stage, I hang out for awhile but then I go back to the bus or the hotel, and I work. I’m working on new tracks all the time, and Studio One gives me the freedom to be creative, wherever I am.”
Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.
Renowned classical musicians helped close FIFA games during finale performance with assistance from d:dicate™ Recording Mics
RIO DE JANEIRO, JULY 18, 2014 – When Spanish tenor and conductor Plácido Domingo took to the stage for the Concert in Rio, honoring the close of the 2014 FIFA World Cup, television audiences received a crystal clear sound thanks to DPA Microphones’ d:dicate™ Recording Microphones. Performing at the HSBC Arena Stage in Rio de Janeiro on Friday, July 11, Domingo was accompanied by Puerto Rican soprano Ana María Martínez, Chinese pianist Lang Lang and the Brazilian Symphony Orchestra.
With the entire world watching, Grammy® Award-winner Jesse Lewis, audio producer for the live international broadcast of the concert, knew he needed reliable microphones for the broadcast of the performance, which was aired live from the massive arena. He turned to DPA Microphones for its range of d:dicate mics, including the 4006 Omnidirectional, 4011 Cardioid and 4041 Large Diaphragm solutions.
“For a venue of that size, we had a tremendous need for an overhead microphone that was able to reach deep into the orchestra and pull out the really important details of the instruments,” says Lewis. “In this case, it was the DPA 4006 and 4041. The sound of the live broadcast depended greatly on the special sound those mics provide. Additionally, I have relied on the d:dicate 4011 for years as my preferred mic for acoustic piano recording. That’s why I selected a stereo pair on podium stands, accompanied by a pair of the d:vote™ 4099 Instrument Mics, for Lang Lang’s piano, and I’m happy I did, because the sound was very big and beautiful.”
Working alongside the concert’s live sound engineer Jerry Eade, who used his own collection of microphones, Lewis also faced the challenge of combating PA and monitor bleed with the live broadcast. “We needed a microphone that would keep the music and the atmosphere, but would reduce the negative effects from being on the wrong side of the PA system,” he explains. “Being omnidirectional, the DPA 4041 has unique characteristics, both on and off axis, that helped us do exactly what we wanted – more music and less PA bleed. It really couldn’t have been a more perfect setup. Despite using a PA system, we were able to achieve the exact sound we strive for in a pure acoustic situation.”
According to Lewis, the concert’s producer Bernhard Fleischer was ecstatic with the sound that they achieved. “The DPA mics hanging over the orchestra were the most crucial ingredient for this production,” adds Lewis. “They ensured that we conveyed the music in a powerful way to the broadcast audiences around the world.”
Performing for his sixth World Cup concert, Domingo presented a program of arias, Spanish zarzuelas and Broadway hits in addition to traditional Brazilian songs and sambas. Led by American-born pianist and conductor Eugene Kohn for the Concert in Rio, the Brazilian Symphony Orchestra was founded in 1940 and was the first touring orchestra from Brazil. The Latin Grammy Winner for Best Classical Album in 2001, Martínez regularly performs alongside Domingo as well as singer Andrea Bocelli while Lang Lang, who is considered one of the most sensational artists in classical music, was a child prodigy who began playing the piano at the age of three.
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com.
Charles Town, WV––Control Point Technology of Lebanon, PA recently installed a Martin Audio MLA Compact loudspeaker system as part of the new high-tech Event Center at Hollywood Casino.
Hollywood Casino at Charles Town Races describes itself as “a world-class resort destination, offering visitors a truly Las Vegas-style experience that includes 2750 slot machines, 98 table games and 26 poker tables, and both live and simulcast thoroughbred horse racing year round in a safe and hassle free environment.”
An intimate 1200-seat venue designed to get guests as close to performers as possible, the new Event Center opened on the July 4th weekend with Creedence Clearwater Revisited and is scheduled to feature artists such as The Spinners, The Romantics, The Smithereens, Marshall Crenshaw, Tommy Tutone and Sinbad.
Control Point was tasked with Audio, Video and Lighting for the new facility, including a Martin Audio MLA Compact loudspeaker system. The actual system consisted of seven MLA Compact enclosures a side with six DSX subs and four DD6s for front-fill mounted sub-stage just under the stage lip. Two Martin Audio WT3s in the back of the room provide outfill for the rear seats and a stage monitoring system consisting of eight LE1200s, two LE1500 monitor wedges and a pair of Blackline H3+ for sidefill.
Asked why they chose Martin Audio for the sound system, Control Point Project Manager Aaron Replogle replies, “We wanted a system that was world-class and accepted by whatever bands and tour riders came through the venue. We knew Martin Audio would be accepted especially with the technology behind MLA being top of the line and cutting-edge, with capabilities no one else has. The sound quality is important to us and the MLA Compact’s ability to have the system direct the output just to the audience and not the side walls, ceiling or back walls was critical in terms of maximizing the audience experience. It’s really a fantastic system for this application.
“The FOH engineer for the first show was happy with the system. He’d been in many facilities and often ran into problems with new systems, but he indicated that this was an easy day for him.”
The audio system also includes a 48-channel Avid Profile consoles for FOH mixing and an Avid Profile Mix Rack for monitors along with Lab Gruppen amplification.
According to Aaron, the multifaceted video system includes “HD SDI distribution to a pair of Christie HD10K M Series projectors with projection surfaces that flank the proscenium opening left and right to display what’s happening on stage. There’s also an Ikegami broadcast-style camera located in the catwalk for image magnification, which again outputs HD SDI with jacks located throughout the event center area so they can send other video sources in or out of the system.”
The lighting system includes a front of house truss and over stage truss consisting of 72 LED RGB color-mixing PAR lights, 10 RGB LED Ellipsoidals for specials and additional effects lights.
Summing up about the Martin Audio MLA Compact, Aaron concludes, “we’re very pleased with the audio quality and system stability—there were no issues with the system––it sounded clean and wonderful and everybody was happy, which is always our goal.”
For more abut Control Point Technology, please click to www.control-point.com
For more about Martin Audio, please click to www.martin-audio.com
About Control Point Technology
Control Point is a Pennsylvania-based company founded in 2007 with the vision to utilize the most current AV trends, technology and concepts to design totally functional audio visual and communications systems for businesses ranging from casinos and pari-mutuel venues to hotel and entertainment companies.
About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.
NASHVILLE, JULY 17, 2014 – Cerwin-Vega!, a Gibson Brand, is presenting its new P1000X 10-inch Powered Loudspeaker, the latest ¬addition to its critically-acclaimed P-Series Powered Loudspeaker Line at Summer NAMM 2014 (Booth 825). Also on display will be the XD4 and XD5 Speakers and XD8s Subwoofer, the newly expanded offerings for the company’s XD Powered Desktop Speaker Series.
Slated for release in August, the P-Series P1000X is a versatile workhorse that can serve as a single speaker for a small venue, be daisy-chained for larger venues needing more coverage and SPL or be side-mounted as a floor monitor. Featuring the same controls as the acclaimed P1500X, the P1000X Powered Loudspeaker is a two-way, bi-amped, full-range bass-reflex speaker with a 10-inch woofer and high-frequency compression driver. Powered by a custom efficient 1000W Class-D amp, the P1000X has a proprietary hemi-conical horn that provides enhanced sound clarity and superb dispersion over an even and wide coverage area.
A built-in mixer with multiple channels and I/O connections allows for simple and fast setup, while enhanced EQ, VEGA BASS boost and high-pass filter controls enable exact tuning and exceptional performance for any event. Its lightweight, robust polymer enclosure includes a self-tightening pole cup, as well as comfortable ergonomic handles. Built-in rigging points and a remote volume port make the P1000X ideal for suspended installation.
Showgoers can also experience the stunning audio performance of the Cerwin-Vega! XD Series, which continues to support the company’s legacy of superior bass response and sonic clarity. Key design elements of the XD3, XD4 and XD5 powered desktop speakers and XD8s powered subwoofer, include optimized frequency response, overall transparency, low distortion and the company’s trademark bass performance. Each XD Series speaker features high output amplifiers, soft-dome tweeters and innovative enclosure design for superior sound, while the XD8s sub offers additional bass extension.
Equipped with metal covers, the XD4 features a 3/4-inch tweeter while the XD5 utilizes a one-inch tweeter. Unlike other desktop speaker systems, the Cerwin-Vega! XD Series is built with solid MDF wood enclosures, allowing it to deliver the same sound quality as home speaker systems. All speakers in the series come equipped with Cerwin-Vega!’s signature VEGA BASS Boost Switch, which engages an enhanced bass EQ circuit. The efficient XD8s also has, high SPL and an optimally designed port for proper low frequency phase alignment and minimal port turbulence. It ships with a Remote Control, which includes a subwoofer mute button and adjusts the overall system volume when using the accompanying XD Series speakers.
Cerwin-Vega!, part of the Gibson Pro Audio division, is a leader in the design, manufacture, and distribution of loudspeakers for the home and professional audio markets. Dedicated to the pursuit of dynamic, accurate sound reproduction since 1954, Cerwin-Vega! products are distributed throughout the world via a network of distributors and dealers in more than 75 countries. For more information, visit www.cerwin-vega.com.
About Gibson Brands
Gibson Brands, one of the fastest-growing companies globally, was founded in 1894 and is headquartered in Nashville, Tennessee, USA. Gibson Brands has a portfolio of over a hundred well-recognized brand names for musical instruments, consumer electronics, and professional audio. In addition to the number one guitar brand, Gibson, other instrument brands include Epiphone, Dobro, Valley Arts, Kramer, Steinberger, Tobias, Slingerland, Maestro, Baldwin, Hamilton, Chickering and Wurlitzer. Professional audio brands include KRK Systems, TASCAM, Cerwin-Vega, Stanton and Cakewalk and continue Gibson’s tradition of quality in their respective markets; while consumer electronics brands comprise Onkyo, Integra, TEAC and Esoteric.
Gibson Brands expanded further into the consumer market with the acquisition of Philips’ Home Entertainment business—inventors of the cassette tape, as well as the CD, DVD, MP3, and MP4 formats. It shows the same leadership in technological innovation for the benefit of our customers under the Philips and Fidelio brand names.
A global company, Gibson Brands has manufacturing, marketing and research and development centers throughout the world. All Gibson Brands are dedicated to innovation, prestige, and improving their customers’ quality of life. Visit Gibson’s website at www.gibson.com. Follow Gibson Guitar at www.twitter.com/gibsonguitar and www.facebook.com/gibsonguitar.
BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced the availability of Version 2.0 for Yamaha CL Series Digital Audio Consoles. This most recent update includes enhancements for sound reinforcement applications as well as mix-minus capabilities for the broadcast market, broadening the range of applications where CL Series performance can be advantageous. One significant enhancement in V2.0 is discovery and head amp control for the new, compact QL Series that also inherits CL Series features and performance. A QL console can function as both monitor mixer and I/O rack, for example, while a front-of-house CL console can remotely control the head amp gain of the QL console’s I/O.
Other new features in CL V2.0 include DCA Roll-Out: Channels assigned to DCA groups can be instantly called up to the console faders for enhanced operational flexibility; output DCA enables the Stereo/Mono bus masters, Mix bus masters, and Matrix bus masters to be assigned to DCA groups. Mix Minus, an important feature in broadcast applications is now provided; with one simple operation the signal from a particular channel can be removed from a specified bus.
With Read Only Scene Memory, it is now possible to create read-only scene memories. A new Daisy Chain Insert feature allows two devices to be inserted into one channel or bus for enhanced processing freedom. A GR Meter (dynamics meter) Option within the Channel Name Display will show the Dynamics 1 and Dynamics 2 gain reduction meters in the channel name display.
Future CL updates include built-in Dugan automatic mixing similar to the new QL Series and additional support for broadcast applications.
The CL V2.0 update is available via download from the Yamaha Commercial Audio Systems web site free of charge. For more information on the Yamaha V2.0, visit www.yamahaca.com.
About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement, installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.
ATLANTIC CITY, NEW JERSEY – JULY 2014: What started as a late-night effort between two brothers in 1987 to perfect their mother’s secret recipe turned into Crabfries® and launched their fledgling restaurant, Chickie’s and Pete’s Crab House and Sports Bar, to critical and commercial success. ESPN recently proclaimed the establishment to be the “Number One Sports Bar in North America” and Maxim Magazine deemed it the “Greatest American Neighborhood Bar.” Now a well-established Philadelphia favorite, Chickie’s and Pete’s is expanding its reach and recently opened its 26th location in Atlantic City’s Tropicana Resort & Casino. As with all of the other Chickie’s and Pete’s locations designed and installed by Cherry Hill, New Jersey-based Pro Systems, the new one uses Symetrix processing. This time it’s two SymNet Radius 12×8 Dante network audio DSPs paired with two SymNet xIn 12 and two xOut 12 audio I/O expanders for a total I/O count of 48 by 40.
Pro Systems’ Rich Stout and Jim McCann designed, programmed, and installed the new system. “For the Atlantic City location, the client wanted an upscale sports bar feel consistent with their ‘Best Sports Bar’ award from ESPN,” said Stout. “Every Chickie’s and Pete’s location that we have installed has incorporated Symetrix processing, and they’ve always been pleased with the sound quality and ease of use. At Atlantic City, we went with an HDMI 1080p solution with lots of individual audio zones. To accommodate all the inputs and zones, we chose two Radius 12×8 processors paired with two each xIn 12 and xOut 12 breakout boxes. The Radius’ integrated Dante network capacity made it easy, reliable, and inexpensive to route audio from box to box.
In addition to the Symetrix backbone, the system consists of Crown amplifiers feeding JBL Control and AE Series loudspeakers across 39 zones. Two Crestron HDMI DM switchers support 38 by 64 channels of video/audio, and several Crestron V15 touch panels enable end user control of audio, video, and lighting from a variety of strategic locations.
Rich Stout commented, “The client has no idea about the underlying complexity of a system like this nor should they have to. The trick is to make it simple enough that anyone walking up to the Crestron panel can run the entire system. With Symetrix and other premium hardware vendors we achieved that goal at Atlantic City, and it is now one of Chickie’s and Pete’s favorite locations.”
ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.
For more information on Symetrix products visit www.symetrix.co
633 Production Mixer and USBPre 2 Power Through in Even the Most Challenging Conditions
NEW YORK, NY, JULY 15, 2014 – As an expedition-style-documentary sound mixer, David Ruddick has worked in some of Earth’s most extreme environments. From scorching heat to blistering cold, Ruddick knows the importance of having reliable gear on location. That’s why he’s made the Sound Devices 633 Production Mixer the backbone of his compact audio rig.
Weight, battery life and quality are his top priorities, so when Sound Devices introduced the six-input, 10-track 633, Ruddick incorporated the all-in-one recorder/mixer into his audio rig. “I knew the 633 would be a bag-changer for me due to its compact size and functionality,” he says. “When you’re hiking with gear on your back, less is definitely more. The 633 is a pretty amazing tool in a small box.”
Ruddick has already put the 633 through its paces around the world, from the super humid and wet conditions of the Philippines to the icy cold weather of Canada and Utah. In the Philippines, he recorded the Philippine eagle, one of the largest birds of prey in the world, for the Cornell Lab of Ornithology, a member-supported unit of Cornell University that studies birds and other wildlife. The super-long battery life of the 633 was crucial to this project, as accessibility to electricity was limited. Not having to constantly worry about battery power gave him the peace of mind needed while working in such a remote location.
Ruddick then headed to the cold of Canada and Utah to film skiing for the Teton Gravity Research series, Locals. “I literally went from hiking muddy hot trails to snowy mountains,” he notes. “The contrast of these two locations is a true testament to the durability of Sound Devices products. And of course, most importantly, the 633 sounds great. I have used Sound Devices equipment for a long time and its gear has consistently worked well in the harsh environments I have subjected them to; the 633 is yet another great product from the company.”
Ruddick found it easy to transition the 633 into his expedition-ready audio setup, finding it compatible with many of the mainstays of his rig, such as Lectrosonics wireless receivers and Schoeps and Sennheiser shotgun mics. In addition, Ruddick always packs a Sound Devices USBPre 2, a high-resolution, portable hardware interface for Mac- and Windows-based digital audio. He calls upon it for playback from a computer, which is extremely useful while on location. He also employs it to extend the number of preamps on the 633 so that he can capture surround recordings.
The powerful 633 mixer/recorder features six inputs, with three high-bandwidth mic/line XLR inputs complete with phantom power, high-pass filter, input limiter and variable pan. Three additional line-level inputs appear on TA3 (mini-XLR) connectors. All inputs are assignable to any output bus. The 633 also offers 10-track, 24-bit, 48-kHz uncompressed polyphonic or monophonic broadcast WAV file recording (96 kHz for eight tracks, 192 kHz for six tracks) or timecode-stamped MP3 recording to CompactFlash and/or SD cards. All six inputs, plus left/right and aux 1/2, can be recorded to individual tracks.
The 633 offers dual-card slots that record to either one or both cards simultaneously, with the added ability to assign different tracks to each memory card. The 633’s high-accuracy, Ambient-based timecode generator/reader assists in multiple-camera and double-system sound applications. All common production timecode rates and modes are available. Extensive file metadata is supported along with the timecode. The 633 also features a keyboard port for quick and easy metadata entry. Unique to the industry, the 633 is equipped with a four-way power supply and Sound Devices’ proprietary PowerSafe technology.
The two-channel USBPre 2 offers professionals a powerful yet easy-to-use portable interface to interconnect audio sources to both Mac OS and Windows computers over USB. The class-compliant plug-and-play device accepts mic-level, line-level, consumer-line-level and SPDIF-digital (coaxial or TOSLINK) inputs. Its microphone preamplifiers have selectable analog limiters, high-pass filters, 48 V phantom power and high-resolution LED meters. Because the USBPre 2 draws its power solely from the computer’s USB port, no additional power source is required. Sound Devices designed the USBPre 2 for both reference quality input and output. Its balanced XLR outputs offer superior rejection to interference and are switch-selectable between mic or line level. Additionally, a consumer RCA-type output is available for connection to unbalanced inputs. Its headphone amplifier easily drives full-sized headphones with extensive, clean gain.
Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production. Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.
Fairfield, NJ–– Middle Atlantic is expanding its Modular Power Raceway system to include surge protection capabilities with two exclusive benefits. The introduction of Series Protection™ modules for the MPR Series marks the industry’s first vertical power strip to offer series type non-degrading surge protection and its first fully configurable power solution to do the same.
The new Series Protection™ modules will also provide series type surge protection to all cascading modules in each circuit. A patent-pending technology, Series Protection™ is the fastest-responding series type surge suppression currently available.
The Modular Power Raceway system allows integrators to configure their own ETL-listed vertical power solution using off-the-shelf parts. Integrators now have the option of incorporating reliable surge protection into their custom power design. When installed as the first circuit within the power strip, these modules will extend that series type surge protection to all connected units that follow. In addition, the module sits on top of raceway channel, which allows circuit wiring between modules and unimpeded connection to the termination.
The new MPR modules join the Middle Atlantic family of rackmount and RackLink™ power products leveraging Series Protection™ technology. Modules are available in 15 or 20 amp configurations with outlet options being controlled or on when connected.
For technical specifications and in-depth information about Middle Atlantic Products, please see click to www.middleatlantic.com, or call 1.800.266.7225.
Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.
Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us
DPA Microphones has always been renowned for its ability to deliver superb audio, even in the most challenging conditions. Now, thanks to a new range of body worn microphones, the company has overcome the biggest challenge of all – how to give control of mic placement to non-technical actors or reality show contenstants without compromising sound quality.
DPA’s solution, which will be on show at IBC 2014, is the d:screet™ Omnidirectional Miniature Necklace Microphone – a cleverly designed mic that houses a legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace.
“These microphones are perfect for situations where fast costume changes are necessary – or for reality TV shows where the contestants have to place microphones without help from a trained audio engineer,” says DPA’s CEO Christian Poulsen. “The necklace design ensures that the microphone sits in exactly the same place on the body every time, so there is no need for EQ-ing between different recordings.”
The d:screet Necklace Mic is already being used in the Danish adaptation of Big Brother and DPA anticipates plenty of interest from other reality TV productions. The mic comes in black, white and brown and in lengths of 47 or 53 com (18.3 or 20.9 inches).
At IBC 2014, DPA is exhibiting alongside its Dutch distributor Amptec on booth 8.D70. At 5pm every evening it will be holding a prize draw, which will give one lucky show visitor the opportunity to win a DPA d:screet Miniature or d:fine™ Headset Microphone. At that same time, the company will challenge one of its mics to see exactly how much stress it can withstand. Could it be used as a drumstick, for example? IBC visitors need only come along to 8:D70 at 5 pm to find out.
While there, they can also see DPA’s new heavy-duty d:screet™ 4060 Omnidirectional Miniature Microphones and classic d:screet 4060 Omnidirectional Miniature Mics with reinforced cable relief, making them even more durable for demanding use. These microphones satisfy market demand for high-quality sound combined with a highly-durable housing and cable.
“Incorporated on all d:screet Miniature Microphones, our new robust strain relief version brings much needed reassurance to people who are not used to handling miniatures,” Christian Poulsen adds.
The heavy-duty 4060 microphone is ideal for people who require even more security and for whom the visual appeal is of less importance. It is perfect for placement in rigorous filming situations, such as incorporated into a combat suit for a fight scene or under a horse saddle in a period piece. Featuring a stainless steel housing, sturdy cable relief and a thicker 2.2 mm (.09-inch) cable, both enhanced versions are exceptionally durable and ideally suited to the rigors of broadcast productions.
DPA will complete its IBC 2014 line-up with its new d:fine™ 66 and 88 Headset Microphones, which are ideal for broadcast productions with vocal performers who need to move freely without obstructions from a handheld mic or one on a stand.
Combining the flexible mechanics of DPA’s modern d:fine ear mount solution with the sound qualities of the legendary 4066 Omni and 4088 Cardioid headworn mics, the new d:fine™ 66 and 88 Headset Microphones join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine family. With so many sound handling and size options to choose from, DPA’s d:fine family now addresses every need that actors, musicians and singers face when working in a live television environment.
“There is a growing need for durable body worn microphone solutions with excellent sound reproduction for stringent use in live environments and similar settings,” Poulsen adds. “When we launched the d:fine Headset Microphones we believed that they would define a new generation of headsets. They have certainly met our expectations, which is why we have decided to expand the d:fine Headset Microphone series with this brilliant solution to give users a broad assortment of styles and features.”
For more information please visit DPA at IBC 2014. Hall 8, Stand D70.
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com
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