Archive of the New Products Category

HARMAN Professional India Takes 2014’s An Ode to the Blues Festival To a Higher Level with Stunning Sound and Lighting

BANGALORE, India — The blues has growing appeal as evidenced by the popularity of India’s An Ode to the Blues festival, now in its fourth year. Held at Bangalore’s CounterCulture performance space/restaurant, the festival featured international and Indian blues artists including Guitar Shorty, Soulmate, Blackstratblues, Ministry of Blues and many others, who performed on two stages outfitted with a complete HARMAN Professional live sound system and Martin lighting.

“With every event we do, our primary focus is on the artist and we want to present the way they sound and the way they look at their absolute best,” said Guru Somayaji, Program Director and Festival Manager at CounterCulture. “This year we wanted to up the ante to bring in a setup that not only looked good but sounded top-notch.”

The Robert Johnson Stage and the Roots Blues Stage were equipped with a variety of JBL loudspeakers including four VRX 900 Series loudspeakers, two STX828 dual-18-inch subwoofers, two PRX615M powered loudspeakers and two STX815M loudspeakers. The loudspeakers were powered by Crown VRACK complete, self-contained amplifier systems, which include I-Tech HD Series power amps, analog and digital connections and a globally universal power distribution system, all housed in wheeled rack with a suspension system that enables VRACK to be flown if desired.

A Soundcraft Si Expression 1 digital console with a Si Compact 16 handled the live sound mix for the Robert Johnson Stage, with a Soundcraft Si Compact 16 deployed for the Roots Blues Stage. The consoles were equipped with a Soundcraft Si Multi Digital Card to record the shows to a computer in multitrack digital audio. A selection of AKG microphones rounded out the system (Indian blues-rock band Soulmate are AKG endorsers).

The Robert Johnson Stage and Roots Blues Stage were illuminated by a complete Martin lighting setup that included RUSH by Martin MH 3 Beam, MH 1 Profile and MH 2 Wash models, plus MAC 101 LED wash and PAR 1 LED can lights. Martin M1 and M2GO consoles operated the lights for each stage.

HARMAN Professional India and students at India’s Audio Academy assisted CounterCulture in producing An Ode to the Blues. “This year through our partnership with HARMAN Professional and Audio Academy, the team not only delivered a fantastic-sounding and looking setup, but the students at Audio Academy also learned the process of setting up the system and the stage and in fact helped us a great deal,” said Somayaji. The students will go on to mix the multitracks and produce a finished live recording of the event. “From a lighting perspective, the audiences enjoyed a real treat – the Martin illumination created atmospheric, exciting and even surreal lighting experiences that took this year’s performances to an entirely new level.”

“An event of this scale requires a first-class sound and lighting setup. With multiple bands and a quick turn around required between acts, an effective and reliable sound system is an engineer’s backbone for an event of such complexity. HARMAN brands, AKG, BSS Audio, dbx, JBL, Soundcraft and Martin lighting ensured that! As an FOH engineer, I could not have asked for better technology. This was one of the best music festivals I have had the pleasure of being associated with,” added Nikhil Pai, Freelance Sound Engineer.

“Without HARMAN Professional India and especially application manager, Sunil Karanjikar, none of this would have been possible,” he noted. “Each and every artist complimented us on how exceptional the JBL loudspeakers and Crown amps sounded, the clarity of the Soundcraft consoles and the AKG mics and the striking lighting provided by Martin. The audio was truly stellar, with excellent balance, presence and clarity from every location around both stages.”

Somayaji concluded, “We look forward to further such associations for next year’s An Ode to the Blues festival and other events.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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HARMAN’s Crown Offers Online Certification Program for DriveCore™ Install Series Amplifiers

ELKHART, Indiana — HARMAN’s Crown Audio announced that it now offers an online certification program for its DriveCore Install (DCi) Series amplifiers. Available free of charge, the program offers instruction covering Crown’s DCi Analog, Network and Network Display amplifier models and information about the company’s exclusive DriveCore technology that is at the heart of the amplifiers’ powerful and efficient operation.

The course is available online at: http://www.crownaudio.com/usa/drivecore-install-series.html. Simply click on the blue “Test Your Knowledge” icon at the right of the screen to register and take the test. The test consists of approximately 50 questions and has a time limit of three hours to complete. Once registered, users may take the exams in one sitting or save their progress and resume the test at a later date.

“Our DCi certification program was created with installed sound contractors, systems integrators and other professionals in mind, to help them get the most out of Crown’s DCi Series amplifiers and use them effectively in a wide variety of real-world situations,” said Dan Saenz, Business Segment Manager, Crown Audio. “We designed the DCi Series as the new industry standard in installed-sound amplifiers and models are available with connectivity options and power ratings to suit any application.”

Once logged on, participants are asked a series of questions about the DCi Series amplifiers. Information to help in completing the exam can be found in the DCi training videos on the Crown YouTube channel (https://www.youtube.com/user/CrownInternational) and on www.crownaudio.com. Additional helpful information is available by working within HARMAN’s HiQnet Audio Architect software and watching its training videos, viewing the company’s System Technology Bulletins and by having a general understanding of professional audio and networking. The test is designed to provide guidance to those seeking training, and the questions themselves offer helpful resources.

Participants must receive a score of 90 percent or greater to earn certification. There is no limit to how many times the test may be taken. Once they pass, users receive a downloadable Certificate of Completion and a notification is sent to Crown.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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Yamaha YCATS Training Moves Toward Future In Networking

BUENA PARK, Calif.—Yamaha Commercial Audio Training Sessions (YCATS) is moving in a new direction with their console training programs. This year, YCATS has created two new console classes in order to eliminate the repetition between the CL, QL, M7CL and LS9 seminars as these consoles share many of the same software features. The new classes will initially be held at HB Live during the first week of August, HB Live is sponsoring a CL/QL Series Essentials Class in North Haven, CT and ATR/Treehouse is sponsoring the same class in Warwick, RI.

HB Live, a division of HB Communications will host new sessions Tuesday, August 5th between 8:30 – 5:00 pm at 60 Dodge Avenue, North Haven, CT. For more information, call 800-331-1804. Registration details below.

ATR/Treehouse sessions will be held Thursday, August 7th between 8:30 am – 5:00 pm at the Ocean State Theater, 1245 Jefferson Blvd, Warwick, RI. Complementary breakfast and lunch will be served. For more info, contact ATR/Treehouse at 401-751-3121. Registration details below.

“The new YCATS training direction will be much for efficient and streamlined for our customers,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “We are improving the YCATS programs for networking and acknowledge that our end user customers operate different Yamaha digital consoles from time to time with many common paradigms between the various models that enables us to improve the efficiency and effectiveness of our training programs.”

Console Operation – Level 1 is for those with little or no familiarity with Yamaha live sound consoles. Console Operation – Level 2, is more of an intermediate to advanced class designed for those familiar with the basic functions of Yamaha digital consoles. This new training format will allow YCATS more efficiency in terms of customer time. It will also reinforce that the software of Yamaha digital consoles is the same, and a user familiar with one should have no problem operating another. Right now, the largest demand is for training on CL, QL, M7CL and LS9; all sharing similar software.

In addition to the new Console Operation Levels, YCATS is adding “Digital Sound Reinforcement – Dante” and “CL/QL Series Essentials”. “DSR – Dante” is a one-day class covering design and use of Dante networks with Yamaha products as well as several third party products (i.e. Shure ULX-D and Aviom D800). “CL/QL Series Essentials” is a class for those who have been trained on the M7CL and LS9 and covers all new features with the CL and QL consoles and the set up of Dante networks.

For an end user looking for more in depth information on a particular console, YCATS has produced an online video series that can be used as a reference. New videos and webinars are on the docket for later this year.

Detailed descriptions of the new classes can be found online at:

Console Operation – Level 1: http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=33
Console Operation – Level 2: http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=34
Digital Sound Reinforcement – Dante: http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=35
CL/QL Series Essentials:
http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=32

Look for the new YCATS classes coming in Chicago, IL; Hayward, CA’ Long Island City/Queens, NY; and Nashville, TN. A full list of locations for this year can be found at: http://www.yamahacommercialaudiosystems.com/training.php?catID=11001.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

WuTang Embraces Online Collaboration on Blend with New Project

Wu Tang invites music producers worldwide to create new versions of a new Wu Tang Parental Advisory song at Blend.io

New York, NY – Online collaboration is gaining more and more traction in all areas, and most noticeably when it comes to music creation. Many musical styles are built on borrowing and manipulating works by other musicians; Hip Hop, Ambient, EDM, Trance, Rap and many others. Originally, DJs would physically manipulate records to isolate and loop the best breaks for rappers to perform over. Later this evolved into sampling snippets of songs and reworking those elements by adding layers of production on top. Wu Tang Clan is now taking that idea one step further, putting the raw session files of a new song online for anyone to deconstruct and reassemble as they see fit.

This new digital collaboration is part of the new Wu Tang project called Parental Advisory. “Basically we’re looking to find and nurture the next generation of Shaolin,” explains Oliver Grant, who was an executive producer on many of the group’s albums and helped create the branding and commercial empire around the music. “It’s about trying to be in touch with what’s going on in technology and marry that to the traditional methods we know.”

Wu Tang is releasing the first track from Parental Advisory on Blend, the online music collaboration network that supports Ableton Live, Maschine, Pro Tools, Logic, FL Studio, GarageBand and more, allowing music creators to find, share and collaborate on music projects in their native (source) format. Wu Tang uploaded the session files for the new song, entitled “So Many Detailz”, in the three popular formats on Blend: Ableton Live, Pro Tools and Logic. Blend members will have access to original building blocks of the track, so they can take the song in new directions. Grant explains that Wu Tang is looking for inspired remixes of their own material.

The new track features Turnpike Ike, Mc Kash and Chunky, young rappers from the neighborhood where Wu Tang was founded. The hope is that Parental Advisory will help kick start the careers of some new Staten Island born rappers, but it will also rely on platforms like Blend to reach out to a much wider talent pool. “We’re gonna go through them and pick out the best remixes to make an EP,” says Grant. “We’re looking to be shocked, whether it’s EDM, or whatever version it is. It may be Switzerland, a guy who wouldn’t be on the hip hop sites, but he’s going to be on Blend, checking out what’s new.”

Blend has been the platform for the launch of tracks by other well-known musical acts, including Moby, who recently said: “The digital present we live in, you can’t control things, can’t lock them down. The best way to make a living as musician, I find, is to set this stuff free and let the love come back to you.” Wu Tang’s Grant has a similar mindset when it comes to giving away the sessions from Parental Advisory. Rather that fighting technology out of fear, the mindset is to embrace it and tap into the collective global talent that technology helps bring together.

Visit Wu Tang on Blend at https://blend.io/WPA.

Martin Audio MLA Hyde Park Sound Evolution At BST

Proving last year that London’s controversial Hyde Park festival site could be uniquely protected from noise leakage into the surrounding neighborhood by deploying Martin Audio’s award-winning MLA technology, promoters AEG Live adopted a similar solution for this year’s Barclaycard presents British Summer Time Hyde Park festival—but with significant enhancements.

While Capital Sound again deployed MLA and MLA Compact to guarantee coherent site coverage, Martin Audio’s R&D Director Jason Baird, was determined that new optimizations would enable them to eke out as much as an additional 3dB at front-of-house without increasing offsite pollution.

As a result, 102dB(A) was achieved for McBusted, with 73dB(A) recorded offsite, comfortably within the maximum allowable of 75dB(A), while both Tom Jones (during his louder numbers) and Black Sabbath nudged 103dB(A).

Baird explained that the journey to accomplish this had begun three months earlier; with the concept tested and proven on the Glastonbury Festival delay rig the week before.

“We conducted the propagation tests based on what we learned last time around,” he said. One of the key offsite measurement points identified by both Westminster Council and acoustics specialists Vanguardia at Hyde Park was on top of flats in Mayfair’s nearby Upper Brook Street. “When I visited the property last year, I was able to look at the complete spectrum of the signal,” says Baird. “You could hear there was only LF and low mid that was contributing to the A-weighted measurements and we realized that if we could reduce that frequency band we could have a better differential.”

And so his R&D team set to work on the optimization routines across the full frequency range to improve the differential between on- and off-site levels without extending latency––and this trial optimization will in time feature in new data firmware. While Baird maintains that testing will remain ongoing he says the success at Glastonbury gave him the confidence to deploy it on additional arrays in Hyde Park including house left side hang and the two delays nearest to Park Lane.

He describes these early tests and the additional increase of around 2-3dB in max FOH levels over the previous year as “encouraging and significant”.

Capital Sound’s Technical Manager and Systems Designer, Ian Colville, confirmed, “It all worked well and there were no issues with the three arrays we used the new optimization algorithm on.”

His site design replicated last year’s when the stage was reoriented through 30° to point it away from sensitive offsite areas, and included 10 delay towers (in two rings of four plus one ring of two). However, there was one exception. “We dropped a delay position [in Ring 3] which didn’t need to be there because the design of the back of the field changed,” he said.

For the main PA, Capital deployed two hangs of 16 x MLA and 1 x MLD Downfill per side, with 12 x MLA and 1 x MLD Downfill for the sidefills. The sub array consisted of 21 x MLX in a broadside cardioid array, with a further 11 enclosures back facing.

The three delay rings comprised between seven and nine MLA element hangs (supported by MLD Downfill and MLX subs). Ring 3 featured eight MLA Compacts. These were set at distances from the stage of 295, 524 and 688 ft. (for the MLA Compacts). Distance from FOH to stage was 165 ft.

Capital and Martin Audio deployed a team of technical heavyweights, including Chris Pyne, who handles Martin Audio product support for SE Asia and has worked closely with Capital since piloting Kylie Minogue’s mix in the 1990s; Capital had Dave Roden babysitting consoles and the accomplished Toby Donovan once again acting as system engineer while Martin Connolly was the account manager.

(left to right: Martin Audio’s Jason Baird and Chris Pyne, and Capital Sound’s Ian Colville

With FOH engineers no longer worrying about trading offsite noise pollution with audience sound levels, it meant they could really focus on the mix they wanted and at the same time appreciate the musicality of the system.

One visiting sound engineer Chris Madden (working with Little Mix), had nothing but positive comments. “I used the Martin MLA system about two years ago with Jessie J and I enjoyed it then,” he said. “But I think it was even better this time. It’s a very interesting and remarkable piece of equipment …I didn’t EQ it at all at BST and it sounded great.”

Matteo Cifelli, FOH engineer for Tom Jones, who performed on the final Sunday, was equally effusive. “I was very happy with the results we achieved, the mix immediately sounded just as it was conceived,” he says. “This is the sign of a good cabinet, and also of a well tuned system.”

“I was very pleased with the purity and musicality of the cabinet. I also appreciated the consistency in frequency response at different levels. The sound image was among the best I have ever heard on a large system. Even mixing off center, I could hear all the reverbs and details of my mix clearly and the presence and sweetness on the vocals was great, in your face and never harsh.”

Summing up Jason Baird says, “What FOH engineers want at festivals is plenty of headroom and not to worry about offsite restrictions. Having reduced the low mid and LF spectrum this year, we’ve been able to further ensure this, and that means the power, depth and definition of the system can also really shine too.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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PreSonus Introduces AudioBox iTwo Studio Recording Kit

Baton Rouge, Louisiana, July 2014… It’s easy to start a home or mobile studio with the PreSonus® AudioBox™ iTwo Studio recording kit! This special all-PreSonus system combines a USB bus–powered interface for Mac®, Windows®, and iPad® with Studio One® Artist DAW software (Mac and Windows), Capture™ Duo recording software (iPad), monitoring headphones, a large-diaphragm condenser microphone, Nimbit® Free account, and all necessary cables. It’s great for multitrack song production, music education, demos, songwriting, capturing live performances, podcasting, and field recording for video or sound effects.

AudioBox iTwo Studio includes:

AudioBox iTwo bus-powered USB/iPad audio/MIDI interface with cable

Perfect for musicians and podcasters, the ultra-mobile 2-channel AudioBox iTwo boasts high-performance Class A microphone preamplifiers and professional-quality, 24-bit converters. USB bus-powered, it’s compact, ruggedly built, and designed to work perfectly with Studio One recording software and Capture Duo but also works fine with other audio software that supports ASIO (Windows), Core Audio (Mac), or MFi (iPad).

  • 24-bit resolution; 44.1, 48, 88.2, and 96 kHz sampling rates
  • 2 combo mic/instrument/line inputs
  • 48V phantom power for M7 condenser microphone
  • Balanced line outputs for monitor speakers
  • Powerful headphone output with independent level control
  • MIDI I/O
  • Zero-latency monitoring via internal mixer

Capture Duo recording software for iPad

PreSonus Capture Duo for the iPad can record and play two stereo tracks simultaneously, with up to 24-bit, 96 kHz fidelity. With Capture Duo, you can record and save multiple songs on an iPad, then wirelessly transfer them directly to PreSonus Studio One. Songs and individual tracks can also be copied using iTunes if the iPad is connected to the computer with a USB cable.

  • Simple, intuitive, mobile recording solution for Apple iPad
  • Records two stereo tracks at up to 24-bit, 96 kHz
  • One-tap recording
  • Direct wireless transfer of sessions to PreSonus® Studio One®
  • Editing functions include cut, copy, paste, split, and duplicate
  • Works with any MFi-compatible interface, including the internal iPad microphone and PreSonus AudioBox iTwo

Studio One Artist recording and production software (DAW)

Incredibly easy to learn, Studio One Artist lets you work quickly and stay focused on your inspiration while offering features rarely found in entry-level DAWs.

  • Elegant single-window work environment
  • Powerful drag-and-drop functionality
  • Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels
  • Easily configures to the AudioBox iTwo interface
  • Can wirelessly receive files directly from Capture and Capture Duo
  • 28 Native Effects™ 32-bit effects and virtual instrument plug-ins
  • Compatible with Mac and Windows

HD7 studio monitoring headphones

PreSonus? high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch.

  • High-resolution neodymium drivers
  • Precision-tuned acoustic chamber
  • Extended bass response
  • Lightweight

M7 large-diaphragm studio condenser microphone with cable

Get your mic collection off to a good start with this professional studio microphone. The versatile large-diaphragm design makes it perfect for recording a wide range of sources including voice, acoustic guitar, percussion, and more.

  • Mic-stand adapter
  • Cloth carry bag included

Nimbit® Free account to distribute and sell your music

Sell music and merch via the leading direct-to-fan online service.

  • Easily manage everything your fans need to stream and buy music, purchase merchandise, plan to attend shows, and follow your career
  • Email marketing tool: send news blasts, automate event reminders, and target specific fans
  • Artist Profile with photos, bio, events, videos, streaming audio, and more
  • Mobile-ready Nimbit Calendar: show events, sell tickets, sharing features
For more information please visit www.presonus.com/products/AudioBox-iTwo-Studio.
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About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

 

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PreSonus Notion 5 Delivers Many New Tools and Enhancements

Baton Rouge, Louisiana, July 2014… PreSonus® is shipping Notion™ 5, a major upgrade to its popular notation software. This new version makes it easier than ever to write your ideas quickly and includes a new video window, new effects from PreSonus Studio One®, an enhanced chord library, a custom rules editor, and many notation and publishing improvements. Notion is the only notation editor that supports Mac, Windows, and iPad and the only one that can run 64-bit on both Mac and Windows.

This is the first update since Notion joined the PreSonus family, and it shows. The user interface has been redesigned to more resemble Studio One and other PreSonus software, and Notion 5 comes with PreSonus’ Native Effects™ Limiter, Compressor, and Pro EQ plug-ins. The new version adds a variety of enhancements for film, TV, and video composers, including a video window with a new timecode view. Unlike competing notation programs, it can import a variety of modern video formats.

Notion 4 offered rules templates for orchestral VST libraries so you could load up an instrument and write dynamics, effects, and instrumental techniques into the score without using the VST interface or programming keyswitches. Notion 5 adds the ability to create custom rules for any VST library without editing XML files by selecting from drop-down menus.

Notation improvements make Notion even faster and easier to use, including an enharmonic spelling tool, cross-staff notation, layout and printing improvements, and new shortcut sets. You also get an enhanced chord library with more library chords, user-created chords, and recent-chord recall.

Version 5 also adds Mac Retina display support and Windows 8 touchscreen optimization.

While adding these new features and many more, Notion continues to deliver a fast and intuitive workflow, ability to work well with other studio technologies (including full ReWire support), and playback with high-quality sounds from world-class artists and studios, including the London Symphony Orchestra. Notion is the only notation software that can output 32 audio pairs to a mixing console or in a ReWire session.

Notion 5 is available in English (US and UK), French, German, Japanese, and Spanish (Latin American) at an expected MAP/street price of $149. Academic pricing is available.

For more information please visit www.presonus.com/products/Notion. For an extensive list of new Notion 5 features, click here. For information about PreSonus, visit www.presonus.com.

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About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

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iZotope Releases New BreakTweaker Expansion: Modern Grooves by Black Octopus

Cambridge, MA — iZotope Inc., a leading audio technology company, and Black Octopus, creators of high-quality sounds for music production, have released Modern Grooves, a new expansion pack for iZotope’s acclaimed drum sculpting and beat sequencing plug-in, BreakTweaker.

Featuring modern, clean, and crisp sounds with a dash of retro throwback, the expansion includes more than 300 sounds with 40 presets—all designed to have a timeless feel and work well with a wide range of material.

In an interview with iZotope, Black Octopus founder Toby Emerson describes his approach to creating Modern Grooves: “I hope the pack will provide something for artists of all skill levels. Users can start with the presets and then tweak the sounds to create something original… For people wanting to sketch ideas in the studio, I tried to lay out the patterns in a musically logical way—someone could jam out full tracks on the fly just by switching between the patterns using a keyboard or MIDI controller.”

Modern Grooves can be seen and heard on iZotope’s YouTube channel: http://youtu.be/y801efft7HU

Pricing and availability:

• Modern Grooves is available now at iZotope.com for $39.00.
• BreakTweaker is on sale now through July 31, 2014 for $199 (save $50) or BreakTweaker Expanded for $249 (save $50).
• BreakTweaker is available with demo content as a free 10-day trial at iZotope.com/BreakTweaker.

Visit the iZotope blog for more on Modern Grooves, including a full Q&A with Toby Emerson of Black Octopus Sound.

About iZotope
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.

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Martin Audio MLA Compact At New Hollywood Casino Event Center

Charles Town, WV––Control Point Technology of Lebanon, PA recently installed a Martin Audio MLA Compact loudspeaker system as part of the new high-tech Event Center at Hollywood Casino.

Hollywood Casino at Charles Town Races describes itself as “a world-class resort destination, offering visitors a truly Las Vegas-style experience that includes 2750 slot machines, 98 table games and 26 poker tables, and both live and simulcast thoroughbred horse racing year round in a safe and hassle free environment.”

An intimate 1200-seat venue designed to get guests as close to performers as possible, the new Event Center opened on the July 4th weekend with Creedence Clearwater Revisited and is scheduled to feature artists such as The Spinners, The Romantics, The Smithereens, Marshall Crenshaw, Tommy Tutone and Sinbad.

Control Point was tasked with Audio, Video and Lighting for the new facility, including a Martin Audio MLA Compact loudspeaker system. The actual system consisted of seven MLA Compact enclosures a side with six DSX subs and four DD6s for front-fill mounted sub-stage just under the stage lip. Two Martin Audio WT3s in the back of the room provide outfill for the rear seats and a stage monitoring system consisting of eight LE1200s, two LE1500 monitor wedges and a pair of Blackline H3+ for sidefill.

Asked why they chose Martin Audio for the sound system, Control Point Project Manager Aaron Replogle replies, “We wanted a system that was world-class and accepted by whatever bands and tour riders came through the venue. We knew Martin Audio would be accepted especially with the technology behind MLA being top of the line and cutting-edge, with capabilities no one else has. The sound quality is important to us and the MLA Compact’s ability to have the system direct the output just to the audience and not the side walls, ceiling or back walls was critical in terms of maximizing the audience experience. It’s really a fantastic system for this application.

“The FOH engineer for the first show was happy with the system. He’d been in many facilities and often ran into problems with new systems, but he indicated that this was an easy day for him.”

The audio system also includes a 48-channel Avid Profile consoles for FOH mixing and an Avid Profile Mix Rack for monitors along with Lab Gruppen amplification.

According to Aaron, the multifaceted video system includes “HD SDI distribution to a pair of Christie HD10K M Series projectors with projection surfaces that flank the proscenium opening left and right to display what’s happening on stage. There’s also an Ikegami broadcast-style camera located in the catwalk for image magnification, which again outputs HD SDI with jacks located throughout the event center area so they can send other video sources in or out of the system.”

The lighting system includes a front of house truss and over stage truss consisting of 72 LED RGB color-mixing PAR lights, 10 RGB LED Ellipsoidals for specials and additional effects lights.

Summing up about the Martin Audio MLA Compact, Aaron concludes, “we’re very pleased with the audio quality and system stability—there were no issues with the system––it sounded clean and wonderful and everybody was happy, which is always our goal.”

For more abut Control Point Technology, please click to www.control-point.com

For more about Martin Audio, please click to www.martin-audio.com

About Control Point Technology
Control Point is a Pennsylvania-based company founded in 2007 with the vision to utilize the most current AV trends, technology and concepts to design totally functional audio visual and communications systems for businesses ranging from casinos and pari-mutuel venues to hotel and entertainment companies.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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PreSonus Capture for iPad Puts Multitrack Recording at your Fingertips

Baton Rouge, Louisiana, July 2014… PreSonus® has introduced Capture™ for iPad® and Capture Duo, two new audio-recording apps for Apple iPad that are based on the company’s lauded Capture live-recording software for StudioLive mixers.

Capture for iPad can record up to 32 tracks simultaneously, with up to 24-bit, 96 kHz fidelity. The app provides basic mixing and editing features. Free Capture Duo lets you record and play two stereo tracks and is otherwise identical to Capture for iPad.

With either app, you can record and save multiple songs on an iPad, then wirelessly transfer them directly to PreSonus Studio One® (Mac or PC, version 2.6.3 or later), where you can edit and mix. Songs and individual tracks can also be copied using iTunes if the iPad is connected to the computer with a USB cable.

Capture for iPad has a lean and easy-to-use design: When you create a new Session, all tracks are record-enabled automatically; just tap the Record button to start recording. Tapping the “?” button launches an interactive Quick Start Guide that shows you how to get around the app and how to transfer sessions to Studio One.

Although designed primarily for sound acquisition, Capture for iPad/Duo supports essential event editing for basic cleanup. Editing audio is simple and intuitive, using basic finger gestures. Recordings are saved in the compact Apple Lossless format to save iPad memory and reduce transfer times.

The two apps require a second-generation iPad or newer, iPad Air, or iPad Mini; iOS 7 or higher; and any iPad-compatible audio interface, including the built-in microphone.

Capture for iPad is available from the Apple App Store for an expected price of $9.99. Capture™ Duo is free from the Apple App Store.

For more information please visit www.presonus.com/products/Capture-for -iPad.

 

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About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

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Related Topics: New Products, News |

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