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Yamaha NUAGE Ignites Post Market in Spokane

BBB-Nuage 1

BUENA PARK, Calif.—Bing Bang Boom! In Spokane, WA specializes in integrated music and sound design for film, television, advertising, video games, and the Internet. Their award-winning work can be heard on projects for CBS, ABC, NBC, Spike TV, HBO, Warner Bros. Films, and many blockbuster theatrical trailers.

The company recently added a new Yamaha NUAGE Advanced Production DAW System to their production arsenal. CEO Bill Byrne said that up until the purchase of the NUAGE system, he had been recording and mixing using multiple Mackie consoles, until Mackie was no longer providing the unlock
codes for their software, making it impossible to work on them.

“I have been a long time Cubase user and wanted to upgrade for at least the past five years having so many legacy projects in Cubase for Bing Bang
Boom Music and Sound Design Libraries, states Byrne. Even though stereo is still the main delivery format for the libraries, I still get calls to customize tracks, and to switch to ProTools or any other system with thousand of tracks would not have been cost or time effective. There really wasn’t any other system available that was completely integrated like NUAGE, plus it sounds amazingly good!”

Byrne said he’s been doing more and more mixing “in the box” but with most projects having 100+ tracks, navigating with a mouse was becoming impractical. “I had been working with Ron Cheney from RSPE for at least three or four years trying to come up with a suitable system. Every year, we would meet up at NAB in Las Vegas and look at new systems along with trips I would take to the RSPE office every three or four months. While there are a lot of systems out there, I really needed total integration with Cubase, and no other system really offered that but NUAGE.” Last April, Byrne and Cheney met up again at NAB and were given at great run through on NUAGE, heading back to the Yamaha Commercial Audio booth over the course of the show with more questions for the NUAGE team who he said were quite helpful.
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“Ron Cheney was extremely patient and helpful; his goal was to make sure I had the right system for my needs and not to just sell me something, Byrne says. I am very impressed by how hard he worked to make this happen for me. At around the same time, I saw a NUAGE system on a magazine cover with Hans Zimmer and other film industry notables. They were discussing surround sound in headphone mixes, which was quite interesting. So RSPE arranged a private demo with the NUAGE team, and I was impressed to see their level of commitment, a good sign that they would be there to support the product.”

After a basic run through using the RSPE Mac and installing the tools for NUAGE on his Mac Book Pro and hook up the system, Byrne was able to run one of his projects off his laptop. “We spent several hours going through the system and the “what ifs” needed to integrate a large I/O system into the setup. We discussed the Yamaha NIO and RIO boxes and how they could be integrated. At the end of the demo, I knew the NUAGE system was perfect for me. I was also quite excited (for the first time in many years) about all the new creative and productive possibilities.”

One of Byrne’s biggest issues was the need to have at least 32 live inputs and multiple cue mixes for his tracking room as he still records with a lot of real instruments. “I needed something that wouldn’t tax the main CPU as I always have lots of virtual instruments playing in every project that hit the CPU hard. The NIO and RIO boxes totally solved that problem for me, and having remote control over the mic pre-amps through the RIO is fabulous! I’m able to work with a 128 buffer on the main CPU and that makes tracking live players while all my VSTi’s are running too a snap.”

Of course having total integration with Cubase made it a no brainer notes Byrne. “Having the knobs and buttons labeled and dedicated to Cubase/Nuendo functions meant I wouldn’t have to spend any time at all mapping functions like I would have had to do had I purchased a third party system. Getting around my projects is so fast now. When I was mixing “in the box” with a mouse and also my iPad remote, because of the time factor in navigating around or even just automating fader moves, I tended not to try and experiment with different mix options. Now, with the NUAGE and the touch sensitive faders, if I want to try something different, it’s so easy to do and I can instantly get back to where I was if I don’t like it. For Cubase, it’s brilliant!”

“For old school guys that have worked a lot on analog consoles like Tridents, APIs, and Neves,, the seamless integration of the live input NIO and RIO I/Os, channel control, master, and DAW functions really does make it feel like you are working on a console, adds Byrne. The way the knobs and buttons light up to give you hands-on access to the functions and being able to program lots of Quick Controls for the functions I use all the time is great too. The jog wheel
feels great and the transport functions make it a snap to navigate and edit very quickly.”

Byrne said he’s owned a lot of Yamaha products over the years that are still in use, “The fact that they are providing the hardware and also own Steinberg gave me great confidence that the product would continue to develop and be supported. I had been waiting a long time for the NUAGE system and Yamaha/Steinberg have delivered way beyond my expectations!

Bing Bang Boom! recent projects using NUAGE include a music track for the home video release of How To Train Your Dragon 2 and a new BBB trailer sound design library called Arsenal of Awesome.

For more information on Bing Bang Boom! visit www.bingbangboom.net.

For more information on the Yamaha NUAGE Advanced Production System, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Vintage King Hosts TELEFUNKEN Mic Summit Session During AES

Track Files for Zane Carney & Friends Now Available for Download

AES_VK_TFunk_summit_400px
Pictured at Vintage King Los Angeles during AES are (L-R) Tommy King, keyboards; Gavin Salmon, drums; Zane Carney, guitar and vocals; Greg Garbowsky, bass; Josh Gleave, Vintage King Sales; Jason Scheuner, TFunk Artist Liaison; Jeffrey Ehrenberg, Vintage King West Coast Sales Mgr; Alan Venitosh, TFunk Director of Operations. Photo by David Goggin.

Vintage King Audio, the leader in professional audio sales, studio consulting, and comprehensive gear servicing teamed up with TELEFUNKEN Elektroakustik to make this a very special AES in honor of its return to Los Angeles. Dubbed the “Telefunken Microphone Summit,” Vintage King and Telefunken recorded a live session with Zane Carney and Friends showcasing a full range of dynamic and condenser models from the microphone titan.

The entire line of classic TELEFUNKEN microphones were on hand for this historic session, including the new M60 small diaphragm condenser mic, the company’s first FET model. Additional Telefunken mics on hand were the DD5 Dynamic Drum Pack for drums and the M81 Dynamic for guitars. Telefunken also supplied old favorites like the ELA M 251E, C12 and U47, in addition to newer mics like the AR-51, AK-47 MKII and CU-29.

In new gear announcements, Telefunken debuted their M60 small diaphragm FET mic at the recording session. While this new mic has been used in private by Steely Dan and on TV projects like “The Following,” the Vintage King and Telefunken session was the exclusive debut to the public during AES 2014.

Visit the Telefunken website here for detailed info on the session. Downloads will be available shortly.
http://www.telefunken-elektroakustik.com/download/tfunk-vk-aes-mic-summit/

Zane Carney is a world-class guitarist, singer, and songwriter, most known for his work with John Mayer, the band Carney, and Broadway’s “Spider Man -Turn Off The Dark.” Bono of U2 has referred to Zane as “The best guitarist in NY and LA”. More recently, John Mayer handpicked Zane to play guitar on his current world tour and latest album.
Learn more about Zane Carney at: http://www.zanecarney.com

ABOUT VINTAGE KING AUDIO
Vintage King Audio is a leader in professional audio sales, studio consulting, and comprehensive gear servicing. No matter the scope of a client’s needs or goals – from selecting a new microphone to designing a studio from the ground up – Vintage King distinguishes itself with standard-setting customer service, which begins with the company’s knowledgeable, industry-experienced staff. For more information, visit: http://www.vintageking.com/about-us

ABOUT TELEFUNKEN
TELEFUNKEN Elektroakustik strives for absolute perfection. By offering historic recreations of classic microphones alongside their own proprietary designs based around the distinctive tube mic sound, TELEFUNKEN has established a product line that expertly combines vintage style and sound with the reliability of a modern-day microphone design. TELEFUNKEN’s commitment to both the sonic excellence and quality of all of their products is rivaled only by their dedication to provide the best possible service to each and every one of their customers.
For more info, visit: http://www.telefunken-elektroakustik.com

Control Everything From Anywhere with the All-New Mackie DL32R™ Digital Live Sound Mixer

Delivering complete wireless control of a powerful 32-channel digital mixing platform

 WOODINVILLE, WA, USA – OCTOBER 15, 2014 – Mackie today introduces a powerful new 32-channel digital mixing system completely controlled wirelessly from Mackie’s intuitive Master Fader iPad® app, freeing users to get in the mix like never before — the DL32R 32-Channel Wireless Digital Mixer with iPad Control. Featuring complete wireless control over everything, including fully-loaded DSP and multi-track recording/playback, you can control everything from anywhere with the DL32R.

“Early on, Mackie believed that we can bring the user incredible benefits if we just let go of old conventions,” commented Ben Olswang, Mackie Senior Product Manager. “By ensuring that each and every feature can be controlled wirelessly without compromise, we are delivering benefits to users that were simply not possible before now.”

The Mackie DL32R features a mix of flexible, professional I/O in an ultra-compact 3U rackmount design. Each of the 32 inputs (24 XLR, 8 XLR/TRS combo) feature Mackie’s all-new Onyx+ recallable mic preamps, with remote control over preamp gain and phantom power. The new Onyx+ preamps outperform the industry-proven Onyx design, which has garnered rave reviews for its boutique-quality sound and performance.

“You get frequency response that goes all the way down to 20Hz within 1dB at all gain settings,” remarked Olswang. “Noise is minimized at every gain setting, not just minimum and maximum like other mixers. Designed for the rigid standards of professional live sound, DL32R’s gain changes are completely silent.”

 Fully-assignable using the Master Fader control app, there are 14 XLR outputs great for anything from stage monitors to matrix outputs. The front panel also features a stereo AES digital output for connecting gear like speaker processors. A dedicated stereo monitor output is ideal for connecting an in-ear monitor system for detailed listening from anywhere in the venue.

With complete wireless control of the system using Mackie’s Master Fader iPad app, a new world of mixing possibilities opens up. There is no longer any need for a fixed FOH position. Place the mixer where it works best — be it next to the stage, backstage or even tucked away in a utility closet. This can also eliminate the need for an expensive, bulky analog snake.The DL32R does away with troublesome FOH positions such as under a balcony, behind a pillar, etc.  The user can tune the room right from the problem spots and get on stage to ring out monitors or work with the band to dial in the perfect monitor mix.

Multiple engineers can work wirelessly from a single DL32R mixer using their own iOS device, including monitor engineers and performers who wish to control their own monitor mixes. The lead engineer can apply access limiting to additional control devices, keeping the user from making unwanted changes.

Multi-track recording and playback are critical for professional applications and the DL32R features two flexible methods for multi-track recording and playback. The first of these is direct to USB hard drive, which is currently a 48 kHz, 24-bit, 24 input by 24 output platform. This will be expanded soon to 32×32 via a free firmware update. The direct-to-disk option delivers unprecedented wireless control over your multi-track recording and playback

“Just connect a USB hard drive loaded with your media directly to the DL32R and you can control it all from anywhere in the venue,” remarks Olswang. “It’s an amazing way to control things like backing tracks and intermission music all while recording the show. Plus, who wants to run back and forth to a separate recording rig?”

An additional USB 2.0 computer audio interface is available for 32×32 recording and playback that can directly connect with any DAW, great for studio applications and rehearsal spaces. Both methods provide the ability to record the band and perform a virtual soundcheck at the next show. This is a powerful and professional way to dial in a mix at any venue.

MAC-3DL32R_Live_Monitor_Mixing_2 copyThe DL32R is loaded with powerful DSP that eliminates the need for racks of expensive outboard processing. Each of the 32 inputs features a 4-band parametric EQ with a separate high-pass filter plus gating and compression. Four return channels feature dedicated EQ and compression. Each of the 14 aux sends, six matrix busses and main L/R busses feature a 4-band parametric EQ, 31-band GEQ, a compressor limiter and alignment delay. Six subgroups feature EQ and compression. Each processor features Modern and Vintage voicing options, delivering sonic choice to the user. Three separate effects processors with dedicated sends allow for two reverbs and one delay with tap control. 6 VCAs and 6 Mute Groups round out the processing.

“Only the DL32R delivers professional mixing tools like VCAs, subgroups and matrix busses at this price point,” comments Olswang. “And there’s no configuration or tradeoffs. Every input and output has all the processing you need for your professional application.”

Designed from the ground up for live sound, Mackie’s Master Fader iPad app delivers total wireless control over the DL32R. True to Mackie’s ongoing commitment to creating mixers that are extremely easy to learn and to master, Master Fader provides fast navigation and very powerful tools for mixing 32-channels of audio.

“One of the most powerful features of Master Fader is our user-definable view groups,” remarks Olswang. “Simply select the channels for each of the six view groups to easily switch between things like drums, guitars or vocals. This means no swiping and no remembering what bank to select. Just go right to what you need.”

Master Fader is loaded with a wide array of factory presets that are ideal for novice users and a great starting point for any professional, requiring little to no tweaking depending on the application. Users can also create their own custom presets, simplifying and minimizing setup when working with common and familiar sources. There’s also the ability to share these presets via email or Dropbox, which is a powerful new tool for the Mackie mixing community. Plus, with frequent and simple App Store updates, Master Fader will get better over time with more features planned for the future.

“With the Mackie DL32R, you control everything from anywhere. You get the freedom to mix how you want, where you want and get results that truly benefit the audience,” concludes Olswang.

The new Mackie DL32R 32-Channel Wireless Digital Mixer with iPad Control will be available worldwide in Q4, 2014. The DL32R will have a U.S. MSRP of $2499.99.

The Master Fader app is available for free download from the App Store.

The My Fader app is available through iTunes.

For more information, visit http://www.mackie.com/DL32R

 

iPad is a registered trademark of Apple Inc., registered in the U.S. and other countries.
Wi-Fi router and iPad required for operation. Not included.

 

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Atlanta-Based Composer/Sound Designer Feels ‘At Home’ With Yamaha NUAGE

JP-FIlm-mixing_SL-6-14

BUENA PARK, Calif.—John Penn is an independent film/music composer, 3D sound designer, producer, media-tech entrepreneur, and owner of Undercurrent Labs, the company he founded in 2011. Part of the Atlanta tech community, the company is focused on virtual and augmented reality and content development for web and mobile applications. Working with several innovative companies that are pushing the boundaries on immersive surround, a networked infrastructure is key to the Company’s development. A software and content development company, it is focused on enterprise mobile apps for the MedTech and streaming video markets, and also currently developing augmented reality and location aware technology for mobile devices to help medical device manufacturers and hospitals reduce the risk of accidents, complications, and costs of operating complex medical equipment.

“I believe music is an important form of medicine and I’ve been researching the application of 3D sound and music as a more natural application to improve medical conditions that affect the brain, nervous system, and chronic pain conditions. Harnessing song, sound frequencies, and rhythm as another tool in treating physical ailments is an emerging field, states Penn. Fundamentally, our biological existence is closely tied to vibrational energy, and tapping into 3D space and other dimensions that is hard for us to consciously perceive, but our core being understands, can ultimately render medically beneficial outcomes previously not thought possible. There is a connection between dimensional sound vibration, m-theory physics, and medicine that we have barely scratched the surface on.”

Penn says the company’s strategy to provide full-service and on-time delivery is built on the best network infrastructure available for audio and video that helps to scale dynamically to each project with post-production talent, workflow, and equipment. For that reason, Undercurrent Labs purchased the new Yamaha NUAGE Advanced Production DAW System. “I was sharing my studio upgrade plans with my brother Mark, also a Nuendo user, and had just seen the Yamaha announcement for NUAGE. “For years, we waited for the right control surface for Nuendo, so when we saw the pictures and specs for NUAGE, we knew the wait was over.”

NUAGE dealer RSPE recommended a demo, and so Penn reached out to Yamaha’s Chris Hinson for that purpose. “You don’t have a real appreciation of the presence and feel of NUAGE just by looking at pictures until you see it in person, touching the surface and realizing the freedom of not being confined to a box of semiconductors. Sitting at the NUAGE console and looking at the new Nuendo 6, I actually felt at home again, in a musical sense. The design is that good!”

The collaboration of Yamaha and Steinberg to harmonize the workflow of an established DAW like Cubase/Nuendo and Yamaha’s deep portfolio of digital mixers and their combined design and engineering philosophy helped Penn to affirm NUAGE as a great result, since he was already comfortable with Nuendo since Version 2 and the Yamaha 01V and 01V96 mixers. “It is kind of like mixing peanut butter and chocolate, for most folks, you’re going to get something great.”

Penn said he put NUAGE to the challenge on its maiden voyage in his surround mix room where he served as supervising sound mixer for Hollywood veteran actor and director, Tommy Ford (Martin on Fox; New York Undercover, UPN; The Parkers), editor Kevin Christopher, producer Shannon Nash and executive producer Bryant Scott of Tyscot Films, for a new film being released this year entitled “Switching Lanes”, starring Michael Lerner (GLEE), Marla Maples (Executive Decision), Terri J Vaughn (Steve Harvey Show), Victoria Staley (Raising Izzy), Doc Shaw (House of Payne, Pair of Kings), LisaRaye McCoy (All of Us, Single Ladies), and Fred Hammond, talented gospel artist, musician and friend of Penn’s from the Detroit music scene.

“Nuendo’s ADR mode enables me to accomplish more in vocal and Foley sessions by allowing multiple takes in one batch for scenes, providing more freedom for greater spontaneity in performance by the artist and guidelines from the director or producer, says Penn. “I’m currently test driving Yamaha’s Rio 32-channel I/O box to remotely control the head amplifiers from either the NUAGE Master and Fader control surfaces, by-passing my analog patch bay and cable snakes.”

“Touch is everything to me when I’m in a creative vibe, a real break from flat glass. I love the natural texture of the hand rest, stainless steel jog wheel and the frame accurate precision it provides as I nudge video or audio tracks. Designing in 3D space in real-time on a Sci-Fi Q-Bik Muz soundtrack “PsychoPlasmic” was nearly impossible without JL Cooper’s Surround Panner, enabling three axis of control and automation manipulating audio objects around 9 monitors. The integration of NUAGE to manage 3D audio for real-time 3D motion graphics for live video production, animation, and content branding, using virtual sets, and augmented reality, brings a level of creative collaboration to Georgia usually exclusive to LA and UK studios,” adds Penn.

“One of my film dialog editors, Elliot Glenn, a Pro Tools user said he never thought he’d be able to learn a new DAW using a control surface specifically created for that DAW. The integrated approach Yamaha has perfected not only sped up the learning curve but revealed many features of Nuendo sometimes hidden in software. Believe me when I say that the NUAGE integration with Nuendo is truly seamless.”

Penn is currently working on several projects including music scoring, sound design and technical consulting for his daughter, Maya Penn whose animation series has captivated a vast audience of tweens and adults alike. He is also producing an EP for an indie rock band The Endangered Species, producing and composing the first Q-Bik Muz sci-fi film and music release entitled “Anti-Gravity Machine.” “It’ll be a lot of fun as I’m approaching this music project from the POV of a film director and sound designer focusing on next generation audio that includes both surround, layered height channels, and 3D space including Soundfield, Auro 3D, Dolby Atmos and 3D Link.”

For more information on Undercurrent Labs, visit www.undercurrentlabs.com.

For more information on NUAGE, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Technotrix Acquires Martin Audio MLA For Improved Coverage

Technotrix

Chicago, IL––Specialists in Audio, Lighting, Staging and Rigging, Technotrix Inc. recently became a valued member of the growing worldwide MLA Network with the purchase of an MLA System 24.

The System 24, which consists of 14 MLA and 2 MLD (downfill) enclosures and 8 MLX subwoofers, was acquired prior to the summer festival season on July 1st and immediately pressed into service for the Taste of Chicago food and music festival, Summer Set Music & Camping Festival, Riot Fest in Chicago and a concert with The Replacements headlining in Minnesota.

Asked about the impact of the new system, Technotrix Senior Account Executive Kevin Kiefer responds, “The MLA technology is really exceptional. The system coverage is much better than anything we’ve ever used. For The Replacements concert, the last show at Midway Stadium in Minneapolis, we used a larger System 36 and the most noticeable thing was the phase coherence and stereo imaging. We were between 400 and 500 feet away from the PA and it sounded like listening to the concert in your living room.

The Replacements

“Apart from all of the control that you have over the volume and level of sound throughout the listening area,” Kevin adds, “is the area beyond that. With MLA, you can be sitting on a hillside beyond the audience area and the experience is much better than any other system we’ve ever heard.

“I have to say that the MLA system has performed exceptionally well in these outdoor environments so far. It met with a universally positive response this summer, especially at some of these other festivals where we’ve been able to hear the other large format systems that are out there. It’s very apparent with MLA, especially over large distances, how the coverage remains consistent throughout the entire listening area from front to back. This is something we noticed right away when evaluating the rig. MLA doesn’t act like a typical loudspeaker system.

“What I tell everybody is that the cellular drive in the design of the MLA is the technology destined to replace current line arrays as we know them. The system looks and rigs like a line array, but much the same way line arrays replaced conventional PA systems for over 95% of the large shows these days, cellular drive will eventually replace line arrays. Once you do festivals with MLA, other systems just don’t sound right.

“We’re trying to educate our clients as to all the stuff we can do with this system that no one else can do,” Kevin concludes, “and it takes time to have people understand these capabilities are even available to them because they’re so advanced.”

Technotrix team photo caption:
From the left: Brian Levy, Andy Kuhlmann, Rosie, Matt McQuaid, Kevin Kiefer, Michael Schroeder, Brent Bernhardt, Beau and Chris Bonifas

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

HARMAN’s dbx Introduces 676 Tube Mic Pre Channel Strip

dbx-676-FrontSALT LAKE CITY, Utah – HARMAN’s dbx today announced the introduction of its model 676 Tube Mic Pre Channel Strip, a vacuum tube-based microphone preamplifier that offers a host of flexible sound-tailoring options to deliver extraordinary audio quality in recording and live sound applications.

The dbx 676 employs a high-gain, Class A tube preamp section based around a 12AU7 vacuum tube that can be adjusted to be clean and pure-sounding or dirty and full of harmonic character. The 676 incorporates the Compressor/Limiter design from the highly sought-after dbx 162SL and a 3-band parametric EQ, enabling exacting control of dynamics and tonal balance.

“We created the dbx 676 to be nothing less than the ultimate mic preamp,” said Jason Kunz, Market Manager, Portable PA and Recording & Broadcast, HARMAN Signal Processing. “Whether you need a preamp that provides pristine, rich sound quality and tube warmth, want to add some edge and personality to vocals and instruments or are seeking to improve the sound of your recording or live rig, the dbx 676 is the ideal tool for taking your sound to the highest level.”

The dbx 676 offers ¼-inch and XLR inputs and outputs, a front-panel instrument input and a side chain insert. An optional digital output card is available. The 676 allows for precise tailoring of input and output levels which can be monitored by its large multi-function VU meter.

The compressor/limiter section provides extremely flexible control of dynamics including threshold, attack, gain and release, auto attack and release, hard and soft knee compression, dbx-exclusive AutoVelocity™ manual and OverEasy® modes and PeakStop™ limiting algorithm and many additional functions. The 676’s 3-band parametric EQ allows adjustment of level and bandwidth at frequencies that have been carefully chosen for maximum musical effectiveness.

Although comprehensive in its capabilities the dbx 676 is designed for ease of use, with its vintage-style controls and VU metering. The 676 features military-grade build for total reliability and mounts in a 2U rack space.

The dbx 676 Tube Mic Pre Channel Strip will be available in January 2015 at a U.S. street price of $999.95.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Chandler Limited Announces REDD.47 Pre-Amplifier

Chandler Limited REDD.47 Pre Amp - EMI Abbey Road StudiosChandler Limited adds tube pre-amplifier to its Abbey Road Studios series

Shell Rock, IA – October 2014 … Chandler Limited, recognized globally for signal processing and related music and audio products that deliver the classic analog sounds recording and professional musicians seek, announces addition of the REDD.47 pre-amplifier to Chandler’s esteemed Abbey Road Studios product line.

The REDD.47 microphone pre-amplifier, considered a ‘holy grail’ to some, is most closely associated with the sound of The Beatles’ records recorded at Abbey Road Studios from 1964-1968. Today, 50 years later, Chandler Limited revives this legendary sound with its own incarnation of the famous REDD.47.

The origins of the REDD.47 began at Abbey Road Studios’ technical division, the ‘Record Engineering Development Department’,  in 1958. The REDD.47 line amplifier was designed as the replacement for Telefunken’s V72S. The latter was a specially modified version of the Telefunken V72 valve amplifier, used in the early EMI REDD mixing consoles at Abbey Road Studios.

The REDD.47 tube amplifier was introduced as the plug-in all-purpose line amplifier component for EMI’s next generation REDD.51 mixing console, first built in 1959. However, Abbey Road’s Studio Two, home to the majority of The Beatles’ recording sessions, only received its REDD.51 mixing console in 1964. The REDD.47 left its unmistakable sonic character on every Beatles record from 1964 to 1968.

Chandler Limited’s re-imagination of the REDD.47 realizes the punchy, aggressive sound of the original pre-amplifier, while adding new features required for the rigors of today’s recording studio environment. One of the features of Chandler Limited’s REDD.47 design is increased gain, allowing a range of tonal options from pristine clean sound to classic rich, saturated tone with up to 2% harmonic distortion before clipping. The Chandler Limited REDD.47 pre-amp easily reproduces the distortions heard on The Beatles’ ‘Revolution.’

The introduction of the REDD.47 tube pre-amplifier is a milestone for the Shell Rock, Iowa pro-audio manufacturer and Chandler’s heralded Abbey Road Studios product line. Chandler Limited founder and chief designer, Wade Goeke, had this to say,

“Obviously this is a big step for Chandler Limited. The REDD.47 is possibly the most famous mic pre of all time and we all wanted it to be special in sound, function, and appearance. From using the original documentation, to remolding the jumbo old style knobs, to reviving the Rumble Filter, every part of this design has been special . . . and if you’re wondering . . . yes, it distorts in that special way just like on the old songs!”

Equally excited for the new REDD.47 pre-amplifier is Abbey Road Studios’ Head of Audio Products, Mirek Stiles,

“Abbey Road Studios is proud to see the legendary REDD.47 microphone pre-amp brought back to life as a hardware unit. The distinctively warm and sometimes aggressive sound the REDD.47 is known for has made a huge impact on some of the most important historical recordings of all time. It’s very exciting to know the famous ‘edgy treble’ sound will now be available to engineers, producers and artists all over the world.”

Chandler Limited’s REDD.47 pre-amp has the ability to be used as a mic pre-amp, line amplifier, or serve as a D/I, and is sure to become a record production staple of recording studios worldwide.

To learn more about Chandler Limited’s REDD.47 pre-amp visit: http://chandlerlimited.com/redd-47-pre-amp

Chandler Limited expects to begin shipping the highly anticipated REDD.47 pre-amp during first quarter 2015.

 

About Chandler Limited

Headquartered in Shell Rock, Iowa, Chandler Limited, Inc. is a boutique manufacturer of high-end signal processors, mixers, and amplifiers for musicians and audio professionals. Recognized globally for its exquisitely handmade products and the company’s high profile clientele, Chandler’s product offerings include the Abbey Road/TG line, its unique Germanium transistor series of products, the 500 Series Modules, plus its recently introduced guitar pedals and amplifier. For additional information about all Chandler Limited products, please visit the company online at www.chandlerlimited.com.

About Abbey Road Studios

Abbey Road Studios are the most famous recording studios in the world and an iconic symbol of British music.  They have been home to countless landmark recordings and pioneering advances in recording technology.  Opened in November 1931, Abbey Road Studios were the world’s first purpose-built recording studios.  The hallowed building has a phenomenal history spanning over 80 years, during which the studios have hosted many of the world’s most famous artists, including the Beatles, Pink Floyd, the Hollies, Kate Bush, Oasis, Florence and the Machine, Adele and Lady Gaga.  Abbey Road is also one of the world’s premiere locations for movie scoring.  Since the 1980s, scores for films such as Raiders of the Lost Ark, the Lord of the Rings Trilogy, Braveheart, and The King’s Speech have been recorded there.  The list continues with many other major titles, including Shrek, Prometheus, Harry Potter, Skyfall, and The Hobbit.

 

Abbey Road Studios, EMI, REDD and their associated logos are trademarks of EMI (IP) Limited.

ATC ANNOUNCES NEW LINE OF POWER AMPLIFIERS – THE P1 PRO AND P2 PRO

ATC_P1_PROLAS VEGAS, NEVADA – OCTOBER 2014: The TransAudio Group is proud to announce the release of two new MOSFET Class A/B design dual mono power amplifiers from ATC – the P1 Pro and P2 Pro. At 150W/ch into 8 Ohms and 300W/ch into 8 Ohms respectively, these fan-less, rack-mountable power amplifiers offer the perfect solution for any studio wishing to get the best out of their passive monitors, including the all-new ATC SCM20PSL Pro.

Both models feature a 19-inch rack-mount chassis with front panel mounted standby button and L/R clip indication. The amplifiers incorporate the same gain reduction and loudspeaker protection circuits that are used in the ATC active monitors. These circuits ensure that the amplifier will not clip, even when working at very high volumes, which protects the loudspeakers from damage and improves the subjective performance of the entire system. Importantly, neither amplifier uses a fan, so they can be placed anywhere, including the control room.

The P1 Pro and P2 Pro are of a ‘true’ dual mono design: the power supplies, signal, and return paths are totally separated from each other. This approach maximizes signal separation and minimizes crosstalk. Further, intermodulation between channels via the power supplies is reduced to an absolute minimum at all frequencies, and the power demand from one channel cannot affect the specified power available to the other channel.

Brad Lunde, president of the TransAudio Group, ATC’s U.S. distributor stated, “ATC is famous for building active studio reference monitors that give engineers a consistent, honest reflection of their work. Although ATC’s revolutionary drivers and chasses get most of the credit for the brand’s legendary transparency, ATC’s superbly-designed amplifiers deserve equal credit. Just as the new passive ATC SCM20PSL Pro gives engineers access to ATC’s loudspeaker without the amplification, the new ATC P1 Pro and P2 Pro give engineers access to ATC’s zero-compromise amplification without the loudspeaker itself. Any reference monitor will benefit from the clean power of an ATC P1 Pro or P2 Pro.”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

STOP BY AND SEE US AT AES 2014 – PLEASE NOTE OUR NEW BOOTH #1014

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Barefoot Introduces New MicroMain45 Monitors at AES

Renowned Power, Resolution, and Accuracy
Barefoot_MM45_3727_400px

Barefoot Sound is introducing their newest studio monitor, the MicroMain45 at AES 2014 in Los Angeles, Booth #1031. Featuring the same revolutionary signal path, amplifier and driver technologies as the flagship MiniMain12, the MicroMain45 is stripped down to the bare essentials to deliver the renowned Barefoot power, resolution and accuracy at a more affordable price.

The new Barefoot MM45 is a 3-way active monitor with controls for equalization contour and an input level stepped attenuator. The cabinet has a total of 14 liters internal volume, sealed woofer and midrange enclosures, machined aluminum baffle plate, and long fiber wool acoustic damping throughout.

The MM45 tweeter has a 1″ ring radiator, advanced geometry motor, and rear waveguide chamber, with 180W Hypex amplifier. The midranges have two 2.5? aluminum cones, advanced geometry motors, and +/- 2 mm linear excursion, with 180W Hypex amplifier. The woofer has an 8? aluminum cone with high linearity motor, and +/- 13 mm linear excursion with a 250W Hypex amplifier.

Specifications:
Input Impedance: 50k Ohm
Frequency Response: 40Hz – 45kHz (±3dB), 53Hz – 40kHz (±1dB)
Bass Response: -3 dB @ 40Hz, Q = 0.707, Slope = 12 dB/octave
Crossover Frequencies: 600 / 2500 Hz
AC Power Input: Nominal 115 VAC or 230 VAC selectable
Power Consumption: Idle: 18W, Maximum: 400W
Weight: Speaker: 37.5 lbs. each (17 kg), Shipping: 47 lbs. each (21 kg)
Dimensions HxWxD: Cabinet: 11.0 x 15.5 x 10.75 inches (279 x 394 x 273 mm)
Overall: 11.0 x 15.5 x 11.0 inches (279 x 394 x 279 mm)

See and hear the new MicroMain45 at AES Booth #1031

ABOUT BAREFOOT SOUND
Barefoot Sound was founded by Thomas Barefoot with the goal of creating a new breed of studio monitor. While project studios were sprouting up all over the world, filled with outstanding gear, yet with limited space, Thomas Barefoot recognized the need for a speaker that could transcend the traditional distinctions between nearfield, main and mastering monitors. Translating effortlessly and never requiring second guessing, Barefoot Sound monitors are recognized throughout the music industry as multifunctional masterpieces. By creating compact studio monitors with huge sound and astonishing clarity, Barefoot has set an entirely new standard. Handcrafted in the USA.

Learn more about the new Barefoot Sound MM45 at : http://barefootsound.com/micromain45/

Dega Broadcast Systems Delivers Pristine Audio from Commonwealth Games with HARMAN’s Studer Vista Consoles and Route 6000 System

Audio engineer Richard Sillitto mixes “Tonight at the Games” using a Studer Vista 9 digital console.  Photo Credit: Martin Deane

Audio engineer Richard Sillitto mixes “Tonight at the Games” using a Studer Vista 9 digital console.
Photo Credit: Martin Deane

GLASGOW, United Kingdom – In the largest multi-sport event ever held in Glasgow, Scotland, the 2014 Commonwealth Games brought together athletes from 71 nations and territories competing in 18 different sports. The Games took place in multiple venues throughout Glasgow; Dega Broadcast Systems of Basingstoke, UK, was contracted by the BBC to provide the additional technical facilities required to cover the events. Highlighting Dega’s broadcast equipment were multiple HARMAN Studer Vista digital audio consoles.

Among the equipment Dega provided was a 52-fader Vista 9 digital console, which was used for BBC Three’s coverage of the games. The Vista 9 was also used in the evenings for an entertainment highlights show on BBC One called “Tonight at the Games.” Dega also supplied a Vista 1 console to equalize and balance all the incoming commentaries.

In addition, Dega used a Studer Route 6000 routing and signal processing system, which was connected to the Vista 9 and Vista 1, as well as a Riedel MediorNet system. The Route 6000 was used to route commentary and coordinate circuits between feeds and venues under the control of BNCS software.

“We have a good relationship with Studer and have used their equipment successfully in the past,” said John Cleaver of Dega Broadcast Systems. “The Studer consoles performed extremely well during the Commonwealth Games.”

The Studer Route 6000 system can accommodate up to 1728 x 1728 inputs and outputs. The main DSP Core is highly suited to space-conscious installations. Equipped with an internal D21m I/O system with up to 192 inputs and outputs, it takes up only 6U of rack space, while multiple cores are simply interconnected using CAT5 tie lines.

“The Vista 9 proved a great platform for both the daytime sports coverage and the evening entertainment show,” said Richard Sillitto, audio engineer at the Commonwealth Games. “The VistaMix and snapshot capabilities are great tools for the ‘of the moment’ nature of sports coverage, mixed with the demands of an LE show.”

For more information on Dega Broadcast Systems, please visit www.dega.co.uk

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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