Briefingroom

Mixonline Briefing Room

Archive of the New Products Category

TELEFUNKEN Introduces New Black Diamond Tubes at Summer NAMM

Manufactured in Europe with Cryogenic Treatment in the USA

Pictured is the new TELEFUNKEN Black Diamond ECC83-TK tube, a modern version of the 12AX7, originally developed in 1947.

TELEFUNKEN Elektroakustik of South Windsor, CT, is debuting its new line of Black Diamond Vacuum Tubes at Summer NAMM in Nashville. Original German made TELEFUNKEN vacuum tubes have been the benchmark of excellence in all audio applications, both production and reproduction, for many decades. Today, this rich history continues with the introduction of the new Black Diamond series.

Manufactured in partnership with JJ Tubes in Slovakia, each Black Diamond tube is meticulously measured for all critical parameters of performance including transconductance, gain, noise, and microphonics.

In addition to rigorous testing procedures, all new production TELEFUNKEN tubes are cryogenically treated to ensure durability, and subjected to an extended burn-in period to ensure superior stability. The tubes are re-measured subsequent to burn-in, and again before final packaging, in order to guarantee that only the best, lowest noise tubes are offered.

The cryogenic treatment process is done for a number of benefits, both sonically and constructional. Cryogenically treated vacuum tubes have a lowered noise floor, less microphonics, expanded dynamic range with more tonal depth, and a more consistent tone over a longer lifespan. In guitar amps, Black Diamond Series vacuum tubes have more harmonic content and improved saturation, which result in a richer tonal quality and deeper overdrive character.

All TELEFUNKEN branded tubes are hand picked to be the best examples of Eastern European construction in the proud tradition with which the name TELEFUNKEN Elektroakustik has become synonymous. To learn more about the full line of new tubes in the Black Diamond series visit:

http://www.telefunken-elektroakustik.com/products/tubes/

See the new Black Diamond Vacuum Tubes and the entire line of TELEFUNKEN microphones at Summer NAMM in Nashville, Music City Center, Booth #426.

ABOUT TELEFUNKEN
TELEFUNKEN Elektroakustik strives for absolute perfection. By offering historic recreations of classic microphones alongside their own proprietary designs based around the distinctive tube mic sound, TELEFUNKEN has established a product line that expertly combines vintage style and sound with the reliability of a modern-day microphone design. TELEFUNKEN’s commitment to both the sonic excellence and quality of all of their products is rivaled only by their dedication to provide the best possible service to each and every one of their customers.
For more info, visit: http://www.telefunken-elektroakustik.com

SSL Live on Tour with Michael McDonald

“Because of the separation you get with the summing in the mix bus, it’s easier to place things in the mix”

NASHVILLE – Blue-eyed soul singer Michael McDonald joins 1980s super-group Toto this summer for a North American co-bill that stops at The Greek in Los Angeles and The Fox in Atlanta. McDonald’s front-of-house engineer Curtis Flatt was first introduced to Spectrum Sound of Nashville while in college and went to work for the company in 1986. Through the long association, Flatt’s career has spanned the best consoles and musicians of the last three decades, including Wynona Judd and the Judds, Donny Osmond and Michael W. Smith. He also filled in for a short time for Robert Collins on Eric Clapton. Today, he can be found at McDonald’s helm with an SSL Live console.

Flatt first took SSL Live out on McDonald’s Christmas Tour last winter. “Spectrum was going to order a pair for Jason Aldean and asked if I wanted to be the first to take one out,” he says. “I programmed it in my office and, without a production rehearsal, dove in at the first sound check. Michael’s musicians’ sounds are really good to start with. They play really well together and it’s a straightforward show. If you start with a good sounding product, mic it with quality microphones and run it through a console that has an excellent quality, you’re pretty much there. SSL Live brings me to that point and gives me the freedom to just mix and not have to think about a lot of external processes.”

The transparency of SSL Live’s mix bus, especially since it is a digital console, was one of the first things Flatt noticed. “There are a handful of consoles out there that sound good or really good, but as everybody who mixes knows, as you start to sum all those good sounding parts together, a lot of times you’re either working with or around the console to create that final sound, that final mix,” he explains. “On a warm console, you may have to figure out which inputs could lose a little warmth to fit in with everything so that it doesn’t get muddy. Live has such a separation that as you add all of the inputs, you don’t have this muddle going on, which happens so often on other live consoles. There’s definition to everything in the mix.”

Flatt credits the fidelity both in the highs and the lows of the console. “There’s a nice top-end on it and it’s really smooth; there isn’t an overabundance of hype on it,” he says, adding, “The low-end on the console is nice and round without being overbearing.”

He also notes an improvement in mixing and panning compared to other consoles. “Because of the separation you get with the summing in the mix bus, it’s easier to place things in the mix,” he says. “The palette is more open, so placement in the mix becomes really noticeable. Slight pans and movements here and there present a better picture. You hear subtle differences. For example, our drummer had two hi-hats; one was panned slightly left and one was barely right – and I mean barely, but you always knew which one he was playing, even with your eyes closed.

“I run a couple of parallel-compression bus groups because we try to maintain a certain level in the show and want to add a little bit of punch back into that in some areas without overly compressing the entire mix,” he continues. “So, I have a parallel drum group and a parallel background vocal group to level them out a little bit and add them in as needed. If the show really starts to push a little bit, there may be a dB or two of compression with the bus compressor, but the show is very dynamic so I don’t want to take the dynamics out, since the music lends itself to dynamics. It’s got pop, rock and R&B.”

The difference the SSL Live console makes during a performance is starting to gain recognition from the entire McDonald camp. “It’s not only been noticed by Michael and the band, but also management, other members of the crew and even some diehard fans noticed that something was different,” Flatt says. “When we did our first fly date after coming back from being on tour, I was using a different console because we flew in for a one-off show. Michael walked past FOH to say ‘hi,’ and when he looked over at the console and saw it wasn’t the SSL Live, he said, ‘Oh, it’s one of those.’ So it’s definitely something that he and the band have noticed; that management and production management have said ‘Yeah, we’re going to carry the SSL console, you don’t have to fight for it.’ ”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, New Products, News |

Trevor Morris Studios Mixer Phil McGowan Picks Penteo 4 Pro

Stereo-to-Surround Upmixer Used for Powerful “Vikings” Score

Pictured at Trevor Morris Studios is scoring mixer and studio manager Phil McGowan. Photo by David Goggin.

Phil McGowan, scoring mixer and studio manager at Trevor Morris Studios in Santa Monica has been utilizing the Penteo 4 Pro stereo-to-surround up-mixer for the past year on a number scores for both film and television, notably the hit show “Vikings.” He recently upgraded to Penteo 4 Pro, which supports Avid’s AAX plug-in format for true 64 bit processing.

Multi-tasking engineer McGowan keeps busy at TMS, oftentimes serving concurrently as co-producer, mix engineer, and Pro Tools consultant on various projects for Morris and other composers. He first learned of Penteo through GC Pro, the professional audio division of Guitar Center.

“I was looking for a new stereo up-mixer because the ones I had been using weren’t being updated and were not porting to 64 bit,” McGowan recalls. “Penteo ended up blowing away my expectations of what an up-mixer really can do — taking two track stereo material and up-mixing it into a surround field, typically 5.0 or 5.1. ”

But how was McGowan doing it before Penteo? “I used various reverbs and panned material into the surrounds. At the time, it was all very time consuming and took a lot of effort, but now with Penteo I get immediate, great sounding surround from stereo sources. A lot of the composers that I mix for will give me stereo material that has a lot of very stylized effects, delays and reverbs and Penteo handles it all. Somehow, Penteo figures out how to keep the source material in the center channel and then spreads out all those effects into surround, really well and really quickly.”

McGowan mixes on a Euphonix System 5 console, and uses Avid’s Pro Tools 11 running AAX 64-bit processing. For monitoring, the LCR or front speakers are a trio of PMC IB2′s with built-in M&K tripole surrounds and a pair of JL Audio Fathom 13 subwoofers for the LFE channel. The LCR is lightly bass managed on the monitoring end into the subs as well as for a little extra low end extension.

What type of music does Penteo handle the best? “Penteo handles everything well,” says McGowan “Our projects may be rock based scores, with lots of drums, guitars, and synths, but I frequently put orchestral samples through Penteo as well. I mix all of the surround sound stems that we send to the dub stage, and Penteo is useful in converting the stereo samples coming directly from the composers’ studios. It’s great being able to turn them into surround and wrap them around the listener. Penteo is definitely the cleanest up-mixer that I’ve ever heard and when you fold it back into stereo, every translates perfectly, and it sounds really clean.”

Penteo offers six different pre-set modes. “I generally leave it on the Penteo Music mode,” he explains. “That works 95 plus percent of the time for me. I’ve also experimented with the ‘Quad’ mode where all the energy is in the four corners, which gives leaves the center channel free to mix in dialogue. There’s also a ‘Triangle’ setting that just generates center and surround, which leaves left and right open for the original stereo sample to remain in it’s original form.”

Enter “Vikings”
McGowan recently utilized Penteo to mix the score for the second season of the hit TV show “Vikings,” which has been picked up for the upcoming third season. “It is an interesting show because not many of the cues are what you would really call traditional scoring — it’s predominantly synthetic and percussive material with some ethnic elements. We’ve been working with a Norwegian composer, Einar Selvick, who we’ve been collaborating with over the internet. He sends me a variety of stems: stringed instruments, his own vocals, group vocals, chants and percussive elements, as well as effects. Using Penteo I can get a big wide surround spread on those different sound effects and it really feels cinematic, really warm, really full. Penteo doesn’t add any coloration to the sound. With orchestral elements, we’re very careful to not color the sound too much when mixing it into surround, Penteo delivers.”

After incorporating Penteo into his workflow over the past year, McGowan is eager to share his experience. “I’ve actually introduced Penteo to a lot of other mixers,” he explains. “I’ve been calling it ‘Dark Magic’, because it’s always surprising what Penteo delivers when you feed it stereo material. I don’t know how Penteo figures out certain things, how it actually can spread reverbs separately from the dry elements. Sometimes Penteo will take delays from the front and they will pan behind you. It’s already been printed onto the stereo, but Penteo just figures it out and just unwraps it. I’m always happy with the results that Penteo gives me.”

Read the entire Interview with Phil McGowan and other industry leaders in the Perfect Surround Master Class series:
http://www.perfectsurround.com/surround-master-class/

Native AAX64 Support
Penteo 4 Pro now natively supports Avid Audio eXtension (AAX) for true 64 bit processing. Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users. Learn more here: http://tinyurl.com/npc6j8v

Penteo Summer Sale
Now save 20% – a $200 value – off the regular purchase price for Penteo 4 Pro! For more information, see the website or get a free trial here:
http://www.perfectsurround.com/request-a-trial

About Audiotech Digital Limited (ADL)
Penteo transforms any stereo recording, soundtrack, DJ mix or live television broadcast into perfect 5.1 surround sound. Developed by ADL, Penteo 4 Pro remains faithful to the original stereo mix; no artificial sound manipulation is used. The Penteo 4 Pro plug-in creates a perfect surround experience for all stereo media with zero sonic artifacts, crisp and discrete center-channel, and only Penteo is 100% ITU down-mix compatible to the original stereo. Penteo has been used by major studios on hundreds of films, TV shows and music recordings and supports AAX64, RTAS, VST and AU formats. For more information, see the website:
http://www.perfectsurround.com

Reach Communications Adds NEXO STM Line Array To Arsenal

BUENA PARK, Calif.—Reach Communications of Minneapolis, MN has added a new NEXO STM line array to its already impressive stable of NEXO boxes. “We researched NEXO, L’Acoustics, d&b and others for boxes having a high 145+db peak output per box, to use as a large format line array for our bigger shows, states Dan Brown, Event Services Manager, at Reach. Having had a long history with NEXO and owning 130+ boxes in house before this purchase, we felt with our current inventory and amazing support from NEXO, this was the obvious option.” With the addition of the STM, Reach now owns 192 NEXO boxes, and 34 NXAmp 4×4 and 4 NXAmp 4×1 amplifiers.

So far, the NEXO STM rig has been used on Unite – NDOP 2014 and the KTIS Joyful Noise Family Festival 2014. NDOP included Hillsong United and a local Unite house band. KTIS Joyful Noise acts included Lincoln Brewster, Mercy Me, Tenth Ave North, Steven Curtis Chapman, Audio Adrenaline, Mandisa, and Hawk Nelson.

“The output and sound quality is incredible and very accurate, says Brown. We have had engineers comment that the STM rig has headroom for days and I barely had to do anything to the EQ! We wanted a system that would give engineers a clean canvas to mix on and headroom to handle the largest venues, and STM provides that.”

For NDOP 2014, the NEXO layout consisted of 12 STM M46 boxes and 12 B112 bass per side, 8 GEO S12s per side for outfill and 9 GEO S12s per side for rear fill. 8 STM S118 subs were used left and right with 8 RS18 spread across the center, and 8 PS10-R2s provided front fill. For Joyful Noise, the NEXO layout consisted of 12 STM M46 boxes and B112 bass per side, 12 GEO S12s HL used for outfill, 5 GEO S12s HR for outfill, 16 GEO S12 used for delays – 8 left and 8 right, 16 NEXO STM S118 subs – 8 per side in Cardioid configuration, 18 RS18 ray subs spread across the center in stacks of 3, and 8 PS10-R2 for front fill. The monitor rig for Joyful Noise included 10 PS15-R2 wedges, 2 PS15-R2 and 2 RS18s for side fills, and 2 RS15 used for drum subs. 14 NEXO NUAR racks powered the system.

“Reach Communications rig was my first experience with the NEXO STM, and it was incredible! states Lee Fields, front of house engineer for Lincoln Brewster. The horsepower of this PA is remarkable. From the second I started mixing until the last note, I was blown away by the punch of the LF and smoothness of the HF. This is Seriously the muscle-car of PA’s.”

For Unite NDOP, Reach provided two Yamaha CL5 digital audio consoles, one at front of house and one for monitors and a PM5D-RH for the house band monitors. A Yamaha CL5 was used at FOH and PM5D-RH at monitors for Joyful Noise. Reach also used the new Yamaha QL1 digital audio console for playback and announcements.

Additional audio gear supplied by Reach included Sennheiser 2000 IEM, Shure UHF-R, Shure, Sennheiser, Beyer, AT mics and Radial, Countryman DI’s. Lighting included Vari-Lite VL3000 spot, VL3500 spot, Martin MAC Aura, MAC 101 – Atomic 3000, ChromaQ colorforce 48, Chauvet 230SR Beam, GrandMA2 light. Video consisted of Hitachi HD1000 camera, Ross Carbonite 2ME switcher, Ross Router, AJA KiPro recorders.

For more information on Reach Communications, visit www.reachcomm.net.

For more information on the NEXO STM line array, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, New Products, News |

Christian Worship Center Upgrades with HARMAN’s Soundcraft Vi6 Digital Console

MANTECA, California – The Christian Worship Center in Manteca, California recently purchased a HARMAN Soundcraft Vi6 digital console to better accommodate the Sunday and Wednesday services at its 2,000-seat venue. While most of the Center’s previous equipment was analog, current Lead Sound Engineer Bill Clark relayed how the construction goal was to implement state of the art sound reinforcement gear through digital technology. Hence, the church set stringent design requirements for the new console and with the assistance of San Francisco’s Novo Group and consultant Art Yeap, it was determined only the Vi6 could satisfy.

As a serviceman with 35 years in the U.S. Army, the last 18 in the Army Music Program, Clark is also responsible for the sound reinforcement of his Army unit, the 191st Army Band in Dublin, California. Having experienced Soundcraft as one of his first digital consoles in the past, he appreciates the brand and recommends Vi Series consoles for their channel capacity, rich feature set and cost-to-performance ratio.

Additionally, the Christian Worship Center plans to create a production company utilizing its current platform for theater and music. In order to suit the audio needs of artists and actors, the owners required a well-polished MADI implementation of the new console. The Vi6 can more than provide for this need, as Clark recently demonstrated with the recording of two albums so far.

“We wanted to do a lot of things with our new console, and we went with the Vi6 because it’s superior in many ways,” said Clark. “Whether used for touring or fixed installation, from a safety and logistics standpoint, it cuts the weight and equipment count by so much, allowing us to replace all those equipment racks with onboard features. With regards to capacity, we never reach the limit with our 64×32 mono-outs, despite having a big worship team of eight vocalists, a full-sized band with a horn section and 18 channels of wireless handhelds and body-packs.”

All the feeds are routed into a PC, which gives Clark the ability to come back later and audit the mixes. As an additional benefit, this allows him to train new volunteers more efficiently, leading to more consistent operations of the intuitively designed console. For example, training a student who is obtaining a Bachelor’s degree in music production was as easy for Clark as training his own son, who has had limited sound engineering experience.

“Not only does the console run continuously with no problems [I’ve tested it multiple times on 16 hour runs non-stop], it sounds great!” said Clark. “There are a lot of subtle things that my ears don’t hear anymore, but with a digital signal path, the marvelous compressors and the onboard effects, I can definitely hear the improved clarity. Frankly, it all sounds nothing short of astounding.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, New Products, News |

Positive Reinforcement: CTS Audio Adds More Than 100 HARMAN JBL VTX Series Line Array Loudspeakers to Its Tour Sound Inventory

FRANKLIN, Tennessee — Sound contractor CTS Audio was one of the first adopters of HARMAN JBL’s flagship VTX Series line arrays and it’s safe to say they’ve liked what they heard—the company just purchased more than 100 more of them. CTS Audio added a total of 108 V20 line array loudspeakers to its inventory, plus another eight V25 loudspeakers and a bevy of VTX F Series F12 loudspeakers.

While Franklin, Tennessee-based CTS Audio had used the V25 arrays at a number of high-profile events in the past year, the company put the V20 to the test for the first time at the recent 2014 K-Love Fan Awards, held at Nashville’s Opry Hotel and featuring the biggest names in Christian music including Michael W. Smith, Steven Curtis Chapman, Amy Grant, Scott Stapp, Sidewalk Prophets and more than 40 other artists.

“Based on our experience with the VTX Series V25 and S28 subwoofers, we didn’t think we were going out on too much of a limb with the V20’s, which we were interested in for their smaller size and which would give us a more flexible loudspeaker inventory that would be adaptable to a wider variety of venues,” said Mike Taylor, Vice President at CTS Audio.

Nevertheless, it was definitely a case of “try before you buy”, and Taylor and his team flew out to the JBL headquarters in Northridge, California to give the V20 an audition. Taylor was hoping to hear big sound from a more compact loudspeaker–and was floored. “We listened to six of the boxes from 200 feet away and were amazed at how much clean, powerful sound the V20 put out.”

For the K-Love Fan Awards, CTS flew 10 deep V20 arrays over four S28 subwoofers on each side of the stage, complemented by two F12 speakers per side for outfill. The loudspeakers were driven by 24 Crown I-Tech 12000 HD amplifiers, and CTS used JBL HiQnet Performance Manager™ for system setup and control. “We’ve used the Crown amps with the V25 line arrays and Performance Manager on dozens of events, so the transition to the V20 was pretty close to effortless in terms of setup and calibration,” Taylor said.

“The sound we achieved was stunning, absolutely stunning,” Taylor added. “The headroom with the V20s is really impressive and a marked step up from other loudspeakers that we’ve used in the past.”

Taylor noted that in fact, they never came anywhere close to hitting the limiting for the system, and the V20 exceeded their expectations in its ability to fill the Opry with even coverage from the front to the back of the hall, with a smooth tonal balance and impressive dynamics and presence.

Taylor and his crew also appreciated the V20’s smaller size that makes it easier to fly, load in and load out. “It’s just a really well thought-out design,” he concluded.

For more information on CTS Audio, please visit www.ctsaudio.com

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, New Products, News |

HARMAN’s Soundcraft Launches Online “How To” Video Series

POTTERS BAR, United Kingdom – HARMAN’s Soundcraft is pleased to announce that it is offering its “How To” instructional video series on its website, www.soundcraft.com. The videos focus on the Si Series of digital consoles and include a variety of topics from basic operation to advanced tips and tricks.

The “How To” video series offers practical instruction on how to get the most from a Soundcraft Si console in live sound, recording and fixed-installation applications. “The video series offers real-world information and depth of subject matter for a broad spectrum of users, whether they’ve never had their hands on a Soundcraft console before and need to get up and running quickly or have mixed hundreds of shows and want to dig deeply into a console’s feature set,” said Keith Watson, Marketing Director, Soundcraft Studer.

Alongside the “How To” videos, there is a video vault covering every Soundcraft console range including the Vi Series, Si Expression, Si Performer and analogue consoles. A wide variety of topics is offered, from basic operation and configuration, gain structure, channel assignment and using EQ and effects to Soundcraft-specific features like the Vistonics II™ colour touchscreen interface and FaderGlow™ illuminated, colour-coded faders.

“At Soundcraft we’re dedicated to providing our users with the educational tools they need to get the most out of their consoles,” said Watson. “We’d like to think our video series is the next best thing to having a front of house engineer standing next to you behind the console.”

The videos can be viewed at http://www.soundcraft.com/support/videos.aspx?c=15

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: New Products, News |

Corporate A/V Company Adds Yamaha QL1 For Fortune 100 Clients

BUENA PARK, Calif.—Sardis Media of Grayslake, Illinois recently took delivery of a new Yamaha QL1 Series Digital Audio Console for use on their corporate A/V projects. For over 30 years, Sardis Media has produced videos, meetings, and special events for Fortune 100 corporations, non-profits, and A-list associations. Clients include Advisors Excel, Motorola Solutions, Baxter, MorphoTrak, RustOleum, & RZIM. The company purchased its QL1 from Reach Communications of Brooklyn Park, Minnesota.

Sardis, who also owns a Yamaha M7CL Digital Audio Console, will use the new QL1 on the road as the primary audio console for smaller corporate events that require large event features. “We needed a console that had a lot of power and features but in a much smaller footprint for front of house for our production truck, says company spokesperson Nate Aguilar. Clients are always happy when we save space at FOH so they can fit more attendees in the room. As operators, we love that we don’t have to sacrifice quality when going to a small console like the QL1.”

Aguilar said that being in the corporate events business they are always dealing with more than a few Lavaliere microphones open at one time on stage, and the built-in Dugan auto mixer feature of the QL1 helps manage levels tremendously.

“We knew we wanted a touch screen for quick adjustments and graphic feedback on changes being made, says Aguilar. Most of us on staff at Sardis have a background in graphics or video, so being able to actually see what the console is outputting is important. Also, the built-in Dante network gives us the flexibility to add channels and outputs when needed in small increments, and having the ability to record every input separately is vital.”

Since Sardis already owns an M7CL and loves the operation, Aguilar notes, “it was a no brainer to add the Yamaha QL1 with its minimal learning curve to our inventory.”

For more information on Sardis Media, visit www.sardismedia.com.

For more information on Reach Communications, visit www.reachcomm.net.

For more information on the new Yamaha QL Series Digital Audio Consoles,
visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, New Products, News |

Martin Audio Introduces DD12 At InfoComm

Las Vegas, NV––Martin Audio introduced the versatile new DD12 loudspeaker system at InfoComm14.

The multi-purpose DD12 defines the ultimate in performance and versatility for powered, two-way loudspeaker systems. It combines onboard networking, DSP and Class D amplification with state-of-the-art transducers and Differential Dispersion™ horn technology to achieve best-in-class performance in terms of fidelity, output capability and consistent coverage across the audience.

Differential Dispersion technology delivers more consistent audience coverage than systems with X° x Y° horns, providing more throw to the rear to distribute sound evenly front-to-back, with close-up horizontal coverage for the front rows.

Versatility is a key attribute of the DD12. The system is designed to meet a multitude of premium stand-alone and distributed sound reinforcement requirements, from touring, theater and portable live sound applications to concert hall and HoW installations, AV events and stage monitor use. Ideal as the main PA in small-to-medium size rooms, it can also be used as an infill loudspeaker in large-scale systems.

Whether configured as part of a stand-alone DD12 system or part of a larger MLA/MLA Compact system, individual DD12’s can be controlled and monitored from a laptop or wireless tablet PC via intuitive VU-NET proprietary software. PC connection can be made directly via USB or via Martin Audio’s proprietary U-NET network and Merlin loudspeaker and network management system.

An important feature of the DD12 is its internal memory, which allows factory ‘plug-and-play’ or user-generated DSP preset ‘snapshots’ to be recalled by means of a preset selector button on the rear panel, instead of using computer control.

In addition, comprehensive accessories support a wide variety of mounting options, including surface, ceiling and pole mount. The DD12’s universal bracket facilitates a wide range of down-tilt and up-tilt angles in both portrait and landscape orientation, and can be mounted directly onto the pole of a speaker stand or attached to a scaffold clamp.

Jason Baird, R&D Director for Martin Audio, concludes, “This market sector has been underserved from a technology and innovation point of view for far too long. DD12 will signal a true shift in fidelity, output capability and coverage and bring our Differential Dispersion™ horn technology to, quite literally, a wider audience”.

For more about Martin Audio, please visit www.martin-audio.com.

KEY FEATURES AT A GLANCE

Multi-purpose, bi-amplified, powered two-way system; Compact, multi-angle, polyurethane-coated plywood enclosure with screw-free perforated steel grille

User rotatable Differential DispersionTM¬ horn optimizes coverage footprint across the audience plane

Onboard network, DSP and Class D amplification

Switched mode power supply with PFC (Power Factor Correction) and global mains operation

Wide range of vertical and horizontal deployment options

Integral pole mount and M8 rigging inserts

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Live Sound, New Products, News |

Fresh Designs Unveiled for Middle Atlantic Credenzas

Fairfield, NJ–– Middle Atlantic Products is expanding its C5 Series Credenza offering to address the latest trends in commercial interior design. With new styles, furniture finishes and options that reflect current design trends, the C5 Series was enhanced to help AV integrators work with the architect and design community to better integrate technology in modern spaces.

The Credenza’s Frame to Furniture™ design complements an integrator’s installation workflow with foundational frames that are in stock, guaranteeing quick delivery while allowing the integrator to immediately start the installation. The frame is paired with a custom furniture finishing kit that is manufactured to order and shipped separately to the jobsite.

Three new styles were designed to appeal to a range of design aesthetics. New finishes for the C5 Series include veneer and high-pressure laminate – all available in a spectrum of color choices. Vent finishes are now an option as well, in 4 different colors.

Credenzas are engineered to ensure system reliability with built-in thermal management and cabling facilities and are available in 1, 2 and 3-bay configurations and two depths.

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com, or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Industry News, New Products, News |

Calendar

September 2014
M T W T F S S
« Aug    
1234567
891011121314
15161718192021
22232425262728
2930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication

Fairlight Xynergi Media Production Centre


Mix Briefing Room, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the Briefing Room for the latest press postings.