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Jason ‘Malletman’ Taylor Finds The Sweet Spot With HARMAN’s AKG Microphones And Headphones

AKG_MalletmanATLANTIC CITY, New Jersey – A nationally renowned jazz recording artist, vibraphone player Jason ‘Malletman’ Taylor relies on HARMAN’s AKG microphones to produce the perfect sound in the studio and on the stage.

Taylor has played in a variety of theaters and nightclubs throughout his career, while recording and performing with the likes of Tito Puente Jr., Earth, Wind & Fire, Jay-Z, Mariah Carey, Bernard Purdie and Jon Bon Jovi. Malletman sees today’s music as a melting pot of genres, and thus restricts himself to none.

Prior to his game-changing experience with AKG, the 5-time GRAMMY® nominee was forced to become a ‘slinger’ and play the vibraphone with great force in order to be heard. But after his introduction to AKG microphones, it became effortless for him to find the right sound.

“They can hear me well now,” said Taylor. “It’s the best sound I’ve ever played. AKG takes me to the next level in the world of audio. For years I couldn’t be heard, and now it’s a challenge to not hit too hard. Also, I don’t have to worry about accidentally hitting the microphones anymore either, because I know they won’t break like some of the other brands that I’ve tried.”

Taylor uses two AKG C516 ML miniature microphones for his vibraphone and an AKG D5 handheld microphone to speak with the audience while onstage. He also likes to rely on the AKG K550 and K551 reference headphones for all production work in the studio.

“When I make music with the AKG headphones, I can make the sounds that I want, and they just make me smile,” said Taylor. “This whole journey with AKG makes me smile.”

For more information on Jason Taylor, please visit http://www.malletsplace.com/

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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HARMAN’s Soundcraft Consoles Help London FolkFest Artists Cross Barriers at the Bedford

Scraft_LondonFolkFestLONDON, United Kingdom – Delivering an intimate experience on three stages for the London FolkFest at The Bedford in London, Director of Music Tony Moore again used HARMAN’s Soundcraft consoles to provide each stage with the right mixing capabilities. An event that crosses cultural barriers, the London FolkFest was created in 2011 to generate inspiration through music, culminating in an ever-expanding concept that is rooted at this beautiful venue.

The program featured spontaneous and varying styles of music, allowing for a maximum capacity of 500 people per day. The venue consists of a small theater, ballroom and acoustic space, able to accommodate 250, 150 and 80 people, respectively. Each console was selected with simplicity and small footprint in mind: a Soundcraft Vi1 console was used in the theater, an Si Expression 3 console was the perfect companion in the ballroom, and an Si Performer 3 remained well out of sight in the acoustic space.

“Having a long and successful relationship with Soundcraft products, it made sense for us to use their consoles for the fourth year of the London FolkFest,” said Moore. “The secret to running this show successfully is to keep all the gear as simple and as invisible as possible. Bands don’t get a sound check, so they needed to get on stage, plug everything in and start. Because our engineers needed to work quickly and efficiently, we have come to love Soundcraft, which allows for instinctive and intuitive operation.”

The three Soundcraft consoles are known for their flexible controls and features like the Soundcraft FaderGlowTM, all of which are designed to complement creative hubs such as the London FolkFest. For example, the Vi1 was a neat and convenient solution for the Elizabethan theater, taking care of both monitors and FOH positions while maintaining a low profile throughout the show.

“We wanted to make sure our base sound is very high in quality for everything that we’re trying to do here, and I’m glad we have accomplished that with Soundcraft,” said Moore. “We were sold out most nights, and all the artists as well as the audience enjoyed the experience. We asked for small footprint and amazing sound, and that is what Soundcraft delivered.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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DJ Ravidrums Performs At Telemundo’s Third Annual Premios Tu Mundo Show With HARMAN’s AKG Microphones

AKG_DJRavidrumsMIAMI, Florida – Dubbed the ‘One-Man Wrecking Machine’, DJ/drummer DJ Ravidrums (Jakhotia) recently performed at the Telemundo’s Third Annual Premios Tu Mundo (Your World) Awards in Miami’s American Airlines Arena, which featured top Latin American and Spanish artists such as Yandel, Lucero, Juanes, Los Tucanes de Tijuana and David Bisbal. Having developed a transparent touchscreen DJ interface in collaboration with Virtual DJ Software—the Dream Screen 3000—the unique talents of this DJ/drummer were delivered to the audience with HARMAN’s AKG microphones.

Jakhotia combines his drumming skills with an interest in modern DJ applications, such as digital turntables. During the primetime show, his setup featured the Dream Screen 3000 with customized surrounding drums, situated on a separate platform in front of the main stage.

Jakhotia used 10 AKG C518M microphones on all the tom drums, two AKG C451B microphones on the overheads and an AKG D40 microphone on the snare.

“The show was about big giant Brazilian Samba sounds, consisting of percussion, electronics and proper acoustics,” said Jakhotia. “Getting the acoustics to meet the electronics takes a lot of work, but the AKG C518 microphones helped me do all that and generate a more powerful presence.”

As Jakhotia delivered an audiovisual spectacle in the middle of the arena, the AKG microphones held their own and delivered more than just world-class sound. “In this age it’s all about ease of use and reliability, which these microphones definitely have,” Jakhotia said. “Even after hitting them with my drumsticks many times, they never fail.”

In addition to the Awards event, he also uses an AKG D12 microphone for the kick drum for some shows, and AKG C414 microphones at his home studio.

“I just love the C414’s, as they’ve always been legendary and made me fall in love with AKG ever since I was a kid,” said Jakhotia. “The punch and clarity is there, making the electronics sound beefy and the acoustics sound complete. It’s challenging but thanks to AKG, I can always find the right balance.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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SALZBRENNER ANNOUNCES POLARIS EVOLUTION NETWORK AUDIO MIXING SYSTEM

** Photo: Polaris Evolution **

** Photo: Polaris Evolution **

Los Angeles, CA – AES Booth 1547… Salzbrenner is pleased to announce the North American debut of the network controlled Polaris Evolution cloud-based digital audio mixing system with the Polaris Scala audio DSP unit. Polaris Scala is the node where all aspects of the Evolution system’s simultaneous audio processing operations originate and come together. The Polaris Scala is where controllers are connected via Ethernet or Wi-Fi, resources are allocated for the tasks at hand, and where signal sources and output devices are connected. The system’s radically new cloud-based operations and flexibility usher in a new era in digital audio mixing and processing. more

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Swineshead Picks DAD AX32 for Classical Recording and Mastering

David Bowles Employs Newest AD/DA Converter from Digital Audio Denmark

Bowles_AX32_1_400px
Pictured during a remote recording date at St. Ignatius Church in San Francisco is engineer/producer David v.R. Bowles with the new AX32 converter from Digital Audio Denmark.

Prominent classical music recording engineer/producer David Bowles has purchased the new Digital Audio Denmark AX32 AD/DA converter from US distributor plus24. Bowles’s company, Swineshead Productions, LLC specializes in classical music recording, but also includes jazz and crossover genres. A recent Swineshead project was recorded at St. Ignatius Church in San Francisco: Christmas music performed by the chorus Cappella SF, conducted by Ragnar Bohlin.

A pristine AD and DA converter with superb sonic quality, versatile I/O structure and Dante IP Audio, the AX32 follows the success of the company’s AX24 with enhanced sonic conversion performance, up to 48 analog audio channels, and a flexible digital signal interface, routing and distribution structure.

“I used the AX24 two years ago,” remarked David Bowles. “While I felt it was an excellent unit, it only had eight channels. Since that time, not only has DAD expanded the channel count but, also very importantly, they have introduced an IP interface, which is primarily what I’ll be using in my workflow.”

DAD’s new AX32 AD/DA converter and digital router interface is the ideal choice as a front-end or digital format converter for recording or mastering applications where up to 48 channels of analog inputs or outputs are needed. The AX32 provides a variety of digital interfaces such as ProTools HD, MADI, AES and Dante IP audio. A microphone pre-amp option is also available.

“Using the Dante technology for audio over IP,” explains Bowles. “Means that with a simple network switch, a whole raft of signals can be routed to two or more different devices simultaneously. As it is, right out of the box, the AX32 has a number of interfaces — not only the IP, but also MADI, AES and ProTools. This allows me, without any sort of splitter, to make two completely redundant recordings of the same audio signal.”

Designed for flexibility, reliability, easy operation and no-compromise sound quality, the AX32 offers a comprehensive range of digital interfaces and sample rate formats for meeting a number of diverse applications such as studio recording, location recording, audio post-production and film scoring.

“Now with both the optical MADI and the IP interfaces,” Bowles continues, “I can place the units right next to the microphones, so there are very short cables needed. As everyone knows, analog signal degrades with increasing lengths of cable.”

Bowles recounts a recent project: “When I tried out the DAD AX32 in June, I was working on two live recordings. I set them up as stereo, with only two microphones. My outboard mic pre has split outputs: I was able to route two outputs through my current setup, then two outputs through the DAD. I recorded these at 192 kHz and then compared them at home. I then brought one of my clients in and just gave him an A/B comparison. We both picked the AX32. It was simply clearer. The imaging was a lot better, and I felt that the previous A to D converter I used was very good, but now sounded coarse in comparison.”

To better evaluate the new DAD AX32, Bowles has been going back through his recent archives: “I’ve been listening to a lot of my projects, simply using the D to A conversion of the AX32. Again, there are just so many improvements and I’m able to apply some very subtle changes in mixing and processing, and hear the results immediately. Now, because the AX32 is something I can take on the road, I can have the same setup at home as on location — both for recording and for monitoring.”

As an option with the DAD AX32, the Dante IP interface allows third party Dante-enabled equipment from more than 140 manufacturers to interface to the AX32 via Ethernet. Audinate’s Dante Controller is a free software application that enables users to route audio and configure devices on a Dante network. With automatic device discovery, one-click signal routing and user-editable device and channel labels, setting up a Dante network is simple and straightforward.

“Combining the Dante IP interface in the AX32 with Audinate’s Dante Virtual Soundcard means that the unit has a wide variety of applications for recording, and also for editing and mastering. I have tried the Virtual Soundcard on three different editing workstations, where it worked flawlessly and after I get back from my next location recording trip I’m going to try it on a fourth one.”

Award-winning recording engineer David Bowles formed Swineshead Productions, LLC as a classical recording production company in 1995. Bowles-produced and engineered releases have been named “Record of the Month – Editor’s Choice” from Gramophone Magazine, MusicWeb International and Opera News; “Record of the Year” from the New York Times (three times), the New Yorker, American Record Guide, Miami Clasica and Classical Candour.

As an educator, Bowles is a guest lecturer at New York University’s Tonmeister Seminar (Steinhardt School of Music) and at Peabody Recording Arts and Sciences (John Hopkins University). He was Visiting Professor of Recording Arts at Indiana University’s Jacobs School of Music. Bowles is on the Board of Governors of the AES, and is a member of the P&E Wing and SPARS.
Learn more at: http://www.swineshead.com/about.htm

Learn more about Digital Audio Denmark: http://www.digitalaudio.dk
AX32: http://www.digitalaudio.dk/AX32-ADDADD-Converter.1503.aspx

See the AX32 at AES 2014 in Los Angeles, Booth #1038.

Digital Audio Denmark products are distributed in America exclusively by plus24
http://www.plus24.net

3G Productions Supports Juan Gabriel With Martin Audio MLA

Photo: Robert Hacman

Photo: Robert Hacman

When Mexican singer/songwriter Juan Gabriel had to interrupt his U.S. “Volver 2014” tour for two weeks due to illness, his engineering staff prevailed upon 3G Productions to switch over to a Martin Audio MLA system for the remaining arena dates.

As 3G’s System Engineer Manny Perez describes the changeover, “The other system was working just fine, but Juan’s FOH Engineer Rodrigo Lopez had attended an MLA demo in Mexico and was really interested to see how it would perform.”

Gabriel, an internationally acclaimed Latin American musician who’s sold over 100 million albums, resumed the second leg of his sold-out tour at Miami’s American Airlines Arena, which presented some challenges of its own.

According to Perez, “As soon as I walked into the arena, their staff expressed concerns that they’d been having trouble covering the top rows of the nosebleed section for the last few shows and had to provide refunds. We assured them that we had it covered and the show would sound great everywhere. Then we put the MLA system up and tuned it really quickly even though it was a big rig designed to provide 270-degree coverage. Rodrigo, the band’s music consultant and I all walked the room from top to bottom and front to back, and there were absolutely no problems in terms of coverage and balanced sound.”

Photo: Robert Hacman

Photo: Robert Hacman

The 270-degree system for American Airlines Arena consisted of a main hang with 32 MLA and 4 MLD; side hangs with 36 MLA Compacts; a third hang with 24 MLA Compacts; 10 ground-stacked MLX subs, and 4 DD12s on the front of the stage for front-fill to the first six rows.

Describing the system in greater detail Manny points out, “The ratio of MLX to the rest of the system seems a bit light, but Rodrigo didn’t want a bass-heavy mix for the show because of all the acoustic instruments and high end frequencies. Also, we were using the new two-way DD12 powered speakers from Martin Audio for the first time and they’re really good. I would usually have to do a lot of cleaning up with EQ because they’re positioned so close to the subs, but they didn’t need a thing. The DD12s throw further than we needed them to and were more than perfect for what they had to do.”

The rest of the system consists of SSL and Avid Profile consoles for FOH and monitors, LM44 Lake processing, Smaart 7 software, Shure UFH-RD wireless and DPA microphones.

Asked about mixing on MLA, Rodrigo Lopez responds, “For me, it’s definitely the best speaker out there with more control of the sound and how it projects to the audience. The system provides the same amount of sound pressure and coverage from the front seat to the back with correct phasing throughout the arena.

“It’s been perfect for the tour,” Lopez continues. “The audience hears exactly what I’m getting out of the console. It’s challenging with Juan Gabriel because he’s playing with a lot of Mariachi and there are a lot of acoustic instruments that don’t have as much power. But with MLA, the audience can hear all of those instruments clearly, as if the musicians are playing right in front of them.”

Photo: Robert Hacman

Photo: Robert Hacman

Summing up, Perez adds, “I like the MLA’s clarity and imaging which is amazing when you pan the percussion and keyboards left to right. The speakers sound 30 feet wide where the sound moves across the space. The high end and high mids for vocals and snares are so clear; you can really hear the sizzle of the snare bottoms and high hats.

“A lot of people keep telling me how MLA is a really smooth, natural-sounding system that’s very satisfying to the ear. The staff and production crew, Juan’s musicians and his music consultant are stoked. Everybody really likes it which has been a real plus for the tour.”

Photo credit: Robert Hacman www.roberthacman.com

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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IsoAcoustics Introduces Arista Isolation Stands for Studio Monitors and Speakers

Arista Sep18 2014
Los Angeles, CA (Sept 26, 2014) —At this year’s AES Show in Los Angeles, IsoAcoustics (booth #1651) is pleased to introduce Arista, a stylish and sleek new aluminum acoustic isolation stand for medium-sized professional studio monitors and bookshelf speakers for Home Entertainment and hi-fi applications.

The new Arista stands provide an aesthetically pleasing and cost-effective means to markedly enhance the sound clarity of speakers, using the patented “floating design” that this award-winning company has become known for.

The new IsoAcoustics Arista stands feature a unique integrated tilt adjustment that enables the user to dial-in the optimum tilt angle. With an overall size of 6”(w) x 7.5”(d), the Arista stands are designed for medium size studio monitors and speakers weighing up to 35 lbs.

“IsoAcoustics is very pleased to introduce the Arista stand, which offers a handsome and cost-effective isolation solution for the pro studio and hi-fi market,” says Dave Morrison, CEO of IsoAcoustics.
The Arista stand will be available in black and aluminum in December 2014.

See the new Arista and IsoAcoustics entire line of award-winning acoustic isolation stands at booth 1651 the AES Show at the Los Angeles Convention Center, October 10-12, 2014.

About IsoAcoustics Inc.
IsoAcoustics stands provide superior acoustic isolation and enhance the sound clarity of virtually all speakers and amplification systems, including monitors for the professional studio and sound reinforcement, home theatre systems, musical instrument amplifiers, subwoofers and large monitors. AlI IsoAcoustics stands are built with a unique, patented isolation technology that allows speakers to float in free space, resulting in authentic, clear uncolored sound.

For more information, visit www.isoacoustics.com.

Yamaha Audioversity – Applications Edition Headed to ChiTown

audioversity_logo

Buena Park, Calif.—Yamaha Commercial Audio Systems, Inc. is heading to Chicago with an Applications Edition for Sound Reinforcement/Live Sound of the ever-popular Audioversity, November 3-5, 2014. The company has reformatted the learning experience for a limited time held over three days and consisting of three tracks, with each day focusing on a specific subject. Day 1 will focus on Digital Mixing Consoles for Sound, Day 2 – Digital Audio Networking, and Day 3 – Speaker Systems. Attendees will be eligible to receive CTS credits for each of the three-day sessions.

The Mixing Consoles track on Day 1 will focus on the latest in the Yamaha digital console family – CL and QL Series. Subjects will feature the essentials of the two series, mixing techniques, tips and tricks, and a mixing lab offering attendees hands-on time with assistance from our specialists. You may choose the CL or QL Series track depending on preference Learning material will be consistent in both tracks. A unique course for system techs covering Dante™ networking, Soundcheck Best Practices, Guest/User Management, and much more. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=794&course_id=151.

Day 2 focuses on building networking skills applicable for audio engineers. The day will start with fundamentals in the context of a common home network, and expand into features required for full scale Dante™ network provisioning and configurations. Participants will learn by doing with live demonstrations and interactive labs. Popular and thought provoking topics include: Integrating Audio Networks with Existing IT Networks (Including WiFi points and Internet Access), Adding Dante™ to Existing Audio Networks (CobraNet®/EtherSound™), employing Dante™ as a clear, low-latency conferencing solution, using Dante™ for distributed audio or connecting overflow rooms, choosing network switches, WAPs, and other hardware for audio networks. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=795&course_id=152.

Day 3 will feature speakers and systems including product listening demos, applications, and the latest in design software. New NEXO products – the GEO M6 Compact Sound Reinforcement System and the versatile STM M28 loudspeaker will be highlighted along with various STM ground-stack configurations. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=796&course_id=153.

“Since its inception in 2010, the Audioversity Expo has provided complimentary education to thousands of audio professionals,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “This one-of-a-kind event is truly a unique offering unlike any other.”
Audioversity – Applications Edition is free-of-charge and open to members of the audio community. Attendance is limited and seats will be filled quickly so register for the tracks at the links above.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

CRAS and HARMAN’s JBL Professional M2 Master Reference Monitors Serve Up A Feast for the Ears At 2014 PotLuckCon Audio Conference

At PotLuckCon: Peter Chaikin of JBL (left) and Robert Brock of CRAS (right) in the CRAS state-of-the-art mobile broadcast truck featuring JBL LSR6300 Series studio monitors and Studer Vista 5.

At PotLuckCon: Peter Chaikin of JBL (left) and Robert Brock of CRAS (right) in the CRAS state-of-the-art mobile broadcast truck featuring JBL LSR6300 Series studio monitors and Studer Vista 5.

TUCSON, Arizona — Calling itself “the ultimate weekend of audio recording geekery,” the 2014 PotLuckCon Audio Conference brought recording industry professionals together for a healthy serving of workshops, seminars, recording sessions and demos from the best and brightest in the pro audio industry. A key participant was the Conservatory of Recording Arts and Sciences (CRAS), which hosted a demo room featuring HARMAN JBL’s flagship M2 Master Reference Monitor loudspeakers. The CRAS mobile broadcast unit was also on hand, which rolled in equipped with JBL LSR6325P studio monitors and a Studer Vista 5 digital mixing console.

CRAS is a technical school providing instruction in audio recording, engineering and production. Its two locations in Tempe and Gilbert, Arizona teach students the skills they need to start their career in the day they graduate.

The JBL M2 Master Reference Monitor is a 2-way powered large-format loudspeaker designed to set new standards for sonic accuracy and dynamic range in professional monitoring environments. It incorporates JBL’s newly developed D2 dual-diaphragm, dual-voice-coil compression driver, a Differential Drive™ dual-voice-coil woofer and JBL’s proprietary Image Control Waveguide™ to deliver exceptional studio monitor performance.

JBL’s LSR6325Pbi-amplified compact studio monitor provide exceptional performance in applications where accuracy is a CRAS Digital Department Director Robert Brock first became interested in the M2 when visiting JBL’s Northridge, California facility. “I was stunned at the level of accuracy and detail the M2 delivered,” he said.

When Brock subsequently began planning the CRAS exhibit at PotLuckCon, he realized the professionals at the convention would be the perfect audience for the M2. “PotLuckCon draws exactly the kind of people who, like our students, need to hear this loudspeaker.”

One of the highlights of PotLuckCon is the Casita Gear Crawl, in which the exhibit rooms are transformed into mini-studios. CRAS’s Casita featured a pair of M2 monitors. “For most of the people who came to our room it was the first time they’d heard the M2 and it was a big hit,” Brock commented. “It’s really unlike anything else out there for its ability to faithfully reproduce everything that’s on the original recording with absolutely uncompromised dynamics and frequency extension. It’s incredibly revealing without ever sounding clinical or harsh and its tonal balance and spatiality remain intact over a wide listening area.”

Also at PotLuckCon, Andrew Scheps, producer, mix engineer and principal of Tonequake Records, delivered a poignant presentation titled “Lost In Translation,” which examined the effect of low-resolution digital delivery on the emotional impact of recorded music. Sponsored by the Recording Academy® Producers and Engineers Wing®, and with JBL M2 Master Reference Monitors as the playback system, the crowd experienced Scheps’ dramatic A/B comparison of high and low-resolution file formats.

For more information on CRAS, please visit www.audiorecordingschool.com

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Hal Leonard Publishes Alan Parsons’ Art & Science of Sound Recording

Alan Parsons and Julian Colbeck to present ASSR, The Book based on the award-winning DVD set at the 137th AES in Los Angeles

Montclair, NJ (September 24, 2014) – Alan Parsons’ Art & Science of Sound Recording: The Book, is a complete rewrite and reappraisal of the award-winning video series. Parsons takes his approach to sound recording to the next level as the book provides ample space to present more technical background information, more detailed diagrams, and more in-depth discussion on each of the twenty-four topics, from “A Brief History of Recording “ to the now-classic “Dealing with Disasters.”

AlanParsons_cover

Written with the DVD’s co-producer, musician, and author Julian Colbeck, ASSR: The Book offers readers a classic “big picture” view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. The Book has a logical flow of chapters, looking at how sound is created and how it behaves before moving on to the different processes of manipulating sound recordings such as EQ, reverb, delays, compression; covering how to work and record with live musicians as well as the art and science that go into the mixing process.

“With the videos we strove to keep you visually and aurally entertained. Now, you can be reading this at home, or in a busy Starbucks, or on a plane… you can read one page at a sitting or one chapter, or just dive in here and there using the index or the glossary,” said Parsons.

For all its heft and authority – authored by a man trained at London’s famed Abbey Road Studios in the 1970s – ASSR: The Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons’ own career working with the Beatles, Pink Floyd, and countless others. Not just informative and packed with colorful pictures, but also highly entertaining and inspirational, ASSR: The Book is the perfect platform on which to build expertise in the art and science of sound recording.

Alan Parsons and Julian Colbeck will present ASSR, The Book at AES in Los Angeles with a book signing on October 10, 2014 at 12 pm in the Hal Leonard booth #1141.

About the authors
Alan Parsons’ recording career got off to a great start with the Beatles when he served as their assistant engineer on Let It Be and Abbey Road. With an illustrious engineering career that included The Dark Side of the Moon, Parsons went on to become one of the most sought-after producer/engineers of the seventies and eighties, scoring No. 1 hits with multiple artists. In 1976, he formed the Alan Parsons Project, enjoying multiplatinum success with hits such as “Eye in the Sky”, “Time”, and “Games People Play”. Parsons remains an active recording artist and producer.

Julian Colbeck was a professional keyboardist for over twenty-five years, working with Yes/ABWH, Steve Hackett, John Miles, and his own group, Charlie. He has also authored a dozen books on music and music technology, including the groundbreaking Keyfax series, and he has written and produced numerous instructional DVDs on recording, live sound, and synthesizer technology. CEO of Keyfax NewMedia since 1994, Colbeck has most recently been on active duty with the creative and advocacy platform Musicians Guild.

Hal Leonard Books is an imprint of Hal Leonard Performing Arts Publishing Group – please visit alanparsonsbook.halleonardbooks.com.

Alan Parsons’ Art & Science of Sound Recording – THE BOOK
$49.99 (US)
Inventory #HL 00333735
ISBN: 9781458443199
Width: 8.75″, Length: 11.25″, 272 pages
alanparsonsbook.halleonardbooks.com

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