Archive of the News Category
To amplify the home-game atmosphere and bring the 55,000 fans closer to the on-field action, Papa John’s Cardinal Stadium at University of Louisville has chosen the most powerful loudspeaker technology available today—Meyer Sound’s LEO™ linear large-scale sound reinforcement system with the 1100-LFC low-frequency control element and SB-3F sound field synthesis loudspeakers. Selected for its sheer power and remarkable ability to project sonic clarity and impact over long distances, the system was chosen by recently retired, long-time stadium manager K.C. Scull after experiencing the impressive LEO system at Ohio Stadium in Columbus.
“The performance of the new Meyer Sound system at Cardinal Stadium has been excellent,” reports Mike Dewees, head technician at Acoustical Audio Designs, the company contracted for operation and maintenance of the stadium systems. “There are no more complaints about not being able to understand the announcer. Now the music quality is very good throughout the bowl with consistent coverage in all seating areas, and the system has incredible headroom.”
Packed tightly into the north end scoreboard, the system features 24 LEO-M line array loudspeakers deployed in five arrays: two main arrays of eight each for the lower bowl plus two additional arrays of five and three LEO-M loudspeakers for the upper seats on the east side.
Eleven SB-3F loudspeakers throw crisp, mid-high-frequency sound to the far end seats and an upper deck terrace over 700 feet away. Eight 1100-LFC low-frequency control elements arranged in cardioid arrays supply low end, and two arrays of three-each MICA® line array loudspeakers provide additional coverage. A Galileo® loudspeaker management system with one Galileo 616 AES and two Galileo 616 processors handles drive and optimization.
According to consultant Ron Baker, the power of LEO and SB-3F helped to solve a difficult packaging problem. “Everything had to be squeezed into the same scoreboard structure as the old system,” he notes. “We had to apply creativity to shoehorn all the extra horsepower into the same small engine compartment.”
For Dewees, the extra horsepower is appreciated. “The old system was susceptible to changes in air temperature and wind,” he says. “Now, with LEO, we can get over peak crowd noise as needed with no distortion.”
Dewees notes that the additional horsepower calls for adjustments and restraint on the part of users. “Because the potential level is off the charts, our only issue so far has been getting the operators to use that power wisely.”
The new system for the stadium was designed by Ron Baker and Justo Gutierrez of Dallas-based consultants Wrightson, Johnson, Haddon & Williams. Installation of the system was contracted in two phases, with the SB-3F loudspeaker system installed by Parsons Electric of Minneapolis. The LEO system was installed by Florida-based Pro Sound & Video under the supervision of Brian Smith of the Pensacola office.
Meyer Sound loudspeakers play a critical role in @Large: Ai Weiwei on Alcatraz, an exhibition of seven new sculpture, sound, and mixed media works by Chinese artist Ai Weiwei. The installation explores human rights and freedom of expression in the context of Alcatraz, a former federal penitentiary and now iconic historical site in the San Francisco Bay.
Widely hailed as one of the most significant art exhibitions of the year, @Large already has been featured in The New York Times, Time Magazine, and The Guardian, among others. This extraordinary $3.6 million project on Alcatraz Island was originally proposed to Ai by Cheryl Haines, executive director of the FOR-SITE Foundation and curator of the exhibition.
“Ai’s work both awes us with its grace and beauty and challenges and critiques our way of thinking—in a manner that we hope will catalyze public dialogue on many human rights issues,” says Haines.
The inspiration for the exhibition is rooted in the reality of Ai Weiwei’s life. Forbidden by authorities to travel outside of China, the artist created the works for the installation in his Beijing Studio. “The misconception of totalitarianism is that freedom can be imprisoned,” says Ai Weiwei. “This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.”
Singled out by Los Angeles Times writer Carolina A. Miranda as “one of my favorite pieces in the exhibition for its subtlety,” Stay Tuned is an intimate and evocative sound installation occupying 12 barren and deteriorating prison cells in Alcatraz’s A Block. The installation features different music or spoken recitations in each cell created by people who have been imprisoned for the creative expression of their beliefs, as well as works created under incarceration. Artists range from Dr. Martin Luther King, Jr. to the Russian rock group Pussy Riot and the South African anti-apartheid activists The Robben Island Singers.
Driving Stay Tuned are 12 compact yet powerful MM-4XP self-powered loudspeakers with IntelligentDC™ technology. As Ai insisted the loudspeakers be invisible, they are mounted behind a rusting ventilation grate. Two MM-10ACX subwoofers support music by Iranian Arya Aramnejad and Nigerian Fela Kuti. Sound design for Stay Tuned was handled by San Francisco-based Moment Audio Group, a spinoff of Earwax Productions, where sound artists and engineers Jim McKee and Jeremiah Moore worked jointly with producer Starr Sutherland.
“The quality and invisibility of the loudspeakers contribute to the work’s startlingly evocative effect,” notes Moore. “It’s only one person at a time in the cell, and the clarity of sound leads to a startling directness and intimacy.”
The MM-4XP loudspeakers also helped Moore deal with the limitations of the site. “We needed a loudspeaker with very low distortion, high power, and proven reliability, and the MM-4XP was ideal on all counts,” he says. “In addition, Meyer Sound’s exclusive IntelligentDC technology enabled us to run DC power for the amplifiers and the audio signal over a single cable from our equipment room 120 feet away. We didn’t have to sacrifice power and clarity because of long speaker cables.”
Source recordings for Stay Tuned are played on an Apple Mac mini running QLab software. Output to two MPS-488HP IntelligentDC power supplies is via an RME Fireface 400 interface augmented by an Aphex Model 141 ADAT to Analog converter.
One of the most prominent cultural figures of the 21st century, Ai Weiwei is a Beijing-based artist and activist known for his work in sculpture, installations, film, architecture, and photography. His work often responds to conditions in China, including limits placed on free speech and expression and his personal experience of incarceration.
Founded in 1979 by husband-wife team John and Helen Meyer, Meyer Sound products
are universally acclaimed as the gold standard in the professional audio industry and renowned for their accuracy and precision. Meyer Sound solutions can be found in legendary musical venues such as Royal Albert Hall, Musikverein, Concertgebouw, and Jazz at Lincoln Center, in addition to multimedia exhibits including The Morning Line pavilion in Europe and numerous soundscapes by Bill Fontana. With more than 40 patents for a range of innovative technologies and products, many of which have revolutionized the audio experience for musicians and audience, Meyer Sound is acclaimed not only for it audio engineering, design, and manufacturing process but also for its dedication to acoustic research.
@Large: Ai Weiwei on Alcatraz is scheduled to run through April 26, 2015.
Antelope Audio Receives Nomination in “Computer Audio Hardware” Category for Second Year in a Row
Santa Monica, CA, October 22, 2014: Antelope Audio announced that its recently launched Zen Studio audio interface has been nominated for the 30th Annual Technical Excellence & Creativity (TEC) Awards in the ‘Computer Audio Hardware” category. The TEC Awards are the pro audio industry’s most prestigious awards, honoring outstanding achievement in product innovation and sound production.
“We are honored that the TEC Foundation nominates an Antelope Audio product for the second year in a row,” commented Igor Levin, CEO and founder of Antelope Audio. “Zen Studio is a studio; it is not jut a tag we put next to Zen. It is a whole studio that you can bring with you everywhere you go and still keep the studio quality of the sound. We deeply appreciate that after getting the recognition of our customers, we have also gained this recognition by the TEC Foundation.”
Zen Studio is a full-featured audio interface, clock, preamp, and monitor controller in a svelte, road-ready chassis. Featuring 20 analog inputs, 12 world-class mic preamps, Antelope’s acclaimed conversion and clocking, onboard DSP effects, multiple monitor mixers, custom high-bandwidth low-latency USB, and Mac/PC control software, the ergonomic, back-packable Zen Studio houses the powerful core of a professional mobile recording studio. Since its launch in May, Zen Studio, has received recognition from the media, regular users and Grammy Award winning engineers in the U.S., Europe and Asia.
For more information on Zen Studio, please visit http://antelopeaudio.com/en/products/zen-studio-portable-audio-interface.
For more information about the TEC Foundation, visit: www.tecfoundation.com.
About Antelope Audio:
Antelope Audio is a leading manufacturer of high-end professional audio equipment and the pioneer in the adoption of Atomic clock generators.
The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed digital and analog circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.
Antelope is the first to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. Antelope’s breakthrough technologies are offering both studio and live audio engineers great productivity and flexibility.
The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.
BUENA PARK, Calif.—Yamaha today announced the introduction of two new additions to its portable loudspeaker lineup—the powered DBR Series and the passive CBR Series.
The DBR Series, the follow-up to the acclaimed DSR and DXR series, represents the most portable powered loudspeakers that Yamaha offers. Three new models, DBR10, DBR12 and DBR15, feature state-of-the-art DSP (Digital Signal Processing) technology inherited from their predecessors, ensuring superior performance and versatility, along with safe, consistent operation. Yamaha’s innovative FIR-X tuning uses linear phase FIR filters for the crossover, achieving more accurate and smooth response for outstanding clarity and imaging. D-CONTOUR dynamic multi-band processing applies optimized settings for either front-of-house or floor monitoring applications. The DBR lineup also employs many of the same protection functions used in Yamaha’s top-class TXn Series professional power amplifiers, assuring reliable operation during extended use.
The DBR’s Class-D amplifiers deliver up to 1,000W of power, achieving an impressive maximum SPL of up to 132 dB with consistent sound quality and performance. Yamaha technicians carefully selected the transducers and then customized them to perfectly match the amplifier’s properties to deliver high output power with minimal distortion. The new lineup also features Yamaha’s extremely accurate wide dispersion constant-directivity horn that evenly projects the DBR’s deep bass, clear midrange and accurate high frequencies to the outer-most edges of a broad coverage area.
Portability and versatility factor heavily into the DBR Series’ design, which provides a rugged, compact and lightweight plastic enclosure fitted with a sleek steel grille and ergonomic handles for easy transportation and setup. The DBR also features an optimized 50-degree wedge angle for floor monitoring use, while the symmetrical cabinet shape of the DBR12 and DBR15 allows them to be placed in a “mirror-mode” configuration. All models come equipped with rigging points compatible with optional speaker brackets and eyebolts for installed applications.
Each DBR model also includes an easy-to-use 2-channel onboard mixer. A combo jack on CH1 accepts both XLR and TRS Phone, allowing for either mic or line level inputs. In addition to a combo jack, CH2 includes RCA pin jacks for input from CD players or stereo line-level sources. The mixer offers the ability to select either CH1+2 MIX, or CH1 THRU to pass the signal from CH1 only.
The CBR Series, Yamaha’s newest lineup of passive loudspeakers, delivers high-quality sound with impressive power, while offering exceptional portability. The CBR10, CBR12 and CBR15 are lighter than their DBR counterparts and do not require power cables, allowing them to easily adapt to both portable and rigged applications where access to a power supply is limited.
The CBR includes the same versatile enclosure design as the DBR Series and comes equipped with one speakON jack and a 1/4” Phone jack, enabling fast, easy connectivity for personal and professional applications. While the DBR Series attains its superior audio performance from Yamaha’s advanced DSP technologies, the CBR Series is tuned by precise, in-depth analysis and adjustment of an internal passive network. This results in high-definition, low distortion sound, even at high output levels when used in combination with an external power amplifier such as a P-S Series power amplifier or EMX Series powered mixer. Additionally, the protection circuit limits excessive input to the HF driver to reduce the risk of the damage. Combined with a highly responsive LF unit, the CBR Series remains reliable even when pushed to extreme limits.
“With the introduction of the DBR series, the intelligent DSP technologies developed for our acclaimed DSR and DXR Series are now finally available in our most portable powered loudspeakers, setting a new bar for great sound in an affordable package,” said Nithin Cherian, marketing manager, Live Sound, Yamaha Corporation of America. “The CBR Series models are an impressive addition to our passive speaker lineup, offering sound solutions for a wider range of customers who are seeking high-powered, clearly defined sound in a portable, flexible design.”
The new DBR Series are shipping; the CBR Series will ship in December. For more information, please visit http://4wrd.it/DBR and http://4wrd.it/CBR. For a video featuring the DBR powered loudspeaker, please visit http://4wrd.it/DBRFIRSTLOOK.
Yamaha Corporation of America (YCA) is one of the largest subsidiaries of Yamaha Corporation, Japan and offers a full line of award-winning musical instruments, sound reinforcement and home entertainment products to the U.S. market. Products include: Yamaha acoustic, digital and hybrid pianos, portable keyboards, guitars, acoustic and electronic drums, band and orchestral instruments, marching percussion products, synthesizers, professional digital and analog audio equipment, Steinberg recording products and Nexo commercial audio products, as well as AV receivers, amplifiers, Blu-ray/CD players, iPod docking systems, home-theater-in-a-box systems, earphones, headphones, sound bars, and its exclusive line of Digital Sound Projectors. YCA markets innovative, finely crafted technology and entertainment products and musical instruments targeted to the hobbyist, education, worship, professional music, installation and consumer markets.
REDWOOD CITY, California – As an all-purpose sound provider, Factor Audio recently acquired a second HARMAN Soundcraft Si Expression 3 console to better serve its diverse range of clients. Having enjoyed tremendous success with the first purchase, Factor Audio continues to work with the Si Expression 3 due to its ease of use, great sound and affordable price point.
Factor Audio designs and engineers its own custom solutions to provide better sound quality with greater efficiency for its clients. Relying on an experienced team, it caters to indoor theater, outdoor festivals, huge conferences and intimate weddings. The wide variety of gigs and desire for greater sound quality and efficiency led the company to the Si Expression console.
“We like to seek new ways to innovate and streamline our processes, which allow us to engineer solutions that best serve our clients’ needs,” said Mike Thompson, Owner of Factor Audio. “After working with the Soundcraft Vi6, I’m confident that replacing some of my analog workhorses with Soundcraft’s offerings was the right choice. So far, my experience with the Si Expression 3 console has simply been terrific.”
Not only did the Si Expression 3 address the reliability issues of some of the older analog consoles, but it also offered more flexibility with the compatible CAT5 snake system and the increased channel count. Thompson also plans to acquire a 32×16 Soundcraft Mini Stagebox for added capacity.
“This console allowed me to reap the benefits of digital features without complicating the workflow,” said Thompson. “I like the graphic EQ’s on the faders, the FaderGlowTM feature, and the ability to recall everything at the touch of a button. The response is instant and gratifying.”
“Most importantly, for this price point I think the Si Expression 3 is the best sounding board on the market,” said Thompson. “The lower register is clear and punchy, and overall the console’s sound has a nice warmth to it. Unlike some digital consoles the Si Expression remains musical even when it’s pushed to extremes.”
While Thompson continues to explore the console’s potential by adding Dante capabilities, the team at Factor Audio plans to invest in a Soundcraft Vi3000 console in the near future.
For more information on Factor Audio, please visit www.factoraudio.com
HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.
“Duality is a fine example of what happens when a quality company produces a quality product, and that is why we have two”
BOSTON – Rising 16 stories above the hustle and bustle of Boston’s Back Bay neighborhood, Berklee College of Music has completed its first-ever built-from-the-ground-up residence, rehearsal, performance and educational tower. Dedicated to the art of contemporary music, live performance, music production and engineering in all its forms, the building features a two-story state-of-the-art 10-studio complex designed by Walters-Storyk Design Group (WSDG). Among the largest of its kind in the United States, the facility features scoring and dubbing stages, large tracking and mixing rooms and a mastering studio, along with production suites and a multi-seat tech lab. To ensure students are learning on the latest professional tools, the school installed its second new SSL Duality for tracking and mixing in Studio 3 (aka “The Bridge”), purpose-built for advanced students. Duality delivers the company’s signature sound through an analogue workflow, elegantly integrated with a sophisticated DAW controller, making it ideal for teaching students to work in a hybrid production world.
“Duality nicely bridges the gap between teaching on our traditional in-line analogue consoles, and our DAW controllers,” says Dan Thompson, Assistant Chair of Music Production and Engineering at Berklee College of Music. “The console is an extremely interesting teaching tool because it can act as an advanced analogue console alongside comprehensive control layer for DAW-based projects. In our advanced tracking and mixdown curricula, Duality perfectly illustrates this hybrid workflow and professional paradigm.”
Berklee College of Music has been on the forefront of innovation for more than 65 years, reflecting state-of-the-art of music and music business education, leading the way with the world’s first baccalaureate studies in jazz, rock, electric guitar, film scoring, songwriting, turntables, electronic production and more than a dozen other genres and fields of study. The school’s alumni have won more than 270 Grammy and Latin Grammy Awards (27 of which were won by alumnus Quincy Jones), along with numerous Emmy and Academy Awards. With this pedigree, the new studios need to represent the highest quality available for degree course work.
“We have had a great relationship with SSL over the past 20 years,” says Rob Jaczko, Chairman of Music Production and Engineering at Berklee. “Part of the mission here is to always train students on definitive professional equipment that they are going to encounter in commercial studios in New York, LA, London, Nashville and the world. Solid State Logic is obviously one of the principal platforms we need our students to train on, and Duality is the logical choice for our advanced studies.”
Berklee purchased its first Duality in 2010, primarily for teaching advanced mix techniques. With the expanded footprint of Berklee’s production facilities, both Duality consoles are now installed in tracking rooms (Studio B and The Bridge) and service advanced recording and mix classes and projects.
“Duality certainly represents multiple modalities and different ways to work,” continues Jaczko. “You’re not locked into a singular workflow in the room and, now that we’ve positioned both of the consoles in tracking spaces, we’re exploring the new variable harmonic front-end on the mic pres and using them in mix situations where they serve as controllers or as straightforward analogue consoles as we know them. The Duality consoles provide a lot of flexible options on how they get used, to the benefit of our students.”
“The Duality’s signal path and sound is pristine,” adds Thompson. “It offers clarity, separation, punch, extension and depth, whether used for tracking or mixing. Duality is a fine example of what happens when a quality company produces a quality product, and that is why we have two.”
Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.
HAMMONTON, NEW JERSEY – OCTOBER 2014: Diggerland USA is the country’s first construction-themed adventure park, allowing children and their families to operate real construction equipment in a safe environment. The 14-acre park is located adjacent to its sister attraction, Sahara Sam’s Oasis, in New Jersey in the suburbs southeast of Philadelphia. Spellcaster Productions of nearby Hammonton, New Jersey designed and installed the system on a very tight timeframe; from land clearing to opening took just six months. An Ashly Audio ne24.24M modular Protea™ matrix processor outfitted with twelve inputs and twelve outputs provides all of the equalization, delay, ducking and routing for Diggerland USA, and seven Ashly KLR-3200 amplifiers power the park’s seventy-plus Community loudspeakers. Ashly’s networked neWR-5 wall-mount user control allows staff members to adjust input and volume within a given zone, and Ashly’s iPad app gives management complete control of the park’s audio from anywhere via Wi-Fi.
“While I was working on this project, our Ashly rep stopped by,” said Mike Shafer, project manager of Spellcaster Productions. “I showed him what we were up to, and he suggested the ne24.24M processor and the KLR-3200 amplifier. I did my homework and realized that moving to Ashly would save the client some money and would give us all the functionality and power we needed. We also designed and installed the sound system at Sahara Sam’s Oasis, and the client wanted to be assured Ashly would meet the same standard. I assured him that Ashly has been making quality equipment for over thirty years and that they are well known for their reliability. Ashly’s five-year warranty and my positive experiences assured him.”
The sound system permits Diggerland USA to play background music and advertisements, either of which will duck for pages made from a Shure wireless microphone or from the park’s phone system. All of the input sources feed the Ashly ne24.24M processor, which in turn feeds a rack of seven Ashly KLR-3200 two-channel amplifiers. The KLR-3200 is rated at 1600W into a 2 Ohm load, 1100W at 4 Ohms or 800 Watts per channel into a 70V line. This versatility makes it a perfect choice to power the Community Sound-centric loudspeaker system. Community D4LP loudspeakers cover indoor areas with low ceiling height, Community DP8 pendant loudspeakers cover a food pavilion and an arcade, and Community R.15 and R.35 loudspeakers throw from light poles to cover the vast outdoor spaces.
The Ashly Remote App for the Apple® iPad or iPad Mini is used to provide the theme park management team with a customized wireless remote control. “I arranged it so that the app’s home page lists each zone with a radio button to select the input source,” said Shafer. “That, together with a volume slider for each zone, allows them to do everything they need to do. Because we gave them Wi-Fi throughout the park, they can make adjustments right there in the park – no walking back and forth to an equipment closet.” For staff within the arcade, the picnic area, and the concession stand, Shafer installed Ashly neWR-5 wall-mount remotes, which allow input selection and volume selection.
“The installation was smooth and straightforward,” said Shafer. “Programming the ne24.24M was easy – just a matter of connecting the right nodes and then tuning the system. Even some of the less common requests were easy, like a real-time page from a security monitoring company for afterhours if the park’s security system detects movement. The page warns intruders that the police have been called. Since the opening in June, we’ve been back to adjust things as they’ve determined how exactly they want things to function.”
ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.
CARY, NORTH CAROLINA – OCTOBER 2014: Pie Man Sound opened last month in Cary, NC, – co-owners Max and Mitch Dancik were so eager to start using their 32-channel 1608 that it’s already been used to record several local projects. Mitch said the studio is already booked solid through the year with musicians from a variety of genres anxious to record. Among others, the studio is looking forward to sessions with a young jazz/rock band working on their debut album, a quartet of Mexican classical guitarists, and a quartet of classical sax players. Mitch believes the 1608 has been a huge part of Pie Man’s early success: “My standard setup allows me to switch from record to mix mode instantly. In a ‘mix as you go’ world, this capability is critical, and a very good reason for 1608 users to consider that extra sixteen tracks.”
Pie Man was designed and built from the ground up by Wes Lachot, who told the Danciks that the 1608 would take the studio from ‘great to WOW!’ “I visited various studios,” Mitch Dancik added, “including Manifold, and my ears said it was worth it. Another important consideration was reliability and maintenance. My friend Neil Steingart was an engineer at the Record Plant in NYC and he always spoke about the indestructible API console on their mobile studio truck.” While practical elements like these helped Dancik make his decision, he said, “The most important feature is the magic that the API imparts to the sound. API is one of only a few companies keeping the best of the analog technology alive and I hope consoles like the 1608 will always be available.”
The console has not only been used on a variety of projects, but also for a wide variety of technical processes. Dancik was excited to explain how multi-faceted he has found his new gear: “The 1608 is integrated with my DAW solutions, with everything going through the API on the way in and the way out. I do hybrid mixing, with fine adjustments in the box, and broad moves on the API.” His experience with API gear is not limited to his own console, though. He attended a session with producer Joe Chiccarelli at Studio La Fabrique, “and every time he got frustrated with a piece of malfunctioning outboard gear, he’d switch to an equivalent piece of 500 series gear in an API lunchbox he had brought along. The API gear always worked as expected. I told Joe I was considering a 1608 for a new studio, and he said ‘go for it!’”
ABOUT API (AUTOMATED PROCESSES, INC.) Established 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608, and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.
SAFETY HARBOR, FLORIDA – OCTOBER 2014: Metric Halo is pleased to announce the immediate availability of its brand new MH Dirty Delay plug-in.
Dirty Delay is a visceral, gritty, fantastic-sounding musical feedback delay processor with integrated Character and filters in the delay path. It can create awesome vintage echo and tape-delay style sounds as well as lush and subtle spaces in a mix. New users are already finding that it is more “real” sounding than alternative in-the-box delay processors.
Not just a musical feedback delay, MH Dirty Delay is something special. With the integrated filters and Character in the feedback path you can make it clean or dirty, vintage or futuristic, subtle or nasty.
With dual delay lines, cross-feed, feedback and distortion control, Dirty Delay is capable of creating extraordinarily rich and complex textures and patterns from your audio. Dirty Delay adds texture and movement without the veiling and darkening of the sound that is often associated with other feedback delays.
Dirty Delay is equally at home in production and performance.
One License, All Formats
The license for Dirty Delay covers the Native version for VST, AU, and Pro Tools AAX on both Mac and Windows. Dirty Delay is available individually or as part of the Production Bundle. MH Dirty Delay supports both computer-based licensing and optional iLok dongle-based licensing.
A Lot of Performance, Not A Lot of Price
Dirty Delay is available from dealers or directly from http://mhlabs.com. New software licenses for Dirty Delay are available for a MSRP of $179 each, with an introductory price of only $75 each (until 10/31/2014). New Production Bundle licenses (which includes Dirty Delay) are available with a MSRP of $699, and are currently on sale for only $299 (until 10/31/2014).
A free 30-day trial of Dirty Delay is included in the Production Bundle trial and is available from https://mhsecure.com/DemoCentral/
ABOUT METRIC HALO Based on the Gulf Coast of Florida, Metric Halo provides the world with award-winning software and hardware recording, processing, metering and analysis solutions.
WEST MARIN, CALIFORNIA – OCTOBER 2014: Panoramic House is a personal recording studio and vacation home owned by John Baccigaluppi and Bobby Lurie, located on the western Marin coast north of San Francisco. The duo, who own and operate studios on both the east and west coasts (The Dock in Sacramento, CA and Mavericks in NYC), renovated the historic 1960s structure, which was built entirely from recycled architectural materials salvaged from the Bay Area. Now, Panoramic House is celebrating its first year of operation with equipment relocated from Baccigaluppi’s former recording studio, The Hangar, which includes his recently-expanded API 1608.
When the five-year-old 1608 moved to Panoramic House, it was expanded to 32 channels to accommodate the studio’s 16- and 24-track analog tape decks. “With more analog tracks, we needed more console real estate,” said Baccigaluppi. “The 1608 has served me very well. I love that it has the same API circuitry that runs its large-format consoles. Eight aux sends and eight groups paired with the modular 500-series slots make it a very versatile board. We have a lot of EQ flavors, including a handful of API 550A’s, 550b’s, and 560′s.”
Baccigaluppi’s familiarity with API equipment is a contributing factor to what has made the 1608 the heart of the new studio. “Panoramic House is definitely analog-centric,” he said. “The first console I ever worked on was an API 2488 at The Evergreen State College in Olympia, Washington, and I love that the 1608 continues in that tradition. Moreover, clients are always impressed. API is a trusted name in the industry.”
Panoramic House has already been host to several big-name indie bands, including My Morning Jacket, Band of Horses, and Thee Oh Sees. With the first year behind them, Baccigaluppi and Lurie are looking forward to the fall and winter in Stinson Beach and Bolinas. “It’s funny,” Baccigaluppi said, “that most of the vacation renters come to town during the summer when it’s foggy to the point that you feel like you’re in a cloud. But that’s when people take vacations, I guess. Conveniently, most musicians are touring during the summer. The other three seasons are lovely, and that’s when most musicians want to settle in and create. Plus, that’s when the surfing is the best!”
ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.
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