Archive of the News Category
On October 1 and 2, 2014, veteran FOH engineer Jim Yakabuski will join Meyer Sound instructor Buford Jones as a special guest in the newest sessions of the company’s Mixing Workshop webinar series.
The interviews will cover Yakabuski’s long mixing career working with artists from Matchbox Twenty to Journey. He will also share how technology advancements like linear sound systems and plugins are creating new opportunities for FOH engineers as well as practical tips for aspiring audio practitioners.
The Mixing Workshop is free of charge and is conducted at four different times:
October 1 (Wednesday)
7AM PDT/2PM UTC
9AM PDT/4PM UTC
October 2 (Thursday)
7AM PDT/2PM UTC
9AM PDT/4PM UTC
Sign up here.
As part of Meyer Sound’s worldwide education program, Buford Jones brings his lessons from almost four decades of mixing career to his online Mixing Workshop and hands-on sessions around the world. Jones’s illustrious mixing credits include Pink Floyd, Eric Clapton, Stevie Wonder, Prince, and David Bowie.
LAKE FOREST, Ill.—TC Furlong, Inc. will host a Digital Console Expo on Tuesday, October 21 between 4:00 pm – 8:30 pm. Manufacturers include Yamaha Commercial Audio Systems, Avid, Midas, DigiCo, SSL Live, Soundcraft, Allen & Heath, Mackie, PreSonus, QSC, and several more. The companies will exhibit their latest digital consoles, and manufacturer staff will be on hand to answer questions.
The event is free of charge and will be held at the Moody Church, 1635 N LaSalle Street, Room 107, in Chicago. Food and beverages will be provided along with a raffle for prizes as well as giveaways.
Registration is required as space is limited. To register, visit www.tcfurlong.com/dce.
The Moody Church is easily accessible by public transportation, and there are several pay lots as well as limited street parking in the area.
This is the third Digital Console Expo presented by TC Furlong Inc. TC Furlong is a Chicago-area live sound rental and sales company that has been in business for 41 years.
For more information, visit www.tcfurlong.com/dce or call 888-823-8756.
Multi-award winning artist endorses collaboration and shares project files from the album Innocents on premier online network
NYC (September 18, 2014) – Project files for Moby’s single “The Last Day”, from his latest album Innocents, are now available exclusively on Blend in Ableton Live and Avid Pro Tools formats for music producers to re-interpret and remix the song on the online collaboration platform at http://blend.io.
Moby is a phenomenon in electronic music. He has remained innovative and relevant through fads and trends, and today – once again – proves to be one step ahead by fully embracing technology through online collaboration. He appreciates and encourages input from musicians all over the world, which is why he made the stems of “The Last Day” available for Blend members to remix.
“When people try to control content in the digital world, there’s something about that that seems kind of depressing to me,” read a quote by the artist in an article on CDM. “The most interesting results happen when there is no control. I love the democratic anarchy of the online world.”
Moby’s album Innocents, recorded in his apartment and produced by Grammy-winner Mark ‘Spike’ Stent was released last October and features collaborations on 7 of the album’s 12 tracks. He now invites music producers on Blend to download “The Last Day” project files, deconstruct it and make their own versions of it.
The project is available to be remixed in Ableton Live and in Avid Pro Tools:
The Last Day – Ableton Live by Moby
The Last Day – Pro Tools by Moby
New users can sign up now at this exclusive link: https://blend.io/vip/moby
The Last Day video: https://www.youtube.com/watch?v=x5Dpz6w_jz4
Blend was created for musicians to connect and share in-progress tracks and collaborate, or “blend” each other’s works. While other networks focus on publishing completed music, Blend provides a platform for musicians to collaborate directly with each other in their native (source) format, such as Ableton Live, Maschine, Pro Tools, Logic, GarageBand, FL Studio and Reason.
U.S. Audio & Lighting deploys K2 system for large country music events
Justin Moore heard via K2 arrays at Cape Blanco (credit for all photos: Jeremy Polzel)
BROWNSVILLE / SIXES, Oregon — Music festivals have increased in number and diversity in recent years, and regional festivals have enjoyed explosive growth. Two of this season’s most successful regional festivals took place this August in Oregon where the five-year-old BI-MART Willamette Country Music Festival in Brownsville (August 15-17) drew upwards of 25,000 fans who came to hear acts like Blake Shelton, Gary Allen and Eric Church. Regional discount retailer BI-MART also launched a new sister festival in Sixes this year, the Cape Blanco Country Music Festival (August 1-3), which attracted as many as 15,000 to hear Brad Paisley, Eric Church and Justin Moore, among others.
These two festivals represented country music at its best, but what really tied both together – aside from their mutual corporate sponsor – was the sound provided at each site by U.S. Audio & Lighting’s L-ACOUSTICS K2 system. “The music sounded excellent in both places,” says Patrick Coughlin, general manager of U.S. Audio & Lighting North, the Northern California branch of the North Hollywood-based company that has become one of the largest K2 users in the States. more
Old Lyme, CT, September 17, 2014: Sennheiser’s Esfera surround microphone system has been recognized with an IABM Design and Innovation Award. At the awards ceremony held on September 13th during the IBC in Amsterdam, the audio specialist received the award within the Audio category.
“We feel extremely honoured that the IABM’s independent panel of experts has selected Esfera for the Audio award,” said Claus Menke, Head of Portfolio Management Pro for Sennheiser’s Professional Division. “Immersive audio is one of our focus areas, an area which truly creates a difference for the viewers’ TV experience. Esfera makes the lives of broadcast professionals a lot easier. The system enables them to efficiently capture authentic ambience using just two audio channels, and to convert this audio information to 5.1 at any point in the workflow, whether live or in post-production.”
The Esfera surround microphone system:
The Esfera system consists of the SPM 8000 two-channel microphone unit and the SPB 8000 processing unit. The microphone unit features the typical advantages of RF condenser microphones: natural and detailed sound, transparency, ruggedness and high resistance to adverse climatic conditions. The processing unit uses an algorithm perfectly matched to the microphones to generate a 5.1 surround signal with sampling rates of up to 96 kHz. An integrated compressor ensures a broadcast-friendly signal. For ease of operation, the processing unit uses four directly selectable presets. These can be modified via an Ethernet interface to adapt to local conditions, including the settings for the gain of the individual channels, front and surround focus, surround delay, rotation, filters and cut-off frequencies, compressor, make up gain, output gain, limiter and windshield compensation.
About the IABM:
The IABM, is the authoritative voice of the broadcast and media technology supply industry worldwide. Its wide range of services to members encompasses market research and intelligence, training, expert representation at standards bodies and broadcasting unions, executive networking opportunities, and preferential purchasing. A presence at every major broadcast tradeshow, the IABM also provides a valuable channel for communication among broadcast manufacturers, government, and regulatory bodies. Additional IABM activities include awards programs for innovation and scholarships designed to stimulate the development of the broadcast and electronic media industries on an international basis. For more information, please visit www.theiabm.org.
The Sennheiser Group, with its head office in Wedemark (Hanover Region) is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2013 the family company, which was founded in 1945, realised a turnover of around 590 million euros. Sennheiser has more than 2,500 employees worldwide and operates its own factories in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Lichtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. The company Georg Neumann GmbH, Berlin (studio microphones and monitor speakers) and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres) are also part of the Sennheiser Group. You can find further up-to-date information about Sennheiser online at www.sennheiser.com.
1: Sennheiser’s Claus Menke (l.) accepting the award from Peter White, CEO of IABM
2: Immersive surround sound and workflow efficiency: the Esfera 5.1 surround microphone system, consisting of a two-channel microphone unit and the 5.1 processing unit
Technical director for school’s music department relies on an assortment of company’s mics to solve live miking challenges
LOS ANGELES, SEPTEMBER 18, 2014 – Students at California Baptist University’s (CBU) Collinsworth School of Music are not only taught the art of making music, but the best possible way to enhance the performance aspect of their instrument or voice. That’s why their professors and mentors turn to DPA Microphones for on-stage amplification, which ensures that students gain first-hand experience with world-renowned professional equipment. With an audio locker that features a combination of the company’s d:vote 4099 Instrument Mics, d:fine™ Directional Headset Mics and a stereo pair of d:screet™ 4061 Omnidirectional Miniature Mics, the school is guaranteed an audio solution that covers the variety of music department needs for on-campus performances as well as on-the-road ensembles.
Matthew McConnell, technical director for the School of Music at California Baptist University, was familiar with DPA’s reputation of excellent quality products, but it was his test seven years ago of a stereo pair of d:screet 4061s as a live miking solution that turned him into a loyal user. Since then, DPA mics have been integrated into Collinsworth’s equipment supply, creating a new generation of enthusiasts.
“Before discovering DPA Microphones, I’d tried everything to make the piano sound good live, but I wasn’t happy with any of the results,” McConnell recalls. “Since I wasn’t having much luck with anything else, I bought a stereo set of the DPA d:screet 4061 mics and thought they were fantastic, and then I just went from there. Now, I don’t have many students who haven’t used a DPA mic. I’m a firm believer in the observation factor, so if they’re seeing the mics in use and hearing them on live recordings, they can better understand the benefit of using DPA mics.”
During touring season, students discover, through firsthand experience, the advantages that come along with DPA. This includes ease of use and exceptional clarity, the same factors that McConnell initially found to be valuable.
“I bought my first d:vote 4099s because I was trying to solve a problem,” shares McConnell. “For years, I didn’t like the sounds I was getting from the string bass, so I looked around for clip-on mics and pickups, I didn’t really like any of those or how they worked. When I found the d:votes, I bought two because of the rubberized bass clip. I loved how easy it was to get the clips off the instrument as well as having some flexibility to be used with other instruments. I tried them out and thought they were great. I also loved how they sounded and how the performers could move around because it’s attached to the instrument. As a FOH guy, the sound the mics produce isn’t changing when the students move around. I get very consistent sound and levels, which makes mixing so much easier. Once I discovered how well the d:votes worked, I bought more for the cello players and then woodwinds and percussion. I thought, ‘These are great! I’m going to use them wherever I can!’ ”
When McConnell introduced the d:vote 4099s to students, they were wary that the clips would damage their personal instruments. But, once they saw how the rubber clips can easily be unclipped and repositioned on the instrument without any damage to the body, they were eager to use them. The d:vote 4099 creates an effortless solution for students who are in charge of setting up and tearing down their own equipment. Students have also learned of the mics’ accurate natural sound, balanced EQs and functionality.
“These mics really come in handy for our performances, which are largely led by students,” continues McConnell. “During the school year, students perform in large ensemble groups at churches and schools throughout Southern California. Upon graduation, we send four elite groups on a two-week tour of America’s western hemisphere, where they are tasked with setting up their own equipment. The clipping and repositioning of the d:vote is so simple that two violinists often share one mic connected to a wireless transmitter by swapping it onto their instruments between solos.”
In addition to the d:vote series, the music department has integrated the d:fine directional headsets into its mic rotation for vocal clarity. Used primarily on the conductors who often MC their own shows and stand in front of loudspeakers, a potentially problematic spot due to feedback, the school is using the mics in a unique manner.
“The d:fine headsets sound great and make it possible for the conductors to wander around and interact with people without feedback issues,” adds McConnell. “But, the truly remarkable thing about the d:fines is the way we use them for our piccolo and flute players. Since the instruments are so tiny, we had a hard time miking them. We were using overhead mics, but there was a ton of bleed from other instruments. So, we decided to outfit the musicians with d:fine headsets, and it’s been great. Since the end of it is so close to the ear where the d:fine sits, the mic ends up producing a sound that’s just like the performer hears. We also get great rejection of unwanted noise with the cardioids pattern and we’re able to really amplify the flute sound.
“Everyone’s got it in their head that you need to have a solo flute with full brass choir accompaniment behind it, but on an acoustic stage, you’re never going to hear that,” he continues. “In a studio you will, but not on a live stage without amplification. This has been the best way that I’ve found to accomplish that. The d:fine tames down the piccolo to make it musical. It’s the same thing with the flutes. I’m able to get a great sound with the d:fine on the flute, with very minimal amounts of processing on the console. The feel of the mics is great, too. With other mics, the flute players hated wearing headset mics, they didn’t like how they felt. I gave them the d:fine mics and they loved them and said they’d never want to use anything else ever again.”
Established in 2002, CBU’s Collinsworth School of Music holds students to high standards that encourage them to be the very best persons, students and musicians that they can be. In exchange for the hard work they commit, CBU musicians find a challenging program of study, an outstanding community environment and limitless performance opportunities in the United States and abroad. McConnell credits the support from Dr. Judd Bonner, Dean of the Collinsworth School of Music, for being the primary advocate in the students’ access to the DPA mics.
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com.
Eldon, MO (September 18, 2014) — ARGOSY Console is very pleased to announce the release of their new video interview with renowned producer/engineer/mixer/songwriter (and financial advisor) Glenn Rosenstein, the first in a series of video interviews with their outstanding customers, as part of the celebration of the company’s 20th Anniversary.
Glenn Rosenstein started his career in his native New York City at the Power Station Recording Studio, and then Sigma Sound Studios, where he became a highly sought-after mixer and remix engineer, working with artists such as U2, Madonna, Talking Heads, The Ramones, Lisa Lisa & Cult Jam and many others. As a producer, mixer and engineer, Glenn’s projects have won 3 Grammy Awards, garnered 5 Grammy nominations, and have won both an Oscar and a Golden Globe award. His music production & mixing credits for film & television include top shows such as The Sopranos, Married to The Mob, Charmed, Beverly Hills 90210, All My Children and Buffy the Vampire Slayer. His music production and mixes continue to be diverse, working with artists from Ziggy Marley, Livingston Taylor and Andrew St. James to James Taylor, Carly Simon, The Soft White Sixties, and Bif Naked. In addition to music production, Rosenstein is also a partner in Wealthpoint Financial Group in Brentwood, TN.
And whether its making great records or great financial deals, Rosenstein recognizes the importance of having a great workspace, “As a record producer, I got used to the privilege of having a certain level of quality gear at my disposal, so I wanted to take it all with me into the financial world,” says Rosenstein. “My Argosy Aura desk gives me a sense of comfort and familiarity, with great design and ergonomics. It enhances my workflow, whether in music or financial services or whatever else I do.”
See the entire interview with Glenn Rosenstein at: http://www.argosyconsole.com/transformed/contest.html.
ARGOSY is the leading designer and manufacturer of high-end technical furniture for leading recording control rooms, post-production houses, film facilities and high tech venues worldwide. The company prides itself on responding to clients’ individual application-specific needs using a variety of custom materials and unique finishes, with careful attention to aesthetic design and ergonomic details. Since 1994, Argosy products have been installed at thousands of award-winning facilities in countries worldwide.
Build your own Dream Studio by visiting www.argosyconsole.com
ARGOSY® and Dream Studio® are registered trademarks of Argosy Console, Inc.
Leading manufacturers, organizations and audio educators pledge their support for the second annual Gear Expo
FREE event to be held in the Berry Hill neighborhood of Nashville at Vintage King Audio on
Saturday, September 27, 2014, from 10 a.m. until 4 p.m.
LOS ANGELES, CA, September 16, 2014 — On Saturday, September 27 (10am-4:00pm), the Berry Hill neighborhood of Nashville will be the place to be if you have anything to do with professional audio, home recording or simply making music. Gear Expo 2014 – a creation of Pensado’s Place, the acclaimed weekly educational web series, in conjunction with Vintage King Audio, a leader in professional audio sales, studio consulting, and comprehensive gear servicing – is the second annual event, affectionately known as “Nashville’s Pro Audio Block Party.” Simply put, Gear Expo 2014 is one of the biggest gear and music-making expos in America. Attendees will once again be able to demo gear, talk directly with manufacturer reps, watch live interviews, mingle with celebrity guests, ride the Gear Expo tour bus, win prizes, enjoy local food trucks and meet Dave Pensado and Herb Trawick of Pensado’s Place.
The list of title sponsors comprises some of the most prominent names in professional audio, M.I. and audio education, including Audio-Technica, Avid, The Blackbird Academy, Chandler Limited, Rupert Neve Designs, M1 Distribution, sE Electronics, Genelec, Gobbler, iZotope, Moog, Neumann, Triad-Orbit, Recording Connection, Electric Thunder Studios, G-Technology, Slate Media Technology, Studio 202, Ultimate Ears, Vintage King, and The Recording Academy® Producers & Engineers Wing®.
“Once again, Dave and I, along with Vintage King, are raising the bar and bringing to Nashville the biggest, blow-the-doors-off, pro audio block party that Music City has ever seen,” stated Herb Trawick, Gear Expo Executive Producer and Co-host/Executive Producer/Creator of Pensado’s Place. “Of course we could not hold such an event without the help and support of our loyal sponsors, each of which is a leader in their field, and together we are going to have a blast while providing hands-on educational information and demonstrations that you cannot find any where else.”
The celebration will have in attendance special guests, including John McBride (Martina McBride, Blackbird), Jacquire King (Kings Of Leon, Tom Waits), Ryan Hewitt (Red Hot Chili Peppers, The Avett Brothers), Chuck Ainlay (Miranda Lambert, George Strait, Mark Knopfler), Kuk Harrell (Rihanna, Beyoncé), Leslie Braithwaite (Pharrell Williams, Jay Z), Justin Niebank (Rascal Flatts, Sheryl Crow), Vance Powell (Jack White, Beck) and many more.
The official “Pensado/Vintage King Gear Expo Tour Bus” will be taking visitors back and forth to the legendary Blackbird Studio all day long. As one of Vintage King’s biggest supporters, Blackbird has hosted historic sessions with artists such as Neil Young, the White Stripes, Bruce Springsteen and more. Giving guests another opportunity to check out new and vintage gear hard at work, partygoers will be able to see John and Martina McBride’s studio in all its glory.
The Gear Expo staff includes:
• Dave Pensado — Co-host of Pensado’s Place, GRAMMY®-winning mix engineer, Teacher
• Herb Trawick — Gear Expo Executive Producer and Co-host/Executive Producer/Creator of Pensado’s Place
• Shevy Shovlin — Gear Expo Producer and Chief Marketing Partner and Sales, Advertising for Headroom for Days
• Chad Evans — Gear Expo Co-Producer and Vintage King Nashville national sales rep
• Stephanie “Spitfire” Willis — Gear Expo Co-Producer
For more information, visit: http://gearexponashville.com/
Pensado Vintage King Gear Expo Nashville 2014
Date: Saturday, September 27, 2014
Time: 10:00 AM – 4:00 PM
Location: 2826 Dogwood Place, Nashville, TN 37204
ABOUT PENSADO’S PLACE
The hour-long weekly web series Pensado’s Place was created nearly four years ago. Co-hosted by legendary mix engineer Dave Pensado (Beyoncé, Christina Aguilera, Kelly Clarkson, Mariah Carey, Elton John, Michael Jackson and more) and show creator Herb Trawick, Pensado’s Place includes interviews with top music industry artists, engineers, producers, mixers, and record executives, as well as in-depth tutorials in production, engineering and mixing. Pensado’s Place has positioned itself as “the most influential show for audio engineers,” mixers and producers (Forbes Magazine) in just three years. Pensado’s Place is more than just a show, as it highlights the very best in the industry of music, gaming, sound identity on film, and audio equipment, with a presence in live events. As a leading educational resource, Pensado’s Place is helping build the next generation of audio greats. http://www.pensadosplace.tv/
ABOUT VINTAGE KING AUDIO
Vintage King Audio is a leader in professional audio sales, studio consulting, and comprehensive gear servicing. No matter the scope of a client’s needs or goals — from selecting a new microphone to designing a studio from the ground up — Vintage King distinguishes itself with standard-setting customer service, which begins with the company’s knowledgeable, industry-experienced staff. For more information, visit: http://www.vintageking.com/about-us
— Guitar Center looks in-house to its professional division, who helped design and install the A/V complement for the new superstore, with the help of GC Pro Affiliate Program member Malvicino Design Group —
WESTLAKE VILLAGE, CA — Guitar Center recently opened the doors on its new flagship location in New York City’s Times Square with a star-studded opening weekend and a level of spectacle right at home in what is arguably Manhattan’s busiest and most conspicuous district. Guitar Center’s 262nd retail location is an ultra-modern musical instrument and technology center covering over 28,000 square feet. In-store elements include Guitar Center’s Platinum Club (showcasing high-end luxury guitars, along with a live performance venue and control room); a Fender custom shop where unique guitars are featured; a full DJ experience department; a boutique pedal selection in a stunning 360-degree display; and 28,000 square feet of guitars, drums, keys, DJ, recording, live sound and more. The store also now serves as the permanent home to two legendary pieces of rock history: Eric Clapton’s iconic “Blackie” Fender Stratocaster and ES-335.
For the complicated task of helping design, manage and install the A/V components to meet the needs of such a technology-specific space, Guitar Center sought an organization with the right expertise to get the job done, on budget and on time – luckily, they had one in-house: Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users. Throughout the project, GC Pro worked with Affiliate Program member Horacio Malvicino and his firm Malvicino Design Group, who designed and installed the detailed A/V setup.
“Guitar Center management asked to have GC Pro involved in order to ensure a proper customer experience from an audio-visual point of view,” stated GC Pro Vice President Rick Plushner. “We were honored and excited to be asked. Times Square is the crossroads of the world, where people from all over the planet come to visit and shop. Horacio came in early on in the project and knew exactly what we were trying to accomplish, and he designed the backbone and the technology infrastructure in a superb way.”
A multi-screen Panasonic video display graces the outside of the building on 44th St., composed of screens sourced through GC Pro. Upon entering, visitors begin to descend an escalator, immersed in the sights and sounds of an excited crowd waiting for their star to take the stage. A complement of QSC speakers and a Q-Sys system, along with a massive LED display screen, helped create this effect. “It’s as if you’re a rock star coming into a stadium to perform, and so we were asked to help create that experience,” stated Plushner.
Within the store is the Platinum Club, which features a live stage and full control room for multi-track A/V recording and production. GC Pro furnished an Avid S3L console and JBL monitors/loudspeakers for the live space, with an Avid S6 console in the control room. “There’s a whole host of digital and analog outboard gear in there as well, with proper monitoring,” added Plushner. “It’s a real control room to do proper recording, and we’re excited about what opportunities that’s going to bring for the company.”
Malvicino stated, “I’ve been lucky to work with GC Pro on several major design and installation jobs over the years, and it has been a great experience for me personally and professionally. This Times Square GC project presented some new opportunities and challenges, and I’m proud to have been able to help bring make their vision a reality.”
For more information, please visit www.gcpro.com.
Whether for solo or full-band performances, Campbell’s L1 system offers the versatility, sound quality, reliability and portability that he needs on the road
Framingham, Massachusetts – San Francisco-based singer-songwriter Jeff Campbell has been playing hundreds of shows a year in dozens of cities and continues to build a loyal following through his energetic performances. Recently selected as the winner of Guitar Center’s National Singer Songwriter 2 Competition out of over 13,000 entrants, Campbell was given the chance to record a five-song EP with GRAMMY®-winning producer John Shanks and perform on Jimmy Kimmel Live. “I’ve been lucky, and I’m doing well,” states Campbell. “In between my larger gigs, a lot of my shows are smaller, more intimate affairs – cafes, coffee houses, house concerts, corporate events and the like. And I need to schlep a guitar and a sound system to these venues.” For his P.A. needs, he has found the right solution in the L1® Model II system from Bose® Professional Systems. Campbell has been all over the country with his L1 system, playing both solo and full-band shows to the delight of his growing fan base.
“I had been using P.A.’s that I was piecing together myself, but commonly had feedback problems,” he recalls. “I acquired a Bose L1 model II system with the ToneMatch® audio engine and B2 bass module, and all of a sudden everything was different – I was performing more confidently, and things just sounded great.”
Campbell is a fan of the system’s small profile and portability. “In terms of touring, I’m able to fit all of the Bose components, plus my other gear, in my trunk,” he notes. “So now when I’m on the road I have my trusted sound system, for all of my smaller gigs. If I’m by myself, I can carry the whole thing in two trips, because it’s compact and super light.”
“And, of course, the sound,” he adds. “I’ve never had so much positive audience response than after I started using the L1 system. Often fans will come up after the show and say something like, ‘I could hear everything, but it wasn’t too loud,’ which I think is a great compliment. And the L1 system acts as my monitor too, so I’m hearing exactly what the audience is hearing. Every time I use it, I get somebody coming up to tell me how great it sounds, and my band notices that we don’t get any feedback issues happening. The other thing is the pre-amps in the ToneMatch engine are so good. I use passive pickups in my acoustic guitars, and I’m able to just plug in and go, with no outboard preamp, and it sounds incredible. It’s just seamless. It’s taken so much of the stress and pressure out of my smaller gigs, and added so much positivity. We can focus more on the performance. It’s a really brilliant machine. I’m lucky to have it.”
For more information on Campbell, including upcoming live dates, please visit www.jeffcampbellmusic.com.
Fairlight Xynergi Media Production Centre
Mix Briefing Room, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the Briefing Room for the latest press postings.