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DPA Microphones Brings d:screet™ Omnidirectional Miniature Necklace Microphone to WFX 2014

Company also features its line of d:vote™ 4099 Instrument Microphones

DALLAS, SEPTEMBER 30, 2014DPA Microphones showcases its new d:screet™ Omnidirectional Necklace Microphone at WFX 2014 (Booth 1016), which is not only perfect for religious holiday productions, but can also be used for a range of other house of worship microphone applications. The company’s d:vote™ 4099 Instrument Microphones, another ideal accompaniment for such performances and daily HOW needs, will also be on display throughout the show.

DPA Microphones_dscreet NecklaceThe new d:screet Omnidirectional Miniature Necklace Microphone addresses an industry need for a mic that can be mounted and removed quickly several times by untrained talent without a sound expert nearby, which is often the setting in a house of worship. Especially useful for instances when mounting and consistent audio output are the primary requirements, the d:screet Necklace Mic is ideal for situations requiring quick costume changes, such as a Christmas play or concert at a house of worship. Featuring DPA’s legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace, the d:screet Necklace Mic offers fast, repeatable, “do-it-yourself” mounting and is designed specifically for use by non-technicians. It is available in black, white and brown and in lengths of either 18.3 or 20.9 inches.

Representing years of research and development, the d:vote 4099 Instrument Microphones are condenser mics that feature supercardioid polar patterns for superior gain-before-feedback. Fully capable of handling the full dynamic range and subtle details of any instrument, these microphones are tiny, discreet, rugged and lightweight. The versatile gooseneck provides stable and repeatable positioning, while the variety of available clips and mounts enable the mics to be repositioned or moved to another instrument without worry of damaging the finish of an instrument of changing its sonic character. Through the use of DPA’s extensive adapter system, the d:vote can be used as a standard 48V phantom powered microphone via the included XLR connector and is compatible with virtually any wireless system. The mic comes standard with a 5.5-inch gooseneck, but an optional extension unit is available along with a detachable cable, which increases the convenience of instrument mounting. Further, the selection of cables makes it possible to tailor the mic to a specific task, such the heavy-duty cable for PA/Live gigs or a thinner option that’s easier to hide on a personal instrument.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

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DL Sound & Lighting Productions Gives Butchart Gardens Great Sounds for the Summer with HARMAN’s JBL VTX Line Arrays and Crown I-Tech HD Amplifiers

IMG_2366 copyVICTORIA, Canada — Providing a sound reinforcement system to accommodate the growing audiences for The Butchart Gardens’ “Summer at the Gardens” concert series, DL Sound & Lighting Productions of Victoria has supplied HARMAN’s JBL VTX V20 line array loudspeakers and Crown I-Tech 4x3500HD amplifiers for two months of live performances.

Located near Victoria on Vancouver Island, The Butchart Gardens is a collection of floral gardens that receives almost a million visitors each year. For the past 12 years, DL Sound has provided the sound reinforcement system for The Butchart Gardens’ famed “Summer at the Gardens” series. This year’s performers included world-famous acts including Colin James and Pink Martini, with performances scheduled every night from June 15 to August 30.

“This year, The Butchart Gardens wanted to up the ante as far as the draw of its performing artists went, so they also needed an audio system that would meets the needs of larger crowds,” said Doug Lyngard, President of DL Sound. “They also wanted to be able to fly the PA system instead of ground-stacking, which they have done in the past.”

“The venue lends itself to great presentation for an artist, and this is a great venue for acts coming through the Victoria area,” said Paul Gatien, Live Sound Engineer for The Butchart Gardens. “For Colin James, we had an audience of 5,000 people, which was one of our largest events.”

The system at The Butchart Gardens includes a left-right hang of six V20 line array loudspeakers per side, powered with Crown I-Tech 4x3500HD amplifiers. Gatien also uses JBL HiQnet Performance Manager™ to monitor and control the system.

“I haven’t had any training on Performance Manager, so I’ve been figuring it out as we go, but it’s so intuitive that it’s been working great, and we’re doing really well with it,” Gatien noted.

When looking for a loudspeaker system for the summer season at The Butchart Gardens, Lyngard was attracted to the V20 for multiple reasons. “I really liked the sound of the V20, and the JBL name carries a solid reputation, so that also played a big factor,” he said. “Other factors like the easy rigging were important, as well as how easily the loudspeakers work with the Crown amplifiers and Performance Manager.”

“We’re really happy with the system,” Gatien added. “We do everything from symphony performances and jazz to classic rock and blues, and the VTX loudspeakers and Crown I-Tech HD amplifiers handle it all very well.”

While Summer at the Gardens provided the impetus for DL Sound to purchase the JBL VTX system, the company has big plans for it once the summer is over. “The V20 and I-Tech 4x3500HD raise our ability to compete for larger projects,” Lyngard said. “Now we’ll be able to provide sound for all the venues on Vancouver Island and in the Vancouver area and be able to fill most riders as well.”

For more information on DL Sound & Lighting Productions, please visit www.dlsound.net

For more information on The Butchart Gardens, please visit www.butchartgardens.com

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Jason ‘Malletman’ Taylor Finds The Sweet Spot With HARMAN’s AKG Microphones And Headphones

AKG_MalletmanATLANTIC CITY, New Jersey – A nationally renowned jazz recording artist, vibraphone player Jason ‘Malletman’ Taylor relies on HARMAN’s AKG microphones to produce the perfect sound in the studio and on the stage.

Taylor has played in a variety of theaters and nightclubs throughout his career, while recording and performing with the likes of Tito Puente Jr., Earth, Wind & Fire, Jay-Z, Mariah Carey, Bernard Purdie and Jon Bon Jovi. Malletman sees today’s music as a melting pot of genres, and thus restricts himself to none.

Prior to his game-changing experience with AKG, the 5-time GRAMMY® nominee was forced to become a ‘slinger’ and play the vibraphone with great force in order to be heard. But after his introduction to AKG microphones, it became effortless for him to find the right sound.

“They can hear me well now,” said Taylor. “It’s the best sound I’ve ever played. AKG takes me to the next level in the world of audio. For years I couldn’t be heard, and now it’s a challenge to not hit too hard. Also, I don’t have to worry about accidentally hitting the microphones anymore either, because I know they won’t break like some of the other brands that I’ve tried.”

Taylor uses two AKG C516 ML miniature microphones for his vibraphone and an AKG D5 handheld microphone to speak with the audience while onstage. He also likes to rely on the AKG K550 and K551 reference headphones for all production work in the studio.

“When I make music with the AKG headphones, I can make the sounds that I want, and they just make me smile,” said Taylor. “This whole journey with AKG makes me smile.”

For more information on Jason Taylor, please visit http://www.malletsplace.com/

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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HARMAN’s Soundcraft Consoles Help London FolkFest Artists Cross Barriers at the Bedford

Scraft_LondonFolkFestLONDON, United Kingdom – Delivering an intimate experience on three stages for the London FolkFest at The Bedford in London, Director of Music Tony Moore again used HARMAN’s Soundcraft consoles to provide each stage with the right mixing capabilities. An event that crosses cultural barriers, the London FolkFest was created in 2011 to generate inspiration through music, culminating in an ever-expanding concept that is rooted at this beautiful venue.

The program featured spontaneous and varying styles of music, allowing for a maximum capacity of 500 people per day. The venue consists of a small theater, ballroom and acoustic space, able to accommodate 250, 150 and 80 people, respectively. Each console was selected with simplicity and small footprint in mind: a Soundcraft Vi1 console was used in the theater, an Si Expression 3 console was the perfect companion in the ballroom, and an Si Performer 3 remained well out of sight in the acoustic space.

“Having a long and successful relationship with Soundcraft products, it made sense for us to use their consoles for the fourth year of the London FolkFest,” said Moore. “The secret to running this show successfully is to keep all the gear as simple and as invisible as possible. Bands don’t get a sound check, so they needed to get on stage, plug everything in and start. Because our engineers needed to work quickly and efficiently, we have come to love Soundcraft, which allows for instinctive and intuitive operation.”

The three Soundcraft consoles are known for their flexible controls and features like the Soundcraft FaderGlowTM, all of which are designed to complement creative hubs such as the London FolkFest. For example, the Vi1 was a neat and convenient solution for the Elizabethan theater, taking care of both monitors and FOH positions while maintaining a low profile throughout the show.

“We wanted to make sure our base sound is very high in quality for everything that we’re trying to do here, and I’m glad we have accomplished that with Soundcraft,” said Moore. “We were sold out most nights, and all the artists as well as the audience enjoyed the experience. We asked for small footprint and amazing sound, and that is what Soundcraft delivered.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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DJ Ravidrums Performs At Telemundo’s Third Annual Premios Tu Mundo Show With HARMAN’s AKG Microphones

AKG_DJRavidrumsMIAMI, Florida – Dubbed the ‘One-Man Wrecking Machine’, DJ/drummer DJ Ravidrums (Jakhotia) recently performed at the Telemundo’s Third Annual Premios Tu Mundo (Your World) Awards in Miami’s American Airlines Arena, which featured top Latin American and Spanish artists such as Yandel, Lucero, Juanes, Los Tucanes de Tijuana and David Bisbal. Having developed a transparent touchscreen DJ interface in collaboration with Virtual DJ Software—the Dream Screen 3000—the unique talents of this DJ/drummer were delivered to the audience with HARMAN’s AKG microphones.

Jakhotia combines his drumming skills with an interest in modern DJ applications, such as digital turntables. During the primetime show, his setup featured the Dream Screen 3000 with customized surrounding drums, situated on a separate platform in front of the main stage.

Jakhotia used 10 AKG C518M microphones on all the tom drums, two AKG C451B microphones on the overheads and an AKG D40 microphone on the snare.

“The show was about big giant Brazilian Samba sounds, consisting of percussion, electronics and proper acoustics,” said Jakhotia. “Getting the acoustics to meet the electronics takes a lot of work, but the AKG C518 microphones helped me do all that and generate a more powerful presence.”

As Jakhotia delivered an audiovisual spectacle in the middle of the arena, the AKG microphones held their own and delivered more than just world-class sound. “In this age it’s all about ease of use and reliability, which these microphones definitely have,” Jakhotia said. “Even after hitting them with my drumsticks many times, they never fail.”

In addition to the Awards event, he also uses an AKG D12 microphone for the kick drum for some shows, and AKG C414 microphones at his home studio.

“I just love the C414’s, as they’ve always been legendary and made me fall in love with AKG ever since I was a kid,” said Jakhotia. “The punch and clarity is there, making the electronics sound beefy and the acoustics sound complete. It’s challenging but thanks to AKG, I can always find the right balance.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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LET LOOSE THE LECTRO

** Photo: Richard Meredith **

** Photo: Richard Meredith **

London – September, 2014… Sound Recordist Richard Meredith was able to choose the right gear for the job when faced with recording in a forest at night for a new reality game show with some demanding circumstances. The brief was recording sound for a new TV series for ITV and FOX; Release The Hounds. The ‘Hounds’ set was a huge open forest several miles west of London with games happening all over it. It was decided that the shoot would be done in studio style, with the director in a central gallery and all camera feeds incoming and recorded on a stack of recording decks, as opposed to shooting in camera. The location was spread so far and wide that it ended up being two galleries. more

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SALZBRENNER ANNOUNCES POLARIS EVOLUTION NETWORK AUDIO MIXING SYSTEM

** Photo: Polaris Evolution **

** Photo: Polaris Evolution **

Los Angeles, CA – AES Booth 1547… Salzbrenner is pleased to announce the North American debut of the network controlled Polaris Evolution cloud-based digital audio mixing system with the Polaris Scala audio DSP unit. Polaris Scala is the node where all aspects of the Evolution system’s simultaneous audio processing operations originate and come together. The Polaris Scala is where controllers are connected via Ethernet or Wi-Fi, resources are allocated for the tasks at hand, and where signal sources and output devices are connected. The system’s radically new cloud-based operations and flexibility usher in a new era in digital audio mixing and processing. more

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Swineshead Picks DAD AX32 for Classical Recording and Mastering

David Bowles Employs Newest AD/DA Converter from Digital Audio Denmark

Bowles_AX32_1_400px
Pictured during a remote recording date at St. Ignatius Church in San Francisco is engineer/producer David v.R. Bowles with the new AX32 converter from Digital Audio Denmark.

Prominent classical music recording engineer/producer David Bowles has purchased the new Digital Audio Denmark AX32 AD/DA converter from US distributor plus24. Bowles’s company, Swineshead Productions, LLC specializes in classical music recording, but also includes jazz and crossover genres. A recent Swineshead project was recorded at St. Ignatius Church in San Francisco: Christmas music performed by the chorus Cappella SF, conducted by Ragnar Bohlin.

A pristine AD and DA converter with superb sonic quality, versatile I/O structure and Dante IP Audio, the AX32 follows the success of the company’s AX24 with enhanced sonic conversion performance, up to 48 analog audio channels, and a flexible digital signal interface, routing and distribution structure.

“I used the AX24 two years ago,” remarked David Bowles. “While I felt it was an excellent unit, it only had eight channels. Since that time, not only has DAD expanded the channel count but, also very importantly, they have introduced an IP interface, which is primarily what I’ll be using in my workflow.”

DAD’s new AX32 AD/DA converter and digital router interface is the ideal choice as a front-end or digital format converter for recording or mastering applications where up to 48 channels of analog inputs or outputs are needed. The AX32 provides a variety of digital interfaces such as ProTools HD, MADI, AES and Dante IP audio. A microphone pre-amp option is also available.

“Using the Dante technology for audio over IP,” explains Bowles. “Means that with a simple network switch, a whole raft of signals can be routed to two or more different devices simultaneously. As it is, right out of the box, the AX32 has a number of interfaces — not only the IP, but also MADI, AES and ProTools. This allows me, without any sort of splitter, to make two completely redundant recordings of the same audio signal.”

Designed for flexibility, reliability, easy operation and no-compromise sound quality, the AX32 offers a comprehensive range of digital interfaces and sample rate formats for meeting a number of diverse applications such as studio recording, location recording, audio post-production and film scoring.

“Now with both the optical MADI and the IP interfaces,” Bowles continues, “I can place the units right next to the microphones, so there are very short cables needed. As everyone knows, analog signal degrades with increasing lengths of cable.”

Bowles recounts a recent project: “When I tried out the DAD AX32 in June, I was working on two live recordings. I set them up as stereo, with only two microphones. My outboard mic pre has split outputs: I was able to route two outputs through my current setup, then two outputs through the DAD. I recorded these at 192 kHz and then compared them at home. I then brought one of my clients in and just gave him an A/B comparison. We both picked the AX32. It was simply clearer. The imaging was a lot better, and I felt that the previous A to D converter I used was very good, but now sounded coarse in comparison.”

To better evaluate the new DAD AX32, Bowles has been going back through his recent archives: “I’ve been listening to a lot of my projects, simply using the D to A conversion of the AX32. Again, there are just so many improvements and I’m able to apply some very subtle changes in mixing and processing, and hear the results immediately. Now, because the AX32 is something I can take on the road, I can have the same setup at home as on location — both for recording and for monitoring.”

As an option with the DAD AX32, the Dante IP interface allows third party Dante-enabled equipment from more than 140 manufacturers to interface to the AX32 via Ethernet. Audinate’s Dante Controller is a free software application that enables users to route audio and configure devices on a Dante network. With automatic device discovery, one-click signal routing and user-editable device and channel labels, setting up a Dante network is simple and straightforward.

“Combining the Dante IP interface in the AX32 with Audinate’s Dante Virtual Soundcard means that the unit has a wide variety of applications for recording, and also for editing and mastering. I have tried the Virtual Soundcard on three different editing workstations, where it worked flawlessly and after I get back from my next location recording trip I’m going to try it on a fourth one.”

Award-winning recording engineer David Bowles formed Swineshead Productions, LLC as a classical recording production company in 1995. Bowles-produced and engineered releases have been named “Record of the Month – Editor’s Choice” from Gramophone Magazine, MusicWeb International and Opera News; “Record of the Year” from the New York Times (three times), the New Yorker, American Record Guide, Miami Clasica and Classical Candour.

As an educator, Bowles is a guest lecturer at New York University’s Tonmeister Seminar (Steinhardt School of Music) and at Peabody Recording Arts and Sciences (John Hopkins University). He was Visiting Professor of Recording Arts at Indiana University’s Jacobs School of Music. Bowles is on the Board of Governors of the AES, and is a member of the P&E Wing and SPARS.
Learn more at: http://www.swineshead.com/about.htm

Learn more about Digital Audio Denmark: http://www.digitalaudio.dk
AX32: http://www.digitalaudio.dk/AX32-ADDADD-Converter.1503.aspx

See the AX32 at AES 2014 in Los Angeles, Booth #1038.

Digital Audio Denmark products are distributed in America exclusively by plus24
http://www.plus24.net

SSL Live Is the Choice for Legendary Mexican Singer Juan Gabriel’s U.S. Tour


“It sounds exactly how the band is playing”

MEXICO CITY – Mexico’s beloved pop icon Juan Gabriel is touring the U.S. with an SSL Live, the first-ever dedicated live sound console from Solid State Logic. One of Mexico’s most successful vocalists, Gabriel is a Billboard Latin Music Hall of Fame inductee and six-time GRAMMY nominee who has sold over 30 million albums and performed throughout the world. When his Volver 2014 tour prepared for its U.S. leg, front-of-house engineer Rodrigo López was excited to mix on SSL’s latest innovation.

Rodrigo López with SSL Live copy“As soon as it was available, I wanted to use it,” López says of Live. “Just by reading ‘SSL,’ you know it’s a quality console. An engineer friend of mine who used Live for another U.S. tour provided the only training I needed. It’s very user-friendly. Sound check was my rehearsal with the console. It just sounded correct, it was really great. Everything was there, the way I wanted it to be.”

Live features the world-famous SSL SuperAnalogue™ preamplifiers that set the standard for sonic excellence and López says the benefits were instantly audible. “It just sounds perfect,” he says of mixing with Live. “It’s really clear and sounded exactly how the band was playing.”

SSL Live’s sonic quality was particularly noticeable on violins, López says. “We have seven violins for the mariachi. Sometimes it’s hard to hear because it’s loud on the stage. The first time I truly heard violins sound in the place I wanted them was when I mixed with SSL Live. What’s more, we’re running the mariachi musicians through a really small wireless microphone. It’s hard to have power on those instruments, but that just came naturally with the SSL.”

A 25-year veteran in the industry who also mixes FOH for Los Ángeles Azules and was previously with Marco Antonio Solís, López appreciates Live’s versatility, which allows engineers to work exactly the way they want. “The console accommodates to the way you’re mixing,” he says, “not the other way around.”

López added that musicians recognize SSL from thousands of recording studios around the world, and Gabriel’s band members were particularly amazed to see one on tour with them. “An SSL at front of house is really impressive,” he says. “Everyone wants to take a look at it.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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DPA Microphones d:fine™ 66 and 88 Miniature Headset Mics Make WFX Debut

Company’s d:fine Trade-Up Promotion Currently Underway

DALLAS, SEPTEMBER 29, 2014DPA Microphones presents its new d:fine™ 66 and d:fine 88 Miniature Headset Microphones for the first time at WFX 2014 (Booth 1016). Ideal for house of worship leaders needing to move freely about the pulpit without obstructions from a handheld mic or mic stand, the d:fine 66 and d:fine 88 have joined the company’s d:fine Headset Microphone family, which will also be on display throughout the show.

DPA Microphones_dfine on Male PerformerThe company’s d:fine Headset Microphones Trade-Up rebate program is still underway, as the promotion ends October 3, 2014. Participants will receive a $100 mail-in rebate for every purchase of select d:fine Headset Microphones, from an authorized U.S. dealer, provided they additionally trade-in a competitor headset mic. This special program is available to all U.S.-based microphone customers. In order to receive a rebate for each headset mic, customers must trade-in an equal number of competitor headset microphones.

DPA Microphones d:fine Headset Microphones were designed to meet a specific market demand, which in turn created a new niche of DPA headset users that did not affect the popularity of the original 4066 and 4088s. The new DPA d:fine 66 Omnidirectional and d:fine 88 Directional Headset Microphones come as a result of a growing need for durable body worn microphone solutions with excellent sound reproduction and sturdy casing for stringent use in live environments. With several options available in the line, the d:fine Headset Microphone Series now address every variety of sound handling and size options, depending on the intended application.

DPA Microphones_dfine Headset MicrophoneThe new DPA d:fine 66 and d:fine 88, which are recognized by their rounded capsules, are intended for users who require optimal sound and grid cleaning/changing options. With a contemporary look and classic sound, the d:fine 66 and d:fine 88 combines the 4066 Omni and 4088 Cardioid microphone capsules with features of the modern d:fine headsets, such as an advanced mount and flexible ear hooks.

Featuring a total of four capsules – two omnis and two cardioids – as both single- and dual-ear mounts, the complete d:fine Headset Microphones Series raises the bar for head-worn microphone solutions. Offering industry-leading sound quality, the mics are ideal for singers, public speakers, actors, musicians, house of worship leaders and broadcast professionals who insist on superior voice reproduction, comfort, ease of setup and a discreet look. They are also available in black, brown and beige with a variety of boom lengths and adapters for every professional wireless system.

ABOUT DPA:

DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

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