Archive of the News Category
Initiative promotes best integration practices
Denver, CO, September 10, 2014 – The Custom Electronic Design and Installation Association (CEDIA) announced today, in partnership with Sony and other leading manufacturers, the first High Resolution Audio (HRA) training program specifically developed for A/V specialty dealers and installers. The program will be conducted in cooperation with The Recording Academy® Producers & Engineers Wing® and will focus on innovative ways to integrate hi-res compatible devices and music in new and existing homes. This will result in a better overall entertainment experience for CEDIA member clients.
The announcement was made during this year’s CEDIA EXPO keynote address, which covered the emerging HRA market.
“This partnership assists CEDIA by providing our members with the latest tools and information that are available for High Resolution Audio,” stated Don Gilpin, Executive Director and COO of CEDIA. “The support of The Recording Academy P&E Wing will also enable CEDIA members to create new solutions which integrate high resolution music services and devices, in the most seamless way possible.”
“We are delighted to help CEDIA members to better understand the key issues related to recording, mixing and mastering in high resolution,” said Maureen Droney, Managing Director of The Academy’s Producers & Engineers Wing. “Given the expertise of our music professionals located in 12 chapters across the country, I’m pleased that this new HRA training program gives those in the field the best guidelines to follow and helps set the right expectations for consumers concerning hi-res music.”
The CEDIA High Resolution Audio training program is expected to launch during the first quarter of 2015.
CEDIA is an international trade association of companies that specialize in designing and installing electronic systems for the home. The association was founded in September 1989 and has more than 3,500 member companies worldwide. CEDIA members are established and insured businesses with bona fide qualifications and experience in this specialized field. For more information on CEDIA, visit the association’s Web site at www.cedia.net.
Follow @CEDIA on Twitter, find us on Facebook at www.facebook.com/CEDIA.Region2, or join the CEDIA group on LinkedIn.
Don’t miss this special opportunity to hear a live performance through a full RoomMatch L/C/R system
Framingham, Massachusetts, September 11, 2014 – As a resource for system integrators, contractors and front-of-house engineers, Bose® Professional will be hosting a demonstration of their RoomMatch loudspeaker systems at New World Stages in New York City, Tuesday, September 16, 2014. Users requested to audition RoomMatch systems in real-world situations, and Bose has responded with this event and other regional demos showcasing RoomMatch loudspeakers, along with PowerMatch® amplifiers and ControlSpace® digital signal processing.
The demo session is scheduled for 3:30 p.m. Experience the power and flexibility of a full Bose RoomMatch L/C/R system. Attendees will have a chance to have discussions with Bose Professional Systems sales and field engineering personnel. After the demo, kick back and relax with complimentary cocktails, hors d’oeuvres, and a performance by one of the nation’s premier Journey tribute bands, Voyage, as they showcase Bose RoomMatch Progressive Directivity Array loudspeakers in a live concert. Guests are welcome.
• Date: Tuesday, September 16, 2014
• Time: 3:30pm; reception and live performance at 5:00pm
• Location: New World Stages
• Address: 340 W. 50th St., New York, NY 10019
Please RSVP as soon as possible to email@example.com, or call Al at 570-223-3559. Space is limited.
— Presented in association with leading recording technology publication Sound On Sound, the Project Studio Expo is intended to give home recordists a new perspective on how they can better use their tools and their ears —
New York, NY, September 9, 2014 — The 137th Audio Engineering Society Convention, scheduled for Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California, will play host the popular Project Studio Expo, (PSE) presented in association with Sound On Sound. The Project Studio Expo, included with admission to holders of the Free Exhibits-Plus badge, will feature presentations by leading industry engineers, producers, authors, journalists and educators, including Alex Case, Mike Senior, Stephen Webber, Larry Crane, Craig Anderton, Mick Guzauski, John Storyk, Paul White, Hugh Robjohns, and others. Presenters will lead attendees through basics such as recording vocals, preparing multitracks for mixing and best practices for proper monitoring, as well as more detailed discussions on how to optimize value when it comes to choosing and purchasing equipment, how to design a great project studio, and how to get the most out of a digital audio workstation. The Project Studio Expo will take place Friday, October 10, and Saturday, October 11, throughout show hours. Sponsors for the PSE at the 137th AES Convention include Audionamix, Avid, Focusrite Novation, Sennheiser, and Universal Audio.
The PSE also features a variety of events covering some of the more practical, yet often overlooked, aspects of personal and project studio recording space and workflow. One example is a two-session program entitled “Listen Up and Learn!,” led by Stephen Webber of Berklee College of Music and Alex Case of the University of Massachusetts Lowell, where attendees will get an up-close view into how experienced audio engineers break down what they hear, empowering attendees to keep learning whenever them listen, and inspiring them to approach their own work in new ways.
The PSE will also play host to sessions such as “The Five Most Common Project Studio Recording Mistakes” which will be specifically tailored to those working on a budget and will feature insider tips on equipment choice, mic technique and session psychology, with plenty of supporting audio examples so you can judge the results with your own ears. “How To Make Amp Sims Sound Totally Fabulous” is a must for guitarists and their engineers, and “The Importance of a Reference Monitoring Level” will help bring additional technical discipline to the project studio recording environment.
“There has been tremendous response to our Project Studio Expo over the past two Conventions, and we are putting together an even more comprehensive set of events this time,” states Bob Moses, AES Executive Director. “With the help of our partners and sponsors we have seen the PSE grow into a program that really offers something for everyone in the audio community. I feel this serves as a real incubator and inspiration for seasoned professionals as well as those who are attending an AES event for the first time. These are top-notch educators and engineers who are giving as close to a one-on-one dialog as you can get. And to have this included as part of our free Exhibits-Plus badge offerings is really a great way to expand the mission of the AES – to educate and provide support to those audio engineers that play a large part in our audible world.”
For information on the Project Studio Expo and how you can get your FREE Exhibits-Plus badge (pre-registration required) for the AES137 Convention, as well as further Registration, Hotel, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.
The behind the scenes story of Dave Pensado’s and Herb Trawick’s incredible and inspirational journey
Montclair, NJ (September 4, 2014) – Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, announces the release of The Pensado Papers, written by Dave Pensado, first-call mixing engineer (Beyoncé, Christina Aguilera, Kelly Clarkson, Mariah Carey, Elton John, Michael Jackson, and more) and his manager Herb Trawick.
The Pensado Papers is first and foremost about work ethic, passion, and commitment. The authors instill the strong conviction that going beyond expectations will guarantee success on all levels. “To this day, if someone hires me to do something it is rare that I don’t do way more than what I’m paid to do,” writes Pensado.
The Pensado Papers reveals insights into the engineering regime of a recording genius, a creative philosophy that results in achievement and success. Starting from the very beginnings of Dave and Herb’s friendship, the book leads to their top-rated YouTube show, Pensado’s Place, where they discuss important music and audio recording topics with pro audio experts. “Audio is the foundation of Pensado’s Place. But the show is really about creativity,” says Pensado when he talks about the show in the book.
The book is written in a warm conversational tone between two friends, with occasional friendly banter making it even more fun to read. Maureen Droney – editor and long-time friend to Pensado and Trawick – has skillfully captured the likeability, wisdom, and charm that millions of viewers have grown to love about this incredible duo.
Trawick stated, “Both Dave and I are very excited about the launch of our new book with publisher Hal Leonard at the upcoming AES convention. We are thrilled to have such a great partner in Hal Leonard, who has given us the opportunity to share our unique experience.”
Dave Pensado and Herb Trawick will introduce their book at the 137th AES Convention at Los Angeles:
Friday, October 10 at 2 pm
AES Platinum Event with Herb and Dave
Saturday, October 11 at 11 am.
Book signing at the Hal Leonard booth #1141
Praise for The Pensado Papers
“The Pensado Papers is a must-read for anyone who’s ever craved the behind-the-scenes, double-barreled, all-access pass into the music business that only Dave Pensado and Herb Trawick could provide: fiery, insightful, incisive, inspiring, and most importantly, one hell of a good read.” —Nick Messitte, Contributor, Forbes.com
About the Authors
Dave Pensado is a GRAMMY® Award-winning mixing engineer who cut his teeth in Atlanta doing live and studio sound engineering during the 1970s and 1980s. In 1990, he moved to Los Angeles and now mixes between 200 and 250 songs per year. In September 2011, he and Herb Trawick started a weekly show called Pensado’s Place. The show is about engineering techniques and features interviews with guest mixers, producers, and artists, and has enjoyed tremendous success due to the valuable information provided by and their guests. Dave and Herb both live in Los Angeles.
The Pensado Papers – Available October 9, 2014 – PLEASE CONTACT Martina@musicmarcom.com for pre-release review copies!
The Pensado Papers
Inventory #HL 00120020
Width: 7.0″, length: 10.0″, 320 pages
For more information, please visit HalLeonardBooks.com
HAL LEONARD CONTACT:
Please contact Martina McConnon
for review copies, excerpts and interview opportunities.
— “The Ear Doesn’t Blink: Creating Culture With Adaptive Audio” will draw on O’Donnell’s unique perspective and experience (from film and commercial jingles to his role as sound designer on the Halo franchise) to discuss the creative challenges of working in non-linear media such as games —
New York, NY — Audio professionals and gaming aficionados of all types will want to be present to hear acclaimed game audio director and composer Marty O’Donnell (Halo series, others) deliver the Richard C. Heyser Memorial Lecture at the 137th Audio Engineering Society Convention, which runs Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California. The AES convention’s Heyser lecture, scheduled to take place on Friday, October 10, at 7 p.m., is served by an endowment that each year brings eminent individuals in audio engineering and related fields to speak on an interesting topic, is often a highlight of the show; past lecturers have included Ray Dolby, Ray Kurzweil, Walter Murch, George Massenburg and Phil Ramone. O’Donnell’s lecture, titled “The Ear Doesn’t Blink: Creating Culture With Adaptive Audio” will draw on his unique perspective from years working in film and commercial music, including developing the audio for Halo, the biggest-selling game soundtrack of all time, as well as the long-awaited title, Destiny, in which he involved the likes of Sir Paul McCartney to create the soundtrack for this much-anticipated game, slated to hit shelves on September 9 of this year.
O’Donnell, who received a Bachelor of Music Composition from Wheaton College Conservatory and a Masters of Music Composition from USC, started an original music and audio production company with Michael Salvatori in the 1980s. From their studio in Chicago, O’Donnell and Salvatori wrote and produced music and audio for hundreds of TV and radio commercials, as well as movie scores. In 1997, they began working on games and did the audio design for Cyan’s Riven: The Sequel to Myst, and all the music and audio for Bungie’s Myth: The Fallen Lords. Marty joined Bungie as full-time Audio Director in May of 2000, ten days before they were purchased by Microsoft, and subsequently wrote and produced award-winning music and audio for the Halo series. In 2007 he helped establish Bungie as an independent game company and built an audio team to work on the upcoming game Destiny. Recently, in collaboration with Salvatori and Sir Paul McCartney, he completed an orchestral/choral suite titled Music of the Spheres. In April of 2014, he started his own company, Marty O’Donnell Music. Throughout all of these endeavors, he’s brought a unique perspective to audio in a wide range of media, something that he’ll share with attendees at the lecture.
O’Donnell notes, “Advances in audio production technology have sparked amazing creative responses from audio artists, musicians, and composers. Music and audio can enhance the experience of a consumer in ways that were almost unimaginable thirty years ago. It’s been an incredible personal creative journey.”
AES Executive Director Bob Moses states, “The annual Heyser Lecture is one of the highlight events of the convention, showcasing a world leader sharing his unique perspective in the field of audio. With the importance of Game Audio in today’s A/V food chain, Marty O’Donnell’s talk will surely inspire people to step up their game. This is a can’t-miss event!”
The Richard C. Heyser Memorial Lecture series was established in May 1999 by the AES Technical Council, the Board of Governors and the Richard Heyser Scholarship Fund to honor the extensive contribution to the Society by Heyser, widely known for his ability to communicate new and complex technical ideas with great clarity and patience. The Heyser Series is an endowment for lectures that bring to AES conventions eminent individuals in audio engineering and related fields.
For information on the Richard C. Heyser Memorial Lecture and how you can get your FREE Exhibits-Plus badge (pre-registration required) for the AES137 Convention, as well as further Registration, Hotel, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.
— In a unique arrangement, the studio serves both the school and a separate production company, so the monitoring had to be reliable, accurate, musical and multi-functional —
NATICK, MA — Products from Genelec, the world’s pioneer in active monitoring, were recently chosen by Bradenton, Florida-based Crown Design Group to serve the new state-of-the-art Updog recording studio at Inspiration Academy, a Christian college preparatory academy serving grades 6-12. Notably, the studio serves both the school’s needs (classes, A/V applications, athletics, etc.) and those of the Updog Studios production company, which operates independently of the school. This unique arrangement required some creative planning in terms of equipment and studio configuration, but Crown more than rose to the challenge, working with all parties involved to select a gear complement that is robust, multi-functional and musical.
Garrett Walker, Crown Design Group co-founder, states, “When we started the Crown Design Group, we made it a mission to put our best foot forward and do what’s best for the project, even if it’s spec’ing something beyond what the client thinks they need. We came in with a blank canvas, and they let us dream big. They weren’t necessarily thinking in terms of the quality of gear we were ready to recommend, but we got them on board. We were able to educate them on what really might be needed for the project. We really wanted to do things with excellence, and Genelec has always represented excellence in studio monitoring to us. And considering that we have been an authorized Genelec dealer for only about four months, being able to deliver a large complement of Genelec gear to the client’s satisfaction is something we are very proud of.”
For monitors, Walker and his fellow co-founder Ben Graham recommended an LCR system consisting of Genelec 1037C Tri-amplified Monitors, as well as a 6.2 surround system consisting of six 8050A Bi-Amplified Monitors and two 7070A Active Subwoofers. Other gear includes an Avid S6 control surface with Pro Tools rig, Symetrix DSP, power sequencer control units from Furman and much more.
Walker adds, “Obviously, we needed a gear setup that could do a lot of things, on account of the fact that this would be used for classes, extracurriculars and independent production. They asked for a space where they could have walk-in turnkey solutions for students to be able to use the gear without too much fumbling, but also a professional, world-class room that they could use for themselves for editing movies and audio. What we ended up with is the perfect blend of state-of-the-art technology and user-friendliness. And the sound is amazing. Those Genelec monitors do not tell a lie! With the custom programming in the Symetrix touch panel, the students can click a ‘simulated surround’ button, plug in a stereo mix from their device, and hear it in a newly-created surround mix. They just love that.”
Graham remarks, “I’ve been in the music industry for 12 years, and I’ve recorded and worked in a number of studios across the country, and this one sounds the best! I love watching people walk in for the first time. Their jaws drop – it can be overwhelming. And then we press ‘play’! Their eyes get big and they hold their chest as the sound hits them. They can’t help but smile. The client was blown away with the sound quality right way, even before anything had been fine-tuned yet. We can’t wait to do our next project – we’re definitely going Genelec!”
For more information, please visit www.genelecusa.com/.
Composer/Producer Works in Film, TV, Commercials and Stage
Pictured in his Los Angeles studio with his Barefoot MM27 monitors is composer/producer Anthony Marinelli. Photo by David Goggin.
“Before I got the Barefoots, I had 4 pairs of very high-definition monitors,” says award-winning composer/producer Anthony Marinelli. “I had 8 of them, because I rotate them into the 5.1 arrays I’ve had since I bought the first pair from Michael Jackson. They were his speakers and I just liked them and never could find any replacements. Then the Barefoots showed up and they were the first speakers that truly spoke to me and said I’m your new speakers.”
Marinelli has composed, conducted and performed music for over sixty motion pictures, including “Hotel,” “American Gun,” “Young Guns,” “Internal Affairs” and “Timecode.” He also composed music heard in “Leaving Las Vegas,” the action film “Demolition Man” and hit comedies “Let It Ride” and “Planes, Trains & Automobiles.”
“The sound of the Barefoots translates the best,” Marinelli continues. “It doesn’t hype the sound when I’m recording. It gives me the full audio spectrum from lows to highs. They’re very quick. The transients are very rapid. I deal in a lot of different genres of music and it’s not like I use a certain kind of speaker for one kind of music and another kind of speaker for another. These speakers are just the truest that I’ve ever come across.”
Marinelli has also composed music for thousands of commercials including over 30 Apple Computer spots, spots for Microsoft, Nike, Mercedes-Benz, Chevrolet, Budweiser, Jaguar, Southwest Airlines, Boeing and the iconic “This Is Your Brain on Drugs” campaign.
“You pay now or you pay later,” he comments. “If the monitors make it sound better now, then I go somewhere else and it doesn’t have that enhancement, then I’m going to pay, because I’m going to be missing something or there’s going to be too much of something, whether it’s low or mid or high.”
Marinelli’s LS studio houses an array of choice instruments: two ARP 2600s, a Linn Drum machine, Jupiter-8, Prophet-5, Minimoog, Korg MS-20, ARP Omni, Roland Space Echo, Roland Vocoder, Echoplex, Clavinet Pianet Duo, and a Fender Rhodes. “My Doctor Click is really valuable for syncing all these various instruments and driving quick tracks and creating pulses,” he explains. “And my most prized instrument is a 9-foot Concert Grand handmade piano given to me by David Abell. It was the piano that was used for all the Disklavier recordings.”
Marinelli has been honored with numerous Clio, Silver Lion, Belding and Addy awards. He revolutionized post production workflow as co-originator of Levels Audio Post. By integrating a new style of mixing music and sound for picture, it quickly became the industry’s fastest growing and most in-demand facility. His state of the art complex located at the historic corner of Hollywood and Highland was the first choice of discriminating projects such as American Idol, The Bachelor, and the VH1, ESPN, Teen Choice and MTV award shows.
Read the entire Anthony Marinelli interview and learn more at the new Barefoot Sound website: http://barefootsound.com/audio/a-conversation-with-composer-anthony-marinelli/
Learn more about the Barefoot Sound MicroMain 27 monitors at : http://vintageking.com/barefoot-sound-micromain-27-gen2-pair
See and hear the entire line of Barefoot Sound monitors at
AES in Los Angeles Booth #1031
ABOUT BAREFOOT SOUND
Barefoot Sound was founded by Thomas Barefoot with the goal of creating a new breed of studio monitor. While project studios were sprouting up all over the world, filled with outstanding gear, yet with limited space, Thomas Barefoot recognized the need for a speaker that could transcend the traditional distinctions between nearfield, main and mastering monitors. Translating effortlessly and never requiring second-guessing, Barefoot Sound monitors are recognized throughout the music industry as multifunctional masterpieces. By creating one studio monitor that fits into a small physical space with leading edge technology and astounding clarity, Barefoot has set a new standard. Handcrafted in the USA.
For more info visit: http://www.barefootsound.com tel: 503. 894. 8602
Second Addition to Masterclass PlugIns Line of Software Offers Extensive Analysis and Display Functions
AMSTERDAM, 12 SEPTEMBER, 2014 – RTW, the market leader in visual audio meters and monitoring devices, will introduce RTW Mastering Tools, the second plugin in its Masterclass PlugIns line of software-based metering solutions, at the 2014 IBC Show (Hall 8, Stand D92). Ideal for post production, TV, film and music recording, the new addition brings extensive analysis and display functions for mastering, metering and loudness measurement for single- and up to eight-channel applications as a standard-format plugin for Windows and Mac OS platforms.
Designed for simple, intuitive operation by a broader user base, RTW Mastering Tools offers a wide range of PPM scales, displays and TruePPM measurements. It provides support for many of the leading global loudness standards including ITU BS.1770-3/1771-1, ATSC A/85, EBU R128, ARIB, OP-59, AGICOM and CALM Act. Other key features include numerical or bar graph-type readout, plus MagicLRA and correlator display, audio vectorscope, RTA (Real Time Analyzer), SSA (Surround Sound Analyzer) and multicorrelator. For added convenience, users can choose from up to six selectable window frame sizes and multiple instances.
“RTW’s development of the RTW Masterclass PlugIns Mastering Tools plugin is part of the company’s continuing efforts to give a wider range of our customers access to high-quality audio metering and measurement,” says Andreas Tweitmann, managing director, RTW. “It puts a very powerful tool for mastering, metering and loudness measurement into a convenient, easy-to-operate software package, adding further efficiency to the overall workflow.”
The RTW Mastering Tools plugin is the second product in RTW’s Masterclass PlugIns line, which provides users with software versions of some of the company’s most popular metering and measurement solutions. The first product in the series, the RTW Loudness Tools plugin, was announced earlier this year.
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com, www.facebook.com/rtw.de or call +49 221 709130.
AMSTERDAM, The Netherlands – Delivering more versatility and speed than ever before, HARMAN’s Studer is announcing AES67 integration for Infinity Core, which drives the company’s flagship Vista X and Vista V digital audio consoles. This breakthrough will enable broadcasters to efficiently and cost-effectively deliver their Audio over IP (AoIP) requirements over the widest range of protocols available from a single manufacturer.
“AES67 is a standard for interoperability and Studer places a high priority on making sure it’s consoles are able to interface with as many suitable standards in the industry as possible,” said Keith Watson, Marketing Director, Soundcraft Studer. “With the additional products and processing announcements we are making at IBC, we think Studer is now the ‘most connected’ digital broadcast console manufacturer in the market”.
AES67 compatibility makes Studer’s Infinity Core the first x86-based AoIP core, incorporating standard off-the-shelf IT components and a Linux operating system. Infinity Core also features a real-time mixer application for standard servers, while allowing distributed DSP processing on the customer’s platform. It also utilizes the Digigram LX-IP AES67 PCIe Sound Card to interface with real time AoIP networks.
“We are really impressed by the new Studer Infinity Core which delivers 800+ audio channels with superb sonic quality and more than 5000 inputs and outputs,” said Philippe Delacroix, President and CEO at Digigram. “We are proud to enable it for high channel count ultra-low latency AoIP conforming to the new AES67 interoperability standard. Our Digigram LX-IP PCIe Sound Card is based on a rock solid embedded design with 2 Gigabit ports allowing the exchange of as many as 128/128 channels from/to multiple AES67 AoIP streams with less than 1ms latency.”
With AES67 compatibility, Studer is now able to share I/O signals across its Vista and OnAir digital console ranges and over different audio networks. Moreover, this can all be done in real time with the lowest latency, enabling broadcast engineers to work on the fly, with no delays in workflow.
HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.
Positioned at the convergence of professional audio and video with IT, Digigram offers IP-based solutions that enable users worldwide to increase their competitiveness through change.
The company’s products enable the reliable capture, production and delivery of high-quality audio and video over IP networks. Its innovative IP audio codecs, professional sound cards, and audio processing software are used by thousands of journalists, broadcasters, and audio engineers worldwide. Digigram’s all-IP video product line provides advanced contribution and distribution solutions to broadcast, IPTV, Web TV, and OTT operators. The company also delivers key audio/video technologies and OEM solutions to software vendors and manufacturers.
For more than 25 years, through constant innovation and the development of fruitful partnerships, Digigram has been influential in energizing the industry, raising standards, and pushing forward technological development.
Further information on Digigram and its product portfolio is available at www.digigram.com.
Special gear sneak preview at Vintage King’s Nashville Gear Expo 2014
Shell Rock, IA – September 2014 … Chandler Limited, recognized globally for signal processing and related music and audio products that deliver the classic analog sounds recording and professional musicians seek, joins the Pensado’s Place / Vintage King 2014 Gear Expo Nashville lineup.
On the heels of the pro-audio manufacturer’s recent long-term agreement with Abbey Road Studios to continue development of Chandler Limited’s recreations of vintage Abbey Road Studios equipment, Chandler Limited has teamed up with Pensado’s Place and Vintage King to deliver a special sneak preview of upcoming Chandler Limited recording equipment at the highly anticipated Nashville event.
Chandler Limited is excited to share a glimmer of what the future holds; however, Chandler Limited representatives wouldn’t elaborate on what this ‘sneak peek’ entails, other than to say it’s exciting and definitely related to Chandler Limited’s EMI/Abbey Road Studios product line; you’ll have to be there to see it!
The preview will take place at the Chandler Limited booth, and Chandler Limited staff will be on hand to answer any questions regarding its full product lineup. Chandler Limited will also be giving away at least one piece of gear at the event.
With Dave Pensado and Herb Tarwick on-hand to host, the Nashville edition of the 2014 Gear Expo will also feature special guests including: Ryan Hewitt (Red Hot Chili Peppers, Avett Brothers), Vance Powell (Jack White, Beck), F. Reid Shipen (Lady Antebellum, Keith Urban), Chuck Ainlay (Miranda Lambert, George Strait), Jacquire King (Kings of Leon/Tom Waits), John McBride (Martina McBride, Blackbird Studios), Leslie Brathwaite (Pharrell, Jay Z), Rob Burrell (Michael W. Smith, Alex Campos), Justin Niebank (Rascal Flatts, Sheryl Crow), Richard Dodd (Dixie Chicks, Tom Petty), Kuk Harrell (Rihanna, Beyoncé), and more.
Date: Saturday, September 27, 2014
Time: 10:00 AM – 4:00 PM
Location: 2826 Dogwood Place, Nashville, TN 37204
Entrance: FREE, RSVP Required
About Chandler Limited
Headquartered in Shell Rock, Iowa, Chandler Limited, Inc. is a boutique manufacturer of high-end signal processors, mixers, and amplifiers for musicians and audio professionals. Recognized globally for its exquisitely handmade products and the company’s high profile clientele, Chandler’s product offerings include the Abbey Road/TG line, its unique Germanium transistor series of products, the 500 Series Modules, plus its recently introduced guitar pedals and amplifier. For additional information about all Chandler Limited products, please visit the company online at www.chandlerlimited.com.
About Abbey Road Studios
Abbey Road Studios are the most famous recording studios in the world and an iconic symbol of British music. They have been home to countless landmark recordings and pioneering advances in recording technology. Opened in November 1931, Abbey Road Studios were the world’s first purpose-built recording studios. The hallowed building has a phenomenal history spanning over 80 years, during which the studios have hosted many of the world’s most famous artists, including the Beatles, Pink Floyd, the Hollies, Kate Bush, Oasis, Florence and the Machine, Adele and Lady Gaga. Abbey Road is also one of the world’s premiere locations for movie scoring. Since the 1980s, scores for films such as Raiders of the Lost Ark, the Lord of the Rings Trilogy, Braveheart, and The King’s Speech have been recorded there. The list continues with many other major titles, including Shrek, Prometheus, Harry Potter, Skyfall, and The Hobbit.
Abbey Road Studios, Curve Bender, EMI and TG and their associated logos are trademarks of EMI (IP) Limited.
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