Archive of the News Category
Moog’s 1:1 Recreation of Keith Emerson’s Modular Synthesizer shown at AES ‘14
October 11, 2014, Asheville, NC: October 12, 2014, marks the 50 Year anniversary of the unveiling of the Moog modular synthesizer at the Audio Engineering Society’s (AES) New York convention. On that day in 1964, Dr. Robert Moog introduced the world to a com-pletely new type of instrument that would go on to change the course of music history and influence decades of future instrument design.
The Moog modular synthesizer was comprised of individual electronic modules, housed in a wooden frame, and it made use of voltage-control as a new way of creating power-ful sounds that had never been heard before.
After its debut at AES, the scientific-looking Moog modular instrument that made ex-traordinary new sounds with rapid alterations and exotic tonal colors, started to gain in popularity. Musicians began to establish the Moog system as the archetype of synthesis. One of the earliest and most famous artists to adopt the new instrument was Keith Em-erson, keyboardist for the innovative band Emerson Lake and Palmer. Touring the world for over forty years with this unique instrument, Emerson has made his Moog modular system the most recognizable synthesizer of all time.
The 50th Anniversary of the Moog Modular is a historical landmark for musical instru-ment design and popular music. In celebration of this momentous occasion, Moog Music has faithfully and painstakingly recreated Keith Emerson’s Moog modular. This new Em-erson Moog Modular System (EMMS) utilizes original design material and parts to dupli-cate each facet of Mr. Emerson’s custom instrument down to the smallest detail. The modules in the EMMS are built exactly as the originals were in the Moog Factory in Tru-mansburg, NY in the 1960s: by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. Today, Moog also released a mini-documentary featuring a Moog engineer, a Moog Historian, and Bob Moog himself, that explores Moog Music’s quest to resurrect the original methods, materials and designs used in the foundational modular synths.
“It’s a dream come true for us to bring back these instruments that our company is so known for, and to make them visually and sonically perfect. It’s even more perfect that exactly 50 years after the first Moog synth was shown to the public, people can come to AES 2014 and experience the new Emerson Moog Modular System,” said Brian Kehew, Moog’s Historian.
This towering recreation of the world’s most recognizable synthesizer will be on display in Moog booth 1028 at the 137th AES convention in Los Angeles, CA through Sunday 10/12/14. It is the first time the Emerson Moog Modular System has been shown to the public since it’s unveiling at Moogfest 2014.
Of the 5 Emerson Moog Modular Systems Moog will build, only 1 remains available for sale. The price is $150,000 USD. To inquire about purchasing the last remaining Emerson Moog Modular System, contact Steve Maass at Moog Music. 828.251.0090 ext. 205 or email email@example.com. Serious buyers only please.
Product Page: http://bit.ly/1tiCVdl
About Moog Music:
Moog Music synthesizers and other electronic musical instruments are designed and lovingly handcrafted in the Moog factory in downtown Asheville, N.C. Moog Music and its customers carry on the legacy of Dr. Robert Moog, inventor of the Moog synthesizer and Founder of Moog Music Inc.
The World-famous Studios A & B Are Each to Receive a Pair of QB1-As
Los Angeles, October 10, 2014 — U.K. loudspeaker manufacturer PMC is proud to publicly announce the first sale of PMC’s QB1-A reference monitors. The sale of two pairs of the new reference monitors to Capitol Studios has been confirmed at the AES Convention in Los Angeles as part of the ongoing refurbishment program at Capitol, with one pair destined for Studio A, the other for Studio B.
Launched this week at the AES show, the QB1-A is PMC’s new high-end monitor (Booth 1628). Designed to provide a new reference standard for medium- to large-scale recording facilities in terms of accuracy, dynamics, resolution and headroom, it offers over 4800 Watts of power per channel and incorporates analogue and digital inputs, PMC’s Advanced Transmission Line (ATLTM) bass-loading technology, DSP control, and the latest generation of PMC’s Class-D amplification and driver designs.
Capitol’s engineers and management were part of a network of international industry professionals who provided invaluable feedback on the design of the QB1-A as it evolved. Prototype versions of the speakers have been installed in Capitol Studios for some months, with regular upgrades as the product was honed in the final stages. These early versions will shortly be replaced by the first production QB1-As from the PMC
factory in the U.K.
“Our relationship with Capitol has been an important element in the QB1-A project from very early in the design process,” comments PMC’s Communications & Artist Relations Manager Paul O’Farrell-Stevens. “And of course we’re delighted that such an iconic recording facility is providing us with our first
QB1-A sale. For anyone connected with music, anywhere in the world, Capitol is one of the most instantly recognizable recording studios, with an extraordinary heritage coupled with state-of-the-art equipment. The QB1-A represents a step change in high-end reference monitor technology, and as Capitol Studios goes from strength to strength following its recent refit, we are very proud that our new monitors are now part of
For more information on the QB1-A Capitol sale, come to the PMC stand (Booth 1628) at the AES Convention.
PMC is a UK-based, world-leading manufacturer of loudspeaker systems, the tools of choice in all ultra-critical professional monitoring applications, and also for the discerning audiophile at home, where they provide a transparent window into the recording artist’s original intentions. PMC products use the best available materials and design principles, including the company’s proprietary Advanced Transmission Line (ATLTM) bass-loading technology, cutting-edge amplification and advanced DSP techniques to create loudspeakers that present sound and music exactly as it was when first created, with the highest possible resolution, and without colouration or distortion. For more information on our clients and products, see www.pmc-speakers.com.
Los Angeles, October 10, 2014: The 1960s and 1970s are considered to be one of the most innovative periods in the history of music. Many sound concepts of this pioneering time are currently being rediscovered and are regarded as a great enrichment – particularly in the digital audio world. The interplay among studio technologies of different generations forms the basis of unprecedented freedom for new sound experiments.
An icon of that era which was decisive in helping to shape the sound of the 1970s is the Neumann U 47 fet. As the transistorized successor of the U 47, it permitted the processing of very high sound pressure levels for the first time, for instance allowing positioning directly in front of loud amps. Due to this feature, and the capsule sound derived from its famous tube-based predecessor, the U 47 fet contributed to many legendary recordings of the time.
Now the U 47 fet is back! For the new “Collectors Edition U 47 fet”, Neumann has resumed production of this classic mic, according to the original production documents and schematics. The Collectors Edition is supplied with a high-quality wooden case with special packaging, and an individual certificate with the serial number of the microphone.
In terms of technical design, the U 47 fet is a condenser microphone with a cardioid directional characteristic and fet 80 circuit technology. Among other things this technology, also used in the U 87, is characterized particularly by a wide dynamic range. The K 47, already employed in the U 47, is a double large-diaphragm capsule with a slight boost in the range above 2 kHz.
If required, a switchable low-cut filter raises the lower cutoff frequency electronically from 40 Hz to 140 Hz, and switchable attenuation can reduce transmission levels by 10 dB. In addition, to prevent overloading of the connected preamp, the output signal can be reduced by 6 dB via a switch on the bottom of the microphone.
Wolfgang Fraissinet, President of Neumann.Berlin, explains: “Today many new musical currents are defining themselves through the possibilities of digital production technology. The relaunch of the U 47 fet now provides the opportunity of using epoch-making technologies from different decades side by side. Vintage sound meets the modern world – providing ideal conditions for the realization of new creative soundscapes.”
The list of renowned artists who have created musical masterpieces with the sound of the U 47 fet – including AC/DC, Kate Bush, Bruce Springsteen, and later R.E.M, the Pretenders, a-ha, Dire Straits, Metallica, Michael Bublé and many others – can now grow longer …
The microphone, which available in classic nickel, is shipping now and costs $3,999.95. All information and images can be found at: www.u47fet.neumann.com.
Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.
Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.
You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.
SALT LAKE CITY, Utah – HARMAN’s dbx today announced the introduction of its model 676 Tube Mic Pre Channel Strip, a vacuum tube-based microphone preamplifier that offers a host of flexible sound-tailoring options to deliver extraordinary audio quality in recording and live sound applications.
The dbx 676 employs a high-gain, Class A tube preamp section based around a 12AU7 vacuum tube that can be adjusted to be clean and pure-sounding or dirty and full of harmonic character. The 676 incorporates the Compressor/Limiter design from the highly sought-after dbx 162SL and a 3-band parametric EQ, enabling exacting control of dynamics and tonal balance.
“We created the dbx 676 to be nothing less than the ultimate mic preamp,” said Jason Kunz, Market Manager, Portable PA and Recording & Broadcast, HARMAN Signal Processing. “Whether you need a preamp that provides pristine, rich sound quality and tube warmth, want to add some edge and personality to vocals and instruments or are seeking to improve the sound of your recording or live rig, the dbx 676 is the ideal tool for taking your sound to the highest level.”
The dbx 676 offers ¼-inch and XLR inputs and outputs, a front-panel instrument input and a side chain insert. An optional digital output card is available. The 676 allows for precise tailoring of input and output levels which can be monitored by its large multi-function VU meter.
The compressor/limiter section provides extremely flexible control of dynamics including threshold, attack, gain and release, auto attack and release, hard and soft knee compression, dbx-exclusive AutoVelocity™ manual and OverEasy® modes and PeakStop™ limiting algorithm and many additional functions. The 676’s 3-band parametric EQ allows adjustment of level and bandwidth at frequencies that have been carefully chosen for maximum musical effectiveness.
Although comprehensive in its capabilities the dbx 676 is designed for ease of use, with its vintage-style controls and VU metering. The 676 features military-grade build for total reliability and mounts in a 2U rack space.
The dbx 676 Tube Mic Pre Channel Strip will be available in January 2015 at a U.S. street price of $999.95.
HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.
Chandler Limited adds tube pre-amplifier to its Abbey Road Studios series
Shell Rock, IA – October 2014 … Chandler Limited, recognized globally for signal processing and related music and audio products that deliver the classic analog sounds recording and professional musicians seek, announces addition of the REDD.47 pre-amplifier to Chandler’s esteemed Abbey Road Studios product line.
The REDD.47 microphone pre-amplifier, considered a ‘holy grail’ to some, is most closely associated with the sound of The Beatles’ records recorded at Abbey Road Studios from 1964-1968. Today, 50 years later, Chandler Limited revives this legendary sound with its own incarnation of the famous REDD.47.
The origins of the REDD.47 began at Abbey Road Studios’ technical division, the ‘Record Engineering Development Department’, in 1958. The REDD.47 line amplifier was designed as the replacement for Telefunken’s V72S. The latter was a specially modified version of the Telefunken V72 valve amplifier, used in the early EMI REDD mixing consoles at Abbey Road Studios.
The REDD.47 tube amplifier was introduced as the plug-in all-purpose line amplifier component for EMI’s next generation REDD.51 mixing console, first built in 1959. However, Abbey Road’s Studio Two, home to the majority of The Beatles’ recording sessions, only received its REDD.51 mixing console in 1964. The REDD.47 left its unmistakable sonic character on every Beatles record from 1964 to 1968.
Chandler Limited’s re-imagination of the REDD.47 realizes the punchy, aggressive sound of the original pre-amplifier, while adding new features required for the rigors of today’s recording studio environment. One of the features of Chandler Limited’s REDD.47 design is increased gain, allowing a range of tonal options from pristine clean sound to classic rich, saturated tone with up to 2% harmonic distortion before clipping. The Chandler Limited REDD.47 pre-amp easily reproduces the distortions heard on The Beatles’ ‘Revolution.’
The introduction of the REDD.47 tube pre-amplifier is a milestone for the Shell Rock, Iowa pro-audio manufacturer and Chandler’s heralded Abbey Road Studios product line. Chandler Limited founder and chief designer, Wade Goeke, had this to say,
“Obviously this is a big step for Chandler Limited. The REDD.47 is possibly the most famous mic pre of all time and we all wanted it to be special in sound, function, and appearance. From using the original documentation, to remolding the jumbo old style knobs, to reviving the Rumble Filter, every part of this design has been special . . . and if you’re wondering . . . yes, it distorts in that special way just like on the old songs!”
Equally excited for the new REDD.47 pre-amplifier is Abbey Road Studios’ Head of Audio Products, Mirek Stiles,
“Abbey Road Studios is proud to see the legendary REDD.47 microphone pre-amp brought back to life as a hardware unit. The distinctively warm and sometimes aggressive sound the REDD.47 is known for has made a huge impact on some of the most important historical recordings of all time. It’s very exciting to know the famous ‘edgy treble’ sound will now be available to engineers, producers and artists all over the world.”
Chandler Limited’s REDD.47 pre-amp has the ability to be used as a mic pre-amp, line amplifier, or serve as a D/I, and is sure to become a record production staple of recording studios worldwide.
To learn more about Chandler Limited’s REDD.47 pre-amp visit: http://chandlerlimited.com/redd-47-pre-amp
Chandler Limited expects to begin shipping the highly anticipated REDD.47 pre-amp during first quarter 2015.
About Chandler Limited
Headquartered in Shell Rock, Iowa, Chandler Limited, Inc. is a boutique manufacturer of high-end signal processors, mixers, and amplifiers for musicians and audio professionals. Recognized globally for its exquisitely handmade products and the company’s high profile clientele, Chandler’s product offerings include the Abbey Road/TG line, its unique Germanium transistor series of products, the 500 Series Modules, plus its recently introduced guitar pedals and amplifier. For additional information about all Chandler Limited products, please visit the company online at www.chandlerlimited.com.
About Abbey Road Studios
Abbey Road Studios are the most famous recording studios in the world and an iconic symbol of British music. They have been home to countless landmark recordings and pioneering advances in recording technology. Opened in November 1931, Abbey Road Studios were the world’s first purpose-built recording studios. The hallowed building has a phenomenal history spanning over 80 years, during which the studios have hosted many of the world’s most famous artists, including the Beatles, Pink Floyd, the Hollies, Kate Bush, Oasis, Florence and the Machine, Adele and Lady Gaga. Abbey Road is also one of the world’s premiere locations for movie scoring. Since the 1980s, scores for films such as Raiders of the Lost Ark, the Lord of the Rings Trilogy, Braveheart, and The King’s Speech have been recorded there. The list continues with many other major titles, including Shrek, Prometheus, Harry Potter, Skyfall, and The Hobbit.
Abbey Road Studios, EMI, REDD and their associated logos are trademarks of EMI (IP) Limited.
SAFETY HARBOR, FLORIDA – OCTOBER 2014: Metric Halo announced the start of the 2014 Fall Sale with the best deals ever offered on Metric Halo gear. Save up to 58% off list prices on all products including hardware and software. With this sale, customers will save up to $1,100 off Metric Halo’s award-winning hardware products, and up to $400 off Metric Halo’s award-winning software products.
The Fall Sale celebrates the launch of Production Bundle v.2 which brings VST and Windows support to the Metric Halo Production Bundle, and also introduces a new plug-in – MH Dirty Delay.
Metric Halo products are available from dealers or directly from the Metric Halo website: http://mhlabs.com
The Metric Halo 2014 Fall Sale runs until 10/31/2014.
ABOUT METRIC HALO Based on the Gulf Coast of Florida, Metric Halo provides the world with award-winning software and hardware recording, processing, metering and analysis solutions.
LAS VEGAS, NEVADA – OCTOBER 2014: The TransAudio Group is proud to announce the release of two new MOSFET Class A/B design dual mono power amplifiers from ATC – the P1 Pro and P2 Pro. At 150W/ch into 8 Ohms and 300W/ch into 8 Ohms respectively, these fan-less, rack-mountable power amplifiers offer the perfect solution for any studio wishing to get the best out of their passive monitors, including the all-new ATC SCM20PSL Pro.
Both models feature a 19-inch rack-mount chassis with front panel mounted standby button and L/R clip indication. The amplifiers incorporate the same gain reduction and loudspeaker protection circuits that are used in the ATC active monitors. These circuits ensure that the amplifier will not clip, even when working at very high volumes, which protects the loudspeakers from damage and improves the subjective performance of the entire system. Importantly, neither amplifier uses a fan, so they can be placed anywhere, including the control room.
The P1 Pro and P2 Pro are of a ‘true’ dual mono design: the power supplies, signal, and return paths are totally separated from each other. This approach maximizes signal separation and minimizes crosstalk. Further, intermodulation between channels via the power supplies is reduced to an absolute minimum at all frequencies, and the power demand from one channel cannot affect the specified power available to the other channel.
Brad Lunde, president of the TransAudio Group, ATC’s U.S. distributor stated, “ATC is famous for building active studio reference monitors that give engineers a consistent, honest reflection of their work. Although ATC’s revolutionary drivers and chasses get most of the credit for the brand’s legendary transparency, ATC’s superbly-designed amplifiers deserve equal credit. Just as the new passive ATC SCM20PSL Pro gives engineers access to ATC’s loudspeaker without the amplification, the new ATC P1 Pro and P2 Pro give engineers access to ATC’s zero-compromise amplification without the loudspeaker itself. Any reference monitor will benefit from the clean power of an ATC P1 Pro or P2 Pro.”
ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.
STOP BY AND SEE US AT AES 2014 – PLEASE NOTE OUR NEW BOOTH #1014
New York, NY, October 9, 2014 — The upcoming 137th Audio Engineering Society Convention, taking place October 9-12, 2014, at the Los Angeles Convention Center, will feature a panel exploring the experience of female audio/recording professionals. “Chicks in the Mix” will take place Saturday, October 11, from 1:00-2:30 p.m. in Room 403 AB. Historically the audio and recording industries have represented a male-dominated workplace – although the atmosphere has changed, there are still many challenges faced by female engineers, product designers, producers, mixers, managers, songwriters and artists that are not faced by their male counterparts. This panel brings together well-known female industry professionals to discuss their personal experience in these terms and how they do what they do.
Moderated by acclaimed producer and mixer Chris Lord-Alge, the discussion will feature the following panelists:
Marcella Araica, Recording & Mix engineer (Britney Spears, Madonna, Pink) – Miami, FL, USA; Los Angeles, CA, USA
Amy Burr, Larrabee Sound Studios, Studio Manager – North Hollywood, CA, USA
Emily Lazar, September Mourning (Lead Vocalist for the band) – New York, NY, USA
Lisa Loeb, GRAMMY®-nominated Singer/Songwriter – Los Angeles, CA USA
Brenda Russell, BMPR – Los Angeles, CA, USA
This dynamic panel, debuting at the AES137 Convention, is set to offer lively debate and discussion across all boundaries. No matter your gender, you will want to hear what these “Chicks in the Mix” have to say.
“I am very much looking forward to the ‘Chicks in the Mix’ panel at the AES convention,” stated Lord-Alge. “These five professionals each offer a distinct point of view and a different skill set, and their stories will help illuminate the experience of women in our industry.”
For further information about AES137 Special Events, as well as further Registration, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.
New York, NY, October 9, 2014 — Music/audio production is by its nature an inherently historical and archival discipline, and the 137th Audio Engineering Society Convention, taking place today through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California, sees the past come alive with the annual History Track.
AES Convention Historical Events Chair Mark Gander have assembled a winning collection of presentations. These include the perfect pairing of “The Evolution of Studio Acoustic Design” and “Audio Architects of the Nashville Sound,” which portrays highlights from the AES Nashville Lifetime Achievement Awards event.
Attendees will also enjoy listening to Michael Petersen of Shure, Inc., narrate the life and career of Benjamin Bauer, who developed the Uniphase network and the iconic Shure Model 55 Unidyne® Microphone, which celebrates its 75th anniversary this year. Bauer, an immigrant from Ukraine, developed the network at age 24, and it earned him the first of over 100 patents in audio technology. Included in the presentation are photos and details of the first Unidyne mic elements constructed by Bauer, uncovered December 2013 in the Shure Archives and not seen since the early 1940s.
In another fascinating panel, representatives from companies including Empirical Labs, Universal Audio and Great River Electronics – all engaged in manufacturing modern versions of classic audio products – will each profile one or more products, describing some of the methods that they use to duplicate the performance of the classic pieces. The participants will include representatives from manufacturers who develop hardware as well as software plug-ins. Each manufacturer will present products, methods and techniques, with discussion of measured and sonically judged faithfulness and/or improvements, followed by panel interaction and questions from the audience.
The full Historical Track program is here:
Thursday, October 9, 2:15 pm — 4:15 pm
Session H1 Evolution of Studio Acoustic Design
Thursday, October 9, 5:00 pm — 6:30 pm
Session H2 Audio Architects of the Nashville Sound: Highlights from the AES Nashville Lifetime Achievement Awards
Friday, October 10, 5:30 pm — 6:30 pm
Session H3 Benjamin Bauer and the Shure Unidyne Microphone: 75 Years of Audio Legend
Saturday, October 11, 12:15 pm — 1:15 pm
Session H4 History of Audio Measurement Technology
Saturday, October 11, 5:30 pm — 6:30 pm
Session H5 History of Line Arrays
Sunday, October 12, 2:30 pm — 4:30 pm
Session H6 Authentic Replication and Modeling of Vintage Audio Gear
“We put an enormous amount of care and thought into curating the Historical Track at the AES Conventions, because there is so much history in this industry, and so much more being made every day,” states Gander. “And it’s gratifying that they tend to be among the most well-attended sessions of the entire event. It’s clear that those involved in professional audio care deeply about its legacy.”
Further detailed information on the Historical Track at the AES137 Convention, as well as Registration, Hotel, and Technical Program formation are available on the AES137 webpage at http://www.aes.org/events/137/.
Historic Music Studio Returns to Its Original Name
Hudson Pacific Properties, Inc.(NYSE:HPP) announced today the launch of United Recording under the original name of the famed recording studio located at 6050 Sunset Blvd. United Recording, located at Sunset Gower Studios, was formerly known as Ocean Way Recording. United Recording, one of the world’s most recognized music recording studios, is responsible for record sales of more than one billion units. United Recording was founded in 1957 by the legendary recording engineer and electronics inventor Bill Putnam with the backing of Bing Crosby and Frank Sinatra.
“This is a pivotal time in the studio’s history,” stated United Recording Manager, Rob Goodchild. “We look to the future while holding ourselves to the standards of our past.” The original control rooms and recording spaces have remained virtually the same, retaining the classic acoustic design favored by artists ranging from Sinatra, Nat King Cole and Ray Charles, to modern hit makers such as Radiohead, Green Day and the Red Hot Chili Peppers. “United Recording is a legendary studio in the heart of Hollywood. It is not only a piece of entertainment industry history but remains a highly sought-after production space for top artists,” said Bill Humphrey, General Manager, Sunset Gower and Sunset Bronson Studios. The famed recording studios have remained untouched, with the original equipment in place run by industry-leading technical staff, while the lounges and common spaces have undergone significant upgrades.
Hudson Pacific Properties acquired the studio in 2013 and is striving to continue the legacy of this historic recording studio. Victor Coleman, CEO of Hudson Pacific Properties, added, “The rebranding back to the original name, United Recording, is one component of a continued investment in strategic media and entertainment properties and reinforces our goal of providing exceptional multimedia production facilities and services to global media and entertainment clients.”
About Hudson Pacific Properties
Hudson Pacific Properties, Inc. is a full-service, vertically integrated real estate company focused on owning, operating and acquiring high-quality office properties and state-of-the-art media and entertainment properties in select growth markets primarily in the Pacific Northwest and Northern and Southern California. The Company’s strategic investment program targets high barrier-to-entry, in-fill locations with favorable, long-term supply-demand characteristics in select target markets, including Los Angeles, Orange County, San Diego, San Francisco and Seattle. The Company’s portfolio currently consists of approximately 6.4 million square feet, not including undeveloped land that the Company believes can support an additional 1.9 million square feet. The Company has elected to be taxed as a real estate investment trust, or REIT, for federal income tax purposes. Hudson Pacific Properties is a component of the Russell 2000(r) and the Russell 3000(r) indices.
For information about United Recording, visit: http://www.unitedrecordingstudios.com
Contact Robin Goodchild 323-467-9375.
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