Archive of the Recording Category
WEST LONDON, U.K. – MARCH 2014: Matt Colton has been mastering albums for fifteen years. He continues to build on his growing reputation, mastering for the likes of Coldplay, James Blake, Gary Numan, and Metronomy, and his work recently earned him the title of “Mastering Engineer of the Year” from the Music Producers Guild. He has worked at several of London’s most esteemed mastering houses, including Porky’s Mastering, Optimum Mastering, AIR Studios, and Alchemy Mastering, the last of which he recently re-launched with original owners Barry Grint and Phil Kinrade. To maintain his edge, Colton installed a pair of ATC SCM150ASL PRO 3-way active loudspeakers in his critical listening room at the new Alchemy Mastering in West London.
For Colton, there’s more to mastering than simply having access to the latest and greatest ear-bending analog and digital signal processing technologies. “The things that are really important are the acoustics, speakers, amps, convertors, and power supplies, along with the wiring that connects them all together – everything that affects the sound in the room,” he said. “You cannot get around that. So I would rather have a great-sounding room and a workstation with a couple of plug-ins than every piece of hardware ever made and a poor-sounding room, because, no matter how much you say you understand the room, we all react to what’s coming out of the speakers and make our judgments based on how it sounds in the room. If the room is too bassy then the recording is going to be bass light, even if we know the room is too bassy.”
Fundamental to Colton’s current way of working is a pair of ATC SCM150ASL PRO 3-way active loudspeakers. “Having worked at AIR on a really lovely pair of hi-fi speakers, I felt I wanted to go back to studio monitoring and have something that maybe sounded a bit less polished in terms of the actual sound that’s coming out of the speaker,” he said. “So I’m working on a pair of SCM150ASL PROs. I’d previously worked on a pair of SCM200s many years ago, which I loved.”
An unconventional demonstration convinced Colton that the SCM150ASL PRO patently met his critical listening criteria: “I did a lecture at Westminster University in Harrow to over one-hundred people in a really big lecture hall with a massive ceiling height of fifty feet or so. Ben Lilly of ATC brought along a pair of SCM150s and I played some James Blake records with really low sub-bass – down at around 35Hz – and they just sounded glorious. It was a wonderful experience to hear those records played in that room only on a pair of speakers. So, on that basis, I’ve got the 150s in my mastering room – sadly, not quite as big as that lecture hall!”
With well-honed listening skills, Colton is perfectly positioned to provide honest insight into the SCM150ASL PRO in action at Alchemy Mastering. “They’re a direct and honest pair of speakers,” he said. “If the mix sounds good, then it sounds good here; if it doesn’t, then it doesn’t. There’s no flattery on the part of the speakers, though they’re wonderful to listen to when you get it right. I’ve really enjoying working on them.”
ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm. www.transaudiogroup.com
MEMPHIS, TENNESSEE: A 48-channel API Vision console has had a large impact on the fortunes of Ward Archer and his enterprise, Music+Arts Studio. Twenty-five years ago, Archer closed a chapter of his life at the helm of an ad agency to found Archer Records. Six years later, he opened the David Cherry/George Augspurger-designed studio to cater to the label’s artists and has not looked back since.
Music+Arts Studio launched with a 48-channel, discrete, all-analog, surround-sound API Vision console, and prominent members of Memphis’ indie film scene became regular clients over the following years. Like a locomotive building momentum, Music+Arts Studio is currently attracting more and more film work from an expanding geographical base. The ratio of film-related to pure music projects is creeping up on 50:50 thanks, in part, to the API Vision.
“These days, I’m comfortable saying that we have a lot of experience with sound for picture, but that’s owing to some clients that rolled the dice with us in the beginning,” said Archer. “One of our earliest and greatest successes was The Gospel According to Jazz Chapter III, which was recorded live at Reid Temple in Maryland. We took those tracks – which sounded amazing from the moment we pulled them up on the API Vision – and mixed them for stereo and 5.1 [which the Vision is designed to do simultaneously]. The Vision has a transparency and an airiness on the top end that just sounds gorgeous.” The track “It’s What I Do” won a Grammy for Best Gospel Song.
In addition to the API Vision and a killer live room, Music+Arts Studio has catered to its client base by adding an eight-foot Stewart Filmscreen and high-definition projector for film mixing. “It’s a nice, cinematic experience for the director or music supervisor,” said Archer. “We’ll even crank up the [5.1 PMC] monitoring system a bit for the full effect.” The scope of Music+Arts Studio’s film work ranges tremendously, from ADR to scoring to mixing. For example, all of the score recording for the Matthew McConaughey-led drama, Mud, were recorded using the warm analog sound that the API Vision’s circuitry provided. Other projects include the indie film, Cigarette Girl, and mini-series, Headshop.
Despite the film industry windfall, Music+Arts Studio still enjoys tackling strictly-music projects for artists on the Archer Records roster. Recently, Amy LaVere completed Stranger Me, her fourth studio album on Archer Records. Studio manager and engineer Daniel Lynn assisted the project’s producer and engineer Craig Silvey, who had just finished mixing Arcade Fire’s Grammy-winning release, The Suburbs. “Silvey loved the Vision,” said Lynn. “I remember that there was one point during the mixing where we wanted to do some complicated bussing, and it wasn’t immediately apparent how to do it. I called API and got someone on the phone right away. Craig was impressed that we had that kind of rapport!”
ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.
(PHOTO CAPTION) Music+Arts Studio Manager/Engineer Daniel Lynn (right) pictured with Colin Hay (Men at Work) during a recent session.
Partnering with The Continental Club, Nomad Sound, Jimmy Kimmel Live
TELEFUNKEN Elektroakustik of South Windsor, CT, will be showing its entire line of microphones again this year at Gear Expo, Booth #209, March 13 – 15 during South by Southwest in Austin, Texas.
TELEFUNKEN also has partnered with The Continental Club in Austin, which will have their entire main stage equipped with a variety of Tfunk mics, including the M80, M81 and M82 dynamics, in addition to DD5 Dynamic Drum sets. http://www.continentalclub.com/Austin.html
TELEFUNKEN also hosts their open SXSW party at the Gallery @ The Continental Club on Thursday, March 13th from 6pm to 8pm with performances by artist Gone By Daylight & others TBA.
In addition, TELEFUNKEN has partnered with Austin-based audio specialists Nomad Sound and will provide dynamic microphones for additional outdoor stages throughout the SXSW event.
The Continental Club’s production manager and Nomad Sound’s lead engineer Jamie Wellwarth, commented: “Telefunken has changed the whole sound of the Continental Club. Their M80 and M81 dynamic mics have brought out a clarity to the vocals that we just didn’t have before. We use the M82 on kick drum giving us solid boom and attack. It’s great working with Tfunk, because we are going for the same thing — great sound in a rockin’ nightclub.”
Lastly, TELEFUNKEN microphones will be used for the SXSW tapings of Jimmy Kimmel Live. Audio Engineer Bart Chiate remarked, “The TELEFUNKEN M80_s are my go-to mics for the live performances on JKL. But with the show happening in Austin it wasn’t logistically possible for us to bring our own mics, so we reached out to Tfunk and they fixed us up with all the mics we need for our crew at the festival. It’s gonna be a blast, especially since we know we have the sound totally nailed.”
TELEFUNKEN Elektroakustik strives for absolute perfection. By offering historic recreations of classic microphones alongside their own proprietary designs based around the distinctive tube mic sound, TELEFUNKEN has established a product line that expertly combines vintage style and sound with the reliability of a modern-day microphone design. TELEFUNKEN’s commitment to both the sonic excellence and quality of all of their products is rivaled only by their dedication to provide the best possible service to each and every one of their customers.
For more info, visit: http://www.telefunken-elektroakustik.com
How do the pros do it? What makes great gear great? How is that hit sound achieved? What does it take to become a successful and in demand audio engineer?
These are just some of the questions that Prism Sound will set out to answer when it takes its hugely popular Mic to Monitor series of free seminars and workshops to the USA for a five date tour.
Targeted at music production students, hobbyists and professionals, Mic to Monitor aims to dispel the many myths surrounding the recording process. In conjunction with SADiE and PMC, Prism Sound will be hosting events at SAE Atlanta (March 19th); Full Sail, Orlando (March 21st); the Winter Music Conference, Miami (two days on March 24th and 25th) and the University of Miami (March 26th).
Each seminar features presentations from recording professionals who will answer audience questions on recording techniques. There will also be the opportunity to demo equipment and win recording equipment. The Mic to Monitor event in Orlando will also be webcast live for those who want to be part of the experience but can’t get along in person. To register, please contact firstname.lastname@example.org
Chris Allen, Prism Sound’s SalesExecutive and Support Engineer, says: “Our Mic to Monitor tours are always well received because they give those attending the opportunity to learn tips, tricks and technical know-how directly from top producers and engineers. Our guest speakers are always willing to share their knowledge and to back up their examples with original material from their own studios and projects.”
Guest speakers for Mic to Monitor USA 2014 include Edward J “UK” Nixon of the Grammy Award winning J.U.S.T.I.C.E. League, and multi-Grammy Award winning producer Dwayne ‘Supa Dups’ Chin-Quee.
Edward J “UK” Nixon, who presents the seminars in Atlanta and Orlando, will give an insight into his unique story No Secrets, the rise of his career from early beginnings in the idyllic Lake District in the English countryside to becoming one of the most globally respected engineers of today. Edward will also demonstrate his approach to the workflow, mixing style and processes which earned him his title as Chief Engineer of the production super-group, The J.U.S.T.I.C.E. League (Sir Paul McCartney, Nas, Mary J. Blige, Rick Ross & Drake).
Multi-Grammy award winning Producer and DJ Dwayne ‘Supa Dups’ Chin-Quee, who presents the Miami sessions, will share his knowledge under the heading That Perfect Mix. His production experience is legendary and has resulted in over 25 million record sales to date for his work with Eminem, Drake, Bruno Mars, John Legend, Mary J Blige, Snoop Dogg (aka Snoop Lion), Akon, Rihanna and many more.
As well as guest presenters, Prism Sound’s Mic To Monitor sessions will also feature talks from top British pro audio equipment manufacturers Prism Sound, PMC and SADiE. These will cover hardware design and optimizing your studio setup, converter design and clocking, and speakers and acoustics. Professional mastering will also be discussed, with the chance to have questions answered first hand from leading designers and makers of high-end professional audio products.
Places on Prism Sound’s Mic To Monitor Tour USA are limited and are allocated on a first come, first served basis. Anyone registering and attending will have an opportunity to win prizes from Prism Sound, PMC and SADiE.
To register your interest, please visit the relevant link:
Mic to Monitor USA Tour 2014 ATLANTA
Mic to Monitor USA Tour 2014 UNIVERSITY OF MIAMI
Mic to Monitor USA Tour 2014 WMC MIAMI
Mic to Monitor USA Tour 2014 ORLANDO
About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.
For more information: www.prismsound.com
AAX64 Support, New Features and a 33% Promotion Discount
Audiotech Digital Ltd has announced the release of the new Penteo 4 Pro plug-in that discretely converts stereo to 5.1, offering exacting control over sound image placement to create high-quality, sonic-free and natural-sounding surround.
Penteo 4 Pro is 100-percent ITU down-mix compatible to the original stereo. The plug-in features an intuitive visual interface modeled after vintage gear, and offers six automated preset modes as well as advanced manual controls for fine-tuning.
Mike Minkler, multiple Oscar-winning re-recording mixer at TODD-SOUNDELUX, explained, “I’ve used Penteo on almost every project for five years now, such as Django Unchained, Twilight Saga, and Inglourious Basterds. The new plug-in really shines. With a flick of a switch I can take a two-channel mix and get a quality 5.1 mix, which is a huge asset in these budget-conscious times, especially when independent films just can’t afford more than a stereo source for me to work with.”
Native AAX64 Support
Penteo 4 Pro now natively supports Avid Audio eXtension (AAX) for true 64 bit processing. As a result, Penteo 4 Pro AAX64 uses 52% less CPU processing power thereby allowing a sound designer more flexibility to simultaneously use more tracks in a mix than ever before.
“Penteo produces such a warm surround mix, and we are thrilled that now Penteo supports Avid’s AAX64 format,” said Ed Gray, Director, Avid Partnering Programs. “Now sound designers will benefit by being able to run more instances and tap all the new features of ProTools 11.”
* Touch Screen Controls – In addition to mouse operated controls, Penteo 4 Pro is the first up-mixer to support multi-touch controls. Mixing is not a linear, sequential process — Penteo’s unique multi-touch interface allows a sound designer to control more than one Penteo feature at once, thereby creating a natural mixing experience through simple hand contact. Penteo 4 Pro is the world’s first multi-touch plug-in designed for use with the Raven MTX Surround console.
* Pro Tools Automation Keyboard Shortcuts for all parameters – Quickly add and select parameters for automation using standard control/alt/cmd shortcuts.
* Usage Preferences – With choice of circular or vertical knob drag usage options, a sound designer can select the most natural feeling knob movement for mouse or multi-touch.
* New bypass channel routing – Stereo bypass channels now routes to the ProTools channel output standard.
Special Promotion Pricing
To celebrate Penteo’s AAX release, from March 4 to April 16th, 2014, new purchases of any format of Penteo will receive 33% off the purchase price. Free trials are available here:
Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, is the exclusive U.S. distributor of this new plug-in. Penteo 4 Pro will be available beginning March 4, 2014 online at www.GuitarCenter.com, with demos available at multiple GC Pro locations.
About Audiotech Digital Limited (ADL)
Penteo transforms any stereo recording, soundtrack, DJ mix or live television broadcast into perfect 5.1 surround sound. Developed by ADL, Penteo 4 Pro is the warmest and best sounding stereo-to-surround up-mixer, because only Penteo remains faithful to the original stereo mix; no artificial sound manipulation is used. The result is that the Penteo 4 Pro plug-in creates a perfect surround experience for all stereo media with zero sonic artifacts, the most crisp and discrete center-channel available, and only Penteo is 100% ITU down-mix compatible to the original stereo. Through its comprehensive controls, automation settings and advanced low-frequency management, Penteo 4 Pro provides the ultimate mixer experience. Penteo has been used by major studios on hundreds of films, TV shows and music recordings and supports AAX64, RTAS, VST and AU formats. ADL specializes in the development and marketing of high-quality digital audio software applications.
Discover the world of Penteo at http://www.perfectsurround.com
MiniMain 12s for The Roost Plus MM27s for the Road
Pictured in his studio The Roost is producer/engineer Matt McClure and his new Barefoot Sound MM12 main monitors.
Top Nashville producer/engineer Matt McClure has installed Barefoot Sound’s flagship MiniMain12 monitors in his studio, The Roost. “The listening position is spot on and I just did a little bit of tweaking and man, the first listen would blow your mind,” McClure explains. “They’re ridiculous. I have worked in all of the big installs all over this town and my control room sounds as World Class as any of them.”
In the last few years, McClure has become one of the most in-demand mixing/tracking engineers in Nashville, working with some of Music City’s finest hit songwriters, including Tom Shapiro, Jim Collins, Tony Martin, Mark Nesler, Rodney Clawson, Wendell Mobley, Ashley Gorley, Shane McAnally, Wade Kirby, Jennifer Hanson, Doug Johnson, Kyle Jacobs, Lee Brice, Ben Glover, Terry McBride, and David Lee Murphy, whose combined success has resulted in over 150 #1 singles on the country and pop charts, a number of which were originally demoed, produced and mixed by McClure.
McClure’s experience with Barefoot Sound goes back eight years when he demoed a pair of the smaller MM27s through Vintage King Audio. “They brought them over and I stuck them up on the console and finished the mix and then gave it to the client and everybody passed it around. It translated perfectly. I got the biggest compliments I had gotten to date on any mix I’d done.”
Producers and record labels that have benefited from Matt’s work include Mark Bright (Carrie Underwood, Rascal Flatts), Doug Johnson (Doug Stone, Shenandoah, Ty Herndon, James Bonamy, Lee Brice), Phil O’Donnnell (Craig Morgan), Sony Music Group, UMG Records, Warner Brothers Nashville, Broken Bow Records, and Curb Records.
“I called Vintage King back and I told company co-founder Mike Nehra, ‘Man, I know these were demos, but I’m keeping them. I’ll pay you full price for them. I’m serious, you can’t have your demos back. I will not go another day without them.’ That’s how serious I was. And then later I got a second pair of 27s with cases so I could easily set up in tracking rooms and have the identical sound I had at my studio. And recently, I traded up from the 27s to the new MM12s in the studio.”
In 2008, McClure was asked to become a partner in a startup entertainment company, “The Fringe”, a joint venture between Matt and two hit songwriters, Kyle Jacobs and Ben Glover. Part publishing, part production, “The Fringe” became one of the fastest growing entertainment companies in Nashville.
Since August 2011, McClure and Jacobs have co-produced two #1 hit singles for Lee Brice, “Hard To Love” (penned by Glover), and “I Drive Your Truck” which became the 2013 CMA “Song Of The Year”, as well as earning two Grammy nominations in 2014, and 5 upcoming ACM nominations.
“The Vintage King crew, especially Jeff Leibovich in Chicago and Chad Evans here in Nashville, have made tremendous strides in taking care of us,” adds McClure. “Jeff understands that I’m doing this every single day of my life, 12-14 hours a day. Most of the time when I’m calling them, I already know pretty much what I want. I don’t need someone trying to steer me in a different direction because there’s a product that’s being pushed on the shelves and they’re going to get more commission. That doesn’t happen with Vintage King.”
Learn more at : http://vintageking.com/barefoot-sound-minimain12-pair
Barefoot Sound’s MiniMain12 is a 4-way active system with 7 drive units housed in sealed enclosures spanning 20Hz to 40kHz with vanishingly low distortion, exceptional dynamic range and ultra-fast transient response. Every driver has an under-hung voice coil moving inside an advanced geometry motor that enables it to make extremely long linear excursions. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The aluminum cone subwoofers, woofers and midranges radiate as perfect pistons to at least 2.5 octaves beyond their respective bandwidths.
Barefoot teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage of the MM12. Melding the system together is a groundbreaking DSP crossover that has taken Thomas Barefoot more than 4 years to develop. With beautifully designed high end converts and cutting edge proprietary filtering techniques the MiniMain12 produces a seamless and coherent wavefront that allows a listening distance of less that 3 feet with no sonic compromise, yet work perfectly at far field distances as well, producing SPLs equivalent to large monitoring systems.
ABOUT BAREFOOT SOUND
Barefoot Sound was founded by Thomas Barefoot with the goal of creating a new breed of studio monitor. While project studios were sprouting up all over the world, filled with outstanding gear, yet with limited space, Thomas Barefoot recognized the need for a speaker that could transcend the traditional distinctions between nearfield, main and mastering monitors. Translating effortlessly and never requiring second guessing , Barefoot Sound monitors are recognized throughout the music industry as multifunctional masterpieces. By creating one studio monitor that fits into a small physical space with leading edge technology and astounding clarity, Barefoot has set a new standard. Handcrafted in the USA.
For more info visit: http://www.barefootsound.com tel: 503.894.8602
Funky Junk, Europe’s leading supplier of new and refurbished professional recording equipment and services, has added Pearl Microphones to its distribution roster.
“Having used and loved Pearl Microphones for more than 20 years, I was delighted when the opportunity arose to represent the brand in the UK,” says Funky Junk’s founder Mark Thompson. “These microphones have an exceptional pedigree and history. They deliver great results, particularly on acoustics instruments, and they are built to last. It’s no surprise to me that vintage Pearl Microphones are as much in demand as new ones.”
Pearl’s Chairman, Sven Olof Andersson, says: “We are extremely happy to be working with Mark Thompson and his crew of dedicated professionals in the UK. Pearl goes a long way back in Britain and we will now continue to grow there with an exciting line-up of products and new developments.”
Founded in 1941, Pearl is renowned for its award-winning rectangular membrane technology, which is used for natural and transparent recording all over the world. All Pearl microphones are crafted in Sweden.
Today Pearl is owned by Bernt Malmqvist and a group of private investors who have brought a new business savvy to the company and a renewed passion for the use of Pearl microphone technology.
About Funky Junk:
Funky Junk is Europe’s leading supplier of new and refurbished professional recording equipment and services. It has offices in London, Paris, Milan and Spain and has been in business for over 20 years. The company is renowned for its high level technical knowledge, backed by extensive workshop facilities. As well as handling sales and repairs, Funky Junk also acts as a distributor to a number of equipment brands and deals with their service and warranty.
For more information please visit www.proaudioeurope.com
Up to 70% off – until February 28, 2014!
Hollywood, CA (February 26, 2013) – EASTWEST is offering an additional 10% discount on their award-winning Complete Composers Collection 2. This promotion ends on February 28, 2014.
The Complete Composers Collection 2 is perfect for music, film, TV, and game composers: a choice of 20 award-winning virtual instruments that cover virtually every musical genre, including seven new additions:
- The Hollywood Gold series with Strings, Brass and Woodwinds
- The Dark Side
- Ministry of Rock 2
- Quantum Leap Solo Violin
Each of these virtual instruments is a veritable masterpiece with truly authentic sounds. With Complete Composers Collection 2, any musician has access to the instruments and articulations used by some of the most successful composers in the world. The massive library comes on a 1TB pocket-size “Plug n’ Play” external hard drive. All samples are installed for quick and easy access. Every instrument included is powered by EASTWEST’s PLAY 4 software, and is now fully compatible with ProTools 11 supporting AAX, plus most other popular hosts (see compatibility chart).
For details, rules and conditions, please visit http://www.soundsonline.com/CCC2-PRO (or to http://www.soundsonline-europe.com/CCC2-PR for European customers).
REEDSBURG, WI, FEBRUARY 25, 2014 – Sound Devices, specialists in portable audio and video products for field production, is pleased to announce that its 633 Production Mixer has earned the prestigious Cinema Audio Society (CAS) Technical Achievement Award in the production category.
The CAS Technical Achievement Awards recognize innovations in recording technologies, including hardware and software products that are used by sound mixing professionals. Sound Devices has now been a recipient of the CAS Technical Achievement Award four times. The 744T and 788T Production Recorders, and the 664 Field Production Mixer are past winners.
“To be consistently recognized for our new products with CAS Technical Achievement Awards is an outstanding accomplishment,” says Matt Anderson, President of Sound Devices. “At Sound Devices, we continue to push the boundaries by presenting high-quality, innovative tools that really make a difference in the workflow of our customers. Having the Cinema Audio Society behind us reaffirms the positive impact that our product development goals have within the industry.”
Sound Devices 633 mixer/recorder features six inputs, with three high-bandwidth mic/line XLR inputs complete with phantom power, high-pass filter, input limiter and variable pan. Three additional line-level inputs appear on TA3 (mini-XLR) connectors. All inputs are assignable to any output bus. AES digital I/O, including support for AES42 digital microphones, is available.
The 633 offers 10-track 24-bit, 48 kHz uncompressed polyphonic or monophonic broadcast WAV file recording (96 kHz for eight tracks, 192 kHz for six tracks) or timecode stamped MP3 recording to CompactFlash and/or SD cards. All six inputs plus Left/Right and Aux 1/2, can be recorded to individual tracks. Similar to Sound Devices’ 12-input 664 Production Mixer, the 633 offers dual card slots that record to either one or both cards simultaneously, with the added ability to assign different tracks to each memory card.
Unique to the industry, the 633 is equipped with a four-way power supply and Sound Devices’ proprietary PowerSafe technology. This four-way powering allows for multiple, simultaneous power sources including external DC on a Hirose 4-pin locking (12-18 V), two removable and independent L-type Lithium-ion batteries and internal AA battery powering (six-AA). The unit detects when power sources are removed and seamlessly transitions to an available power source. With its PowerSafe circuitry, when all power is removed the unit remains on for 10 seconds to close all file operations and properly shut down. With PowerSafe, a complete power loss has no effect on the recording. PowerSafe also provides two-second ‘power-on-to-recording’ so the mixer is ready for operation at a moment’s notice.
Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.
Woodworm Studios, a classic 30-year old rural residential facility, recently enjoyed a complete technical refurbishment with a Solid State Logic Duality SE console as the centrepiece for the studio complex. The original creative home to Fairport Convention, Jethro Tull and an early incarnation of Radiohead, among others, Woodworm Studios is under new management, which has upgraded the entire equipment collection and technical installation for the two-building facility. Duality was the key investment, bringing together the outboard gear, DAW and multiple recording spaces within a new control room. more
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