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Archive of the Sound for Picture Category

Indonesian Exhibitor Cinemaxx Taps HARMAN’s JBL Loudspeakers and Crown Amplifiers for Cinema Audio Systems

JAKARTA, Indonesia – HARMAN Professional today announced that Indonesian cinema exhibitor Cinemaxx has partnered with HARMAN to equip more than 300 new screens with JBL Professional ScreenArray® loudspeakers, powered by Crown amplifiers, over the next 12 months. In the years ahead, Cinemaxx may outfit up to 1,000 screens throughout Indonesia with JBL and Crown.

Cinemaxx is a new cinema exhibitor that is planning 150 locations across 77 cities. The HARMAN systems at these theaters will feature JBL cinema systems, powered with Crown DCi amplifiers. In addition, up to 100 screens will feature Dolby® Atmos™ cinema audio technology.

“Our goal is to provide the best possible cinema experience to moviegoers in Indonesia,” said Brian Riady, CEO, Cinemaxx. “With HARMAN as our technology partner, we are confident that we will amaze moviegoers throughout Indonesia and keep them coming back to Cinemaxx theaters!”

“Cinemaxx is dedicated to providing its customers with the most cutting-edge and immersive cinema experience available, as evidenced by its commitment to outfit up to 1,000 screens with JBL and Crown,” said Thomas Marcher, Director of Sales, Asia & Pacific, HARMAN Professional.

About Cinemaxx
Cinemaxx is poised to be one of Indonesia’s largest and most preferred motion picture exhibitors with more than 1,000 screens and 150 locations planned across 77 cities. Combining state-of-the-art technology with first-class amenities, Cinemaxx will provide an unparalleled entertainment experience to moviegoers across the nation. MegaMaxx, the giant-screen format of Cinemaxx, is designed to take the Indonesian cinematic experience to the next level by providing moviegoers with an immersive audiovisual experience. Patrons can also experience the epitome of luxury at Cinemaxx Gold, Cinemaxx’s VIP offering, replete with lavish recliner chairs and gourmet F&B offerings served by attendants on call. Cinemaxx is affiliated with the Lippo Group, one of Indonesia’s largest private services providers. For more information, please visit www.cinemaxxtheater.com or send an email to marketing@cinemaxxtheater.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

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REC4BOX OB Factory Shakes Canadian Mobile TV Production Industry with HARMAN’s Studer Vista 1 Mixing Console

MONTREAL, Canada – Balancing the creative demands of production teams with the realities of tight budgets and production timelines, REC4BOX OB Factory specializes in manufacturing fully customized OB trucks. By designing and creating the first OB truck in its region that houses a HARMAN’s Studer Vista 1 mixing console, REC4BOX was able to set new industry standards in terms of versatility, deployment speeds and broadcasting capabilities.

Currently, REC4BOX operates on a contract basis, renting out or selling fully operational OB trucks to networks in Canada and the US. Each system undergoes rigorous testing to ensure that networks are able to start production within an hour of receiving the trailer, with only two onboard technicians. The Vista 1 console is perfect for this application, as it contains all mobile broadcasting tools, eliminating the need for additional racks of gear.

“For sound and television applications, we instantly think of Soundcraft and Studer,” said Jonathan Fortin, engineer at REC4BOX. “For this truck, we needed analog inputs right behind the board, so we went with Studer. We tend to be early adopters of technology, opting for the best solution for our trucks considering the tight budget and schedule.”

The Vista 1 console comes standard with 32 mic/line inputs and 32 analog line outputs as well as broadcast monitoring, talkback, red light control and eight GPIOs. For this particular truck, the REC4BOX team added a stage box with 64 additional inputs, and integrated the console with a complete 5.1 surround sound kit. The truck itself requires 12 analog inputs to operate, while 48 to 64 inputs are activated during a TV show.

Studer consoles provide an advanced, intuitive control surface making them easy to learn and fast to operate. The Vista 1 is unique in its powerful yet compact footprint. Thanks to the Vistonics™ user interface, the Vista 1 is as easy to use as any full size console, thereby decreasing deployment and setup time for mobile broadcasting units.

“The Vista 1 is perfect for our needs, so we ordered another one for the next truck that we’re building,” said Fortin. “It does everything we need and much more, and it has great integration with products from other brands. We love its user-friendly design, making workflow on the Vista 1 a lot easier than on the Yamaha consoles that we have tried. Overall, we are very happy and so are our customers.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

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Oscar-winning Film Mixer Steve Maslow Plugs In Penteo 4 Pro

Upmixer Now Supports AAX – Free Penteo Contest from Pro Tools Expert

Pictured in a Warner Bros. session is award-winning re-recording mixer Steve Maslow. Photo by David Goggin.

Multiple Oscar- and Bafta-winning re-recording mixer Steve Maslow has upgraded to the new Penteo 4 Pro plug-in that discretely converts stereo to 5.1, offering exacting control over sound image placement to create high-quality, natural-sounding surround.

“If I get 2-track source music, I use Penteo,” Maslow comments. “It’s impressive to take a 2-channel mix and make it come out of 5 speakers. I just finished a film called ‘Tammy.’ Every cue in that movie, from source needle drops to music score was all 2-track. The opening cue was a stereo record by the Allman Brothers that was released in 1986, and it worked great. I used Penteo from reel 1 to reel 6 and everything worked flawlessly.”

When asked how he previously accomplished upmixing from stereo to surround, Maslow explained, “I would take the left and right track of a 2-track and run them through a couple of panners, fold it in a little bit so the left and right contributed to the center just a little bit. Then I would take a boom box, take a feed from the left and the right and return it to a fader to get the bottom end for the boom. That would give me left, center, right, boom. For left surround, right surround I would try to get a very short reverb to feed to the surrounds. That was the problem — it would always put some sort of echo into the track.”

Maslow, who is a 3-time Oscar winner and 2-time Bafta-winner, has worked on hundreds of films, including the recent “Non-Stop,” starring Liam Neesen, last year’s “The Great Gatsby,” and classics such “Raiders of the Lost Ark,” “The Empire Strikes Back,” and “The Last Waltz.”

“I used Penteo on last year’s ‘RED 2′ with Bruce Willis and Hellen Mirren,” Maslow recalls. “There was a lot of 2-track source music and even some of the score was 2-track. For me, Penteo is a very useful tool. I wouldn’t do another film without it if 2-track music comes in. It really makes you look good when you can take a 2-track mix and create a 5-channel mix.”

Maslow elaborates on the use of Penteo 4 Pro, “For the film I’m working on now, the music was 2-track strings, 2-tracks brass, 2-track percussion, so then I have to think about how I’m going to work with that. I can’t just put them all left-right. Sometimes I used to take the percussion and put it in the center, but with Penteo, I just feed all the 2-channel mixes in and it comes out as a 5.1 score. That’s what I want and it really sounds good.”

In addition to mouse-operated controls, Penteo 4 Pro is the first up-mixer to support multi-touch controls, allowing a sound designer to control more than one Penteo feature at once, thereby creating a natural mixing experience through simple hand contact. Penteo 4 Pro is the world’s first multi-touch plug-in designed for use with the Raven MTX Surround console.

“I find that a lot of 2-track mixes are very narrow and by using Penteo it gives me the hard center that I like,” says Maslow. “When you’re playing with a 2-track you just get left and right and a phantom center, not a hard center. Penteo gives me a hard center with that bottom end that I like, and it just fills the room up better than a 2-track does. Any two track that comes to me now is going through Penteo.”

It is customary for a re-recording mixer to deliver a preliminary mix and then get feedback on revisions. “I usually am asked to make changes, but on the last show I just finished, I didn’t get one note from the music department. Not one comment when we screened the film and they listened to it. Usually I would get some notes, but I got nothing, no critical notes at all. They loved everything, so it does make me look a little better because of the way the music comes out.”

Once a film with a surround soundtrack is ready for distribution, it must also be compatible in stereo, as well. Penteo 4 Pro is 100-percent ITU down-mix compatible to the original stereo. The plug-in features an intuitive visual interface modeled after vintage gear, and offers six automated preset modes as well as advanced manual controls for fine-tuning.
Read the entire Interview with Steve Maslow and other industry leaders in the Perfect Surround Master Class series:
http://perfectsurround.com/surround-master-class/

Enter To Win
Win a free Penteo 4 Pro license is being offered in conjunction with Pro Tools Expert, the largest independent community of Avid users. Contest ends May 31st, 2014, to enter, click this link: http://woobox.com/a2dvvk

Native AAX64 Support
Penteo 4 Pro now natively supports Avid Audio eXtension (AAX) for true 64 bit processing. Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, is the exclusive U.S. distributor of this new plug-in. Penteo 4 Pro is available online with demos available at multiple GC Pro locations. Learn more here: http://tinyurl.com/npc6j8v

About Audiotech Digital Limited (ADL)
Penteo transforms any stereo recording, soundtrack, DJ mix or live television broadcast into perfect 5.1 surround sound. Developed by ADL, Penteo 4 Pro remains faithful to the original stereo mix; no artificial sound manipulation is used. The Penteo 4 Pro plug-in creates a perfect surround experience for all stereo media with zero sonic artifacts, crisp and discrete center-channel, and only Penteo is 100% ITU down-mix compatible to the original stereo. Penteo has been used by major studios on hundreds of films, TV shows and music recordings and supports AAX64, RTAS, VST and AU formats.
Discover the world of Penteo at http://www.perfectsurround.com

Producer Bob Ezrin Listens to the Barefoot MM27 Sound

MicroMain27s Shine in Wide Range of Musical Genres

Pictured in his Nashville studio is producer Bob Ezrin with his Barefoot Sound MM27 monitors.

Top producer Bob Ezrin installed Barefoot Sound MM27 monitors when he moved into his Nashville studio in the famed Berry Hill neighborhood of Music City USA. His spacious control room houses an AWS console, an abundance of vintage outboard gear, numerous keyboards, and more than 40 guitars.

Ezrin first encountered the Barefoot monitors during a demo at Electric Lady Studios in NYC. The choice of music to listen to was Pink Floyd’s “The Wall,” which he produced. “I found the Barefoots to have exceptional depth of field and width of imaging,” he recalls. “The sound is very clear, distinct and remarkably colorless. It was easy for me to hear every single component of the mix, just the way it was intended to be.”

In an illustrious career as a music and entertainment producer that has spanned over 40 years, Toronto-born Royal Conservatory alumnus Bob Ezrin has worked in virtually all genres and media with many of the world’s most celebrated contemporary artists, including, Pink Floyd, Alice Cooper, U2, Peter Gabriel, Deep Purple, Lang Lang, Jay-Z, Taylor Swift, K’naan, will.i.am, Zucchero, Green Day, Elton John, Lou Reed, Rod Stewart and many others.

The new Barefoot Sound MicroMain27 Gen2 is a 3.5-way active system with 5 drive units housed in sealed enclosures spanning 30Hz to 45kHz with vanishingly low distortion, big dynamic range and ultra-fast transient response. The ring radiator tweeter is superbly detailed and produces very wide dispersion out to its highest frequencies. The new 5.25″ midbass features a phalanx of advanced technology, yielding midrange detail that rivals any driver available.

“I love the way the Barefoot monitors get loud but they don’t hurt,” Ezrin continues, “unlike many so-called professional speakers that sound really great at very low levels and then terrible at high levels, or the other way around, fantastic at high levels but horrible at low levels. The Barefoot’s sound consistent at whatever level one is listening. I like them because they’re clinical and not colorful. They make me work to get all the color, all the definition, and all of the essential components of the mix. They just give me a true picture of what it is that I’m doing.”

Ezrin has produced numerous major events including the re-opening of the SuperDome after Katrina and Pete Seeger’s 90th Birthday Concert at Madison Square Garden. Among numerous film and TV projects, Ezrin produced the award winning film “Fade To Black” starring Jay-Z, Beyonce and a wide variety of urban artists. His monitors must perform with a vast variety of musical sounds.

“The Barefoots have proven to be ideal speakers for any of the genres of music that I work in,” he adds. “They love the bottom end, they’re crispy-clear on the top end. They have great depth and breadth, and they give the truest representation of what I’m building and creating.”

Ezrin is also an innovator and entrepreneur having co-founded The Nimbus School of Recording Arts in Vancouver, B.C. in 2009 and Beat Kangz Electronics, a hip hop musical instrument manufacturer in 2008. He is a governor of the Nashville Symphony Orchestra, vice chairman of The Mr. Holland’s Opus Foundation, an advisory member of MusiCounts and, along with U2_s the Edge, a co-founder of Music Rising, an initiative to replace musical
instruments lost in natural disasters. He is also a past trustee and governor of The Recording Academy.

Learn more about the Barefoot Sound MicroMain 27 monitors at : http://vintageking.com/barefoot-sound-micromain-27-gen2-pair

ABOUT BAREFOOT SOUND
Barefoot Sound was founded by Thomas Barefoot with the goal of creating a new breed of studio monitor. While project studios were sprouting up all over the world, filled with outstanding gear, yet with limited space, Thomas Barefoot recognized the need for a speaker that could transcend the traditional distinctions between nearfield, main and mastering monitors. Translating effortlessly and never requiring second guessing , Barefoot Sound monitors are recognized throughout the music industry as multifunctional masterpieces. By creating one studio monitor that fits into a small physical space with leading edge technology and astounding clarity, Barefoot has set a new standard. Handcrafted in the USA.
For more info visit: http://www.barefootsound.com tel: 503. 894. 8602

SF’s Studio Trilogy and Ocean Way Nashville Linked By Source-Connect

G.A.N.G. Attendees in San Francisco Enjoy Recording of Nashville Orchestra

Pictured in San Francisco are (standing L-R) Studio Trilogy engineer/co-manager Willie Samuels, business operations mgr Cindy McSherry, Ocean Way Nashville's director of operations Pat McMakin, and (seated) Trilogy's chief engineer/co-mgr Justin Lieberman.

Attendees at this year’s recent G.A.N.G. (Game Audio Network Guild) Game Developer’s Conference in San Francisco enjoyed a premiere event at Studio Trilogy: the live synchronized recording of a performance by a 30-piece orchestra from Ocean Way Nashville, Tennessee.

The live session was co-sponsored by Source Elements, whose software Source-Connect locked the Pro Tools rigs from each location together while sending the hi-resolution live orchestra feed from Nashville to SF. Source-Connect also allowed talk back capability between the two studios. Minutes into the session, the walls and distance disappeared and people on both ends communicated seamlessly.

“We also utilized a live camera feed from Nashville,” explained Justin Lieberman, Trilogy’s chief engineer. “We watched and listened in real time to the orchestra in Nashville while recording to our Pro Tools timeline. We have the capability to lock picture on both ends or just record to existing tracks and we can provide feedback on the performance and interaction with both the Nashville engineering team and the conductor from our studio in San Francisco.”

Composer David Shipps conducted the Nashville musicians while the visiting game composers and producers on the San Francisco end could check out the impressive facilities at Ocean Way Nashville and listen to talented orchestral musicians contracted by Nashville Music Scoring’s Alan Umstead, while in the pristine listening environment offered at Studio Trilogy.

“This was not only an exciting event during the SF conference,” remarked Pat McMakin, Director of Operations, Ocean Way Nashville Recording Studios. “It was also the premier of our new strategic partnership with Studio Trilogy, which offers composers and their music production teams a convenient way to take advantage of the terrific studios and musicians in Nashville while working in the comfort of one of California’s finest studios.”

“We believe this transcontinental partnership opens up a huge opportunity for San Francisco / Bay Area-based gaming and film companies to utilize the amazing Ocean Way Nashville orchestra and studio without ever leaving SF,” added Trilogy’s Justin Lieberman. “We can then edit and mix in surround and stereo right here in SF as soon as the session in completed.”

Both Studio Trilogy and Ocean Way Nashville are active in the film, TV, advertising, and game scoring industries. Composer Nathan Johnson recently scored at Trilogy “Young Ones,” which debuted at this year’s Sundance Festival. Upcoming is his score for “Don’t Kill the Messenger,” directed by Michael Cuesta (“Homeland”). Games scored at Trilogy include “Infamous 2″ for Sony Playstation and “BioShock Infinite” with composer Jim Dooley for 2K Games.

OWN has scored major games for Sony Playstation as well as the music for several of the nominees and winners at this year’s prestigious G.A.N.G. Awards, including “Thieves In Time,” composed by Peter McConnell, and “Last Of Us,” scored by Academy Award-winner Gustavo Santaolalla, which took home the top prize at the G.A.N.G. Awards.

The Source-Connect event was co-sponsored by Studio Trilogy, Source Elements, and Ocean Way Nashville. In addition to witnessing the historic recording session, there was a patio BBQ for attendees to catch up on the days events at the Game Developers Conference.

The system provided by Source-Connect enables audio connections between digital audio systems anywhere in the world, allowing direct-to-the-timeline recording with real-time, broadcast-quality audio using only an internet connection.
http://source-elements.com/source-connect/

The Game Audio Network Guild (G.A.N.G.) is made up of composers, sound designers, voice over directors, game designers, producers and other associates and executives within the greater interactive entertainment industry. http://www.audiogang.org/

ABOUT STUDIO TRILOGY
Located in the creative heart of San Francisco, Studio Trilogy is a full-service recording facility that provides music recording and audio post-production services in a World Class recording environment. Designed by John Storyk of WSDG, Trilogy’s 8800 square foot facility houses three state-of-the-art control rooms, music and voice recording studios, multiple lounges, and a lush garden/bbq area. An on-site 1200 sq.ft. luxury apartment with media lounge and chef’s kitchen is also available.
Learn more at: http://studiotrilogy.com

ABOUT OCEAN WAY NASHVILLE
Ocean Way Nashville Recording Studios, founded in 1996, are located in the heart of Nashville’s famous Music Row. Purchased from the founders in 2001 by Belmont University, the studio remains a fully commercial facility but has added an educational component in conjunction with the school’s College of Entertainment and Music Business. Housed in a 100 year old Gothic revival greystone church, Ocean Way Nashville provides an exceptional acoustical space tuned specifically for music recording in the rich visual beauty of a church sanctuary.
Learn more at: http://www.oceanwaystudios.com

“PEDAL TO THE METAL” CAPTURED WITH LECTROSONICS WIRELESS TECHNOLOGY

** Photo: AC/DC’s Brian Johnson (left) and George - Aris Anastassopoulos (right) **

London, England – April 2014… When your job is to capture the sound of cars, the ability to adapt quickly and accurately to the demands of the shoot is central to keeping production on track. If you miss the roar of the engine as the car passes the camera, you’ll likely end up looking for a new project! Such are the challenges of George – Aris Anastassopoulos, one of the location sound engineers for Back2Back Productions’ Pedal to the Metal, an upcoming TV show for the Discovery Channel featuring AC/DC’s Brian Johnson as host. This is challenging work with little margin for error. That’s why Anastassopoulos uses Digital Hybrid Wireless® microphone technology from Rio Rancho, NM-based Lectrosonics. more

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Yamaha NUAGE Version 1.5 Announced Today

LAS VEGAS—In response to an overwhelmingly positive reaction, Yamaha Commercial Audio Systems, Inc. has announced Version 1.5 software of the NUAGE Advanced Production System. Available in May via free download, the new version will allow remote control of R Series audio interface head amplifiers from NUAGE Fader/Master control surfaces. In addition to providing a broader selection of I/O options for NUAGE systems, the software also allows Yamaha CL Series Digital Mixing Console inputs to be shared via a Dante network for significant system expansion capability.

Although NUAGE already allows switching between up to three different DAWs, with V1.5 the “NUAGE PT Bridge” driver for Avid Pro Tools control gains OSX 10.9 compatibility so that Pro Tools running on Mac platforms is fully supported. Also, adding Quick Control to the NUAGE Master unit, specified parameters can be assigned to the multi-function display so the user has even greater customization control. The NUAGE Master unit now has the ability to instantly access a vast range of VST instruments from the display and knobs for more efficient, effective sound crafting. The multi-function knobs will also provide as much as 512 times finer control than has been available in the Fine Mode.

“All of the powerful refinements in NUAGE V1.5 add up to enhanced efficiency and improved workflow for end users,” states Marc Lopez, marketing manager, Yamaha Commercial Audio Systems, Inc. “With ongoing feedback from the field, NUAGE will continue to evolve as the new standard for DAW system performance.”

Launched in 2012, the flexible NUAGE system features tight DAW software integration, groundbreaking operability, modular architecture, and Dante networking capability. NUAGE systems are currently being installed in audio post-production and recording facilities around the world.

For more information on NUAGE V1.5, visit Yamaha Commercial Audio Systems, Inc. at NAB 2014, booth #C2143 or on the web at www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

DPA Microphones Helps Steve Browell Capture Unique Car Sounds

 

Recording audio for film and TV within the confines of a car is hard enough, but actually capturing the sheer range of sounds that comprise car noise is an entirely different level of challenge. This, however, is something of a specialty for freelance sound effects editor Steve Browell who uses a range of DPA microphones and a variety of techniques to achieve spectacular results.

Browell, whose recent projects have included recording sound effects for Scarlett Johansson’s latest film Under the Skin, directed by Jonathan Glazer, says: “What I love about the job is that it’s so varied. From enhancing the physical sounds on screen to bringing inanimate objects to life; from designing effects to add to the emotion of the story to recording original sounds for each film, there is always a new challenge.”

Browell’s work involves many different locations, from race-tracks to mansion houses, from anechoic chambers to scrap yards. With him go a matched pair of DPA’s d:dicate™ 4011C Compact Cardioid Recording Microphones and a selected pair of d:screet™ 4061 Omnidirectional Miniature Microphones, which were supplied by DPA’s UK distributor Sound Network. Browell also owns a pair of d:dicate 4021 Compact Cardioid Recording Microphones in an DPA X/Y setup that have been customised to fit into a Rycote windshield.

“I have always liked the sound DPA microphones capture,” he says. “When I started my career I was involved in a lot of music recording and I can remember the first time I used a pair of DPA d:dicate 4011s when they were still Brüel and Kjaer. I loved the amazingly detailed and natural sound they were able to capture; it was like hearing the sound from the live source again. From then on I have always wanted to own my own pair.”

 

Browell first started experimenting with car recordings when he was asked to capture car sounds for a film he was working on. “Cars are fascinating machines that create a symphony of sound,” he says. “Also I liked the physical challenge of where and how to place microphones on a moving vehicle and still get a decent sounding recording with as little vibration and wind buffeting as possible.”

He explains that much of the action in Under the Skin takes place in the interior of a Mercedes Sprinter van. “To get a really authentic sound and the right coverage I spent a day recording the van with a multi-mic setup covering different aspects of the interior, the engine and the exhaust.”

Browell has been able to hone his techniques, not to mention widen the library of different cars he has captured, with work on the Need for Speed computer game franchise. As he says, though, it’s a delicate balance between the shielding stopping wind noise and it starting to colour the source sound.

“I also had to find materials that would withstand the high temperatures and a few Rycote windshields got burnt in the process,” he explains. “The McLaren MP4 12c was particularly bad for this; on overrun you can get a flame of three foot out of the exhaust. It can also be a problem fixing the microphones onto the cars and not damaging the paint and bodywork, which is important when some of them are valued at over $1m. Each car’s shape is so different and I need to be extremely flexible with my methods to get the microphones into a sweet spot: out of the direct airflow around the car but also avoiding some of the high temperatures and trying to dampen some of the vibration.”

For the future he says he would definitely like to own more DPA microphones, but adds that remembering petrol helps, too…

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

 

EASTWEST Launches Educational Program

Industry Leader Launches Aggressive Educational Program for Budding Composers and Music Professionals

Hollywood, CA (April 2, 2014) – EASTWEST has been the market leader in virtual instruments and sound libraries for the past 25 years and their products have been used by leading composers for countless scores in blockbuster movies, video games, TV shows, and music production. Hollywood’s elite composers like Danny Elfman, James Newton Howard, David Newmann, JJ Abrams, and more, rely on EASTWEST/Quantum Leap instruments for their realism, depth and accessibility in scoring today’s biggest films, while musicians look for the same quality in their own productions. A high percentage of the music produced for all media today is produced using EASTWEST/Quantum Leap Virtual Instruments.

Musical instrument collections of this caliber come at a price that reflects their quality. They are often unattainable for the next generation but in order to compete with the world’s top composers, today’s young musicians need the same composing tools. For this reason, EASTWEST is launching an educational program with special pricing for active students and educators, starting with the Complete Composers Collection 2. This bundle, already discounted 70%, is now available for students at an additional 50% off. Qualifying students and music educators can choose any 7 or more collections from a total of 20, including:

Hollywood Strings Gold
Hollywood Brass Gold
Hollywood Orchestral Woodwinds Gold
Ministry of Rock 2
The Dark Side
Solo Violin
Spaces
Fab Four
Goliath
Gypsy
Ministry of Rock
Pianos Gold
Ra
Silk
Stormdrum 2
Stormdrum 2 Pro Bundle
Symphonic Choirs Platinum Bundle
Symphonic Choirs Platinum
Symphonic Orchestra Gold
Voices of Passion
If students were to choose the default set with the first 7 collections listed above, they would pay only $399.50 for this selection while the combined retail value of the individual collections is $2,685. The educational price represents an 85% savings! Students may customize their CCC2EDU by choosing any 7 or more of the 20 collections listed. While customization may change the CCC2EDU price, the discount will be at 85% off, regardless of which and how many products are selected.

Pricing & Availability
All of these EASTWEST collections are available for download athttp://www.soundsonline.com/Educational-Program. The price varies depending on the products selected and will be discounted by 85% off MSRP. The CCC2EDU may also be ordered pre-installed on a USB3 Pocket HD for an additional $99.
iLok is required. First time customers may purchase an iLok for 50% off: $20.

This limited time offer is valid for active students and educators enrolled in an accredited educational facility. Educational pricing for EASTWEST products is available exclusively at http://www.soundsonline.com/Educational-Program. EDU discounts of 50% on single collections will be available here as well throughout the year.

About EASTWEST
EASTWEST (www.soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality of Sample Libraries and Virtual Instruments for 25 years, setting the industry standard as the most critically acclaimed soundware developer. More about EASTWEST at soundsonline.com and soundsonline-europe.com.

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Prism Sound Shows New Audio Interfaces at NAB 2014

 

After an exceptionally successful 12 month trading period, which culminated in a move to larger offices in the USA, internationally acclaimed manufacturer Prism Sound will be using the NAB 2014 platform to introduce post production and broadcaster engineers to its growing family of audio interfaces.

Alongside Orpheus, Lyra and Titan, the company will also be showing Atlas – the third new interface product that Prism Sound has launched in the last year.

“Launching three new products in such a short timeframe meant that our existing premises could no longer cope – to put it simply we needed more space,” says Janice Norton, Prism Sound’s VP US Operations. “We have moved to a larger, ground floor suite close to our former premises in Rockaway, New Jersey, and now have plenty of room to stock the extensive range of products that Prism Sound offers to both the recording and broadcast markets.”

Designed with Prism Sound’s latest and award-winning CleverClox clocking technology and incorporating eight of the company’s popular mic pre’s as standard, the new Atlas interface is aimed squarely at multitrack recording applications. It offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. In addition to the USB host interface, Atlas also features Prism Sound’s new MDIO interface expansion slot, which was first incorporated into Titan and announced at AES New York in October 2013. Using this miniature expansion slot users can, for example, directly connect to Pro Tools|HDX systems. A range of other MDIO interfaces is planned for later introduction. Atlas will also run with Apple and Windows native applications over USB.

Atlas, Titan and Lyra are all capable of aggregated operation in both MAC and Windows PC environments. This makes it possible to link up a number of different units for multichannel applications – for example 24 track, 32 track – or even bigger set-ups – while retaining a USB connection for each unit. In the Windows environment, Prism Sound provides a new driver that aggregates the units and presents a single multitrack interface to DAW applications for I/O routing.

At NAB 2014, Prism Sound is also showing its full range of Test & Measurement solutions, including the versatile dScope Series III Audio Analyzer. This award-winning unit features a freely-available test suite that can be used to evaluate the performance and compliance of any loudness meter on the market. As US broadcasters are now legally obliged to comply with the ATSC A/85 standards, Prism Sound’s test suite enables them to properly evaluate all loudness meters and ensure that their chosen product can deliver both ATSC and ITU BS.1770 compliance.

To find out more about the Prism Sound range and to demo the new Atlas interface, please visit NAB booth C1944. The company’s new address is Suite 1, 45 Pine Street, Rockaway, NJ 07866. The telephone and fax numbers remain the same.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

In the US
Sales department
Prism Media Products Inc.
45 Pine Street, Suite 1
Rockaway
NJ 07866
USA
Tel : +1 (973) 983 9577
Fax : +1 (973) 983 9588
e-mail : sales@prismsound.com

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