Waves Waltzes Away from APA 32/44-M Line

apa44-m.jpgWaves has removed the APA hardware DSP systems from their website and officially stopped supporting the boxes beyond software version 5.9. (Click here to read Mix’s review of the APA 32)


Waves’ responsed to queries about the move with this:


“If users wish to purchase the APA we will take the order , however it is important they understand it is V5 supported only. As we do not wish to confuse the users, we removed it from the (product) list and deal with the requests directly, this way we can explain the system and its support directly to the end user.”


I realize it’s a touchy issue whenever a company backs away from a product, especially in this price range, but this seems like an odd way to do it. There’s no mention of the products in the hardware section of their website, nor did they announce the move to stop supporting the units with software updates past version 5. However, if you happen to ask about it, they’ll sell you one.

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A New Twist on an Old Mic

g5790-isolatedweb.jpgCheck out my Mini Review of the Granelli Audio Labs G5790

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élastique C’est Magnifique!

tweaked.pngClick here to check out our MINI review of the slick élastique pitch plug-in from zplane. Be sure to download the files comparing élastique to Digi’s TCE - there’s no contest.

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On My Desk: Mixosaurus/DR-100

womd5.gifI just got the Mixosaurus 122 GB Virtual drum library (comes on a hard drive!) and the TASCAM DR-100 portable digital recorder for review.

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Coming Soon: Bench Tests

apx525.gifOur new APx525 system is up and running and it is a rockin’ test and measurement platform. Watch for our first bench test in the upcoming June issue of Mix.

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Coles Stereo Ribbon Mic Prototype




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Dolby Pulse

dolby_pulse_medium.gif

Dolby Pulse is the newest solution from Dolby for online, mobile and broadcast markets. It lets broadcasters deliver stereo and 5.1-channel audio at the lowest bandwidth rates while maintaining high audio quality. Because it includes Dolby metadata, Dolby Pulse is also the one HE AAC solution that eliminates the need for a stereo simulcast within a 5.1 broadcast, further reducing bandwidth.

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They’ve Got Digital!

stm77bf-b.jpgThe all-digital StudioComm 76DB/77B Surround Monitoring System from Studio Technologies offers simple and effective monitoring of 5.1 surround and stereo audio material. Comprised of a Model 76DB Central Controller and a Model 77B Control Console, this system is especially well suited for broadcast master control and post-production applications with digital-input loudspeakers.


The Model 76DB Central Controller is rack mountable and offers two surround (5.1) and three stereo (2-channel) digital inputs that are compatible with AES3id sources. Sample rates of up to 192 kHz and bit depth of up to 24 are directly supported. Exceptional dynamic range and extremely low distortion ensure that the audio quality of each source is maintained. Sample rate conversion (SRC) is available on one input (stereo input C).

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DPA Offers 4099 Instrument Mics

dpa.jpgInstrumentalists of all kinds will want to check out the 4099 mini cardioid mics DPA brought to the show. It attaches gently to the instrument, offers superior gain-before-feedback and is wireless compatible and can also be used as a standard 48V phantom powered microphone via the included XLR connector.

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Genelec Offers a Triple Treat

genelec_1038cf_1.gifGenelec showed the new 1038CF Tri-Amplified Active Monitoring System. It features loudspeaker drivers, slim speaker enclosure (only 9.25″/235 mm), dual eight-inch long throw bass drivers, multiple power amplifiers and active, low level crossovers. Designed for medium-sized control rooms, this system is ideal for music recording studios, project studios, film and video postproduction and broadcast monitoring. Based on the 1038B 3-Way Monitoring System, the 1038CF features a limited bass response, with a -2.5 dB point at 57 Hz, as the focus is on Mid/High performance. The system is intended to be used in combination with a subwoofer in either stereo or multichannel applications. The 1038CF’s very compact, sealed enclosure measures a mere 24.02″ (610 mm) H x 18.5″ (470 mm) W x 9.25″ (235 mm) D, making it highly suitable for on-wall, free-standing or flush-mounted applications. The system has a built-in tri-amplifier unit, delivering a total of 420 Watts into two 8-inch (210 mm) long-throw bass drivers, a 5.12″ (130-mm) proprietary Genelec midrange driver and a one-inch (25-mm) metal dome tweeter.


The 1038CF uses Genelec’s advanced Directivity Controlled Waveguide™ (DCW™) technology, with provides excellent stereo imaging and frequency balance, even in difficult acoustic environments. Versatile crossover controls allow for precise matching of the speaker system to different acoustic conditions. The system can be used in both vertical and horizontal orientation by simply rotating the DCW unit.

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