OUTSTANDING TECHNICAL ACHIEVEMENT

ANCILLARY EQUIPMENT
Apogee Electronics Symphony

DIGITAL CONVERTER TECHNOLOGY
Apogee Electronics Ensemble

MIC PREAMPLIFIER TECHNOLOGY
SSL XLogic Alpha Channel

MIC TECHNOLOGY/SOUND REINFORCEMENT
Neumann KMS 104

MIC TECHNOLOGY//RECORDING
Royer R122-V

WIRELESS TECHNOLOGY
Sennheiser NET1

SOUND REINFORCEMENT LOUDSPEAKER TECHNOLOGY
JBL Professional VP Series

STUDIO MONITOR TECHNOLOGY
Genelec 8200/7200 DSP Series

MUSICAL INSTRUMENT TECHNOLOGY
Moog Little Phatty

SIGNAL PROCESSING TECHNOLOGY/HARDWARE
Focusrite Liquid Mix

SIGNAL PROCESSING TECHNOLOGY/SOFTWARE
Universal Audio Neve Classic Console Bundle

WORKSTATION TECHNOLOGY
Digidesign 003

RECORDING DEVICES
Tascam DV-RA1000HD

SOUND REINFORCEMENT CONSOLE TECHNOLOGY
Digidesign D-Show Profile

SMALL FORMAT CONSOLE TECHNOLOGY
Trident Series 8T-8

LARGE FORMAT CONSOLE TECHNOLOGY
SSL Duality

OUTSTANDING CREATIVE ACHIEVEMENT

TOUR SOUND PRODUCTION
John Mayer Continuum Tour

FOH Engineer: Chad Franscoviak

Monitor Engineer: Mike Adams

Tour Company: Clair Showco, Lititz, PA

REMOTE PRODUCTION/RECORDING OR BROADCAST
49th Annual Grammy Awards, CBS

Production Mixers: Thomas Holmes, Paul Sandweiss

Music Mixers: John Harris, Eric Schilling, Joel Singer

Remote Facility: XM Productions-Effanel Music, NYC

TELEVISION SOUND PRODUCTION
The Sopranos, HBO

Supervising Sound Editor: Jason George

Re-Recording Mixers: Kevin Burns, Todd Orr

Production Mixer: Matthew Price

Audio Post Facility: Todd-AO West, Santa Monica, CA

FILM SOUND PRODUCTION

Pirates of the Caribbean: Dead Man’s Chest, Jerry Bruckheimer, Walt Disney

Supervising Sound Editors: Christopher Boyes, George Watters II

Sound Designer: Christopher Boyes

Re-recording Mixers: Christopher Boyes, Paul Massey, James Bolt, Lora Hirschberg

Production Mixer: Lee Orloff

Score Mixer: Alan Meyerson

Recording Facilities: Air Lyndhurst; Skywalker Sound; Sony Picture Studios; 20th Century Fox Studios; Todd-AO Radford, Studio City, CA

Audio Post Facility: Buena Vista Post Production Services

STUDIO DESIGN PROJECTRecord Plant/SSL 1, Hollywood, CA

Architects or Studio Designers: Vincent van Haaff, Jason Carson

Acoustician: Vincent van Haaff

Studio Owner: Rick Stevens

INTERACTIVE ENTERTAINMENT SOUND PRODUCTION
Tomb Raider: Legend, Eidos Interactive

Audio Director: Troels Folmann

Sound Designer: Mike Peaslee

Sound & Music Integrators: Gregg Stephens, Karl Gallagher

Audio Programmers: Gregg Stephens, Karl Gallagher

Re-recording Mixer: Mike Peaslee

Audio Post Facility: Crystal Dynamics Audio Studios

SURROUND SOUND PRODUCTION
Love, Beatles (DVD-A)

5.1 Mixing Engineer: Paul Hicks

Mastering Engineer: Tim Young

Producers: George Martin, Giles Martin

Mixing Facility: Abbey Road Studios, London, UK

Mastering Facility: Metropolis Mastering, London, UK

RECORD PRODUCTION/SINGLE OR TRACK
“Waiting On The World to Change,” Continuum, John Mayer

Recording Engineers: Chad Franscoviak, Dave O’Donnell

Mixing Engineer: Manny Marroquin

Mixing Facility: Larrabee Studios, Los Angeles, CA

Producers: Steve Jordan, John Mayer

Recording Studios: Avatar Studios, NYC; The Village, West Los Angeles, CA

Mastering Engineer: Greg Calbi

Mastering Facility: Sterling Sound, NYC

RECORD PRODUCTION/ALBUM
Continuum, John Mayer

Recording Engineers: Joe Ferla, Chad Franscoviak, Dave O’Donnell, John Alagia

Mixing Engineers: Michael H. Brauer, Manny Marroquin

Mixing Facilities: Quad Studios, NYC; Larrabee Studios, Los Angeles, CA

Producers: Steve Jordan, John Mayer

Recording Studios: Legacy Recording Studios, NYC; Royal Studios, Memphis, TN; The Village, West Los Angeles; Avatar Studios, NYC

Mastering Engineer: Greg Calbi

Mastering Facility: Sterling Sound, NYC